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The Executioner's Knife; Or, Joan of Arc

Chapter 25: CHAPTER III. THE TEST.
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About This Book

The narrative traces the rise, military successes, and tragic fall of a young rural woman who claims divine visions and galvanizes divided factions to lift a critical siege, secure a royal coronation, and alter political fortunes. Her campaign exposes the collision of personal faith with entrenched clerical and noble interests, revealing how ambition, superstition, and legal procedure shape her fate. The later trial and execution are depicted as the outcome of political vengeance and institutional maneuvering rather than pure theology, and the epilogue reflects on memory, rehabilitation, and the lasting moral questions about authority, justice, and popular belief.

CHAPTER III.

THE TEST.

Animated by conflicting sentiments, the men and women of the court of Charles VII, gathered in a gallery of the Castle of Chinon, awaited the arrival of Joan the Maid. Some, and they were few, believed the girl inspired; most of the others regarded her either as a poor visionary, a docile instrument that might be turned to account by the heads of the State, or an adventuress whom her own audacity, coupled to the credulity of fools, was pushing forward. All, however, whatever their opinion concerning the mission that the peasant girl of Domremy claimed for herself, saw in her a daughter of the rustic plebs, and asked themselves how the Lord could have chosen his elect from such a low condition.

Splendidly dressed, the Sire of Trans sat on what looked like a throne—an elevated seat placed under a canopy at one end of the gallery. He was to simulate the King, while Charles VII himself, mixing in the crowd of his favorite courtiers, was laughing in his sleeve, satisfied with the idea of the test that Joan's sagacity was to be put to. Joan presently entered, conducted by a chamberlain. She held her cap in her hand and was in man's attire—a short jacket, slashed hose and spurred boots. Intimidated at first by the sight of the courtiers, Joan quickly regained her self-possession; holding her head high and preserving a modest yet confident bearing, she stepped forward in the gallery. Vaguely suspecting the ill-will of many of the seigneurs of the King's household, the girl scented a snare, and said to the chamberlain who escorted her:

"Do not deceive me, sir; take me to the Dauphin of France."[49]

The chamberlain motioned toward the Sire of Trans, who lolled ostentatiously on the raised and canopied seat at the extremity of the gallery. The mimic King was a man of large size, corpulent and of middle age. On her journey, Joan had often interrogated the knight of Novelpont on Charles VII, his external appearance, his features. Being thus informed that the prince was of a frail physique, pale complexion and short stature, and finding no point of resemblance between that portrait and the robustious appearance of the Sire of Trans, Joan readily perceived that she was being trifled with. Wounded to the heart by the fraud, the sign of insulting mistrust or of a joke unworthy of royalty, if Charles was an accomplice in the game, Joan turned back toward the chamberlain, and said, with indignation mantling her cheek:

"You deceive me—him that you point out to me is not the King."[50]

Immediately noticing a few steps away from her a frail looking and pale young man of small stature, whose features accorded perfectly with the description that she preserved as a perpetual souvenir in her mind, Joan walked straight towards the King and bent her knee before him, saying in a sweet and firm voice: "Sir Dauphin, the Lord God sends me to you in His name to save you. Place armed men at my command, and I shall raise the siege of Orleans and drive the English from your kingdom. Before a month is over I shall take you to Rheims, where you will be crowned King of France."[51]

Some of the bystanders, convinced as they were that the peasant girl of Domremy obeyed an inspiration, considered supernatural the sagacity that she had just displayed in recognizing Charles VII from among the courtiers; they were all the more impressed by the language that she held to the King. A large number of others, attributing Joan's penetration to a freak of accident, saw in her words only a ridiculous and foolish boast, and they suppressed with difficulty their jeering disdain at this daughter of the fields daring so brazenly to promise the King that she would clear his kingdom of the English, until then the vanquishers of the most renowned captains.

Charles fixed upon Joan a defiant and libertine look that brought the blush to her cheeks, ordered her to rise, and said to her with an air of nonchalance and sarcasm that revealed mistrust in every word:

"My poor child, we are thankful for your good intentions towards us and our kingdom. You promise us miraculously to drive away the English and to restore to us our crown. That is all very well. Finally, you claim to be inspired by God—and on top of all, that you are a maid. Before placing any faith in your promises we must first make sure that you are not possessed of an evil spirit and that you are virgin. On the latter head, your pretty face at least justifies doubt. In order to remove it the venerable Yolande, Queen of Sicily and mother of my wife, will preside over a council of matrons that will be commissioned by us duly, authentically and notarially to verify your virginity.[52] After that, my pretty child, if you issue triumphant from the trial, we shall then have to establish whether you are really sent to us by God. To that end, an assembly of the most illustrious clerks in theology, convened in our town of Poitiers, where our parliament is in session, will examine and interrogate you, and it will then declare, according to the answers that you make, whether you are inspired by God or possessed of the devil. You will admit, my little girl, that it would be insane to confide to you the command of our armed men before we have become convinced that God really inspires you—and, above all, that you are really a virgin."

At these words, so full of indifference, of mistrust, and of insulting immodesty, which were received with lewd smiles by the surrounding courtiers, and that, moreover, were pronounced by the "gentle Dauphin of France," whose misfortunes had so long been rending her heart, Joan felt crushed, and her chastity and dignity revolted at the bare thought of the disgraceful and humiliating examination that her body was first to be submitted to by the orders of that very Charles VII.

A prey to bitter sorrow, for a moment, in accord with the expectations of the Sire of La Tremouille, who was the promotor of the unworthy plan, Joan thought of renouncing her mission and abandoning the King to his fate. But it immediately occurred to the warm-hearted girl that not that indolent, ungrateful and debauched prince alone was concerned in her mission, but also Gaul, for so many years the bleeding victim of the foreigners' rapacity. Gaul's deliverance was at stake, Gaul, that having drained the cup of suffering to the very dregs, had attracted the compassion of the Lord! Accordingly, strengthening her faith and her energy in the recollection of the mysterious voices that guided her, recalling the prophecies of Merlin, confident in the military genius that she felt developing within her, and drawing from the consciousness of her own chastity and from the ardor of her love of country the necessary courage to resign herself to the ignominy that she was threatened with, yet anxious to make an effort to escape it, she raised to Charles VII her eyes bathed in tears and said to him: "Oh, Sire! Why not believe me and try me! I swear to you, I have come to you by the will of heaven!"[53]

CHAPTER IV.

THE HALL OF RABATEAU.

Upon her arrival at Poitiers, where the parliament was then in session and where she was to undergo the two examinations—on her virginity and her orthodoxy—Joan was placed in the house of Master John Rabateau, in charge of the latter's wife, a good and worthy woman whom Joan charmed with her piety, her innocence and the sweetness of her disposition. Joan shared her hostess's bed, and spent the first night weeping at the thought of the indecorous examination that she was to be subjected to the next day. The examination took place in the presence of Queen Yolande of Sicily and several other dames, among whom was the wife of Raoul of Gaucourt. Being an agent of the perfidious projects of George of La Tremouille, the soldier had succeeded in securing a place for his own wife on the commission that was to inquire into the chastity of Joan. He thought thereby to promote the chances of Joan's conviction. He failed. The infamous investigation was held, and Joan emerged triumphant from the disgraceful ordeal that deeply wounded her chaste and maidenly heart.

More serious and more arduous was the second examination; it lasted longer; and was unnecessarily prolonged.

A large number of royal councilors and members of parliament, assisted by several clerks in theology, among the latter of whom was Brother Seguin of the Carmelite Order and Brother Aimery of the Preachers' Order, and among the former of whom were Masters Eraut and Francois Garivel, proceeded at noon to the house of John Rabateau, in order to conduct the interrogatories that were to be put to Joan, who, always in her man's attire, awaited them and stood ready to answer them.

The inquisition took place in a spacious apartment. In the center of the hall stood a table, around which the men appointed to determine whether or not Joan the Maid was possessed of an evil spirit took their seats. Some of the inquisitors wore brown or black robes with black capes, others had on red robes lined with ermine. Their aspect was threatening, derisive and severe. They were all carefully picked by the Bishop of Chartres, who joined them after they arrived at Rabateau's house, and who presided in his quality of Chancellor of France. The holy man, whose very soul was sold to George of La Tremouille, saw with secret annoyance the purity of Joan established by the council of matrons. Though defeated there, the Bishop relied upon being able so to disconcert the poor peasant girl by the imposing appearance of the learned and redoubtable tribunal, and so to confuse her with subtle and insidious questions on the most arduous possible of theological points, that she would compromise and convict herself with her own answers. Several of the courtiers who had faith in the mission of the inspired young woman, followed her to Poitiers in order to witness the interrogatory. They stood at one end of the hall.

Joan was brought in. She stepped forward, pale, sad and with eyes cast down. So delicate and proud was the girl's susceptibility that at the sight of the councilors and priests, all of them men informed upon the humiliating examination that she had undergone shortly before, Joan, although pronounced pure, now felt as confused as if she had been pronounced impure. To so chaste a soul, to a soul of such elevation as Joan's, the shadow of a suspicion, even if removed, becomes an irreparable insult. This notwithstanding, the Maid controlled her feelings, she invoked the support of her good saints, and it seemed to her that she heard their mysterious voices softly murmur at her ear:

"Go, daughter of God! Fear naught; the Lord is with you. Answer in all sincerity and bravely. You will issue triumphant from this new trial."

The Bishop of Chartres motioned to Joan to approach nearer to the table, and said to her in a grave, almost threatening voice: "Joan, we have been sent by the King to examine and interrogate you. Do not hope to impose upon us with your lies and falsifications."

The interrogatory, being thus opened, proceeded as follows:

Joan—"I have never lied! I shall answer you. But you are learned clerks, while I know not A from B. I can say nothing to you but that I have a mission from God to raise the siege of Orleans."

Brother Seguin (harshly)—"Do you pretend that the Lord God sends you to the King? You can not be believed. Holy Writ forbids faith being attached to the words of people who claim to be inspired from above, unless they give a positive sign of the divinity of their mission. Now, then, what sign can you give of yours? We want to know."

Joan—"The signs I shall give will be my acts.[54] You will then be able to judge whether they proceed from God."

Master Eraut—"What acts do you mean?"

Joan—"Those that I have to accomplish by the will of God."

Francois Garivel—"Well, tell us what acts those will be. You will have to give more definite answers."

Joan—"They are three."

Brother Seguin—"Which is the first?"

Joan—"The raising of the siege of Orleans, after which I shall drive the English out of Gaul."

Master Eraut—"And the second?"

Joan—"I shall have the Dauphin consecrated at Rheims."

Brother Seguin—"And the third?"

Joan—"I shall deliver Paris to the King."

Despite their prejudice against Joan and the ill will they entertained for the girl, whom they now saw for the first time, the members of the tribunal were struck no less by the Maid's beauty and conduct than by the exactness of her answers, that bore an irresistible accent of conviction. The audience, composed mainly of France's partisans, among whom was John of Novelpont, indicated by a murmur of approbation the increasingly favorable impression made upon them by the girl's answers. Even some of the members of the tribunal seemed to begin to feel an interest in her. Alarmed at these symptoms, the Bishop of Chartres addressed Joan almost in a rage: "You promise to raise the siege of Orleans, to drive the English out of Gaul, to consecrate the King at Rheims and to place Paris in his hands? These are idle words! We refuse to believe you unless you give some sign to show that you are truly inspired by God, and chosen by Him to accomplish these truly marvelous things."

Joan (impatiently)—"Once more, I say to you, I have not come to Poitiers to display signs! Give me men-at-arms and take me to Orleans. The siege will be speedily raised, and the English driven from the kingdom. That will be the sign of my mission. If you do not believe me, come and fight under me. You will then see whether, with the help of God, I fail to keep my promise. These will be my signs and my actions."

Master Eraut—"Your assurance is great! Where do you get it from?"

Joan—"From my confidence in the voice of my dear saints. They advise and inspire me in the name of God."

Brother Seguin (roughly)—"You speak of God. Do you believe in Him?"

Joan—"I believe in Him more than you do, who can imagine such a thing possible as not to believe in Him!"

Brother Aimery (with a grotesque Limousin accent)—"You say, Joan, that voices advise you in the name of God? In what tongue do those voices speak to you?"

Joan (slightly smiling)—"In a better tongue than yours, sir."[55]

The humorous and keen retort caused Joan's partisans to laugh aloud, a hilarity in which several members of the tribunal shared. They now began to think that despite the lowliness of her condition, the cowherdess, as they called her, was no ordinary being. Some of the members of the tribunal began to look upon her as inspired; others, of a less credulous turn of mind, thought to themselves that, thanks to her beauty, her brightness and her valiant resolution, she might, at the desperate state of things, actually become a valuable instrument in the war. In short, it occurred to them that to declare Joan possessed of a demon, and thus reject the unexpected help that she brought the King would be to expose themselves to serious reproaches from the partisans of Joan who were witnesses to the interrogation, and that the reproaches would soon be taken up and repeated by public clamor. The Bishop of Chartres, the accomplice of the Sire of La Tremouille and of Gaucourt, was not slow to scent the disposition of the tribunal. In a towering passion he cried to his fellow judges: "Messires, the holy canons forbid us to attach faith to the words of this girl; and the holy canons are our guide!"

Joan (proudly raising her head)—"And I tell you that the book of the Lord which inspires me is worth more than yours! In that book no priest, however learned he may be, is able to read!"

Master Eraut—"Religion forbids women to wear male attire under pain of mortal sin. Why did you put it on? Who authorized you to?"

Joan—"I am compelled to assume male attire, seeing I am to battle with men to the end of my mission. Evil thoughts will thus be removed from their minds. That is the reason for my disguise."

Francois Garivel—"And so you, a woman, are not afraid of shedding blood in battle?"

Joan (with angelic sweetness)—"May God preserve me from shedding blood! I have a horror of blood! I wish to kill nobody; I shall carry in battle only a staff or a standard, to guide the armed men. I shall leave my sword in its scabbard."

Master Eraut—"Suppose our assembly declares to the King our Sire that, with a safe conscience, he may entrust you with armed men to enable you to undertake the raising of the siege of Orleans, what means would you adopt to that end?"

Joan—"To the end of avoiding, if it is possible, any further shedding of blood, I shall first summon the English, in the name of God who sends me, to raise the siege of Orleans and return to their country; if they refuse obedience to my letter, I shall march against them at the head of the royal army, and with the help of heaven, I shall drive them out of Gaul!"

Bishop of Chartres (disdainfully)—"You would write to the English, and you have just told us you do, not know A from B?"

Joan—"I do not know how to write, but I could dictate, Seigneur Bishop."

Bishop of Chartres—"I take you at your word. Here are pens and a parchment. I shall be your secretary. Let us see! Dictate to me the letter to the English. Upon my faith, its style will be singular!"

A deep silence ensued. Triumphantly the Bishop took up a pen, feeling sure he had laid a dangerous trap for the poor peasant girl, incapable, as he thought, of dictating a letter equal to the occasion. Even the partisans of Joan, although greatly incensed at the manifest ill will of the Bishop towards her, feared to see her succumb at this new trial. The minds of all were on tenter-hooks.

Bishop of Chartres (ironically)—"Come, now, Joan, here I am ready to write under your dictation."

Joan—"Write, sir."

And the maid dictated the following letter with a mild but firm voice:

"IN THE NAME OF JESUS AND MARY.

"King of England, submit to the kingdom of heaven, and place in the hands of Joan the keys of all the towns that you have forced. She comes sent by God to reclaim those towns in the name of Charles. She is ready to grant you peace if you are willing to leave France.

"King of England, if you do not do as I request you, then I, Joan, chief of war, will everywhere smite your men; I shall drive them out, whether they will or no. If they surrender at mercy, I shall grant them mercy; if not, I shall do them so much damage that nothing like it will have been seen in France for a thousand years back. What is here said will be done.

"You, archers and other companions in arms who are before Orleans, be gone, by the Lord's command, back to England, your own country. If not, fear Joan. You will remember your defeat! You shall not keep France! France will belong to the King to whom God gave the kingdom!"

Joan broke off her dictation, and addressing herself to the Bishop of Chartres, who was stupefied at the virile simplicity of the letter, that, despite himself, he had been compelled to write, she said:

"Sir, what are the names of the English captains?"

Bishop of Chartres—"The Count of Suffolk, Lord Talbot and the knight Thomas of Escall, lieutenants of the Duke of Bedford, Regent for the King of England."

Joan—"Write, sir!

Joan (addressing the Bishop of Chartres after having dictated)—"Sir, sign for me, if you please, my name at the bottom of this letter. I shall make my cross in God beside the signature, seeing I cannot write, and write the following address on the parchment: 'To the Duke of Bedford who styles himself Regent of the Kingdom of France for the King of England."

The partisans of Joan, the members of the tribunal, even the Bishop of Chartres could hardly believe the evidence of their own senses: a poor rustic girl, only recently arrived from the heart of Lorraine, to hold in that letter a language that was at once so courteous, so dignified and so sensible—it bordered on a miracle.

Aye, a miracle of courage! A miracle of sense! A miracle of patriotism!—readily accomplished by Joan, thanks to her superior native intelligence and her confidence in her own military genius, of which she now began to be conscious; thanks to her faith in the heavenly support promised to her by her mysterious voices; finally, thanks to her firm resolve to act bravely obedient to the proverb that she delighted in repeating—Help yourself, and heaven will help you!

Much to the secret anger of the Bishop of Chartres, the declaration that the tribunal would make was no longer doubtful. Joan's triumph in the hall of Rabateau was complete. The tribunal declared that, Joan's virginity having been established, a demon could possess neither her body nor her soul; that she seemed inspired of God; and that the enormity of the public misfortunes justified the King to avail himself with a clean conscience of the unexpected and seemingly providential help. Despite his own shameful indolence, despite the opposition of the Sire George of La Tremouille, and fearing to exasperate public opinion, that was waxing ever more pronouncedly in favor of Joan, Charles VII found himself compelled to accept the aid of the peasant girl of Domremy; whom, however, he cursed and swore at in secret. Inclined now to believe Joan inspired, the slothful King fretted at the thought of the trials and cares that the threatened vigorous renewal of hostilities against the English was to inflict upon him. He feared to see himself compelled by the force of circumstances to show himself at the head of his troops, to ride up hills and down dales, to endure fatigue, to face danger. But he was compelled to yield to the current of enthusiasm produced by the promises of deliverance made by Joan the Maid. It was decided that Joan was to proceed to Blois, and thence to Orleans, where she was to confer with Dunois, Lahire, Xaintrailles and other renowned captains upon the raising of the siege of Orleans. An equerry named Daulon was attached to the service of the Maid, together with a young page of fifteen named Imerguet. She was given battle horses, and servants to attend to her needs. A special suit of armor was ordered for her. In remembrance of the prediction of Merlin, she demanded that the armor be white, as also one of her chargers, her pennon and her standard, on the latter of which she ordered two blue-winged angels to be painted, holding in their hands the stalk of a lily in blossom. Furious at not being able to catch Joan in the snares that they had spread for her, George of La Tremouille and his two accomplices, the Bishop of Chartres and the Sire of Gaucourt, pursued their darksome plots with increased intensity. It was agreed among them, and in line with their previously laid plans, that Gaucourt was to demand of Charles VII the command of the town of Orleans. The three intriguers expected by that means to block the Maid's movements, ruin her military operations, and expose her to a first check that would forever confound her, or to allow her to be captured by the English in some sally when she was to be left in the lurch.

On Thursday the 28th of April, 1429, Joan Darc left Chinon for Blois, where she was to join Dunois and Marshal Retz, before proceeding to Orleans. The peasant girl, now fast maturing into a warrior, started on the journey, her mind occupied with recollections of the child's combat between the urchins of Maxey and of Domremy, a battle where she had for the first time vaguely felt her vocation for war, and also recalling the passage in the prophecy where the Gallic bard declared:

"I see an angel with wings of azure and dazzling with light.
He holds in his hands a royal crown.
I see a steed of battle as white as snow—
I see an armor of battle as brilliant as silver.—
For whom is that crown, that steed, that armor?
Gaul, lost by a woman, will be saved by a virgin
From the borders of Lorraine and a forest of oaks.—

For whom that crown, that steed, that armor?
Oh, how much blood!
It spouts up, it flows in torrents!
Oh, how much blood do I see! It is a lake,
It is a sea of blood!
It steams; its vapor rises—rises like an autumn mist to heaven,
Where the thunder peals and where the lightning flashes.
Athwart those peals of thunder, those flashes of lightning,
That crimson mist, I see a martial virgin.
White is her armor and white is her steed.
She battles—she battles—she battles still
In the midst of a forest of lances.
And seems to be riding on the backs of the archers.
The steed, as white as snow, was for the martial virgin.
For her was the armor of battle as brilliant as silver.
But for whom the royal crown?
Gaul, lost by a woman, will be saved by a virgin
From the borders of Lorraine and a forest of oaks."

PART III.

ORLEANS.

CHAPTER I.

FRIDAY, APRIL 29, 1429.

In one week the martial Maid, inspired by the love for her people and country, vanquished the English, triumphant since the battle of Poitiers, more than seventy years before, when John II and the coward nobility of France took to their heels. In one week the brave daughter of the people accomplished what for over seventy years had proved beyond the strength of the most illustrious captains. The week has been called The Week of Joan Darc.

Night had set in, but it was a balmy night of spring, and anyone on the evening of April 29, 1429, who stood on the street leading to the Banier Gate, one of the gates of the town of Orleans, would have thought it was bright day. All the windows, at which the inhabitants crowded, were illuminated with lamps. To the light of these was joined that of torches with which a large number of armed bourgeois and artisans had furnished themselves and were ranged in a double row along the full length of the thoroughfare for the purpose of keeping back the crowd. The courage of these town soldiers had been severely tested by the perils of the siege which they had long sustained single handed, having at first refused to admit into the city the companies of soldiers that consisted of insolent, thievish and ferocious mercenaries. However, after many a brave attempt, and seeing their numbers reduced from day to day under the shot and fire of the besiegers, the townsmen of Orleans had found themselves compelled to accept and support the mercenary bands of Lahire, of Dunois, of Xaintrailles and of other professional captains, who hired themselves and their men for cash to whomsoever paid for their services. They were dangerous auxiliaries, ever drawing in their train a mob of dissolute women who were themselves no less thievish than the English.

Accordingly, often had the councilmen of Orleans—resolute citizens, who bravely led their militia to the ramparts when these were assailed, or outside of the city when they made a sally—had lively disputes with the captains on the score of the misconduct of their men, or of their timidity in battle. These men, to whom arms was a trade, not having as the inhabitants themselves, families, property, their own hearths, to defend, were not particularly anxious about the speedy raising of the siege, well quartered and paid as they were by the town. It was, accordingly, with inexpressible impatience that the people of Orleans awaited the arrival of Joan Darc. They relied upon her help to drive the English from their redoubts, and to free themselves from the heavy burden of the French captains.

A compact crowd of men, women and children, held back by a military cordon, filled the two sides of the thoroughfare, at the end of which the residence of Master James Boucher, the treasurer, was situated, and was even more brilliantly illuminated than any other. Presently the hum of the multitude was silenced by the loud and rapid peals from the belfry of the town hall, together with the roar of artillery, announcing the arrival of the Maid. The faces of the citizens, until recently sad and somber, now breathed joy and hope. All shared and expressed the opinion that the virgin girl of Lorraine, prophesied by Merlin, was coming to deliver Orleans. She was announced to be of divinely dazzling beauty, brave and instinct with a military genius that struck even Dunois, Lahire and Xaintrailles, all of them renowned captains at the time defending the city for pay, when on the previous day they met her at Blois. Two of their equerries, who had ridden ahead into Orleans during the day, reported the marvel, which spread from mouth to mouth, and they announced the entry of Joan Darc for that evening.

Everywhere on her passage from Chinon to Blois, the equerries added, her march had been a continuous ovation, in which she was greeted by the joyful cries of the peasants, who for so long a time had been exposed to the ravages of the enemy, and was acclaimed by them as their redeeming angel sent by God. These, and similar accounts that were rife, revived the confidence of the townsmen. The crowd was especially dense in the neighborhood of the residence of Master James Boucher, where the heroine was to lodge.

Nine o'clock struck from the tower of the Church of St. Croix. Almost at the same instant the sound of trumpets was heard at a distance. The music approached slowly, and presently the brilliant light of the torches revealed a cavalcade riding in. The little page Imerguet and the equerry Daulon marched ahead, the one carrying the pennon, the other the white standard of the warrior maid, on which two azure-winged angels were painted holding in their hand a stalk of lilies in blossom. Behind them followed Joan Darc, mounted on her white charger, caparisoned in blue, while she herself was cased in a light plate armor of iron that resembled pale silver—a complete suit, leg-pieces, thigh-pieces, and coat of mail, arm-pieces and a rounded breast-plate that protected her virginal bosom. The visor of her casque, wholly raised, exposed her sweet and handsome face, set off by her black hair cut round at the neck. Profoundly moved by the acclamations that the good people of Orleans greeted her with, and which she received as a homage to her saints, a tear was seen to roll down from her large black eyes, adding to their brilliancy. Already familiarized with the handling of a horse, she elegantly guided her mount with one hand, while with the other she held a little white baton, the only weapon that, in her horror of blood, she wished to use in leading the soldiers to battle. Behind her rode Dunois, accoutered in a brilliant suit of armor, ornamented in gold; behind these came, mixed among the councilmen of Orleans, Marshal Retz, Lahire, Xaintrailles and other captains. Among the latter was the Sire of Gaucourt, leading a reinforcement of royal troops to Orleans and invested with the command of the town. With a sinister look, and hatred in his heart, the sire meditated dark schemes. Equerries and bourgeois deputations from the town brought up the rear of the train, which soon was pressed upon from all sides by so compact a mass that for a moment Joan Darc's steed could not move a step. Enraptured at her beauty and at her carriage at once so modest and yet so martial, men, women and children contemplated her with delirious joy and covered her with blessings. Some were even carried to the point of wishing to kiss her spurred boots half covered with the scales of her leg-pieces. As much touched as confused, she said naïvely to Dunois, turning towards him:

"Indeed, I will not have the courage to protect myself against these demonstrations, if God does not himself protect me."[57]

At that moment one of the militiamen who held a torch approached the Maid so closely in order to obtain a better view of her that he involuntarily set fire to the fringe of the standard borne by Daulon. Fearing the flag was in danger, Joan uttered a cry of fright, clapped the spurs to her horse before which the crowd rolled back, and approaching the equerry at a bound seized the burning banner, smothered the flames between her gauntlets and then gracefully waved it over her casque,[58] as if to reassure the people of Orleans, who might construe the accident into an evil omen. Such was the presence of mind and the horsemanship displayed by Joan on the occasion that the enraptured crowd broke out into redoubled acclamations. Even the mercenaries, who, not being on guard that night upon the ramparts, had been able to join the crowd, saw in the Maid an angel of war and felt stronger; like the archer of Vaucouleurs, it seemed to them that, led to battle by such a charming captain, they were bound to vanquish the enemy and avenge their previous defeats. Dunois, Lahire, Xaintrailles, Marshal Retz, all of them experienced captains, noticed the exaltation of their mercenaries, who but the day before seemed wholly discouraged; while the Sire of Gaucourt, perceiving the to him unexpected influence that the Maid exercised, not upon the Orleans militiamen merely, but upon the rough soldiers themselves, grew ever somberer and more secretly enraged.

Joan was slowly advancing through a surging mass of admiring humanity towards the house of James Boucher, when the cavalcade was arrested for a moment by a detachment of armed men that issued from one of the side streets. They were leading two English prisoners, and were headed by a large-sized man of jovial and resolute mien. The leader of the squad was a Lorrainian by birth, who had long lived in Orleans and was called Master John. He had well earned the reputation of being the best culverin-cannonier of the town. His two enormous bomb-throwers, which he had christened "Riflard" and "Montargis," and which, planted on the near side of the bridge on the redoubt of Belle-Croix, ejected unerring shot, caused great damage to the English. He was feared and abhorred by them. Our merry cannonier was not ignorant of their hatred, his cannons seemed to be the objective point for the best aimed bolts of the enemy's archers. He, accordingly, at times amused himself by feigning to be shot dead, suddenly dropping down beside one of his culverins. On such occasions his fellow townsmen engaged at the cannons would raise him and carry him away with demonstrations of great sorrow, that were echoed by the English with counter-demonstrations of joy. But regularly on the morrow they saw again Master John, in happier trim than ever,[59] and ever more accurate and telling with the shot from Riflard and Montargis. A few days later he would again repeat the comedy of death and the miracle of resurrection. It was this jolly customer who headed the squad that was leading the two prisoners to jail. At the sight of the warrior maid, he drew near her, contemplated her for a moment in rapt admiration, and reaching to her his heavy gloved hand said with considerable pride:

"Brave Maid, here is a countryman of yours, born like yourself in Lorraine; and he is at your service, together with Riflard and Montargis, his two heavy cannons."

Dunois leaned over towards Joan and said to her in a low voice:

"This worthy fellow is Master John, the ablest and most daring cannonier in the place. He is, moreover, very expert in all things that concern the siege of a town."

"I am happy to find here a countryman," said the Maid, smiling and cordially stretching out her gauntleted hand to the cannonier. "I shall to-morrow morning see how you manoeuvre Riflard and Montargis. We shall together examine the entrenchments of the enemy, you shall be my chief of artillery, and we shall drive the English away with shot of cannon—and the help of God!"

"Countrywoman," cried Master John in a transport of delight, "my cannons shall need but to look at you, and they will go off of themselves, and their balls will fly straight at the English."

The cannonier was saying these words when Joan heard a cry of pain, and from the back of her horse she saw one of the two English prisoners drop on his back, bleeding, with his scalp cut open by the blow of a pike that a mercenary had dealt upon his head, saying:

"Look well at Joan the Maid. Look at her, you dog of an Englishman.[60] As sure as I have killed you, she will thrust your breed out of France!"

At the sight of the flowing blood, that she had a horror of, the warrior maid grew pale; with a movement more rapid than thought, and pained at the soldier's brutality, she leaped from her horse, pressed her way to the Englishman, knelt down beside him, and raising the unhappy man's head, called with tears in her eyes to the surrounding militiamen:

"Give him grace; the prisoner is unarmed—come to his help."[60a]

At this compassionate appeal, several women, moved with pity, came to the wounded man, tore up their handkerchiefs and bound up his gash, while the warrior maid, still on her knees, held up the Englishman's head. The wounded man recovered consciousness for a moment, and at the sight of the young girl's handsome face, instinct with pity, he joined his two hands in adoration and wept.

"Come, poor soldier; you need not fear. You shall not be hurt," said Joan to him, rising, and she put her foot into the stirrup that her little page Imerguet presented to her.

"Daughter of God, you are a saint!" cried a young woman with exaltation at the act of charity that she had just witnessed, and throwing herself upon her knees before the warrior maid at the moment that the latter was about to leap upon her horse she added: "I beseech you, deign to touch my ring!" saying which she raised her hand up to Joan. "Blessed by you, I shall preserve the jewel as a sacred relic."

"I am no saint," answered the warrior maid with an ingenuous smile. "As for your ring, touch it yourself. You are no doubt a good and worthy woman; your touch will be as good as mine."[61]

So saying, Joan remounted her horse, to be saluted anew by the acclamations of the throng; even the most hardened soldiers were touched by the sentiments of pity that she had displayed towards an unarmed enemy. So far from taxing her with weakness, they admired the goodness of her heart and her generosity.

Master John frantically cheered his countrywoman, and the cries of "Good luck, Joan!" "Good luck to the liberator of Orleans!" resounded like the roll of thunder. Almost carried off its feet by the crowding mass of people, Joan's horse finally arrived with its inspired rider before the house of Master James Boucher. Standing at the threshold of his door with his wife and his daughter Madeleine near him, Master James Boucher awaited his young guest, and led her, together with the councilmen and captains, into a large hall where a sumptuous supper was prepared for the brilliant train. Timid and reserved, the Maid said to Master Boucher:

"I thank you, sir, but I shall not take supper. If your daughter will be kind enough to show me to the room where I am to sleep, and to help me take off my armor, I would be grateful to her. All I wish, sir, is a little bread moistened in water and wine—that is all I shall need; I shall immediately go to sleep. I wish to be awakened at early morning, to inspect the entrenchments with Master John the cannonier."[62]

According to her wishes, the Maid retired, Master Boucher's daughter Madeleine showing her to her room. At first seized with fear of the inspired Maid, Madeleine was soon so completely captivated by her sweetness and the affability of her words, that she naïvely offered to share her room during her sojourn in Orleans. Joan accepted the offer with gladness, happy at finding a companion that pleased her so well Madeleine gently helped her to disarm and brought her her refection. Just before lying down to sleep Joan said to her:

"Now that I have met you and your parents, Madeleine, I feel all the happier that God has sent me to deliver the good town of Orleans."[63]

The Maid knelt down at the head of her bed, did her devotions for the night, invoked her two patron saints, implored them with a sigh to bestow their blessings upon her mother, her father and her brothers, and was soon plunged in peaceful sleep, while Madeleine long remained awake, contemplating the sweet heroine in silent admiration.

CHAPTER II.

SATURDAY, APRIL 30, 1429.

Just before daybreak, and punctual to his appointment made the previous evening, Master John the cannonier was at James Boucher's door. Immediately afterwards, Joan opened the window of her room, which was on the first floor, and looked out upon the street which still was dark. She called down:

"Oh, Master John, are you there?"

"Yes, my brave countrywoman," answered the Lorrainian, "I have been waiting for you."

Joan soon left the house and joined the cannonier. She had not resumed her full armor of battle, but had merely put on a light iron coat of mail which she wore under her coat. A hood took the place of her casque. Her baton was in her hand, and on her shoulder was flung a short mantle in which she meant to wrap herself on her return, in order to prevent being recognized and thus becoming the object of popular ovations. She asked Master John to make with her the rounds of the town outside the ramparts, in order to inform herself on the strength of the enemy's entrenchments. Joan departed with her guide, traversed the still deserted streets, and issuing by the Banier Gate, started on her excursion.

Twelve formidable redoubts, called "bastilles," surrounded the town from the side of the Beauce and the side of the Sologne districts, and only slightly beyond range of the town's cannon. The most considerable of these hostile fortifications were the bastille of St. Laurence to the west, of St. Pouaire to the north, of St. Loup to the east, and of St. Privé, of the Augustinians and of St. John-le-Blanc to the south and on the other side of the Loire. Furthermore, and opposite to the head of the bridge, which, on the side of the besieged, was protected by a fortified earthwork, the English had raised a formidable castle, flanked with frame towers, called by them "tournelles." All these redoubts, manned with large garrisons, were surrounded with wide and deep moats, besides a belt of palisades planted at the foot of thick earthworks that were crowned with platforms on which were placed culverins and ballistas intended to hurl bolts into the town or upon its sallying forces. The bastilles, raised at distances of from two to three hundred fathoms from each other, completely encircled the town, and cut it off from the roads and the upper river.

Joan Darc minutely questioned the cannonier upon the manner in which the English fought in the redoubts, which she frequently approached with tranquil audacity in order to be able to judge by herself of the besiegers' means of defence. During the examination, she came near being struck by a volley of bolts darted at her from the bastille of St. Laurence. She was in no wise frightened, but only smiled at the sight of the projectiles that fell a few paces short of her. Joan, astonished the cannonier no less by her calmness and bravery than by the relevancy of her observations. Her every word revealed surprising military aptitude, and a quick and accurate eye. Among other things, she said to the cannonier, after having inquired from him what were the tactics hitherto pursued by the besieged, that it seemed to her the better way was, not to attack all the redoubts at once in general sallies as had hitherto been done, but to concentrate all the troops upon one point, and in that manner attack the bastilles one after another with the certainty of carrying them, seeing that they could hold but a limited number of defenders, while in the open field nothing could limit the number of the assailants; their combined mass could be three and four times superior to the garrison of each redoubt taken separately. Finally, by a number of other observations Joan revealed the extraordinary intuition that has ever been the mark of great captains. More and more astonished at such a martial instinct, the cannonier cried:

"Well, countrywoman, in what book did you learn all that?"

"In the book that our Lord God inspires me to read. That book is ever open before me," naïvely answered Joan.[64]

While the Maid was thus examining the enemy's works and was meditating upon and maturing her plan of campaign, the Sire of Gaucourt, who had been appointed chief of the royal troops sent to Orleans, was meditating upon and maturing the dark plot of treason long before hatched by him together with his two accomplices of the royal council, the Sire of La Tremouille and the Bishop of Chartres. Early that morning Gaucourt visited the most influential captains. Envy and malice supplied the man's lack of acumen. Moreover, carefully instructed by La Tremouille, he appealed to the worst passions of these men of the sword. He reminded them of the frantic enthusiasm with which Joan was received by the populace, by the town militia, even by their own mercenaries. Did not they, celebrated warriors, feel humiliated by the triumph of the peasant girl, of that cowherdess? Were not the insensate expectations pinned upon the visionary girl an insult to their fame? Did they not feel wounded and angry at the thought that their companies until then dejected and discouraged, seemed inflamed with ardor at the bare sight of the seventeen-year-old girl, even before she had delivered her first battle? The insidious words found an echo in the perverse spirits of several of the captains. As has often been seen before and will be seen again in the future with people of the military trade, several of the captains gave a willing ear to the perfidious insinuations of Gaucourt, and agreed, if not openly to refuse their co-operation with the Maid, at least to thwart her designs, to prevent their successful execution, and ever to oppose her in the councils of war. Dunois and Lahire were the only ones who thought it would be "good policy" to profit by the exaltation that the Maid inspired in the people and even in the mercenaries; they were of the opinion that she should be seconded if she actually gave evidence of military genius. These views notwithstanding, the majority of the captains adhered to their ill will for the young girl of Domremy, of whom they were vilely jealous. Gaucourt augured well for his black designs without, however, as yet daring fully to reveal to his ready accomplices his infamous machination—to cause the Maid to fall into the hands of the English by leaving her in the lurch at a sally and raising the draw-bridge behind her—as, indeed, was one day to happen.

Back from her long excursion around the ramparts of Orleans in the company of Master John, Joan said to Gaucourt and other chiefs who called upon her, that she had consulted her voices and they advised a simultaneous attack on the next day, Sunday, by all the combined forces of the army upon the bastille of the Tournelles to the end of first of all freeing the head of the Orleans bridge, opening the roads from the side of Beauce for the entry of provisions, which the town began to run short of, and facilitating the entrance of the reinforcements that had been ordered from Tours and Blois. The captains crossed themselves at hearing the Maid, a daughter of God, propose such an enormity—to fight on Sunday! Would that not, they remonstrated with Joan, be to inaugurate her arms with a sacrilege? As to themselves, sooner should their hands shrivel than draw their swords on that day, a day devoted to rest and prayer! In vain did Joan cry: "Oh, sirs! He prays who fights for the welfare of Gaul!" The captains remained unshakable in their orthodoxy on the pious observance of the dominical rest. Much against her will Joan saw herself compelled to postpone the plan for Monday, but desirous of turning the postponement to account and avoiding all she could the effusion of blood that she had such a horror of, she requested her equerry Daulon to write at her dictation another and short letter to the English, the first one having been forwarded to them from Blois by a herald. The missive having been written and signed with her name, Joan attached to it her "cross in God" in the fashion of a counter-sign, placed the parchment in her leathern girdle-pouch and invited the captains to accompany her to the ramparts on the Loire that faced the bastille of the Tournelles, occupied by the English. The warrior maid wished once more to examine the important position, preparatorily to the Monday attack. The request was complied with, and several captains accompanied her, in the midst of a large concourse of people, of soldiers and of mercenaries, no less enthusiastic than the previous evening, to the gate of the little castle on the river. Joan advanced to the edge of the boulevard of the bridge, so near to the bastille of the Tournelles, that the voice of the besieged could be heard by the besiegers. A large number of the Orleans militiamen were on guard upon the embattled platform of their own entrenchment which was equipped with ballistas and other engines of war used in hurling bolts and large stones. Transported with joy at the sight of the Maid in their midst, the good people surrounded her and inquired with martial ardor and impatience: "When will the assault be?" She promised it for Monday, and ordered them to raise a white flag in order to propose a truce of an hour to the English at the Tournelles, to whom she desired to speak. The flag of peace rose in the air, the besiegers answered with a like signal that they accepted a momentary suspension of hostilities, and several of them appeared at the embrasures of their bastille, not yet aware of Joan's proximity. The Maid picked out a large arrow from one of the quivers that hung from each of the ballistas, pushed the iron through the parchment on which the missive that she had brought with her was written, and having thus securely fastened it, she gave the arrow to one of the cannoniers with the request to hurl it into the Tournelles. Stepping upon the parapet, Joan called out to the English:

"Stand aside that you may not be wounded by the arrow on which I have fastened the letter that I have written to you. Read it!"

The ballista was set in motion; the arrow whizzed through the air and carried into the enemy's encampment the missive of Joan, which ran as follows: