AISLE I AND AISLE II
Pouring forth from the Place of Empire, the Host of Herod and their Leaders, with spears held high, come marching on both pathways toward the Tree, singing in chorus as they march.
A community masque in twelve actions frames a Christmas ritual around an evergreen as a symbol of light, childhood, and renewal. Folk and biblical figures—elves and gnomes, shepherds, a mute Mary and Joseph, a persecuting host, outcasts, and the Three Kings—interact with choruses, carols, and staged tableaux to dramatize contrasts between innocence, authority, exile, and consolation. Music, choral participation, and scenic design are integral, with carols and choruses set for communal singing and acting. The piece envisions a democratic, devotional festival that blends pagan merriment with Christian passion to express communal hope and sorrow amid social trial.
AISLE I AND AISLE II
Pouring forth from the Place of Empire, the Host of Herod and their Leaders, with spears held high, come marching on both pathways toward the Tree, singing in chorus as they march.