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The Dynasts: An Epic-Drama of the War with Napoleon cover

The Dynasts: An Epic-Drama of the War with Napoleon

Chapter 5: FORE SCENE
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About This Book

The drama offers an expansive, pageant-like chronicle of the wars with Napoleon, arranging hundreds of scenes across three parts to present political councils, naval and land engagements, and private episodes. Impersonated Intelligences—chorus-like Spirits such as the Years, the Pities, and Rumour—stand aside as supernatural commentators, imparting reflective and sometimes ironic perspectives. Combining paraphrase of documentary speech with imaginative reconstruction, the piece favors mental performance over practical stagings, aiming to probe themes of fate, collective responsibility, and the human costs of grand geopolitics while keeping a panoramic, episodic structure rather than a tightly unified plot.

FORE SCENE

  THE OVERWORLD
    [Enter the Ancient Spirit and Chorus of the Years, the Spirit
    and Chorus of the Pities, the Shade of the Earth, the Spirits
    Sinister and Ironic with their Choruses, Rumours, Spirit-
    Messengers, and Recording Angels.]
  SHADE OF THE EARTH

       What of the Immanent Will and Its designs?
  SPIRIT OF THE YEARS

       It works unconsciously, as heretofore,
       Eternal artistries in Circumstance,
       Whose patterns, wrought by rapt aesthetic rote,
       Seem in themselves Its single listless aim,
       And not their consequence.
  CHORUS OF THE PITIES [aerial music]

            Still thus?  Still thus?
            Ever unconscious!
            An automatic sense
            Unweeting why or whence?
       Be, then, the inevitable, as of old,
       Although that SO it be we dare not hold!
  SPIRIT OF THE YEARS

       Hold what ye list, fond believing Sprites,
       You cannot swerve the pulsion of the Byss,
       Which thinking on, yet weighing not Its thought,
       Unchecks Its clock-like laws.
  SPIRIT SINISTER [aside]

                 Good, as before.
       My little engines, then, will still have play.
  SPIRIT OF THE PITIES

       Why doth It so and so, and ever so,
       This viewless, voiceless Turner of the Wheel?
  SPIRIT OF THE YEARS

       As one sad story runs, It lends Its heed
       To other worlds, being wearied out with this;
       Wherefore Its mindlessness of earthly woes.
       Some, too, have told at whiles that rightfully
       Its warefulness, Its care, this planet lost
       When in her early growth and crudity
       By bad mad acts of severance men contrived,
       Working such nescience by their own device.—
       Yea, so it stands in certain chronicles,
       Though not in mine.
  SPIRIT OF THE PITIES

                 Meet is it, none the less,
       To bear in thought that though Its consciousness
       May be estranged, engrossed afar, or sealed,
       Sublunar shocks may wake Its watch anon?
  SPIRIT OF THE YEARS

       Nay.  In the Foretime, even to the germ of Being,
       Nothing appears of shape to indicate
       That cognizance has marshalled things terrene,
       Or will [such is my thinking] in my span.
       Rather they show that, like a knitter drowsed,
       Whose fingers play in skilled unmindfulness,
       The Will has woven with an absent heed
       Since life first was; and ever will so weave.
  SPIRIT SINISTER

       Hence we’ve rare dramas going—more so since
       It wove Its web in the Ajaccian womb!
  SPIRIT OF THE YEARS

       Well, no more this on what no mind can mete.
       Our scope is but to register and watch
       By means of this great gift accorded us—
       The free trajection of our entities.
  SPIRIT OF THE PITIES

       On things terrene, then, I would say that though
       The human news wherewith the Rumours stirred us
       May please thy temper, Years, ’twere better far
       Such deeds were nulled, and this strange man’s career
       Wound up, as making inharmonious jars
       In her creation whose meek wraith we know.
       The more that he, turned man of mere traditions,
       Now profits naught.  For the large potencies
       Instilled into his idiosyncrasy—
       To throne fair Liberty in Privilege’ room—
       Are taking taint, and sink to common plots
       For his own gain.
  SHADE OF THE EARTH

                 And who, then, Cordial One,
       Wouldst substitute for this Intractable?
  CHORUS OF THE EARTH

       We would establish those of kindlier build,
            In fair Compassions skilled,
       Men of deep art in life-development;
       Watchers and warders of thy varied lands,
       Men surfeited of laying heavy hands,
            Upon the innocent,
       The mild, the fragile, the obscure content
       Among the myriads of thy family.
       Those, too, who love the true, the excellent,
       And make their daily moves a melody.
  SHADE OF THE EARTH

       They may come, will they.  I am not averse.
       Yet know I am but the ineffectual Shade
       Of her the Travailler, herself a thrall
       To It; in all her labourings curbed and kinged!
  SPIRIT OF THE YEARS

       Shall such be mooted now?  Already change
       Hath played strange pranks since first I brooded here.
       But old Laws operate yet; and phase and phase
       Of men’s dynastic and imperial moils
       Shape on accustomed lines.  Though, as for me,
       I care not thy shape, or what they be.
  SPIRIT OF THE PITIES

       You seem to have small sense of mercy, Sire?
  SPIRIT OF THE YEARS

       Mercy I view, not urge;—nor more than mark
       What designate your titles Good and Ill.
       ’Tis not in me to feel with, or against,
       These flesh-hinged mannikins Its hand upwinds
       To click-clack off Its preadjusted laws;
       But only through my centuries to behold
       Their aspects, and their movements, and their mould.
  SPIRIT OF THE PITIES

       They are shapes that bleed, mere mannikins or no,
       And each has parcel in the total Will.
  SPIRIT OF THE YEARS

       Which overrides them as a whole its parts
       In other entities.
  SPIRIT SINISTER [aside]

                 Limbs of Itself:
       Each one a jot of It in quaint disguise?
       I’ll fear all men henceforward!
  SPIRIT OF THE PITIES

       Go to.  Let this terrestrial tragedy—
  SPIRIT IRONIC

       Nay, Comedy—
  SPIRIT OF THE PITIES

                 Let this earth-tragedy
       Whereof we spake, afford a spectacle
       Forthwith conned closelier than your custom is.—
  SPIRIT OF THE YEARS

       How does it stand?  [To a Recording Angel]
            Open and chant the page
       Thou’st lately writ, that sums these happenings,
       In brief reminder of their instant points
       Slighted by us amid our converse here.
  RECORDING ANGEL [from a book, in recitative]

       Now mellow-eyed Peace is made captive,
            And Vengeance is chartered
       To deal forth its dooms on the Peoples
            With sword and with spear.

       Men’s musings are busy with forecasts
            Of muster and battle,
       And visions of shock and disaster
            Rise red on the year.

       The easternmost ruler sits wistful,
            And tense he to midward;
       The King to the west mans his borders
            In front and in rear.

       While one they eye, flushed from his crowning,
            Ranks legions around him
       To shake the enisled neighbour nation
            And close her career!
  SEMICHORUS I OF RUMOURS [aerial music]

       O woven-winged squadrons of Toulon
            And fellows of Rochefort,
       Wait, wait for a wind, and draw westward
            Ere Nelson be near!

       For he reads not your force, or your freightage
            Of warriors fell-handed,
       Or when they will join for the onset,
            Or whither they steer!
  SEMICHORUS II

       O Nelson, so zealous a watcher
            Through months-long of cruizing,
       Thy foes may elide thee a moment,
            Put forth, and get clear;

       And rendezvous westerly straightway
            With Spain’s aiding navies,
       And hasten to head violation
            Of Albion’s frontier!
  SPIRIT OF THE YEARS

       Methinks too much assurance thrills your note
       On secrets in my locker, gentle sprites;
       But it may serve.—Our thought being now reflexed
       To forces operant on this English isle,
       Behoves it us to enter scene by scene,
       And watch the spectacle of Europe’s moves
       In her embroil, as they were self-ordained
       According to the naive and liberal creed
       Of our great-hearted young Compassionates,
       Forgetting the Prime Mover of the gear,
       As puppet-watchers him who pulls the strings.—
       You’ll mark the twitchings of this Bonaparte
       As he with other figures foots his reel,
       Until he twitch him into his lonely grave:
       Also regard the frail ones that his flings
       Have made gyrate like animalcula
       In tepid pools.—Hence to the precinct, then,
       And count as framework to the stagery
       Yon architraves of sunbeam-smitten cloud.—
       So may ye judge Earth’s jackaclocks to be
       No fugled by one Will, but function-free.

    [The nether sky opens, and Europe is disclosed as a prone and
    emaciated figure, the Alps shaping like a backbone, and the
    branching mountain-chains like ribs, the peninsular plateau of
    Spain forming a head.  Broad and lengthy lowlands stretch from
    the north of France across Russia like a grey-green garment hemmed
    by the Ural mountains and the glistening Arctic Ocean.

    The point of view then sinks downwards through space, and draws
    near to the surface of the perturbed countries, where the peoples,
    distressed by events which they did not cause, are seen writhing,
    crawling, heaving, and vibrating in their various cities and
    nationalities.]
  SPIRIT OF THE YEARS [to the Spirit of the Pities]

       As key-scene to the whole, I first lay bare
       The Will-webs of thy fearful questioning;
       For know that of my antique privileges
       This gift to visualize the Mode is one
       [Though by exhaustive strain and effort only].
       See, then, and learn, ere my power pass again.

    [A new and penetrating light descends on the spectacle, enduring
    men and things with a seeming transparency, and exhibiting as one
    organism the anatomy of life and movement in all humanity and
    vitalized matter included in the display.]
  SPIRIT OF THE PITIES

       Amid this scene of bodies substantive
       Strange waves I sight like winds grown visible,
       Which bear men’s forms on their innumerous coils,
       Twining and serpenting round and through.
       Also retracting threads like gossamers—
       Except in being irresistible—
       Which complicate with some, and balance all.
  SPIRIT OF THE YEARS

       These are the Prime Volitions,—fibrils, veins,
       Will-tissues, nerves, and pulses of the Cause,
       That heave throughout the Earth’s compositure.
       Their sum is like the lobule of a Brain
       Evolving always that it wots not of;
       A Brain whose whole connotes the Everywhere,
       And whose procedure may but be discerned
       By phantom eyes like ours; the while unguessed
       Of those it stirs, who [even as ye do] dream
       Their motions free, their orderings supreme;
       Each life apart from each, with power to mete
       Its own day’s measures; balanced, self complete;
       Though they subsist but atoms of the One
       Labouring through all, divisible from none;
    But this no further now.  Deem yet man’s deeds self-done.
  GENERAL CHORUS OF INTELLIGENCES [aerial music]

            We’ll close up Time, as a bird its van,
            We’ll traverse Space, as spirits can,
            Link pulses severed by leagues and years,
            Bring cradles into touch with biers;
       So that the far-off Consequence appear
            Prompt at the heel of foregone Cause.—
            The PRIME, that willed ere wareness was,
       Whose Brain perchance is Space, whose Thought its laws,
            Which we as threads and streams discern,
            We may but muse on, never learn.

END OF THE FORE SCENE