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The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2 cover

The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2

Chapter 1344: TRANSCRIBER'S NOTES:
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About This Book

A comprehensive annotated edition collects the poet's lyric, narrative, and experimental verse across his career, presenting finished poems, fragments, and drafts drawn from manuscripts and notebooks. The volume contains long narrative pieces, shorter lyrics, and metrical experiments that address nature, imagination, theology, and philosophical reflection. An extended preface and detailed footnotes document variant readings and editorial choices, arrange material approximately chronologically, and reintroduce several pieces published from manuscript for the first time. The editorial apparatus compares multiple editions and holographs, records emendations, and supplies textual and bibliographical notes to guide readers through the poems' composition and revision history.

 

Oxford: Horace Hart, Printer to the University


TRANSCRIBER'S NOTES:

Pages xxviii and 494 are blank in the original.

Ellipses in the text are represented as in the original. Ellipses in poetry are indicated by a row of asterisks.

Changes have been made to the text to reflect the corrections mentioned in the Errata listings on page xxvi of Vol. I. and on page viii of Vol. II. The Errata listings are included for completeness.

The quotation marks in THE RIME OF THE ANCYENT MARINERE are exactly as printed in the original.

Inconsistencies in spelling, hyphenation, and accents have been left as in the original.

The following corrections have been made to the text:

page xiii: V. Koskiusko. [MS. Letter, Dec. 17, 1794.] {original is missing period and has closing parenthesis instead of bracket}

page xvii: Youth and Age. [MS. S. T. C.:{original is missing period after C} MSS. (1, 2) Notebook.]

page 51: 28 gleam] gleams 1796, 1797, 1803{original has 11803}, 1893.

page 207: When the ivy-tod{original has ivv-tod} is heavy

page 218: [Lines 82, 83, . . . palfrey white.]{ending bracket is missing in original}

page 237: 20 Both] Famine M.{period missing in original} P.

page 256: Title] Fears &c. Written, April 1798, during the Alarms of an Invasion MS.{original has extraneous comma} W.

page 328: Deep was the shudder, O Earth!{exclamation point missing in original}

page 368: Dear Lady!{exclamation point missing in original} friend devoutest

page 376: (1) MS. A, sent to Sir George Beaumont, Oct. 1803 (see Coleorton Letters){ending parenthesis is missing in original}, 1886, i. 26;

page 442: "{quotation mark missing in original}Thus, long accustom'd

page 445: 'I guess we shall have rain to-day!'{quotation mark missing in original}

Footnote [133:1] Balda-Zhiok, i. e.{period missing in original} mons altitudinis

Footnote [256:1] alarm respecting the threatened invasion.{original has extraneous quotation mark}

Footnote [293:1] Coleridge synchronizes the Dark Ladié (a poem which he was 'preparing' with the Christabel){ending parenthesis is missing in original}].

page 564: Between 19 and 31] And marking that the moonlight came from thence,{original has period}

page 607 (line 137): The soldier's boldness constitutes{original has constitues} his freedom.

page 718: [56] Octavio (coldly). 1800, 1828, 1829.{Note removed as a duplicate of [55].}

page 731: [Before 72] Duchess (anxiously). 1800,{comma is missing in original} 1828

page 741: [39] Wallenstein (with eager expectation).{period is missing in original} Well?

page 754: [117{original has 17}] thou

page 765: Butler and Gordon.{period is missing in original}

page 771: [After 9] [Wallenstein shudders and turns pale{original has extraneous closing parenthesis}.

page 850 (line 91): What if{original has opening parenthesis followed by the word if} (his stedfast eye still beaming pity

page 868: removed superscripted 1 at the end of line 1 as there is no footnote

page 879: [255] and suddenly stabs Ordonio.{period is missing in original}

page 879: [255] [Note. In his.... [For MS. version of this variant see note on p. 597.]]{original is missing second closing bracket}

page 906 (line 181): added the word "Is" at the beginning of the line—verified in The Poetical and Dramatic Works of Samuel Taylor Coleridge, published by Harper Brothers, New York, 1854

page 929: [112] Laska (recovering himself).{period is missing in original}

page 934 (line 292): devotion is akin to love,{original has period after the comma}

page 982: First collected P. and D. W.{period is missing in original}

page 1146: {original has unmatched opening bracket}For lines 1-63 vide ante, No. III

page 1158: Apud Athenæum.{original has a comma}

Footnote [598:1] (an undramatic superstition ... pleasing associations, as the Sun and Moon) {original has duplicate word Astrology before and after the material in parentheses}

To maintain consistency, initials referring to manuscripts are spaced throughout the text.

When there is more than one poem on a page, the linenotes in the original repeat the title. This title has been removed. When there is more than one scene on a page, the linenotes in the original repeat the scene number. This number has been removed.

In "The Piccolomini," some of the drama is written in prose. The lines are numbered. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.

Act I, Scene VI:
  lines 5-6 orders/--no
  lines 7-8 counter/manded
 
Act II, Scene VIII:
  lines 23-24 determina/tion
 
Act II, Scene XII:
  lines 5-6 splen/did
  lines 15-16 Tie/fenbach
  lines 31-32 tale-/bearers
  lines 34-35 gold.--/And
  lines 58-59 Rudolph--/a [moved up]
  lines 99-100 Fron/tignac!--Snapped
  lines 111-112 con/fidentially
 
Act II, Scene XIII:
  lines 11-12 me--/talk
  lines 23-24 pre/cedence
  lines 25-26 permission--/Good
  lines 44-45 com/plaint
  lines 46-47 Chaly/beate
  lines 59-60 Mara/das
  lines 65-66 com/pliment!--For
  lines 66-67 re/maining
  lines 68-69 Lieutenant-/General
 
Act II, Scene XIV:
  lines 22-23 brother!--/Hast
  lines 72-73 over-scrupu/lously
  lines 76-77 army-/purveyancer

In the Preface to "The Death of Wallenstein," the lines are numbered. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.

lines 1-2 Wallen/stein
lines 10-11 trans/lated
lines 12-13 com/parative
lines 28-29 His/tory
lines 47-48 Piccolo/mini [moved up]
lines 61-62 Trans/lator
lines 68-69 com/pensation

In Act I, Scene I of "The Triumph of Loyalty," the lines are numbered. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.

lines 5-6 Cas/tilian
lines 60-61 judge/ment--she

In Appendix I, part of the poem "Youth and Age" has numbered lines. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.

lines 13-14 spark/ling
lines 16-17 side/--out

In Appendix II, the "Allegoric Vision" has numbered lines. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.

lines 26-27 disap/pointments
lines 59-60 im/mediately
lines 74-75 pin/ing
lines 77-78 move/ments
lines 91-91 sprink/lings
lines 106-107 extre/mity
lines 123-124 some/thing
lines 127-128 uncer/tainty
lines 148-149 over/taken [moved up]
lines 161-162 demean/our [moved up]
lines 170-171 dim-/eyed [moved up]
lines 181-182 mys/teries

In Appendix III, the "Apologetic Preface to 'Fire, Famine, and Slaughter'" has numbered lines. Where words are hyphenated in the original, the parts have been rejoined and the first part of the word moved down to the beginning of the following line. In the list below, the slash indicates where the hyphen occurs in the original.

lines 2-3 cul/tivated
lines 25-26 Anti-/Gallican
lines 34-35 com/pensated
lines 38-39 illus/trious
lines 147-148 appari/tions
lines 157-158 imagina/tion [moved up]
lines 170-171 con/cluded
lines 174-175 epigram/matic [moved up]
lines 193-194 occa/sion
lines 207-208 re/published
lines 251-252 pass/age [moved up]
lines 267-268 com/pared
lines 278-279 tran/scendant
lines 285-286 wil/fully
lines 301-302 disposi/tions
lines 302-303 punish/ment
lines 308-309 hypotheti/cally
lines 315-316 calum/niators
lines 319-320 anti-/prelatist [moved up]
lines 339-340 per/secution
lines 353-354 con/tented
lines 359-360 tempta/tion
lines 361-362 tolera/tion
lines 370-371 sup/port
lines 378-379 Church-anti/quity [moved up]
lines 381-382 church-/communion [moved up]
lines 394-395 ex/pressed
lines 399-400 inter/misceant
lines 408-409 alle/gorical [moved up]
lines 437-438 dun/geoning
lines 439-440 con/cerning [moved up]
lines 454-455 charac/ters
lines 464-465 truth,—/when
lines 467-468 main/taining
lines 472-473 primi/tive
lines 478-479 reli/gious

In the individual entries in the Bibliography, words in bold are in a Gothic font in the original.