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A first-person memoir by a prominent caricaturist traces his early life and artistic training, describes the technical craft of wood engraving and illustration, and recounts entry into London bohemia and the world of satirical journals. It interleaves practical discussions of caricature techniques and illustration commissions with vivid anecdotes from press galleries, parliamentary sketches, magazine studios, and society events, including reminiscences of colleagues, editors, and public figures. Chapters cover professional struggles, the routines of special-artist work, collaborations on books and periodicals, and reflections on humor, realism, and the ethics of caricature.

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Title: The Confessions of a Caricaturist, Vol. 1

Author: Harry Furniss

Release date: July 16, 2009 [eBook #29425]

Language: English

Credits: Produced by Juliet Sutherland, Marius Borror and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE CONFESSIONS OF A CARICATURIST, VOL. 1 ***
Transcriber's note: A few typographical errors have been corrected. They appear in the text like this, and the explanation will appear when the mouse pointer is moved over the marked passage. Original page numbers are displayed in the margin as: Pg xxx.

THE CONFESSIONS OF A CARICATURIST

BY

HARRY FURNISS

ILLUSTRATED

VOLUME I

NEW YORK AND LONDON:
HARPER & BROTHERS, PUBLISHERS.
1902.

BRADBURY, AGNEW, & CO. LD., PRINTERS,
LONDON AND TONBRIDGE.

[All rights reserved.]
December, 1901.


PREFACE.


If, in these volumes, I have made some joke at a friend's expense, let that friend take it in the spirit intended, and—I apologise beforehand.

In America apology in journalism is unknown. The exception is the well-known story of the man whose death was published in the obituary column. He rushed into the office of the paper and cried out to the editor:

"Look here, sur, what do you mean by this? You have published two columns and a half of my obituary, and here I am as large as life!"

The editor looked up and coolly said, "Sur, I am vury sorry, I reckon there is a mistake some place, but it kean't be helped. You are killed by the Jersey Eagle, you are to the world buried. We nevur correct anything, and we nevur apologise in Amurrican papers."

"That won't do for me, sur. My wife's in tears; my friends are laughing at me; my business will be ruined,—you must apologise."

"No, si—ree, an Amurrican editor nevur apologises."

"Well, sur, I'll take the law on you right away. I'm off to my attorney."

"Wait one minute, sur—just one minute. You are a re-nowned and popular citizen: the Jersey Eagle has killed you—for that I am vury, vury sorry, and to show you my respect I will to-morrow find room for you—in the births column."

Now do not let any editor imagine these pages are my professional obituary,—my autobiography. If by mistake he does, then let him place me immediately in their births column. I am in my forties, and there is quite time for me to prepare and publish two more volumes of my "Confessions" from my first to my second birth, and many other things, before I am fifty.

London, 1901.


[The Author begs to acknowledge his indebtedness to the Proprietors and the Editor of Punch, the Proprietors of the Magazine of Art, the Graphic, the Illustrated London News, English Illustrated Magazine, Cornhill Magazine, Harper's Magazine, Westminster Gazette, St. James' Gazette, the British Weekly and the Sporting Times for their kindness in allowing him to reproduce extracts and pictures in these volumes.]


CONTENTS.

  Page
CHAPTER I.

CONFESSIONS OF MY CHILDHOOD—AND AFTER.
 
Introductory—Birth and Parentage—The Cause of my remaining a Caricaturist—The Schoolboys' Punch—Infant Prodigies—As a Student—I Start in Life—Zozimus—The Sullivan Brothers—Pigott—The Forger—The Irish "Pathriot"—Wood Engraving—Tom Taylor—The Wild West—Judy—Behind the Scenes—Titiens—My First and Last Appearance in a Play—My Journey to London—My Companion—A Coincidence pp. 129

CHAPTER II.

BOHEMIAN CONFESSIONS.
 
I arrive in London—A Rogue and Vagabond—Two Ladies—Letters of Introduction—Bohemia—A Distinguished Member—My Double—A Rara Avis—The Duke of Broadacres—The Savages—A Souvenir—Portraits of the Past—J. L. Toole—Art and Artists—Sir Spencer Wells—John Pettie—Milton's Garden pp. 3053

CHAPTER III.

MY CONFESSIONS AS A SPECIAL ARTIST.
 
The Light Brigade—Miss Thompson (Lady Butler)—Slumming—The Boat Race—Realism—A Phantasmagoria—Orlando and the Caitiff—Fancy Dress Balls—Lewis Wingfield—Cinderella—A Model—All Night Sitting—An Impromptu Easel—"Where there's a Will there's a Way"—The American Sunday Papers—I am Deaf—The Grill—The World's Fair—Exaggeration—Personally Conducted—The Charnel House—10, Downing Street—I attend a Cabinet Council—An Illustration by Mr. Labouchere—The Great Lincolnshire Trial—Praying without Prejudice pp. 5487

CHAPTER IV.

THE CONFESSIONS OF AN ILLUSTRATOR—A SERIOUS CHAPTER.
 
Drawing—"Hieroglyphics"—Clerical Portraiture—A Commission from General Booth—In Search of Truth—Sir Walter Besant—James Payn—Why Theodore Hook was Melancholy—"Off with his Head"—Reformers' Tree—Happy Thoughts—Christmas Story—Lewis Carroll—The Rev. Charles Lutwidge Dodgson—Sir John Tenniel—The Challenge—Seven Years' Labour—A Puzzle MS.—Dodgson on Dress—Carroll on Drawing—Sylvie and Bruno—A Composite Picture—My Real Models—I am very Eccentric—My "Romps"—A Letter from du Maurier—Caldecott—Tableaux—Fine Feathers—Models—Fred Barnard—The Haystack—A Wicket Keeper—A Fair Sitter—Neighbours—The Post Office Jumble—Puzzling the Postmen—Writing Backwards—A Coincidence pp. 88130

CHAPTER V.

A CHAT BETWEEN MY PEN AND PENCIL.
 
What is Caricature?—Interviewing—Catching Caricatures—Pellegrini—The "Ha! Ha!"—Black and White v. Paint—How to make a Caricature—M.P.'s—My System—Mr. Labouchere's Attitude—Do the Subjects Object?—Colour in Caricature—Caught!—A Pocket Caricature—The Danger of the Shirt-cuff—The Danger of a Marble Table—Quick Change—Advice to those about to Caricature pp. 131153

CHAPTER VI.

PARLIAMENTARY CONFESSIONS.
 
Gladstone and Disraeli—A Contrast—An unauthenticated Incident—Lord Beaconsfield's last Visit to the House of Commons—My Serious Sketch—Historical—Mr. Gladstone—His Portraits—What he thought of the Artists—Sir J. E. Millais—Frank Holl—The Despatch Boxes—Impressions—Disraeli—Dan O'Connell—Procedure—American Wit—Toys—Wine—Pressure—Sandwich Soirée—The G.O.M. dines with "Toby, M.P."—Walking—Quivering—My Desk—An Interview—Political Caricaturists—Signature in Sycamore—Scenes in the Commons—Joseph Gillis Biggar—My Double—Scenes—Divisions—Puck—Sir R. Temple—Charles Stewart Parnell—A Study—Quick Changes—His Fall—Room 15—The last Time I saw him—Lord Randolph Churchill—His Youth—His Height—His Fickleness—His Hair—His Health—His Fall—Lord Iddesleigh—Sir Stafford and Mr. Gladstone—Bradlaugh—His Youth—His Parents—His Tactics—His Fight—His Extinction—John Bright—Jacob Bright—Sir Isaac Holden—Lord Derby—A Political Prophecy—A Lucky Guess—My Confession in the Times—The Joke that Failed—The Seer—Fair Play—I deny being a Conservative—I am Encouraged—Chaff—Reprimanded—Misprinted—Misunderstood pp. 154214

CHAPTER VII.

"PUNCH."
 
Two Punch Editors—Punch's Hump—My First Punch Dinner—Charles Keene—"Robert"—W. H. Bradbury—du Maurier—"Kiki"—A Trip to the Place of his Birth—He Hates Me—A Practical Joke—du Maurier's Strange Model—No Sportsman—Tea—Appollinaris—My First Contribution—My Record—Parliament—Press Gallery Official—I Feel Small—The "Black Beetle"—Professor Rogers—Sergeant-at-Arms' Room—Styles of Work—Privileges—Dr. Percy—I Sit in the Table—The Villain of Art—The New Cabinet—Criticism—Punch's Historical Cartoons—Darwen MacNeill—Scenes in the Lobby—A Technical Assault—John Burns's "Invention"—John Burns's Promise—John Burns's Insult—The Lay of Swift MacNeill—The Truth—Sir Frank Lockwood—"Grand Cross"—Lockwood's Little Sketch—Lockwood's Little Joke in the House—Lockwood's Little Joke at Dinner—Lewis Carroll and Punch—Gladstone's Head—Sir William's Portrait—Ciphers—Reversion—Punch at Play—Three Punch Men in a Boat—Squaring up—Two Pins Club—Its One Joke—Its One Horse—Its Mystery—Artistic Duties—Lord Russell—Furious Riding—Before the Beak—Burnand and I in the Saddle—Caricaturing Pictures for Punch—Art under Glass—Arthur Cecil—My Other Eye—The Ridicule that Kills—Red Tape—Punch in Prison—I make a Mess of it—Waterproof—"I used your Soap two years ago"—Charles Keene—Charles Barber—Punch's Advice—Punch's Wives pp. 215302
HARRY FURNISS'S (EGYPTIAN STYLE). From "Punch."

LIST OF ILLUSTRATIONS.

 PAGE
My Caricature of Mr. GladstoneFrontispiece.
Initial "In." Writing my Confessions. A Visitor's Snapshot1
My Mother3
My Father5
Harry Furniss, aged 106
A Caricature, made when a Boy (never published). Dublin Exhibition.
Portrait of Sir A. Guinness (now Lord Iveagh) in centre11
An Early Illustration on Wood by Harry Furniss. Partly Engraved by him.16
Sketches in Galway19
"Judy," the Galway Dwarf23
Phelps, the first Actor I saw24
Mrs. Hardcastle. Mr. Harry Furniss. From an Early Sketch25
Caricature of Myself, drawn when I first arrived in London30
Age 2035
A successful "Make-Up"36
Two Travellers38
The Duke of "Broadacres"40
Savage Club House Dinner. From a Sketch by Herbert Johnson41
The Earl of Dunraven as a Savage42
"Another Gap in Our Ranks"43
"Jope"43
H. J. Byron44
A Presentation45
Savage Club. My Design for the Menu, 25th Anniversary Dinner47
"Savages"50
Letter from Sir Spencer Wells51
Distress in the Black Country54
At the Oxford and Cambridge Boat Race55
As Special at the Balaclava Celebration57
Distress in the North59
Realism!61
"The Caitiff" and Orlando62
An Invitation63
At a Fancy Dress Ball65
Lewis Wingfield as a Street Nigger Home from the Derby67
"The Liberal Candidate"68
Sketches at the Liverpool Election: A Ward Meeting69
My Easel. Drawing Mr. Gladstone at a Public Meeting71
The American Sunday Papers72
Major Handy74
The World's Fair, Chicago. A "Special's" Visit75
"On dashed the Horses in their wild Career"77
Initial "A"79
The Charnel-House. Chicago World's Fair80
Initial "London"83
The Bishop of Lincoln's Trial85
Initial "If"88
Majuba Hill89
Canon Liddon. A Sketch from Life92
Letter from Sir Walter Besant94
The Late Sir Walter Besant95
The "Jetty"95
Illustration for "The Talk of the Town"96
"That's just what I have done!"98
Specimen of James Payn's Writing99
The Typical Lovers in Illustrated Novels100
Initial "T"101
Instructions in a Letter from Lewis Carroll103
Specimen of Lewis Carroll's Drawing and Writing106
Original Sketch by Lewis Carroll of his Charming Hero and Heroine107
Lewis Carroll's Note to me or a Pathetic Picture108
Sylvie and Bruno. My Original Drawing for Lewis Carroll110
I Go Mad!111
From Lewis Carroll112
"I do want a Wicket-keeper!"113
Portion of Letter from Lawrence, age 9114
Reduction from a Design for my "Romps"115
Portion of a Letter from George du Maurier117
A Transformation119
"Yours always, Barnard"119
Barnard and the Models120
"I sit for 'Ands, Sir"121
The Grand Old Hand and the Young 'Un122
My Fighting Double124
Specimen of Mr. Linley Sambourne's Envelopes to me125
Cheque for 5½d. passed through two Banks and paid. I signed it
backwards, and it was cancelled by Clerk backwards127
Sir Henry Irving writes his Name backwards128
Sir Henry Irving's Attempt128
Mr. J. L. Toole's first Attempt128
Mr. J. L. Toole's second Attempt128
Autograph: Harry Furniss129
Initial "If"131
The Studio of a Caricaturist132
Caricature of me by my Daughter, age 15134
A serious Portrait—from Life135
Initial "H"136
"Penguin"139
Mr. Brown, Ordinary Attire. Court Dress139
Two Portraits140
A Caricature140
Not a Caricature140
The Editor of Punch sits for his Portrait144
A Model unawares and the Result145
Sketch on a Shirt-Cuff146
"Mundella"147
Mr. Labouchere149
The M.P. Real and Ideal150
The Photo. As he really is151
"Dizzy" (Beaconsfield) and Gladstone154
The Inner Lobby of the House of Commons156
Explanation to Illustration on page 156157
Lord Beaconsfield. A Sketch from Life158
The last Visit of Lord Beaconsfield to the House161
Mr. Gladstone. A Sketch from Life163
Mr. Gladstone "under his Flow of Eloquence"165
Mr. Gladstone. Conventional Portrait167
Caricature of the Holl Portrait169
Note of Mr. Gladstone made in the Press Gallery with the wrong
end of a Quill Pen171
Invitation to a "Sandwich Soirée"173
Mr. Gladstone sits on the Floor174
The Fragment of Punch Mr. Gladstone did not see175
The Gladstone Matchbox176
Mr. Gladstone's Collars178
Parnell179
To Room 15182
Outside Room 15183
Outside my Room185
"The G.O.M." and "Randy"185
Mr. Louis Jennings186
Lord Randolph and Louis Jennings188
Lord Randolph Churchill189
Behind the Speaker's Chair190
Initial "S"191
Initial "H"193
Bradlaugh Triumphant. From "Punch"194
Charles Bradlaugh195
The Meet at St. Stephen's197
Sir George Campbell199
Heraldic Design illustrating Mr. Plunkett's (now Lord Rathmore) Joke201
Mr. Farmer Atkinson202
I must Introduce you to Lucy. Here he is203
Joseph Gillis Biggar204
Initial "I"206
The House of Commons from Toby's Private Box208
The Government Bench—before Home Rule211
Reduction of one of my Parliamentary Pages in Punch214
Initial "T"215
Age 26, when I first worked for Punch216
My first Meeting with the Editor of Punch217
My first Invitation from Punch218
A Letter from Charles Keene, objecting to an Editor interviewing him219
"Robert"220
George du Maurier221
Suggestion by du Maurier for Punch Cartoon224
Du Maurier's Souvenir de Fontainebleau. From "Punch"225
Punch Staff returning from Paris227
Japanese Style229
"Birch—His Mark"231
Chinese Style. From a Drawing on Wood232
Familiar Faces234
An Official in the Press Gallery235
"He spies me"236
"What are you?"236
"Blowed if the Country wants you"238
"I feel smaller!"241
The Black Beetle242
The Sergeant-at-Arms' Room243
Capt. Gosset, late Sergeant-at-Arms244
My "Childish" Style in Punch245
A simple Document246
I Sketch the House247
Dr. Percy. "The House Up"250
Mr. Punch's Puzzle-Headed People. Mr. Goschen251
Mr. Punch's Puzzle-Headed People. "All Harcourts"252
The New Cabinet255
Reduction of Page in Punch, showing that my Caricatures were—in this
case—published too large258
Reduction from the Original Drawing, showing that I gave Instructions for the Caricature to be
"reduced as usual"259
What really happened261
Dr. Tanner262
Assault on me in the House. What the Press described263
John Burns265
Note from Sir Frank Lockwood, after reading the Bogus Account of the "Assault"266
Letter supposed to come from Lord Cross. (Lockwood's Joke)267
Sir F. Lockwood269
Lewis Carroll's Suggestion, and my sketch of it in Punch270
Nature's Puzzle Portrait271
Initial "W"272
"Three Oarsmen under a Tree"273
Lord Russell's Acceptance to dine with me275
"It's your Turn next"277
Letter from Sir Frank Lockwood277
Mr. Linley Sambourne278
Portrait of me as a Member of the Two Pins Club, by Linley Sambourne279
The late Lord Russell, the President of the Two Pins Club280
"Furious Riding." Sketch by F. C. Gould282
My Portrait, by F. C. Burnand285
Mr. Punch "doing" the Picture Shows286
The Picture Shows. Design from Punch288
"The World-Renowned and Talented Barnardo Family"289
The Great Baccarat Case. My Sketch in Pencil made in Court, and
Congratulatory Note from the Editor of Punch291
Letter from Professor Herkomer293
A Prisoner294
"Good Advertisement." Original Idea as sent to me297
Ditto. My Drawing of it in Punch297
"English Waterproof Ink"299
I sit for John Brown300
A Crib by an American Advertiser301
Finis302



CONFESSIONS OF A CARICATURIST.


CHAPTER I.

CONFESSIONS OF MY CHILDHOOD—AND AFTER.