Then William, the son,'"
the matron of the Women's and Children's Hospital declared, "and Tess had not recited it in school, Teeny, you would never have remembered it and felt the strange drawing toward me that you did feel."
"And if you hadn't met that child, I have an idea that you'd have lost your position at this hospital—and then where'd we be?" said the convalescent Miss Pepperill, sitting propped up in her chair in the matron's room at the institution in question. "That child, Tess, certainly started all the interest now being shown in this hospital."
That Monday night was the first public presentation of the play for the benefit of the hospital. Few were more anxious or more excited before the curtain went up, for the success of The Carnation Countess, than the Corner House girls and Neale O'Neil; but there was in store for them in the immediate future much more excitement than this of performing in the play, all of which will be narrated in the next volume of the series, to be entitled, "The Corner House Girls' Odd Find: Where They Made It; and What the Strange Discovery Led To."
Ruth Kenway felt a share of responsibility for the success of the play, as she naturally would for any matter in which she had even the smallest part. It was Ruth's way to be "cumbered by many cares." Mr. Howbridge sometimes jokingly called her "Martha."
Dot was only desirous of singing her "bee" song with the other children, and then hurrying home where she might continue her work on a wonderful Christmas outfit for her Alice-doll. Alice was to have a "coming out party" during the holiday week, and positively had to have some new clothes. Besides, The Carnation Countess had become rather a stale affair for the smallest Corner House girl by this time.
Tess seriously hoped she would do nothing in her part of Swiftwing, the hummingbird, to detract from the performance. Tess did not take herself at all seriously as an actor; she only desired—as she always did—to do what she had to do, right.
As for Agnes, she was truly filled with delight. The fly-away's very heart and soul was in the character she played. She lived the part of Innocent Delight.
She truly did well in this first performance. No stage fright did she experience. From her first word spoken in the centre of the stage while Madam Shaw was being borne in by the Sedan men, till the last word she spoke in the final act of the play, Agnes Kenway acted her part with credit.
In truth, as a whole, the Milton school pupils did well in the play. The professor's fears were not fulfilled. Milton people did not by any means, laugh the actors out of town.
Instead, the packed house of the first night was repeated on the second evening. The matinée on the third day, which was given at popular prices, was overcrowded—they had to stop selling admission tickets. While the third and last evening saw a repetition of the crowds at the other performances.
The local papers gave much space each day to the benefit, and their criticisms of the amateur players made the hearts of boys and girls alike, glad.
The reports from the ticket office were, after all, the main thing. It was soon seen that a goodly sum would be made for the Women's and Children's Hospital. In the end it amounted to more than three thousand dollars.
"Why, that will give the hospital a new lease of life! Dr. Forsyth said so," Agnes declared at the dinner table the day after the last performance.
"It will pay Mrs. Eland's salary for a long time," Tess remarked, with a sigh of satisfaction.
"I don't know but that sounds rather selfish, after all, dear," Ruth said, smiling at sober little Tess.
"What does, Sister?"
"It seems that all you care about the hospital is that Mrs. Eland shall get her wages."
"Yes. I s'pose that's my special interest in it," admitted Tess, slowly. "But then, if my Mrs. Eland is there as matron, the hospital is bound to do a great deal of good."
"Oh! wisdom of the ancients!" laughed Agnes.
"Quite true, my dear," commented Mrs. MacCall. "Your Mrs. Eland is a fine woman. I've always said that."
"Everybody doesn't agree with you," said Ruth, smiling.
"Who doesn't like Mrs. Eland?" demanded Tess, quite excited.
"Our neighbor, Sammy Pinkney," Ruth replied, laughing again. "I heard him talking about her this very morning, and what he said was not complimentary."
Tess was quite flushed. "Sammy gave us Billy Bumps," she said sternly, "and Billy is a very good goat."
"Except when he eats up poor Seneca Sprague's hair," chuckled Agnes.
"He is a very good goat," repeated Tess. "But if Sammy says my Mrs. Eland isn't the very nicest lady there is—well—he can take his old goat back—so now!"
"What did he say, Ruthie?" asked Agnes.
"I heard him say that if Mrs. Eland nursed Miss Pepperill so well that she could come back to teach school, when he got to be a pirate he would sail 'way off with Mrs. Eland somewhere and make her walk the plank!"
"If he does such a thing," cried Dot, excitedly, "he can take back his old goat! You know, I don't believe Mrs. Eland could walk a plank, anyway. She isn't an acrobat, like Neale."
"If Sammy Pinkney tries to be a pirate, and carries my Mrs. Eland off in any such horrid way," declared Tess with much energy for her, "I hope his mother spanks him good!"
And with the hilarious laughter that welcomed this speech from Swiftwing, the hummingbird, let us bid farewell to our four Corner House girls.
THE END
CHARMING STORIES FOR GIRLS
From eight to twelve years old
THE CORNER HOUSE GIRLS SERIES
BY GRACE BROOKS HILL.
Four girls from eight to fourteen years of age receive word that a rich bachelor uncle has died, leaving them the old Corner House he occupied. They move into it and then the fun begins. What they find and do will provoke many a hearty laugh. Later, they enter school and make many friends. One of these invites the girls to spend a few weeks at a bungalow owned by her parents and the adventures they meet with make very interesting reading. Clean, wholesome stories of humor and adventure, sure to appeal to all young girls.
- 1 THE CORNER HOUSE GIRLS.
- 2 THE CORNER HOUSE GIRLS AT SCHOOL.
- 3 THE CORNER HOUSE GIRLS UNDER CANVAS.
- 4 THE CORNER HOUSE GIRLS IN A PLAY.
- 5 THE CORNER HOUSE GIRLS' ODD FIND.
- 6 THE CORNER HOUSE GIRLS ON A TOUR.
- 7 THE CORNER HOUSE GIRLS GROWING UP.
(Other volumes in preparation)
Cloth, Large 12mo., Illustrated, Per vol. 75 cents
For sale at all bookstores or sent (postage paid) on receipt of price by the publishers.
BARSE & HOPKINS
Publishers 28 West 23rd Street New York
Transcriber's Note:
Page 10 Hyphen removed from bespectacled
Page 40 Bump's changed to Bumps'
Page 44 Eve changed to Eva
Page 116 Closing double quotation mark removed from 'tater!'
Page 129 Retained the spelling of barries
Page 148 The word "in" removed from between Also the
Page 193 Changed bady to badly
Page 236 Changed strongs to strong