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The Defence of Guenevere and Other Poems cover

The Defence of Guenevere and Other Poems

Chapter 19: THE WIND
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About This Book

A sequence of narrative and lyric poems that rework Arthurian and medieval motifs into medievalizing, often elegiac verse. Scenes alternate between courtly drama, chivalric quests, and quiet lyrics of nature and loss, exploring love, guilt, duty, and spiritual longing. Several longer narratives dramatize moral dilemmas and sacramental quests while shorter pieces dwell on memory, dawn, and the passage of seasons. The tone moves from plaintive lament to visionary consolation, using archaic diction and vivid imagery to evoke a vanished age and to probe how desire, honor, and remorse shape human fate.

YOU must be very old, Sir Giles,
I said; he said: Yea, very old!
Whereat the mournfullest of smiles
Creased his dry skin with many a fold.
They hammer'd out my basnet point
Into a round salade, he said,
The basnet being quite out of joint,
Natheless the salade rasps my head.
He gazed at the great fire awhile:
And you are getting old, Sir John;
(He said this with that cunning smile
That was most sad) we both wear on;
Knights come to court and look at me,
With eyebrows up; except my lord,
And my dear lady, none I see
That know the ways of my old sword.
(My lady! at that word no pang
Stopp'd all my blood). But tell me, John,
Is it quite true that Pagans hang
So thick about the east, that on
The eastern sea no Venice flag
Can fly unpaid for? True, I said,
And in such way the miscreants drag
Christ's cross upon the ground, I dread
That Constantine must fall this year.
Within my heart, these things are small;
This is not small, that things outwear
I thought were made for ever, yea, all,
All things go soon or late, I said.
I saw the duke in court next day;
Just as before, his grand great head
Above his gold robes dreaming lay,
Only his face was paler; there
I saw his duchess sit by him;
And she, she was changed more; her hair
Before my eyes that used to swim,
And make me dizzy with great bliss
Once, when I used to watch her sit,
Her hair is bright still, yet it is
As though some dust were thrown on it.
Her eyes are shallower, as though
Some grey glass were behind; her brow
And cheeks the straining bones show through,
Are not so good for kissing now.
Her lips are drier now she is
A great duke's wife these many years,
They will not shudder with a kiss
As once they did, being moist with tears.
Also her hands have lost that way
Of clinging that they used to have;
They look'd quite easy, as they lay
Upon the silken cushions brave
With broidery of the apples green
My Lord Duke bears upon his shield.
Her face, alas! that I have seen
Look fresher than an April field,
This is all gone now; gone also
Her tender walking; when she walks
She is most queenly I well know,
And she is fair still. As the stalks
Of faded summer-lilies are,
So is she grown now unto me
This spring-time, when the flowers star
The meadows, birds sing wonderfully.
I warrant once she used to cling
About his neck, and kiss'd him so,
And then his coming step would ring
Joy-bells for her; some time ago.
Ah! sometimes like an idle dream
That hinders true life overmuch,
Sometimes like a lost heaven, these seem.
This love is not so hard to smutch.

THE GILLIFLOWER OF GOLD

A GOLDEN gilliflower to-day
I wore upon my helm alway,
And won the prize of this tourney.
Hah! hah! la belle jaune giroflée.
However well Sir Giles might sit,
His sun was weak to wither it,
Lord Miles's blood was dew on it:
Hah! hah! la belle jaune giroflée.
Although my spear in splinters flew,
From John's steel-coat, my eye was true;
I wheel'd about, and cried for you,
Hah! hah! la belle jaune giroflée.
Yea, do not doubt my heart was good,
Though my sword flew like rotten wood,
To shout, although I scarcely stood,
Hah! hah! la belle jaune giroflée.
My hand was steady too, to take
My axe from round my neck, and break
John's steel-coat up for my love's sake.
Hah! hah! la belle jaune giroflée.
When I stood in my tent again,
Arming afresh, I felt a pain
Take hold of me, I was so fain,
Hah! hah! la belle jaune giroflée.
To hear: Honneur aux fils des preux!
Right in my ears again, and shew
The gilliflower blossom'd new.
Hah! hah! la belle jaune giroflée.
The Sieur Guillaume against me came,
His tabard bore three points of flame
From a red heart: with little blame,
Hah! hah! la belle jaune giroflée.
Our tough spears crackled up like straw;
He was the first to turn and draw
His sword, that had nor speck nor flaw;
Hah! hah! la belle jaune giroflée.
But I felt weaker than a maid,
And my brain, dizzied and afraid,
Within my helm a fierce tune play'd,
Hah! hah! la belle jaune giroflée.
Until I thought of your dear head,
Bow'd to the gilliflower bed,
The yellow flowers stain'd with red;
Hah! hah! la belle jaune giroflée.
Crash! how the swords met: giroflée!
The fierce tune in my helm would play,
La belle! la belle! jaune giroflée!
Hah! hah! la belle jaune giroflée.
Once more the great swords met again:
"La belle! la belle!" but who fell then?
Le Sieur Guillaume, who struck down ten;
Hah! hah! la belle jaune giroflée.
And as with mazed and unarm'd face,
Toward my own crown and the Queen's place,
They led me at a gentle pace.
Hah! hah! la belle jaune giroflée.
I almost saw your quiet head
Bow'd o'er the gilliflower bed,
The yellow flowers stain'd with red.
Hah! hah! la belle jaune giroflée.

SHAMEFUL DEATH

THERE were four of us about that bed;
The mass-priest knelt at the side,
I and his mother stood at the head,
Over his feet lay the bride;
We were quite sure that he was dead,
Though his eyes were open wide.
He did not die in the night,
He did not die in the day,
But in the morning twilight
His spirit pass'd away,
When neither sun nor moon was bright,
And the trees were merely grey.
He was not slain with the sword,
Knight's axe, or the knightly spear,
Yet spoke he never a word
After he came in here;
I cut away the cord
From the neck of my brother dear.
He did not strike one blow,
For the recreants came behind,
In a place where the hornbeams grow,
A path right hard to find,
For the hornbeam boughs swing so,
That the twilight makes it blind.
They lighted a great torch then,
When his arms were pinion'd fast,
Sir John the knight of the Fen,
Sir Guy of the Dolorous Blast,
With knights threescore and ten,
Hung brave Lord Hugh at last.
I am threescore and ten,
And my hair is all turn'd grey,
But I met Sir John of the Fen
Long ago on a summer day,
And am glad to think of the moment when
I took his life away.
I am threescore and ten,
And my strength is mostly pass'd,
But long ago I and my men,
When the sky was overcast,
And the smoke roll'd over the reeds of the fen,
Slew Guy of the Dolorous Blast.
And now, knights all of you,
I pray you pray for Sir Hugh,
A good knight and a true,
And for Alice, his wife, pray too.

THE EVE OF CRECY

GOLD on her head, and gold on her feet,
And gold where the hems of her kirtle meet,
And a golden girdle round my sweet;
Ah! qu'elle est belle La Marguerite.
Margaret's maids are fair to see,
Freshly dress'd and pleasantly;
Margaret's hair falls down to her knee;
Ah! qu'elle est belle La Marguerite.
If I were rich I would kiss her feet;
I would kiss the place where the gold hems meet,
And the golden girdle round my sweet:
Ah! qu'elle est belle La Marguerite.
Ah me! I have never touch'd her hand;
When the arriere-ban goes through the land,
Six basnets under my pennon stand;
Ah! qu'elle est belle La Marguerite.
And many an one grins under his hood:
Sir Lambert du Bois, with all his men good,
Has neither food nor firewood;
Ah! qu'elle est belle La Marguerite.
If I were rich I would kiss her feet,
And the golden girdle of my sweet,
And thereabouts where the gold hems meet;
Ah! qu'elle est belle La Marguerite.
Yet even now it is good to think,
While my few poor varlets grumble and drink
In my desolate hall, where the fires sink,
Ah! qu'elle est belle La Marguerite.
Of Margaret sitting glorious there,
In glory of gold and glory of hair,
And glory of glorious face most fair;
Ah! qu'elle est belle La Marguerite.
Likewise to-night I make good cheer,
Because this battle draweth near:
For what have I to lose or fear?
Ah! qu'elle est belle La Marguerite.
For, look you, my horse is good to prance
A right fair measure in this war-dance,
Before the eyes of Philip of France;
Ah! qu'elle est belle La Marguerite.
And sometime it may hap, perdie,
While my new towers stand up three and three,
And my hall gets painted fair to see,
Ah! qu'elle est belle La Marguerite.
That folks may say: Times change, by the rood,
For Lambert, banneret of the wood,
Has heaps of food and firewood;
Ah! qu'elle est belle La Marguerite;
And wonderful eyes, too, under the hood
Of a damsel of right noble blood.
St. Ives, for Lambert of the Wood!
Ah! qu'elle est belle La Marguerite.

THE JUDGMENT OF GOD

SWERVE to the left, son Roger, he said,
When you catch his eyes through the helmet-slit,
Swerve to the left, then out at his head,
And the Lord God give you joy of it!
The blue owls on my father's hood
Were a little dimm'd as I turn'd away;
This giving up of blood for blood
Will finish here somehow to-day.
So, when I walk'd out from the tent,
Their howling almost blinded me;
Yet for all that I was not bent
By any shame. Hard by, the sea
Made a noise like the aspens where
We did that wrong, but now the place
Is very pleasant, and the air
Blows cool on any passer's face.
And all the wrong is gather'd now
Into the circle of these lists:
Yea, howl out, butchers! tell me how
His hands were cut off at the wrists;
And how Lord Roger bore his face
A league above his spear-point, high
Above the owls, to that strong place
Among the waters; yea, yea, cry:
What a brave champion we have got!
Sir Oliver, the flower of all
The Hainault knights! The day being hot,
He sat beneath a broad white pall,
White linen over all his steel;
What a good knight he look'd! his sword
Laid thwart his knees; he liked to feel
Its steadfast edge clear as his word.
And he look'd solemn; how his love
Smiled whitely on him, sick with fear!
How all the ladies up above
Twisted their pretty hands! so near
The fighting was: Ellayne! Ellayne!
They cannot love like you can, who
Would burn your hands off, if that pain
Could win a kiss; am I not true
To you for ever? therefore I
Do not fear death or anything;
If I should limp home wounded, why,
While I lay sick you would but sing,
And soothe me into quiet sleep.
If they spat on the recreant knight,
Threw stones at him, and cursed him deep,
Why then: what then? your hand would light
So gently on his drawn-up face,
And you would kiss him, and in soft
Cool scented clothes would lap him, pace
The quiet room and weep oft, oft
Would turn and smile, and brush his cheek
With your sweet chin and mouth; and in
The order'd garden you would seek
The biggest roses: any sin.
And these say: No more now my knight,
Or God's knight any longer: you,
Being than they so much more white,
So much more pure and good and true,
Will cling to me for ever; there,
Is not that wrong turn'd right at last
Through all these years, and I wash'd clean?
Say, yea, Ellayne; the time is past,
Since on that Christmas-day last year
Up to your feet the fire crept,
And the smoke through the brown leaves sere
Blinded your dear eyes that you wept;
Was it not I that caught you then,
And kiss'd you on the saddle-bow?
Did not the blue owl mark the men
Whose spears stood like the corn a-row?
This Oliver is a right good knight,
And must needs beat me, as I fear,
Unless I catch him in the fight,
My father's crafty way: John, here!
Bring up the men from the south gate,
To help me if I fall or win,
For even if I beat, their hate
Will grow to more than this mere grin.

THE LITTLE TOWER

UP and away through the drifting rain!
Let us ride to the Little Tower again,
Up and away from the council board!
Do on the hauberk, gird on the sword.
The king is blind with gnashing his teeth,
Change gilded scabbard to leather sheath:
Though our arms are wet with the slanting rain,
This is joy to ride to my love again:
I laugh in his face when he bids me yield;
Who knows one field from the other field,
For the grey rain driveth all astray?
Which way through the floods, good carle, I pray
The left side yet! the left side yet!
Till your hand strikes on the bridge parapet.
Yea so: the causeway holdeth good
Under the water? Hard as wood,
Right away to the uplands; speed, good knight!
Seven hours yet before the light.
Shake the wet off on the upland road;
My tabard has grown a heavy load.
What matter? up and down hill after hill;
Dead grey night for five hours still.
The hill-road droppeth lower again,
Lower, down to the poplar plain.
No furlong farther for us to-night,
The Little Tower draweth in sight;
They are ringing the bells, and the torches glare,
Therefore the roofs of wet slate stare.
There she stands, and her yellow hair slantingly
Drifts the same way that the rain goes by.
Who will be faithful to us to-day,
With little but hard glaive-strokes for pay?
The grim king fumes at the council-board:
Three more days, and then the sword;
Three more days, and my sword through his head;
And above his white brows, pale and dead,
A paper crown on the top of the spire;
And for her the stake and the witches' fire.
Therefore though it be long ere day,
Take axe and pick and spade, I pray.
Break the dams down all over the plain:
God send us three more days such rain!
Block all the upland roads with trees;
The Little Tower with no great ease
Is won, I warrant; bid them bring
Much sheep and oxen, everything
The spits are wont to turn with; wine
And wheaten bread, that we may dine
In plenty each day of the siege.
Good friends, ye know me no hard liege;
My lady is right fair, see ye!
Pray God to keep you frank and free.
Love Isabeau, keep goodly cheer;
The Little Tower will stand well here
Many a year when we are dead,
And over it our green and red,
Barred with the Lady's golden head,
From mere old age when we are dead.

THE SAILING OF THE SWORD

ACROSS the empty garden-beds,
When the Sword went out to sea,
I scarcely saw my sisters' heads
Bowed each beside a tree.
I could not see the castle leads,
When the Sword went out to sea,
Alicia wore a scarlet gown,
When the Sword went out to sea,
But Ursula's was russet brown:
For the mist we could not see
The scarlet roofs of the good town,
When the Sword went out to sea.
Green holly in Alicia's hand,
When the Sword went out to sea;
With sere oak-leaves did Ursula stand;
O! yet alas for me!
I did but bear a peel'd white wand,
When the Sword went out to sea.
O, russet brown and scarlet bright,
When the Sword went out to sea,
My sisters wore; I wore but white:
Red, brown, and white, are three;
Three damozels; each had a knight,
When the Sword went out to sea.
Sir Robert shouted loud, and said:
When the Sword went out to sea,
Alicia, while I see thy head,
What shall I bring for thee?
O, my sweet Lord, a ruby red:
The Sword went out to sea.
Sir Miles said, while the sails hung down,
When the Sword went out to sea,
O, Ursula! while I see the town,
What shall I bring for thee?
Dear knight, bring back a falcon brown:
The Sword went out to sea.
But my Roland, no word he said
When the Sword went out to sea,
But only turn'd away his head;
A quick shriek came from me:
Come back, dear lord, to your white maid.
The Sword went out to sea.
The hot sun bit the garden-beds
When the Sword came back from sea;
Beneath an apple-tree our heads
Stretched out toward the sea;
Grey gleam'd the thirsty castle-leads,
When the Sword came back from sea.
Lord Robert brought a ruby red,
When the Sword came back from sea;
He kissed Alicia on the head:
I am come back to thee;
'Tis time, sweet love, that we were wed,
Now the Sword is back from sea!
Sir Miles he bore a falcon brown,
When the Sword came back from sea;
His arms went round tall Ursula's gown:
What joy, O love, but thee?
Let us be wed in the good town,
Now the Sword is back from sea!
My heart grew sick, no more afraid,
When the Sword came back from sea;
Upon the deck a tall white maid
Sat on Lord Roland's knee;
His chin was press'd upon her head,
When the Sword came back from sea!

SPELL-BOUND

HOW weary is it none can tell,
How dismally the days go by!
I hear the tinkling of the bell,
I see the cross against the sky.
The year wears round to Autumn-tide,
Yet comes no reaper to the corn;
The golden land is like a bride
When first she knows herself forlorn;
She sits and weeps with all her hair
Laid downward over tender hands;
For stainèd silk she hath no care,
No care for broken ivory wands;
The silver cups beside her stand;
The golden stars on the blue roof
Yet glitter, though against her hand
His cold sword presses for a proof
He is not dead, but gone away.
How many hours did she wait
For me, I wonder? Till the day
Had faded wholly, and the gate
Clanged to behind returning knights?
I wonder did she raise her head
And go away, fleeing the lights;
And lay the samite on her bed,
The wedding samite strewn with pearls:
Then sit with hands laid on her knees,
Shuddering at half-heard sound of girls
That chatter outside in the breeze?
I wonder did her poor heart throb
At distant tramp of coming knight?
How often did the choking sob
Raise up her head and lips? The light,
Did it come on her unawares,
And drag her sternly down before
People who loved her not? in prayers
Did she say one name and no more?
And once, all songs they ever sung,
All tales they ever told to me,
This only burden through them rung:
O golden love that waitest me!
The days pass on, pass on apace,
Sometimes I have a little rest
In fairest dreams, when on thy face
My lips lie, or thy hands are prest
About my forehead, and thy lips
Draw near and nearer to mine own;
But when the vision from me slips,
In colourless dawn I lie and moan,
And wander forth with fever'd blood,
That makes me start at little things,
The blackbird screaming from the wood,
The sudden whirr of pheasants' wings.
O dearest, scarcely seen by me!
But when that wild time had gone by,
And in these arms I folded thee,
Who ever thought those days could die?
Yet now I wait, and you wait too,
For what perchance may never come;
You think I have forgotten you,
That I grew tired and went home.
But what if some day as I stood
Against the wall with strainèd hands,
And turn'd my face toward the wood,
Away from all the golden lands;
And saw you come with tired feet,
And pale face thin and wan with care,
And stainèd raiment no more neat,
The white dust lying on your hair:
Then I should say, I could not come;
This land was my wide prison, dear;
I could not choose but go; at home
There is a wizard whom I fear:
He bound me round with silken chains
I could not break; he set me here
Above the golden-waving plains,
Where never reaper cometh near.
And you have brought me my good sword,
Wherewith in happy days of old
I won you well from knight and lord;
My heart upswells and I grow bold.
But I shall die unless you stand,
Half lying now, you are so weak,
Within my arms, unless your hand
Pass to and fro across my cheek.

THE WIND

AH! no, no, it is nothing, surely nothing at all,
Only the wild-going wind round by the garden-wall,
For the dawn just now is breaking, the wind beginning to fall.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
So I will sit, and think and think of the days gone by,
Never moving my chair for fear the dogs should cry,
Making no noise at all while the flambeau burns awry.
For my chair is heavy and carved, and with sweeping green behind
It is hung, and the dragons thereon grin out in the gusts of the wind;
On its folds an orange lies, with a deep gash cut in the rind.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
still thou wanderest the lily-seed to find.
If I move my chair it will scream, and the orange will roll out afar,
And the faint yellow juice ooze out like blood from a wizard's jar;
And the dogs will howl for those who went last month to the war.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
So I will sit and think of love that is over and past,
O, so long ago! Yes, I will be quiet at last:
Whether I like it or not, a grim half-slumber is cast
Over my worn old brains, that touches the roots of my heart,
And above my half-shut eyes, the blue roof 'gins to part,
And show the blue spring sky, till I am ready to start
From out of the green-hung chair; but something keeps me still,
And I fall in a dream that I walk'd with her on the side of a hill,
Dotted, for was it not spring? with tufts of the daffodil.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
And Margaret as she walk'd held a painted book in her hand;
Her finger kept the place; I caught her, we both did stand
Face to face, on the top of the highest hill in the land.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
I held to her long bare arms, but she shudder'd away from me,
While the flush went out of her face as her head fell back on a tree,
And a spasm caught her mouth, fearful for me to see;
And still I held to her arms till her shoulder touched my mail,
Weeping she totter'd forward, so glad that I should prevail,
And her hair went over my robe, like a gold flag over a sail.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
I kiss'd her hard by the ear, and she kiss'd me on the brow,
And then lay down on the grass, where the mark on the moss is now,
And spread her arms out wide while I went down below.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
And then I walk'd for a space to and fro on the side of the hill,
Till I gather'd and held in my arms great sheaves of the daffodil,
And when I came again my Margaret lay there still.
I piled them high and high above her heaving breast,
How they were caught and held in her loose ungirded vest!
But one beneath her arm died, happy so to be prest!
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
Again I turn'd my back and went away for an hour;
She said no word when I came again, so, flower by flower,
I counted the daffodils over, and cast them languidly lower.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
My dry hands shook and shook as the green gown show'd again,
Clear'd from the yellow flowers, and I grew hollow with pain,
And on to us both there fell from the sun-shower drops of rain.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.
Alas! alas! there was blood on the very quiet breast,
Blood lay in the many folds of the loose ungirded vest,
Blood lay upon her arm where the flower had been prest.
I shriek'd and leapt from my chair, and the orange roll'd out afar,
The faint yellow juice oozed out like blood from a wizard's jar;
And then in march'd the ghosts of those that had gone to the war.
I knew them by the arms that I was used to paint
Upon their long thin shields; but the colours were all grown faint,
And faint upon their banner was Olaf, king and saint.
Wind, wind! thou art sad, art thou kind?
Wind, wind, unhappy! thou art blind,
Yet still thou wanderest the lily-seed to find.

THE BLUE CLOSET