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The East I know

Chapter 20: PAINTING
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About This Book

A sequence of lyrical sketches, essays, and meditations evokes landscapes, temples, rivers, and seasonal rituals encountered in the author's eastern travels. Short, image-rich pieces move between sensory description—moonlit gardens, canal voyages, tropical trees—and sustained spiritual reflection on ritual, art, language, and faith. The collection alternates immediate travel impressions with contemplative essays that probe memory, the passage of time, and the search for transcendence, producing a blend of vivid natural observation and austere religious meditation across linked thematic sections.

PAINTING

Let some one fasten this piece of silk by the four corners for me, and I shall not put the sky upon it. The sea and its shores, the forest and the mountains, do not tempt my art. But from the top to the bottom and from one side to the other, as between new horizons, with an artless hand I shall paint the Earth. The limits of communities, the divisions of fields, will be exactly outlined,—those that are already plowed, those where the battalions of sheaves still stand. I shall not fail to count each tree. The smallest house will be represented with an ingenuous industry. Looking closely, you may distinguish the people; he who crosses an arched bridge of stone, parasol in hand; he who washes buckets at a pond; the litter traveling on the shoulders of two porters, and the patient laborer who plows a new furrow the length of the old. A long road bordered with a double row of skiffs crosses the picture from one corner to the other, and in one of the circular moats can be seen, in a scrap of azure for water, three quarters of a slightly yellow moon.