| Figure | Page | |
| 1. | Wedging (a) | 3 |
| 2. | Wedging (b) | 4 |
| 3. | Kick-wheel with treadle | 5 |
| 4. | Kick-wheel with disk | 6 |
| 5. | Wheel put in motion by assistant turning handle | 6 |
| Processes of throwing: | ||
| 6. | Centering ball | 7 |
| 7. | Pressing clay down | 7 |
| 8. | Squeezing clay into cone | 7 |
| 9. | Inserting thumb | 7 |
| 10. | Making cylinder | 8 |
| 11. | Making bowl | 8 |
| 12. | Making jar | 8 |
| 13. | Making bottle | 8 |
| 14. | Turning a vase | 10 |
| 15. | Turned foot | 11 |
| 16. | Foot left as thrown | 12 |
| 17. | Turning marks on outside of vase | 13 |
| 18. | Turning marks on inside of vase | 13 |
| 19. | Finishing marks left in handwork | 14 |
| 20. | Unturned inside of amphora | 15 |
| 21. | Vase thrown in sections | 16 |
| 22. | Sections in place | 17 |
| 23. | Vase after turning | 17 |
| 24. | Wet cellar | 18 |
| 25. | Detail of kylix showing joint | 19 |
| 26. | Detail of amphora showing difference between polished and unpolished surfaces | 20 |
| 27. | Attachment of handles | 21 |
| 28-33. | Athenian vases showing treatment of handles | 22, 23, 24 |
| 34. | Detail of krater showing under part of handle left rough | 25 |
| 35. | Making coils | 26 |
| 36. | Vase poured in a mould | 28 |
| 37. | Inside of moulded vase | 29 |
| 38. | Vase showing joint of two parts of mould | 30 |
| 39. | Open kiln | 31 |
| 40. | Muffle kiln with biscuit ware | 32 |
| 41. | Open kiln showing saggers | 33 |
| 42. | Muffle kiln with glazed ware | 34 |
| 43. | Detail of amphora showing preliminary sketch | 37 |
| 44. | Design on red-figured krater. | |
| (a) Preliminary sketch | 38 | |
| (b) Completed painting | 38 | |
| 45. | Detail of hydria showing dent with mark over black glaze | 41 |
| 46. | Detail of amphora showing dent with clay from other body still adhering | 42 |
| 47. | Unfinished kylix | 43 |
| 48. | Foot of unfinished kylix | 43 |
| 49. | Black-glazed amphora with large red spot on one side | 46 |
| Methods of Glazing: | ||
| 50. | Dipping | 48 |
| 51. | Pouring | 49 |
| 52. | Use of the brush | 50 |
| 53. | Spraying | 51 |
| 54. | Hydria showing brush marks | 52 |
| 55. | Detail of psykter showing relief line | 53 |
| 56. | Detail of amphora showing diluted black glaze line (on arm) going over red ochre left in preliminary sketch line | 57 |
| 57. | Inside of krater showing extensive wear | 63 |
| Representations of ancient potters fashioning vases: | ||
| 58. | Athenian pottery establishment | 64 |
| 59. | Potter throwing | 66 |
| 60. | Potter throwing | 66 |
| 61. | Potter attaching handles | 67 |
| 62. | Potter incising lines (?) | 68 |
| 63. | Potter joining sections (?) | 68 |
| 64. | Boy finishing a vase | 69 |
| 65. | Potter building a vase | 70 |
| Representations of ancient potters decorating vases: | ||
| 66. | Athena and Victories crowning potters at work | 71 |
| 67. | Youth decorating kylix | 72 |
| 68. | Potter glazing kylix | 73 |
| 69. | Potter painting bands on a krater | 73 |
| 70. | Three youths, one painting a krater | 74 |
| 71. | Pottery establishment | 75 |
| Representations of ancient potters firing: | ||
| 72. | Potter stoking fire | 76 |
| 73. | Potter stoking fire | 76 |
| 74-79. | Potters regulating draught | 77 |
| 80. | Vases stacked in potter’s kiln | 78 |
| Representations of ancient potters: miscellaneous scenes: | ||
| 81. | Youth removing vase from oven with two sticks | 79 |
| 82. | Youth working on vases (?) | 79 |
| 83. | Master potter(?) | 80 |
| 84. | Woman potter(?) | 81 |
| 85. | Client in potter’s shop | 82 |
| 86. | Ship with cargo of pottery | 82 |
| Potter’s Implements: | ||
| 87. | Wheel-head | 84 |
| 88. | Tools found at Arezzo | 85 |
| 89. | Stilt | 85 |
The Craft of Athenian Pottery / An Investigation of the Technique of Black-Figured and Red-Figured Athenian Vases
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About This Book
A technical study investigates the materials and methods behind black- and red-figured Athenian vases, combining practical pottery experience with archaeological and literary evidence. It describes clay preparation, wheel-throwing, building and moulding techniques, handle attachment, polishing, and firing processes, including kiln types, packing, and glazing methods. The author analyzes vase imagery showing potters at work, reviews ancient textual references and workshop implements, and reassesses common assumptions by comparing archaeological finds with demonstrations of modern craft practice.