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The Every-day Book and Table Book. v. 3 (of 3) / Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac cover

The Every-day Book and Table Book. v. 3 (of 3) / Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac

Chapter 1105: 3rd.
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The volume organizes a day-by-day miscellany that records popular amusements, sports, pastimes, ceremonies, manners, and customs for each day of the year, combining historical notes, antiquarian curiosities, chronology, topography, biography, natural history, art, science, rules for weather and health, and poetic and illustrative material. It assembles anecdotes, explanations of seasonal rituals and observances, translations and literary extracts, and practical advice in a miscellany format, accompanied by engravings and an index, intended as a perpetual almanac and a readerly resource for both entertainment and reference.

[455] Five hundred can conveniently dine in this hall. I have seen seven hundred entertained on the guild day.

[456] This is familiar enough, and looks as if the fumes of the potent beverage had begun to attack the honest orator’s caput.

[457] The duke of Norfolk.


Garrick Plays.
No. XLI.

[Dedications to Fletcher’s “Faithful Shepherdess;” without date; presumed to be the First Edition.]

1st.

To that noble and true lover of learning, Sir Walton Aston.

Sir, I must ask your patience, and be true.
This Play was never liked, except by few
That brought their judgments with them; for of late
First the infection,[458] then the common prate
Of common people, have such customs got
Either to silence Plays, or like them not:
Under the last of which this Interlude
Had fal’n, for ever press’d down by the rude
That, like a torrent which the moist South feeds,
Drowns both before him the ripe corn and weeds;
Had not the saving sense of better men
Redeem’d it from corruption. Dear Sir, then
Among the better souls be you the best,
In whom as in a center I take rest,
And proper being; from whose equal eye
And judgement nothing grows but purity.
Nor do I flatter; for, by all those dead
Great in the Muses, by Apollo’s head,
He that adds any thing to you, ’tis done
Like his that lights a candle to the sun.
Then be as you were ever, yourself still
Moved by your judgement, not by love or will.
And when I sing again (as who can tell
My next devotion to that holy Well?)
Your goodness to the Muses shall be all
Able to make a work Heroical.

2nd.

To the Inheritor of all Worthiness, Sir William Scipwith.

ODE.

1.

If from servile hope or love
I may prove
But so happy to be thought for
Such a one, whose greatest ease
Is to please,
Worthy Sir, I have all I sought for.

2.

For no itch of greater name,
Which some claim
By their verses, do I show it
To the world; nor to protest,
’Tis the best;
These are lean faults in a poet.

3.

Nor to make it serve to feed
At my need;
Nor to gain acquaintance by it;
Nor to ravish kind Atturneys
In their journies;
Nor to read it after diet.

4.

Far from me are all these aims;
Frantic claims,
To build weakness on and pity;
Only to yourself, and such
Whose true touch
Makes all good, let me seem witty.

3rd.

To the perfect gentleman, Sir Robert Townesend.

If the greatest faults may crave
Pardon, where contrition is,
Noble Sir, I needs must have
A long one for a long amiss.
If you ask me how is this,
Upon my faith I’ll tell you frankly;
You love above my means to thank ye.
Yet according to my talent,
As sour fortune loves to use me,
A poor Shepherd I have sent
In home-spun gray, for to excuse me:
And may all my hopes refuse me
But, when better comes ashore,
You shall have better, never more;
’Till when, like our desperate debtors,
Or our three-piled sweet “protesters,”
I must please you in bare letters;
And so pay my debts, like jesters.
Yet I oft have seen good feasters,
Only for to please the pallet,
Leave great meat, and chuse a sallet.

Apologetical Preface, following these:

To the Reader.

If you be not reasonably assured of your knowledge in this kind of Poem, lay down the Book; or read this, which I would wish had been the Prologue. It is a Pastoral Tragic-Comedy; which the people seeing when it was played, having ever had a singular gift in defining, concluded to be a play of Country hired Shepherds, in gray cloaks, with cur-tailed dogs in strings, sometimes laughing together, sometimes killing one another; and, missing Whitsun Ales, cream, wassail, and Morris dances, began to be angry. In their error I would not have you fall, lest you incur their censure.[459] Understand, therefore, a Pastoral to be—a Representation of Shepherds and Shepherdesses, with their Actions and Passions, which must be such as agree with their natures; at least, not exceeding former fictions and vulgar traditions. They are not to be adorn’d with any art, but such improper ones as nature is said to bestow, as Singing and Poetry; or such as experience may teach them, as the virtues of herbs and fountains; the ordinary course of the sun, moon, and stars; and such like. But you are ever to remember Shepherds to be such, as all the ancient poets (and modern of understanding) have received them; that is, the Owners of Flocks, and not Hirelings.—A Tragic-comedy is not so called in respect of mirth and killing, but in respect it wants deaths (which is enough to make it no Tragedy); yet brings some near to it (which is enough to make it no Comedy): which must be a Representation of Familiar People, with such kind of trouble as no life can be without; so that a God is as lawful in this, as in a Tragedy; and mean People, as in a Comedy.—Thus much I hope will serve to justify my Poem, and make you understand it; to teach you more for nothing, I do not know that I am in conscience bound.

John Fletcher.


[From the “Wars of Cyrus;” a Tragedy Author unknown, 1594.]

Dumb Show exploded.

Chorus (to the Audience). ———— Xenophon
Warrants what we record of Panthea.
It is writ in sad and tragic terms,
May move you tears; then you content our Muse,
That scorns to trouble you again with toys
Or needless antics, imitations,
Or shows, or new devises sprung o’ late;
We have exiled them from our tragic stage,
As trash of their tradition, that can bring
Nor instance nor excuse: for what they do,[460]
Instead of mournful plaints our Chorus sings;
Although it be against the upstart guise,
Yet, warranted by grave antiquity,
We will revive the which hath long been done.

[From the “Married Beau,” a Comedy, by John Crowne, 1694.]

Wife tempted: she pleads religion.

Lover. Our happy love may have a secret Church
Under the Church, as Faith’s was under Paul’s,
Where we may carry on our sweet devotion;
And the Cathedral marriage keep its state,
And all its decency and ceremonies.

[From the “Challenge for Beauty,” Tragi-Comedy, by T. Heywood, 1636.]

Appeal for Innocence against a false accusation.

Helena. Both have sworn:
And, Princes, as you hope to crown your heads
With that perpetual wreath which shall last ever,
Cast on a poor dejected innocent virgin
Your eyes of grace and pity. What sin is it,
Or who can be the patron to such evil?—
That a poor innocent maid, spotless in deed,
And pure in thought, both without spleen and gall,
That never injured creature, never had heart
To think of wrong, or ponder injury;
That such a one in her white innocence,
Striving to live peculiar in the compass
Of her own virtues; notwithstanding these,
Should be sought out by strangers, persecuted,
Made infamous ev’n there where she was made
For imitation; hiss’d at in her country;
Abandon’d of her mother, kindred, friends;
Depraved in foreign climes, scorn’d every where,
And ev’n in princes’ courts reputed vile:
O pity, pity this!

C. L.


[458] The Plague: in which times, the acting of Plays appears to have been discountenanced.

[459] He damns the Town: the Town before damn’d him.—Ed.

We can almost be not sorry for the ill dramatic success of this Play, which brought out such spirited apologies; in particular, the masterly definitions of Pastoral and Tragi-Comedy in this Preface.

[460] So I point it; instead of the line, as it stands in this unique copy—

Nor instance nor excuse for what they do.

The sense I take to be, what the common playwrights do (or shew by action—the “inexplicable dumb show” of Shakspeare—), our Chorus relates. The following lines have else no coherence.


Lodge and Avenue at Holwood, The Residence of John Ward, Esq. formerly of the late Right Hon. William Pitt.

Lodge and Avenue at Holwood,
The Residence of John Ward, Esq. formerly of the late Right Hon. William Pitt.

Mr. S. Young’s comfortable little inn, the Cross at Keston, or Keston Mark, is mentioned before as being at the north-east corner of the grounds belonging to Holwood. My friend W—— and I, on a second visit to Mr. Young’s house, went from thence, for the purpose of seeing the church and village of Keston, through which the main road runs to Westerham. We kept along to the entrance gate of Holwood, which we passed, having the park palings on our left, till we came to a well in the road, which derives its water from springs within Holwood, and stands on a swell of meadow land, called “the War Bank.” Further on, and out of the road to the right, lies the village of Keston, a few houses embowered in a dell of trees; with a stone church, which did not seem to have been built more than a couple of centuries. A peep through the windows satisfied us that there was nothing worth looking at within. We had heard of stone coffins having been found at the bottom of the War Bank, and we returned to that spot; where, though the ground had been ploughed and was in pasture, we met with much stone rubbish in the soil, and some large pieces loose on the surface and in the ditches of the hedge. These appearances indicated a former structure there; and an old labourer, whom we fell in with, told us that when he was a boy, his grandfather used to talk of “Keston old church” having stood in that spot, but becoming decayed, it was pulled down, and the church rebuilt in its present situation, with the materials of the ancient edifice. If this information was correct, the coffins which were discovered in that spot were more likely to have been deposited there in ordinary burial, than to have contained, as most of the country people suppose, the bodies of persons slain in battle on the War Bank. Besides, if that mound derives its name, as tradition reports, from a conflict there between the Romans and the ancient Britons, it must be remembered that our rude aboriginal ancestors were unaccustomed to that mode of sepulture, and that Cæsar had work of more consequence to employ his soldiers on than such laborious constructions for the interment of his officers. One of these coffins is at Mr. Smith’s, near the well-head on the War Bank, and another is at lady Farnaby’s, at Wickham Court.

The little village of Keston is, of itself, nothing; but, looking over it from the road towards the weald of Kent, and particularly Surrey, there is a sweeping view of hill and dale, arable and pasture, intersected with woodlands. Its name is said to have been derived from Cæsar’s (pronounced Kæsar’s) town; but it is quite as likely to have been a corruption of “castrum,” a fortress or citadel. There is little doubt that the Romans maintained a military position on the heights adjoining Keston for a considerable time. The site they held was afterwards occupied by the late right honourable William Pitt; and respecting it, there was published in the year 1792 the following

Account of Holwood.

Holwood-hill, at present the seat of the right hon. William Pitt, is a most beautiful eminence, commanding (without the view of water) one of the most agreeable prospects in this country, or perhaps in this kingdom.

The house is a very small, old, plastered brick building; but being on the edge of a celebrated fox-hunting country, it was formerly the residence of various gentlemen who hunted with the old duke of Grafton. It afterwards came into the hands of the late Mr. Calcraft, the agent; and, small as it is, was used as a house of rendezvous by the heads of the great party at that time, where they privately formed their schemes of parliamentary manœuvre, and partook of Mr. Calcraft and Mrs. Bellamy’s elegant entertainment.

From Mr. Calcraft it came into the hands of the Burrell family: by them it was sold to captain Ross, and was purchased of him by —— Burrow, Esq., (nephew of the late sir James Burrow,) who stuccoed the house, added greatly to the grounds by various purchases, grubbed and converted considerable woods into beautiful pasture and pieces of water, and planted those ornamental shrubberies, which have rendered it so delightful and so justly admired a spot.

—— Randall, Esq., an eminent shipbuilder, purchased it of Mr. Burrow, and he has since sold it to the right hon. William Pitt, a native of (Hayes) the adjoining parish.

Holwood is fourteen miles distant from London, in the parish of Keston, Kent; which parish evidently, either by Latin or Saxon derivation, takes its name from the camp, commonly called Julius Cæsar’s Camp; on the south entrenchment of which Mr. Pitt’s house stands, and some part of the pleasure-ground is within the same.

This celebrated camp, till within these twenty years, was tolerably perfect: it consisted of a circular double, and in some places treble entrenchment, enclosing about twenty-nine acres of land; into which there appeared to have been no original entrance but by the opening to the north-west, which descends to the spring called “Cæsar’s Spring.” This spring has long been converted into a most useful public cold bath; a dressing-house is built on the brink of it; it is ornamented with beautiful trees, and from its romantic situation, forms a most pleasing scene.

However antiquarians (from the variety of fragments, coins, &c. discovered      ploughed up in the neighbourhood) may have been induced to differ in conjecture as to the person who framed it, they all agree that this camp was originally a strong and considerable Roman station, though not of the larger sort; but rather from its commanding situation, and short distance from the Thames, a camp of observation, or castra æstiva. At the same time, there is great reason to suppose it to have been since possessed by other invaders.

The beautiful common of Keston to the south-west of the camp, from its charming turf, shade, and views, has long been the promenade of the neighbouring company; and parties of gentry from even so far as Greenwich, have long been accustomed to retire with music and provision to spend in this delightful spot the sultry summer’s day, drinking at Cæsar’s Fountain, and making the stupendous Roman bulwarks resound with the strains of instruments and the voice of social glee.

The above is some account of the country-seat of Mr. Pitt; but as an inhabitant of the capital may be desirous of knowing what works of taste, or of neighbouring utility, may have engaged the retirement of our illustrious prime minister, the following are the few improvements Holwood has yet undergone.

Whether from a natural antipathy to the animal, or from too much of “Fox” in other places, certain it is, the first order that was issued, was for the utter destruction of the “fox earth,” being a lodgement in one side of the bulwarks, which the sagacious Reynards are supposed to have been in quiet possession of ever since the Roman abdication.

The house standing on a high hill, the gentlemen who have hitherto lived in it, judging “not much good was to be had from the North,” had defended it on that quarter by large plantations of evergreens; but the present possessor has cut down these plantations, and seems determined “to be open to every thing that comes from that delightful region.”

The house itself has undergone no other alteration than the addition of a small eating-room covered with pantiles, and a curious new-invented variegated stucco, with which the whole has been done over: this stucco has now stood several winters, and only requires to be a little more known to be universally adopted.[461]


While Holwood was in the occupation of Mr. Pitt he there seemed to enjoy the short cessations he could obtain from official duty. His chief delight in these spare hours was planting; which, as he pursued it only as opportunity enabled him, was without system of purchase or order of arrangement, and consequently very expensive. After his death Holwood successively devolved into different hands, and the residence and grounds were variously altered. At length the estate was purchased by John Ward, Esq. a merchant of London, who pulled down the house, and erected the present edifice from a design by Mr. Burton, under whose direction the work was completed in the spring of 1827. Its exterior is chaste, and the interior commodious and elegantly laid out. It stands on the summit of a noble ascent, well defended from adverse winds by full-grown trees and young plantations. From the back front, a fine sweep of lawn descends into a wide spreading valley; and the high and distant woodlands of Knole, Seven Oaks, Tunbridge, and the hills of Sussex, form an extensive amphitheatre of forest scenery and downs, as far as the eye can reach. The home grounds are so disposed, that the domain seems to include the whole of the rich and beautiful country around.

In the rear of Holwood Mr. Ward is forming a vineyard, which, if conducted with the judgment and circumspection that mark the commencement, may prove that the climate of England is suited to the open culture of the grape. Mr. Ward has imported ten sorts of vines, five black and five white, from different parts of the Rhine and Burgundy. They are planted on a slope towards the S.S.E. Difficulties and partial failures are to be expected in the outset of the experiment, and are to be overcome, in its progress, by enlarged experience and information respecting the treatment of the plants in foreign countries. That the vine flourished here several centuries ago can be proved historically. There is likewise evidence of it in the old names of places still existing. For instance, in London, there is “Vineyard-gardens,” Clerkenwell; and in Kent, there is a field near Rochester cathedral, which has been immemorially called “the Vines.” Many examples of this nature might be adduced. But far stronger than presumptive testimony is the fact, that, in some parts of the weald of Kent, the vine grows wild in the hedges; a friend assures me of this from his own knowledge, he having often assisted when a boy in rooting up the wild vine on his father’s land.

Mr. Ward’s alterations at Holwood are decisive and extensive. Besides the erection of a new and spacious residence, instead of the old one, which was small and inconvenient, and ill suited to the commanding character and extent of the grounds, he has greatly improved them; and perfected a stately approach to the mansion. Immediately within the great entrance gates, from Keston Common, is the elegant lodge represented by the engraving. For the purpose of making the drawing, we obtained seats just within the gates. While W. sketched it the silence was unbroken, save by the gentle rustle of the leaves in the warm afternoon air of summer, and the notes of the small birds preparing for their vesper song; the rabbits were scudding from their burrows across the avenue, and the sun poured glowing beams from between the branches of the magnificent trees, and dressed the varied foliage in a thousand beauteous liveries——

Circumstances prevent this article from concluding, as had been purposed, with notices of Holwood-hill as a Roman encampment, and of “Cæsar’s Spring,” in the declivity, beneath the gates of Holwood on Keston Common. An engraving of that ancient bourne, which Julius Cæsar is said to have himself discovered nearly two thousand years ago, and thither directed his legions to slake their thirst, will precede the remaining particulars in another sheet.

*


[461] European Magazine, Dec. 1792.


THE PLAGUE AT EYAM, AND THE REV. THOMAS STANLEY.

To the Editor.

Sir,—The publication of the paper, entitled “Catherine Mompesson’s Tomb,” on “The Desolation of Eyam, and other Poems, by William and Mary Howitt,” at p. 482 of the Table Book, gives me an opportunity, with your good offices, of rescuing from a degree of oblivion the name and merits of an individual, who has unaccountably been almost generally overlooked, but who ought, at least, to be equally identified in any notice of the “Plague at Eyam” with Mr. Mompesson himself.

The Rev. Thomas Stanley was instituted to the rectory of Eyam by the ruling powers in 1644, which he held till the “Act of Uniformity,” in 1662, threw him out.

It appears that he continued to reside at Eyam after his ejectment, and the tradition of the place at this day is, that he was supported by the voluntary contributions of two-thirds of the inhabitants; this may have been the cause of some jealousy in those who might have been satisfied with his removal from the living.

His comparative disinterestedness, with other circumstances worthy of notice, are recorded by his friend and fellow-sufferer Bagshaw, usually called “the Apostle of the Peak;” he concludes a most interesting account of Mr. Stanley in these words:—“When he could not serve his people publickly, some (yet alive) will testifie, how helpful he was to ’em in private; especially when the sickness (by way of eminency so called, I mean the Pestilence) prevailed in that town, he continuing with ’em, when, as it is written, 259 persons of ripe age, and 58 children were cut off thereby. When some, who might have been better employed, moved the then noble earl of Devonshire, lord lieutenant, to remove him out of the town; I am told by the credible, that he said, ‘It was more reasonable that the whole country should, in more than words, testify their thankfulness to him, who, together with his care of the town, had taken such care as no one else did, to prevent the infection of the towns adjacent.’”

Mr. Stanley died at Eyam 24th August, and was buried there on the 26th following, 1670.

I have thus extracted what, as an act of justice, ought to have been published long since, and which, indeed, ought to accompany every memorial of the plague at Eyam: though I scarcely regret that it has waited for the extensive circulation the Table Book must give to it—if it is so fortunate as to be considered a communication to your purpose. My authority is, “De Spiritualibus Pecci. Notes (or Notices) concerning the Work of God, and some of those who have been workers together with God in the High Peak of Derbyshire,” &c. 12mo. 1702. (Sheffield.)

Some farther account of Stanley may be seen in Calamy’s “Nonconformist’s Memorial,” and Hunter’s “History of Hallamshire,” but both follow Bagshaw.

I exceedingly regret that “William and Mary Howitt” were unacquainted with Mr. Stanley’s services at Eyam.

I am, sir,
Your obedient and humble servant,
M. N.

Nov. 9, 1827.


For the Table Book.

THE REIGN OF DEATH.


And I saw, and beheld a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.

Revelations, vi. 2.


In nightly vision, on my bed, I saw
A form unearthly, on a pale horse sat,
Riding triumphant o’er a prostrate world.
Around his brows he wore a crown of gold,
And in his bony hand he grasp’d a bow,
Which scatter’d arrows of destruction round.
His form was meagre—shadowy—indistinct—
Clothed with the faint lineaments of man.
He pass’d me swifter than the winged wind—
Or lightning from the cloud—or ghostly vision.
From his eye he shot devouring lightnings,
And his dilated nostril pour’d a stream
Of noisome, pestilential vapour.
Where’er he trod all vegetation ceas’d,
And the spring flow’rs hung, with’ring, on their stalks.
He passed by a city, whose huge walls,
And towers, and battlements, and palaces,
Cover’d the plain, aspiring to the skies:
As he pass’d, he smil’d—and straight it fell—
Wall, tower, and battlement, and glittering spire,
Palace, and prison, crumbling into dust;
And nought of this fair city did remain,
But one large heap of wild, confused ruin.
The rivers ceas’d to flow, and stood congeal’d.
The sea did cease its roaring, and its waves
Lay still upon the shore——
No tide did ebb or flow, but all was bound
In a calm, leaden slumber. The proud ships,
Which hitherto had travers’d o’er the deep,
Were now becalmed with this dead’ning stillness:—
The sails hung motionless—straight sunk the mast
O’er the huge bulwarks, and the yielding planks
Dropt silently into the noiseless deep:—
No ripple on the wave was left to show
Where, erst, the ship had stood, but all was blank
And motionless.
Birds in the air, upon the joyous wing,
Fell, lifeless, as the shadowy monster pass’d
And hostile armies, drawn in warlike lines,
Ceas’d their tumultuous conflict in his sight—
Conqueror and conquer’d yielding ’neath the power
Of the unknown destroyer! Nations fell;
And thrones, and principalities and powers.—
Kings with their glitt’ring crowns, lay on the earth,
And at their sides, their menials.——
Beauty and beggary together lay;
Youth, innocence, and age, and crime, together.
I saw a murderer, in a darksome wood,
Wielding a dagger o’er a beauteous bosom,
Threat’ning quick destruction to his victim:—
The shadow pass’d—the leaves grew sere and dropp’d—
The forest crumbled into ashes, and
The steel dissolv’d within th’ assassin’s hand—
His face grew wan and bloodless—his eyes stood
Fix’d, and glazed—he stiffen’d, and he fell—
And o’er his prostrate body sunk his victim!
I still pursued the conqueror with my eye—
The earth grew desart as he rode along—
The sun turn’d bloody in the stagnant air—
The universe itself was one vast ruin——
Then, stopp’d the Fiend. By him all mortal things
Had been destroyed; yet was he unsated;
And his vengeful eyes still flash’d destruction.—
Thus, alone, he stood; and reign’d—sole monarch—
All supreme—The King of Desolation!

Oct. 14, 1827. O. N. Y.


Discoveries
OF THE
ANCIENTS AND MODERNS.
No. XIII.

Thunder—Lightning—Aurora Borealis—Earthquakes—Ebbing and Flowing of the Sea—the Loadstone and Amber—Electricity—Rivers.

Some of the moderns have assigned the cause of Thunder to inflamed exhalations, rending the clouds wherein they are confined; others, to the shock between two or more clouds, when those that are higher and more condensed fall upon those that are lower, with so much force as suddenly to expel the intermediate air, which vigorously expanding itself, in order to occupy its former space, puts all the exterior air in commotion, producing those reiterated claps which we call thunder. This is the explanation of Descartes, and had but few followers; the former had more, being that of the Newtonians. For a third theory, which makes the matter productive of thunder the same with that of electricity, its author, Dr. Franklin, is in no part indebted to the ancients.

The notion of Descartes entirely belongs to Aristotle, who says, that “thunder is caused by a dry exhalation, which, falling upon a humid cloud, and violently endeavouring to force a passage for itself, produces the peals which we hear.” Anaxagoras refers it to the same cause.

All the other passages, which occur in such abundance among the ancients, respecting thunder, contain in them the reasonings of the Newtonians, sometimes combining the notions of Descartes.

Leucippus, and the Eleatic sect, held that “thunder proceeded from a fiery exhalation, which, enclosed in a cloud, burst it asunder, and forced its way through.” Democritus asserts, that it is the effect of a mingled collection of various volatile particles, which impel downwards the cloud which contains them, till, by the rapidity of their motion, they set themselves and it on fire.

Seneca ascribes it to a dry sulphureous exhalation arising out of the earth, which he calls the aliment of lightning; and which, becoming more and more subtilized in its ascent, at last takes fire in the air, and produces a violent eruption.

According to the stoics, thunder was occasioned by the shock of clouds; and lightning was the combustion of the volatile parts of the cloud, set on fire by the shock. Chrysippus taught, that lightning was the result of clouds being set on fire by winds, which dashed them one against another; and that thunder was the noise produced by that rencontre: he added, that these effects were coincident; our perception of the lightning before the thunder-clap being entirely owing to our sight’s being quicker than our hearing.

In short, Aristophanes, in his comedy of the “Clouds,” introducing Socrates as satisfying the curiosity of one of his disciples as to the cause of thunder, makes him assign it to the action of the compressed air in a cloud, which dilating itself bursts it, and, violently agitating the exterior air, sets itself on fire, and by the rapidity of its progress occasions all that noise.

The Aurora Borealis was also observed by the ancients, as may be seen in Aristotle, Pliny, Seneca, and other writers, who conjectured differently its cause.

The Cartesians, Newtonians, and other able moderns, ascribe Earthquakes to the earth’s being filled with cavities of a vast extent, containing in them an immense quantity of thick exhalations, resembling the smoke of an extinguished candle, which being easily inflammable, and by their agitation catching fire, rarefy and heat the central and condensed air of the cavern to such a degree, that finding no vent, it bursts its enclosements; and, in doing this, shakes the surrounding earth all around with dreadful percussions, producing all the other effects which naturally follow.

Aristotle and Seneca assigned these dreadful events to the same cause. The former says, that they were occasioned by the efforts of the internal air in dislodging itself from the bowels of the earth; and he observes, that on the approach of an earthquake the weather is generally serene, because that sort of air which occasions commotions in the atmosphere, is at that time pent up in the entrails of the earth.

Seneca is so precise, we might take him for a naturalist of the present times. He supposes that the earth hides in its bosom many subterraneous fires, which uniting their flames, necessarily put into fervid motion the congregated vapours of its cells, which finding no immediate outlet, exert their utmost powers, till they force a way through whatever opposes them. He says also, that if the vapours be too weak to burst the barriers which retain them, all their efforts end in weak shocks, and hollow murmurs, without any fatal consequence.

Of all the solutions of the Ebbing and Flowing of the Sea, the most simple and ingenious, though afterwards found by observation to be inadequate, is that of Descartes, who supposes a vortex of subtile matter, of an elliptic form, to invest our globe, and compress it on all sides. The moon, according to this philosopher, is immerged in this elliptic vortex, and when at its greatest elongation from the earth, it makes less impression upon the circumambient ethereal matter; but when it comes to the narrowest part of the ellipse, gives such an impulse to the atmosphere, as puts the whole ocean in agitation. He supports his system by this remark, that the ebbing and flowing of the sea generally coincides with the irregularity of the moon’s course.

The opinion of Kepler and Newton is more conformable to observation, and is founded on this hypothesis—that the moon attracts the waters of the sea, diminishing the weight of those parts of it over whose zenith it comes, and increasing the weight of the collateral parts, so that the parts directly opposite to the moon, and under it in the same hemisphere, must become more elevated than the rest. According to this system, the action of the sun concurs with that of the moon, in occasioning the tides; which are higher or lower respectively, according to the situation of those two luminaries, which, when in conjunction, act in concert, raising the tides to the greatest height; and when in opposition, produce nearly the same effect, in swelling the waters of the opposite hemispheres; but when in quadrature, suspend each other’s force, so as to act only by the difference of their powers; and thus the tides vary, according to the different positions of the sun and moon.

The Cartesian method of solution has been indicated by Pytheas Massiliensis, who observes, that the tides, in their increase and decrease, follow the irregular course of the moon; and by Seleucus of Erythrea, the mathematician, who ascribing to the earth a rotation about its axis, imputes the cause of tides to the activity of the earth’s vortex, in conjunction with that of the moon.

Pliny’s account has more affinity to that of sir Isaac Newton. The great naturalist of the ancients maintained, that “the sun and moon had a reciprocal share in causing the tides:” and after a course of observations for many years, he remarked, that “the moon acted most forcibly upon the waters when it was nearest to the earth; but that the effect was not immediately perceived by us, but at such an interval as may well take place between the action of celestial causes, and the discernible result of them on earth.” He remarked also, that the waters, which are naturally inert, do not swell up immediately upon the conjunction of the sun and moon; but having gradually admitted the impulse, and begun to raise themselves, continue in that elevation, even after the conjunction is over.

There are few things which have more engaged the attention of naturalists, and with less success, than the wonderful properties of the Loadstone. Almost all have agreed in affirming that there are corpuscles of a peculiar form and energy that continually circulate around and through the loadstone, and that a vortex of the same matter circulates around and through the earth. Upon these suppositions Descartes and others have advanced, that the loadstone has two poles similar to those of the earth; and that the magnetic matter which issues at one of the poles, and circulates around to enter at the other, occasions that impulse which brings iron to the loadstone, whose small corpuscles have an analogy to the pores of iron, fitting them to lay hold of it, but not of other bodies.

All this the ancients had said before. The impulsive force which joins iron to the loadstone, and other things to Amber, was known to Plato; though he would not call it attraction, as allowing no such cause in nature. This philosopher called the magnet the stone of Hercules, because it subdued iron, which conquers every thing.

Descartes’s idea of his explanation was doubtless derived from Lucretius, who admitted, that there was a “vortex of corpuscles, or magnetic matter, which, continually circulating around the loadstone, repelled the intervening air betwixt itself and the iron. The air thus repelled, the intervening space became a vacuum; and the iron, finding no resistance, approached with an impulsive force, pushed on by the air behind it.”

Plutarch likewise is of the same opinion. He says, that “amber attracts none of those things that are brought to it, any more than the loadstone, but emits a matter, which reflects the circumambient air, and thereby forms a void. The expelled air puts in motion the air before it, which making a circle, returns to the void space, driving before it, towards the loadstone, the iron which it meets in its way.” He then proposes a difficulty, to wit, “why the vortex which circulates around the loadstone does not make its way to wood or stone, as well as iron?” He answers, like Descartes, that “the pores of iron have an analogy to the particles of the vortex circulating about the loadstone, which yields them such access as they can find in no other bodies, whose pores are differently formed.”

Certain authors report, that the properties of the loadstone, particularly its tendency towards the north pole, enabled the ancients to undertake long voyages; and they pretend, that the Egyptians, Phœnicians, and Carthaginians, employed the compass to guide them in their naval excursions; though afterwards they lost the use of it, just as they did of dying purple,[462] and of embroidering, and of composing bricks, and a cement able to resist the force of all weathers; arts, without all doubt, formerly well known to them. Pineda and Kircher affirm likewise, that Solomon knew the use of the compass, and that his subjects steered their course by it in sailing to the land of Ophir. There is also a passage of Plautus[463] produced, wherein it is alleged he speaks of the compass. There is not however a single passage in the ancients that directly supports these pretensions.[464]

It is scarcely credible, that the real cause of Electricity was known to the ancients, and yet there are indications of it in the work of Timæus Locrensis, concerning the soul of the world.

The moderns are also divided in their sentiments, as to how it happens that Rivers, continually flowing into the sea, do not swell the mass of waters, so as to make it overflow its banks. One of the solutions of this difficulty is, that rivers return again to their source by subterraneous passages or canals; and that there is, between the sea and the springs of rivers, a circulation analogous to that of blood in the human body. This solution, however, is the same as Seneca’s, who accounts for their not overflowing the bed of the ocean, by imagining secret passages, which reconduct them to their springs; and because, at their springs, they retain nothing of that brackishness which they carried with them from the sea, he supposes they are filtrated in their circuit through winding paths, and layers of every soil, so that they must needs return to their source as pure and sweet as they departed thence.