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The Dragon in Shallow Waters

Chapter 74: IV
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About This Book

The narrative unfolds in an immense soap factory where towering chimneys, iron girders, and vats of boiling and congealing soap are depicted in visceral, often monstrous detail. Workers appear dwarfed by relentless machinery while the plant’s indifference frames a domestic calamity affecting the Dene brothers: Gregory, deaf and mute, and Silas, blind, whose private grief collides with the factory’s demands and village suspicion. Through grotesque industrial imagery and attention to social isolation, the work explores how mechanized labor and communal prejudice shape suffering and human dignity.

IV

Warily, above all, must he tickle Gregory’s suspicions.

No one knew of the system that grew up then in that house. The house was secret enough at any time; now it contained a secret within its secret. It contained the pursuit of Gregory by Silas, the difficult tracking-down, the requisite, progressive measure of suggestion, the pieces of paper bearing the poison of a phrase, the impotence of the dumb man, his efforts to escape from his tormentor, then his return in his cravings for a greater certainty. Silas was intent upon his own skill; a touch here, a touch there; he placed them with a sharp and delicate artistry. His only fear now was that Gregory might refuse to go with Calthorpe, and to forestall that danger he got hold of the overseer.

“I hope, Mr. Calthorpe, you’ll keep Gregory to this job. You know he’s diffident,—to look at the way he sticks to those vats, he who’s fit to manage the engine room!—and now he’s saying that you’re wanting him to go out of charity, like, and if he thinks that, he won’t be beholden to you.”

“I’ll go in to him now, and fix it up once for all. There’s no charity about the matter; I don’t want Gregory to talk to the plants, I want him to look at them.”

“I knew I only had to mention it to you,” said Silas demurely.

V

Gregory was torn. He was bitterly unwilling to forego the chance offered to his solitary ambition. He was forty-five, and he had given the whole of his youth to the patient, meticulous study of machinery; could he decline the chance, on the strength of a few words from Silas,—roguish, busy old Silas! always meddling at something, never letting well alone—a few words that perhaps were rooted in nothing but Silas’s imagination? No, he couldn’t decline it! But what if Silas were right? Nan was young, Morgan was young, he constantly saw them talking together, talking when Nan should have been working and when Morgan, more naturally, might have been kicking a ball with other young men on the green. Here he became full of gloom. Should he charge Nan with it? no, women were too artful; he would learn nothing through charging Nan. Better to trust Silas, then by the time he came back from Birmingham Silas could tell him as a sure fact whether or no.... For the first time he began to think of the consequences, of the obligation that might be laid upon him.... Perfectly honest, he envisaged facts unflinchingly, in the sole light under which they offered themselves to him. He was not a man to admit alternatives.

He had only one slight hesitation: was it fair to lay a trap for Nan? But he discarded the doubt. If she were innocent no trap could catch her; if she were guilty, he had the right to protect his interests as best he might; he and Silas both had that right. They were both handicapped; their whole lives were, in some measure, the lives of animals at bay.