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The East I know

Chapter 16: THE GREAT SEA
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About This Book

A sequence of lyrical sketches, essays, and meditations evokes landscapes, temples, rivers, and seasonal rituals encountered in the author's eastern travels. Short, image-rich pieces move between sensory description—moonlit gardens, canal voyages, tropical trees—and sustained spiritual reflection on ritual, art, language, and faith. The collection alternates immediate travel impressions with contemplative essays that probe memory, the passage of time, and the search for transcendence, producing a blend of vivid natural observation and austere religious meditation across linked thematic sections.

THE GREAT SEA

Climbing one day, I reach the plateau, and, in its basin of mountains where black islands emerge, I view afar off the great sea. Certainly, by a perilous path, it would be possible for me to gain the shore; but whether I follow its outline or whether I choose to take a boat, the surface remains impenetrable to my gaze. Well, then, I shall play on the flute, I shall beat the tom-tom; and the boat-woman, standing on one leg like a stork while with the other knee she supports her nursing baby as she conducts her sampan across the flat waters, will believe that the gods behind the drawn curtains of the clouds are enjoying themselves in the courts of their temple.

Or, unlacing my shoe, I shall throw it across the lake. Where it falls the passer-by will prostrate himself; and, having picked it up with superstitious awe, he will honor it with four sticks of incense. Or, curving my hands about my mouth, I shall cry out names. The words will die first, then the sound; and the tone alone, reaching the ears of some one, will make him turn from side to side, like a man who hears himself called in a dream and makes an effort to break his bonds.