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The East I know

Chapter 28: THE RAIN
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About This Book

A sequence of lyrical sketches, essays, and meditations evokes landscapes, temples, rivers, and seasonal rituals encountered in the author's eastern travels. Short, image-rich pieces move between sensory description—moonlit gardens, canal voyages, tropical trees—and sustained spiritual reflection on ritual, art, language, and faith. The collection alternates immediate travel impressions with contemplative essays that probe memory, the passage of time, and the search for transcendence, producing a blend of vivid natural observation and austere religious meditation across linked thematic sections.

THE RAIN

By the two windows before me, the two at my left, and the two at my right, I see and hear the rain falling in torrents on every side. I think it is a quarter of an hour past noon. Luminous water is all about me. I dip my pen in the ink; and, rejoicing like an insect in the center of a bubble in the security of my watery imprisonment, I write this poem.

It is not a drizzle that falls; it is not a languishing and doubtful rain. The rain grips the earth and beats upon it in serried sullenness, with a heavy, powerful assault. How cool it is, oh frogs, to forget the pond in the thickness of the damp grass! No need to fear that the rain is ceasing. It is copious, it is satisfying. He is thirsty indeed, my brothers, for whom this marvelous beaker does not suffice. The earth has disappeared, the house bathes, the submerged trees stream; the very river, which terminates my horizon like the sea, seems drowned. Time has no duration, and, straining my ears not only for the unlocking of each new hour, I meditate the psalm of the rain, so endless and so neutral in tone. But toward the end of the day the rain ceases, and, while the accumulated clouds prepare for a heavier assault,—as if Iris from the summit of the sky were about to flash straight into the heart of the conflict,—a black spider sways head downward and hung by his rear in the middle of this window which I have opened on the leafage and the walnut-stained North. It is no longer clear. I must strike a light. Meanwhile I shall make to tempests a libation of this drop of ink.