Besides which, it amused the good souls to watch Hermione's skilful hand tracing the scene before her; and they felt an admiring delight when they saw the old tree of the forest reappear on the paper, with all the shadows and lights the sun just then threw upon it, and they wondered not a little at the skill with which she gave distance and perspective to the glade beyond. They felt, too, that though the drawing they saw rising under the sketcher's hand was not made powerful by brilliant effects or striking contrasts, it was nevertheless overflowing with the truth and sentiment of nature. It was the impression of the scene itself, viewed through the poetry of the artist's mind; and as the delicate creatures who hung over the picture, looked at it, they almost longed for it, slight as it was, that they might carry it away, and hang it up in their fairy palace as a faithful representation of one of the loveliest spots of earth, the outskirts of an ancient English forest.
It is impossible to say how long they might not have staid watching Hermione, but that after a time the sketch was finished, and the young lady after writing beneath it Schiller's well known line in Wallenstein, arose. "Das ist das Loos des Schönen auf der Erde."[1]
[1] "Such is the lot of the beautiful upon earth."
The poor tree was marked for felling! Ambrosia was almost affected to tears, once more. The scene was so beautiful, and the allusion so touching, and there seemed to her such a charm over her God-daughter Hermione; she was herself so glad, too, to feel sure that success had crowned her gift, that, altogether, her Fairy heart grew quite soft. "You may do as you like about observing Hermione further," cried she. "But, for my part, I am now satisfied. She is enjoying life to the uttermost; all its beauties of sight and sound; its outward loveliness; its inward mysteries. She will never marry but from love, and one whose heart can sympathise with hers. Ah, Ianthe, what more has life to give? You will say, she is not beautiful; perhaps not for a marble statue; but the grace of poetical feeling is in her every look and action. Ah, she will walk by the side of manhood, turning even the hard realities of life into beauty by that living well-spring of sweet thoughts and fancies that I see beaming from her eyes. Look at her now, Ianthe, and confess that surely that countenance breathes more beauty than chiselled features can give." And certainly, whether some mesmeric influence from her enthusiastic Fairy Godmother was working on Hermione's brain, or whether her own quotation upon the doomed tree had stirred up other poetical recollections, I know not; but as she was retracing her steps homewards, she repeated to herself softly but with much pathos, Coleridge's lines:[2]
"O lady, we receive but what we give,
And in our life alone does nature live:
Ours is her wedding-garment, ours her shroud!
And would we aught behold, of higher worth,
Than that inanimate cold world allowed
To the poor loveless ever anxious crowd,
Ah! from the soul itself must issue forth
A light, a glory, a fair luminous cloud
Enveloping the earth—
And from the soul itself must there be sent
A sweet and potent voice, of its own birth,
Of all sweet sounds the life and element!"
[2] Coleridge's "Dejection: an Ode."
And, turning through the little handgate at the extremity of the wood, she pursued the train of thought with heightened colour in her cheeks—
"I may not hope from outward forms to win
The passion and the life, whose fountains are within."
And thus Hermione reached her home, her countenance lighted up by the pleasure of success, and the sweet and healthy musings of her solitary walk.
She entered the library of a beautiful country house by the low window that opened on to the lawn, and found her mother reading.
"I cannot tell you how lovely the day is, Mamma, every thing is so fresh, and the shadows and lights are so good! I have immortalized our poor old friend the oak, before they cut him down," added she, smiling, as she placed the drawing in her mother's hands. "I wish the forest belonged to some one who had not this cruel taste for turning knotted oak trees into fancy work-tables. It is as bad as what Charles Lamb said of the firs, 'which look so romantic alive, and die into desks.'—Die into desks!" repeated Hermione musingly, as she seated herself on the sofa, and took up a book that was before her on the table; mechanically removing her bonnet from her head, and laying it down by her side as she spoke.
And here for some time there was a silence, during which Hermione's mother ceased reading, and, lifting up her eyes, looked at her daughter with mingled love, admiration, and interest. "I wish I had her picture so," dreamt the poor lady, as she gazed; "so earnest, and understanding, and yet so simple, and kind!—There is but one difficulty for her in life," was the next thought; "with such keen enjoyment of this world, such appreciation of the beauties, and wonders, and delights of God's creations on earth—to keep the eye of faith firmly fixed on the 'better and more enduring inheritance,' to which both she and I, but I trust she, far behind, are hastening. Yet, by God's blessing, and with Christian training, and the habit of active charity, and the vicissitudes of life, I have few or no fears. But such capability of happiness in this world is a great temptation, and I sometimes fancy must therefore have been a Fairy gift." And here the no longer young Mother of Hermione fell into a reverie, and a long pause ensued, during which Ambrosia felt very sad, for it grieved her to think that the good and reasonable Mother should be so much afraid of Fairy gifts, even when the result had been so favourable.
A note at length interrupted the prolonged silence. It was from Aurora the Beauty, whose Father possessed a large estate in the neighbourhood, and who had just then come into the country for a few weeks. Aurora earnestly requested Hermione and her Mother to visit her.
"I will do as you wish," said Hermione, looking rather grave; "but really a visit to Aurora is a sort of small misfortune."
"I hope you are not envious of her beauty, Hermione? Take care."
"Nay, you are cruel, Mamma, now. I should like to be handsome, but not at the expense of being so very dull in spirits as poor Aurora often is. But really, unless you have ever spent an hour alone with her, you can form no idea of how tired one gets."
"What of, Hermione? of her face?"
"Oh no, not of her face; it is charming, and by the way you have just put into my head how I may escape from being tired, even if I am left alone with her for hours!"
"Nay, now you really puzzle me, my dear; I suggested nothing but looking at her face."
"Ah, but as she is really and truly such a model of beauty, what do you think of offering to make a likeness of her, Mamma? It will delight her to sit and be looked at, even by me, in the country, and I shall be so much pleased to have such a pleasant occupation. I am quite reconciled to the idea of going."
And a note was written, and despatched accordingly.
"But," persisted Hermione, rising to sit near her Mother, "you do not above half know Aurora. One would think she had been born in what is called a 'four warnt way,' with nothing but cross roads about her. Nothing is ever right. She is always either exhausted with the heat of the sun, or frozen with cold, or the evening is so tedious, she wants it to be bedtime, or if there is any unusual gaiety going on, she quarrels with the same length of evening, because it is so intolerably short; and, in short, she is never truly happy but when she is surrounded by admirers, whether men or women. And this seems to me to be a sad way of 'getting her time over,' as the poor women say of life. Ah, Mamma, it goes but too quickly."
"Aurora is indeed foolish," musingly ejaculated the Mother.
"Not altogether either, my dear Mother. She knows much; but the fault is, she cares for nothing. She has got the carcase, as it were, of knowledge and accomplishments; but the vivifying spirit is wanting. You know yourself how well she plays and sings occasionally, if there is a question of charming a room full of company. Yet there can be no sentiment about her music after all, or it would be an equal pleasure to her at other times. But really it almost makes me as discontented with life as herself to hear her talk in unexcited hours. Turning over my books one day, she said, 'You can never be either a poet or a painter, or a Mozart or a philosopher, Hermione? what is the use of all your labour and poking?' What could I say? I felt myself colour up, and I laughed out, 'Vanity of vanities, saith the preacher, all is vanity!' Yet certainly God has set before us the things of earth in order that we may admire and find them out; and that is the answer to all such foolish questions!" And Hermione was turning to leave the room, but she came back and said—"Do you know, Mamma, though you will laugh at the idea, I do think Aurora would be a very nice girl, and very happy, if she either could grow very ugly all at once, or if any thing in the world could make her forget her beauty.—And," added she, in a half whisper, "if there is any thing in Fairy lore, I could almost fancy some cruel Fairy had owed her family a grudge, and had given her this gift of excessive beauty on purpose to be the plague and misfortune of her life."
"Enough, enough, and too much," cried Euphrosyne impatiently. "The matter is now, I think, concluded. Ianthe and I have failed, and though you are successful, Ambrosia, even you have not come off without a rebuff. Now, farewell to earth. I am weary of it. I do not know your gift, and I am sick of listening to conversations I cannot understand. Let us begone. If we de delay, they will begin again. Ah, my sisters, my spirit yearns for our fairer clime!"
And they arose; but yet awhile they lingered on the velvet lawn before that country-house, for as they were preparing for flight, the sounds they loved so well, of harmonious music, greeted their ears.
"Ah, there is the artist's hand again," cried Ambrosia. "I see the lovely sketch before me once more!"
And so it was, that it, and the peaceful forest scene, and the interesting face of Hermione, seemed to reappear before them all as they listened to her music. Tender, and full of sentiment were the sounds at first, as if the musician were acting the scene of the opera whence they came.
"Lieder ohne Worte,"[3] murmured Ambrosia.
[3] Songs without Words.—Mendelssohn.
But it was to the swelling sounds of a farewell chorus that they arose into the air, and took their leave of earth.
And now, dear Readers, there is but one thing more to do. To ask if you have guessed the Fairy gift?
The Fairies, you see, had not. What Euphrosyne had said was true. They had listened to such a quantity of conversation they could not understand, and they were so unused to think much about any thing, or to hear much beyond their own pretty light talk and sweet songs, that their poor little brains had got quite muddled.
Perhaps remaining so long in the Earth's atmosphere helped to cloud their intelligence. Certain it is, they returned very pensive, very cross, and rather dusty to Fairy Land.
They arrived at the beautiful bay I first described, and floated to a large party of their sisters, who were dancing on the sands.
There was a clapping of tiny hands, and shouts of joy as they approached; and "What news? what news?" cried many voices.
"Ah, what news, Sister Euphrosyne!" cried little Aglaia, floating forward, "from the smudgy old earth; Is it beauty, riches, or what?"
"I cannot answer your question," said Euphrosyne, pushing forward.
A circle was now formed round the travellers, and the details I have given you were made by Ianthe. And she wound up by saying, "And what Ambrosia's gift to Hermione has been, we cannot make out."
"Then I will tell you!" cried little Aglaia, springing lightly high into the air, and descending gently on a huge shell at her feet; "She likes every thing she does, and she likes to be always doing something. You can't put the meaning into one word, as you can Beauty and Riches; but still it is something. Can't you think of some way of saying what I have told you? Dear me, how stupid you are all grown. And liking isn't the right word: it is something stronger than common liking."
"Love, perhaps," murmured Leila.
"An excellent idea," cried Euphrosyne; "dear me, this delicious air is clearing my poor head. Sisters, I will express it for you, and Ambrosia shall say if I am right. It is THE LOVE OF EMPLOYMENT."
Ambrosia laughed assent; but a low murmur of discontent resounded through the Fairy group.
"Intolerable!" cried Leila, shrugging her shoulders like a French woman.
"It is no Fairy gift at all," exclaimed others; "it is downright plodding and working."
"If the human race can be made happy by nothing but labour," cried another; "I propose we leave them to themselves, and give them no more Fairy gifts at all."
"Remember," cried Ambrosia, now coming forward, "this is our first experiment upon human happiness. Hitherto we have given Fairy gifts, and never enquired how they have acted. And I feel sure we have always forgotten one thing, viz. that poor men and women living in Time, and only having in their power the small bit of it which is present, cannot be happy unless they make Time present happy. And there is but one plan for that; I use Aglaia's words: 'To like every thing you do, and like to be always doing something.'"
Ambrosia ceased speaking, and the circled group were silent too. They were not satisfied, however; but those sweet, airy people take nothing to heart for long. For a short time they wandered about in little knots of two and three, talking, and then joined together in a dance and song, ere night surrounded them. There was from that time, however, a general understanding among them that the human race was too coarse and common to have much sympathy with Fairies, and even the Godmothers agreed to this, for they were sadly tired with the unusual quantity of thinking and observing they had had to undergo. So if you ever wonder, dear Readers, that Fairy Gifts and Fairy Godmothers have gone out of fashion; you may conclude that the adventure of Ambrosia and Hermione is the reason.
The story is ended; and if any enquiring child should say, "There are no more Fairy gifts, and we can no more give ourselves love of employment than beauty or riches;" let me correct this dangerous error! Wiser heads than mine have shown that every thing we do becomes by HABIT, not only easy, but actually agreeable.[4]
[4] Abercrombie. Moral Feelings.
Dear Children! encourage a habit of attention to whatever you undertake, and you may make that habit not only easy, but agreeable; and then, I will venture to promise you, you will like and even love your occupations. And thus, though you may not have so many talents as Hermione, you may call all those you do possess, into play, and make them the solace, pleasure and resources of your earthly career.
If you do this, I think you will not feel disposed to quarrel, as the Fairies did, with Ambrosia's gift; for increased knowledge of the world, and your own happy experience, will convince you more and more that no Fairy Gift is so well worth having, as,
THE LOVE OF EMPLOYMENT.
JOACHIM THE MIMIC.
There was, once upon a time, a little boy, who, living in the time when Genies and Fairies used now and then to appear, had all the advantage of occasionally seeing wonderful sights, and all the disadvantage of being occasionally dreadfully frightened. This little boy was one day walking alone by the sea side, for he lived in a fishing town, and as he was watching the tide, he perceived a bottle driven ashore by one of the big waves. He rushed forward to catch it before the wave sucked it back again, and succeeded. Now then he was quite delighted, but he could not get the cork out, for it was fastened down with rosin, and there was a seal on the top. So being very impatient, he took a stone and knocked the neck of the bottle off.
What was his surprize to find himself instantly suffocated with a smoke that made his eyes smart and his nose sneeze, just as much as if a quantity of Scotch snuff had been thrown over him! He jumped about and puffed a good deal, and was just beginning to cry, as a matter of course for a little boy when he is annoyed; when lo! and behold! he saw before him such an immense Genie, with black eyes and a long beard, that he forgot all about crying and began to shake with fear.
The Genie told him he need not be afraid, and desired him not to shake; for, said he, "You have been of great use to me; a Genie, stronger than myself, had fastened me up in yonder bottle in a fit of ill humour, and as he had put his seal at the top, nobody could draw the cork. Luckily for me, you broke the neck of the bottle, and I am free. Tell me therefore, good little boy, what shall I do for you to show my gratitude?"
But now, before I go on with this, I must tell you that the day before the little boy's adventure with the bottle and the Genie, the King of that country had come to the fishing town I spoke of, in a gold chariot drawn by twelve beautiful jet black horses, and attended by a large train of officers and followers. A herald went before announcing that the King was visiting the towns of his dominions, for the sole purpose of doing justice and exercising acts of charity and kindness. And all people in trouble and distress were invited to come and lay their complaints before him. And accordingly they did so, and the good King, though quite a youth, devoted the whole day to the benevolent purpose he proposed; and it is impossible to describe the amount of good he accomplished in that short time. Among others who benefited was our little boy's Mother, a widow who had been much injured and oppressed. He redressed her grievances, and in addition to this, bestowed valuable and useful presents upon her. "Look what an example the young King sets," was the cry on every side! "Oh, my son, imitate him!" exclaimed our poor Widow, as in a transport of joy and emotion, she threw her arms around her boy's neck. "I wish I could imitate him and be like him!" murmured little Joachim: (such was the child's name). "My boy," cried the Widow, "imitate every thing that is good, and noble, and virtuous, and you will be like him!" Joachim looked earnestly in her face, but was silent. He understood a good deal that his Mother meant; he knew he was to try to do every thing that was good, and so be like the young King; but, as he was but a little boy, I am not quite sure that he had not got a sort of vague notion of the gold chariot and the twelve jet black horses, mixed up with his idea of imitating all that was good and noble and virtuous, and being like the young King. I may be wrong; but, at seven years old, you will excuse him if his head did get a little confused, and if he could not quite separate his ideas of excessive virtue and goodness from all the splendour in which the pattern he was to imitate appeared before his eyes.
However that may be, his Mother's words made a profound impression upon him. He thought of nothing else, and if he had been in the silly habit of telling his dreams, I dare say he would have told his mother next morning that he had been dreaming of them. Certainly they came into his head the first thing in the morning; and they were still in his head when he walked along by the sea-shore, as has been described; so much so, that even his adventure did not make him forget them; and therefore, when this Genie, as I told you before, offered to do any thing he wanted, little Joachim said, "Genie, I want to imitate every thing that is good, and noble, and virtuous, so you must make me able!"
The Genie looked very much surprized, and rather confused; he expected to have been asked for toys, or money, or a new horse, or something nice of that sort; but Joachim looked very grave, so the Genie saw he was in earnest, and he did a most wonderful thing for a Genie; he actually sat down beside the little boy to talk to him. I don't recollect that a single Genie in the Arabian Nights, ever did such a thing before; but this Genie did: What is more, he stroked his beard, and spoke very softly, as follows:
"My dear little boy, you have asked a great thing. I can do part of what you wish, but not all; for you have asked what concerns the heart and conscience, and we Genies, cannot influence these, for the great Ruler of all things alone has them under his control. He allows us, however, power over the intellect—ah! now I see you cannot understand me, little boy!—Well! I mean this;—I can make your head clever, but I cannot make your heart good: I can give you the power of imitation, but as to what you imitate, that must depend upon yourself, and the great Being I dare not name!"
After saying this, the Genie laid his immense forefingers on each side of Joachim's head just above his forehead, and then disappeared.
Joachim felt no pain, but when he got up and put on his cap to go home, his head seemed almost too large for it.
Perhaps he wanted a new cap, but the phrenologists would tell you he had got the organ of Imitation.
He did not thoroughly understand what the Genie said, but he was convinced that something had been done towards making him like to the young King. As he was dawdling home, his eye was struck by the sight of a beautiful because picturesque dark fishing-boat, which he saw very plainly, because the red sun was setting behind it. Joachim felt a strange wish to make something like it; and, taking up a bit of white chalk he saw at his feet, he drew a picture of the boat on the tarred side of another that was near him. While he was so engaged, an old fisherman came up very angrily. He thought the child was disfiguring his boat; but, to his surprise, he saw that the little fellow's drawing was so capital, he wished he could do as much himself.
"Why, who taught you to do that, young Master?" said he.
Joachim was no great talker at any time, and he now merely said, "Nobody," and smiled.
"Well, you must draw my boat some day, for me to hang up; and now here's a luck penny for you, for you certainly are a capital hand for such a youngster."
Joachim was greatly pleased with the penny, for it was a curious old one, with a hole through it; and he told his Mother all about it; but though it may seem strange, he never mentioned the bottle and the Genie to her at all. That appeared to him to be a quite private affair of his own.
He altered very much, however, by degrees. He had been till then rather a dull, silent boy: now he talked much more, was more amusing, was always endeavouring to draw, and after being at church would try to read the prayers like the parson. His Mother was delighted. She began to think her son would grow up a good scholar after all, and being now well off, owing to the King's kindness, she resolved on sending little Joachim to school.
To school, accordingly, he went; and here, my little readers, there was a great change for him. Hitherto he had lived very much alone with his Mother, and being quiet, and somewhat dull by nature, he had never till quite lately had many acquaintances of his own age.
Now, however, he found himself among great numbers of youths, of all ages, and all characters. At first he was shy and observant, but this soon wore off, and he became a favourite. Nobody was more liked at any time, and he was completely unrivalled in the play-ground. He could set all the boys in a roar of laughter, when, hid behind a bush, he would bark so like a dog that the unhappy wights who were not in the secret expected to see a vicious hound spring out upon them, and took to their heels in fright. He was first in every attempt at acting, which the boys got up; and there was not a cat nor a pig in the neighbourhood whose mew and squeak he could not give with the utmost exactness. If you ask how he got on at lessons, I must say—well, but not very well. His powers of entertaining his companions were so great, that I fear he found their easily-acquired praise more tempting than the rewards of laborious learning. He could learn easily enough, it is true; but while his steadier neighbours were working hard, he was devising some new scheme for fun when lessons should be over, or making some odd drawing on his slate to induce his companions to an outburst of laughter.
There were many excuses to be made for little Joachim; and it is always so pleasant to please, that I do not much wonder at his being led astray by possessing the power.
Time went on, meanwhile; and Joachim became aware at last that he possessed a larger share than common of the power of imitation. When he first clearly felt this, he thought of the Genie and his two forefingers, I believe;—but his school life, and his funny ways, and the constant diversion of his mind, quite prevented his thinking of all the serious things the Genie had spoken. Nay, even his Mother's words had nearly faded from his mind, and he had forgotten the young King, and his own wishes to be like him. It was a pity it was so; but so it was! Poor Joachim! he was a very good fellow, and kind also in reality; but first the pleasure of making his companions laugh, and then the pleasure of being a sort of little great man among them, were fast misleading him. For instance, though at first he amused them by imitating dogs, and cats, and pigs, he next tried his powers at imitating any thing queer and odd in the boys themselves, and, for a time, this was most entertaining. When he mimicked the awkward walk of one boy, and the bad drawl of another, and the loutish carriage of a third, the school resounded with shouts of laughter, which seemed to our Hero a great triumph,—something like the cheers which had greeted the good young King as he left the fishing-town. But certainly the cause was a very different one! By degrees, however, it must be admitted, that Joachim's popularity began a little to decrease; for, though a boy has no objection to see his neighbour laughed at, he does not like quite so well to be laughed at himself, and there are very few who can bear it with good humour. And now Joachim had given such way to the pastime, that he was always hunting up absurdities in his friends and neighbours, and no one felt safe.
It was a long time before Joachim found out the change that was taking place, for there were still plenty of loud laughers on his side; but once or twice he had a feeling that all was not right: for instance, one day when he mimicked the awkward walker to the boy who spoke badly and stuttered, and then in the afternoon imitated the stutterer to the awkward boy, he had a twinge of conscience, for it whispered to him that he was a sneak, and deceitful; particularly, as both these boys had often helped him in doing his sums and lessons when he was too idle and too funny to labour at them himself. In fact, he had been so much helped that he was sadly behind hand in his books, for all the school had been willing to assist "that good fellow 'Joke him,'" as they called him.
At last a crisis came. A new boy arrived at the school; very big for his age, and rather surly tempered, but a hard working, persevering lad, who was striving hard to learn and get on. He had one defect. He lisped very much, which certainly is an ugly trick, and sounded silly in a great stout boy, nearly five feet high: but he had this excuse; —his mother had died when he was very little, and his good Father had more important business on hand in supporting his family, of which this boy was the eldest, than in teaching him to pronounce his S's better. It is perhaps only Mothers who attend to these little matters. Well;—this great big boy was two or three days at the school before Joachim went near him. There was something serious, stern, and unfunny in his face, and when Joachim was making the other boys laugh, the great big boy never even smiled, but fixed his eyes in a rather unpleasant manner upon Joachim as he raised them from his books. Still he was an irresistible subject for the Mimic; for, though he learnt his lessons without a mistake, and always obtained the Master's praise, he read them with so strong a lisp, and this was rendered so remarkable by his loud, deep voice, that it fairly upset what little prudence Joachim possessed; and, as he returned one day to his seat, after repeating a copy of verses in the manner I have described, Joachim, who was not far off, echoed the last two lines with such accuracy of imitation, that it startled even the Master, who was at that moment leaving the school-room.
But no laugh followed as usual, for all eyes were suddenly turned on the big boy, who, crimson with indignation, and yet quite self-possessed in manner, walked up to Joachim and deliberately knocked him down on the floor. Great was Joachim's amazement, you may be sure, and severe was the blow that had levelled him; but still more severe were the words that followed. "Young rascal," exclaimed the big boy, "who has put you in authority over your elders, that you are to be correcting our faults and failings, instead of attending to your own. You are beholden to any lad in the school who will do your sums, and write your exercises for you, and then you take upon yourself to ridicule us if we cannot pronounce our well learnt lessons to your fancy! You saucy imp, who don't know what labour and good conduct are, and who have nothing to boast of, but the powers which a monkey possesses to a greater extent than yourself!" Fancy Joachim's rage! He, the admired wit! the popular boy! nothing better than a monkey! He sprang up and struck his fist into the face of his antagonist with such fury, that the big boy, though evidently unwilling to fight one less than himself, was obliged to bestow several sharp blows before he could rid himself of Joachim's passion.
At last, however, other boys separated them; but Joachim, who was quite unused to fighting, and who had received a very severe shock when he first fell, became so sick and ill that he was obliged to go home. His Mother asked what was the matter. "He had been quizzing a great big boy who lisped, and the boy knocked him down, and they had fought." His Mother sighed; but she saw he was too poorly for talking, so she put him to bed and nursed him carefully.
Now, you may say, what had this Mother been about, not to have found out and corrected Joachim's fault before? First, he was very little at home, and as owing to the help of others, his idleness had not become notorious, she had heard no complaints from the Masters, and thinking he did his lessons well, she felt averse to stopping his fun and amusements in holiday hours. Still, she had latterly begun to have misgivings which this event confirmed. In a few days Joachim was better, and came down stairs, and his Aunt and two or three Cousins called to enquire after him. Their presence revived Joachim's flagging spirits, and all the boys got together to talk and laugh. Soon their voices echoed through the house. Joachim was at his old tricks again, and the Schoolboys, the Ushers and the Master all furnished food for mirth. His Cousins roared with delight. "Clever child!" exclaimed his Aunt, "what a treasure you are in a house! one could never be dull where you are!" "Sister, Sister!" cried Joachim's Mother, "do not say so!" "My dear," said the Aunt, "are you dull enough to be unable to appreciate your own child's wit; oh, I wish you would give him to me. Come here, my dear Joachim, and do the boy that walks so badly once more for me; it's enough to kill one to see you take him off!" Joachim's spirits rose above all control. Excited by his Aunt's praise and the sense of superior ability, he surpassed himself. He gave the bad walker to perfection; then imitated a lad who had commenced singing lessons, and whose voice was at present broken and bad. He even gave the big boy's lisp once more, and followed on with a series of pantomimic exhibitions.
All at once, he cast his eyes on his Mother's face—that face so full of intelligence and the mild sorrow of years of widowhood, borne with resigned patience. Her eyes were full of tears, and there was not a smile on her countenance. Joachim's conscience—he knew not why—twinged him terribly. He stopped suddenly; "Mother!"
"Come here, Joachim!" He came.
"Is that boy whom you have been imitating—your Aunt says so cleverly—the best walker of all the boys in your school?"
"The best, Mother?" and the puzzled Joachim could not suppress a smile. His Cousins grinned.
"Dear Mother, of course not," continued Joachim, "on the contrary, he is the very worst!"
"Oh—well, have you no good walkers at your school?"
"Oh yes, several; indeed one especially; his father was a soldier, he walks beautifully."
"Does he, Joachim? Let me see you walk like him, my dear."
Joachim stepped boldly enough into the middle of the room, and drew himself up; but a sudden consciousness of his extreme inferiority to the soldier's son, both in figure, manner and mode of walking, made him feel quite sheepish. There was a pause of expectation.
"Now then!" said Joachim's Mother.
"I cannot walk like him, Mother," said Joachim.
"Why not?"
"Because he walks so very well!"
"Oh,"—said Joachim's Mother.
There was another pause.
"Come, Joachim," continued the Widow, "I am very anxious to admire you as much as your Aunt does. You are not tired; let us have some more exhibitions. You gave us a song just now horribly out of tune, and with the screeching voice of a bagpipe."
"I was singing like Tom Smith," interrupted Joachim.
"Is he your best singer?" enquired the Mother. Another laugh followed.
"Nay, Mother, no one sings so badly."
"Indeed! How does the Singing Master sing, Joachim?"
"Oh, Mother," cried Joachim, "so beautifully, it would make the tears come into your eyes with pleasure, to listen to him."
"Well, but as I cannot listen to him, let me, at all events, have the pleasure of hearing my clever son imitate him," was the reply.
Joachim was mute. He had a voice, though not a remarkable one, but he had shirked the labour of trying to improve it by practice. He made one effort to sing like the Master, but overpowered by a sense of incapacity, his voice failed, and he felt disposed to cry.
"Why, Joachim, I thought you were such a clever creature you could imitate any thing," cried the Mother.
No answer fell from the abashed boy, till a sudden thought revived him.
"But I can imitate the singing-master, Mother."
"Let me hear you, my dear child."
"Why it isn't exactly what you can hear," observed Joachim murmuringly; "but when he sings, you have no idea what horrible faces he makes. Nay, it's true, indeed, he turns up his eyes, shuts them, distorts his mouth, and swings about on the stool like the pendulum of a clock!"
And Joachim performed all the grimaces and contortions to perfection, till his Aunt and Cousins were convulsed with laughter.
"Well done," cried his Mother. "Now you are indeed like the cat in the German fable, Joachim! who voted himself like the bear, because he could lick his paws after the same fashion, though he could not imitate either his courage or his strength. Now let me look a little further into your education. Bring me your drawing-book." It came, and there was page after page of odd and ugly faces, strange noses, stranger eyes, squinting out of the book in hideous array.
"I suppose you will laugh again if I ask you if these are the beauties of your school, Joachim;—but tell me seriously, are there no good, pleasant, or handsome faces among your schoolfellows?"
"Plenty, Mother; one or two the Master calls models, and who often sit to him to be drawn from."
"Draw one of those faces for me, my dear; I am fond of beauty." And the Mother placed the book in his hands, pointing to a blank page.
Joachim took a pencil, and sat down. Now he thought he should be able to please his Mother; but, alas, he found to his surprise, that the fine faces he tried to recall had not left that vivid impression on his brain which enabled him to represent them. On the contrary, he was tormented and baffled by visions of the odd forms and grotesque countenances he had so often pictured. He seized the Indian-rubber and rubbed out nose after nose to no purpose, for he never could replace them with a better. Drawing was his favourite amusement; and this disappointment, where he expected success, broke down his already depressed heart. He threw the book from him, and burst into a flood of tears.
"Joachim! have you drawn him? What makes you cry?"
"I cannot draw him, Mother," sobbed the distressed boy.
"And why not? Just look here; here is an admirable likeness of squinting Joe, as you have named him. Why cannot you draw the handsome boy?"
"Because his face is so handsome!" answered Joachim, still sobbing.
"My son," said his Mother gravely, "you have now a sad lesson to learn, but a necessary and a wholesome one. Get up, desist from crying, and listen to me."
Poor Joachim, who loved his mother dearly, obeyed.
"Joachim! your Aunt, and your Cousins, and your schoolfellows have all called you clever. In what does your cleverness consist? I will tell you. In the Reproduction of Deformity, Defects, Failings, and Misfortunes of every sort, that fall under your observation. A worthy employment truly! A noble ambition! But I will now tell you the truth about yourself. You never heard it before, and I feel sure you will benefit now. A good or an evil Genie, I know not which, has bestowed upon you a great power; and you have misused it. Do you know what that power is?"
Joachim shook his head, though he trembled all over, for he felt as if awaking from along dream, to the recollection of the Genie.
"It is the power of Imitation, Joachim; I call it a great power, for it is essential to many great and useful things. It is essential to the orator, the linguist, the artist, and the musician. Nature herself teaches us the charm of imitation, when in the smooth and clear lake you see the lovely landscape around mirrored and repeated.[5] What a lesson may we not read in this sight! The commonest pond even that reflects the foliage of the tree that hangs over it, is calling out to us to reproduce for the solace and ornament of life, the beautiful works of God. But oh, my son, my dear son, you have abused this gift of Imitation, which might be such a blessing and pleasure to you."
[5] Schiller.—"Der Künstler."
"You might, if you chose, imitate every thing that is good, and noble, and virtuous, and beautiful; and you are, instead of that, reproducing every aspect of deformity that crosses your path, until your brain is so stamped with images of defects, ugliness, and uncouthness, that your hand and head refuse their office, when I call upon you to reproduce the beauties with which the world is graced."
I doubt if Joachim heard the latter part of his Mother's speech. At the recurrence to the old sentence, a gleam of lightning seemed to shoot across his brain. Latent memories were aroused as keenly as if the events had but just occurred, and he sank at his Mother's feet.
When she ceased to speak, he arose.
"Mother," said he, "I have been living in a cloud. I have been very wrong. Besides which, I have a secret to tell you. Nay, my Aunt may hear. It has been a secret, and then it has been forgotten; but now I remember all, and understand far more than I once did."
Here Joachim recounted to his Mother the whole story of her words to him, and his adventure with the Genie and the bottle; and then, very slowly, and interrupted by many tears of repentance, he repeated what the Genie had said about giving him the power of imitation, adding that the use he made of it must depend on himself and the great Ruler of the heart and conscience.
There was a great fuss among the Cousins at the notion of Joachim having talked to a Genie; and, to tell you the truth, this was all they thought about, and soon after took their leave. The heart of Joachim's Mother was at rest, however: for though she knew how hard her son would find it to alter what had become a habit of life, she knew that he was a good and pious boy, and she saw that he was fully alive to his error.
"Oh Mother," said he, during the course of that evening, "how plain I see it all now! The boy that stutters is a model of obedience and tenderness; I ought to have dwelt upon and imitated that, and, oh! I thought only of his stuttering. The boy that walks so clumsily, as well as the great fellow that lisps, are such industrious lads, and so advanced in learning, that the master thinks both will be distinguished hereafter; and I, who—(oh, my poor mother, I must confess to you)—hated to labour at any thing, and have got the boys to do my lessons for me;—I, instead of imitating their industry, lost all my time in ridiculing their defects.—What shall—what shall I do!"
The next morning poor Joachim said his prayers more humbly than he had ever before done in his life; and, kissing his mother, went to school. The first thing he did on arriving was to go up to the big boy, who had beaten him, and beg him to shake hands.
The big boy was pleased, and a grim smile lightened up his face. "But, old fellow," said he, laying his hand on Joachim's shoulder, "take a friend's advice. There is good in all of us, depend upon it. Look out for all that's good, and let the bad points take care of themselves. You won't get any handsomer, by squinting like poor Joe; nor speak any pleasanter for lisping like me; nor walk any better for apeing hobbling. But the ugliest of us have some good about us. Look out for that, my little lad; I do, or I should not be talking to you! I see that you are honest and forgiving, though you are a monkey! There now, I must go on with my lessons! You do yours!"
Never was better advice given, and Joachim took it well, and bore it bravely; but, oh, how hard it was to his mind, accustomed for so long to wander away and seek amusement at wrong times, to settle down resolutely and laboriously to study. He made a strong effort, however; and though he had often to recall his thoughts, he in a measure succeeded.
After school-hours he begged the big boy to come and sit by him, and then he requested his old friends and companions to listen to a story he had to tell them. They expected something funny, and many a broad grin was seen; but poor Joachim's eyes were yet red with weeping, and his gay voice was so subdued, the party soon became grave and wondering, and then Joachim told them every thing. They were delighted to hear about the Genie, and were also pleased to find themselves safe from Joachim's ridicule. It could not be expected they should all understand the story, but the big boy did, and became Joachim's greatest friend and adviser.
That evening our little friend, exhausted with the efforts and excitement of his almost first day of repentance, strolled out in a somewhat pensive mood to his favourite haunt, the sea shore. A stormy sunset greeted his arrival on the beach, but the tide was ebbing, and he wandered on till he reached some caverns among the cliffs. And there, as had often been his wont, he sat down to gaze out upon the waste of waters safe and protected from harm. It is very probable that he fell asleep—but the point could never be clearly known, for he always said it was no sleep and no dream he had then, but that, whilst sitting in the inmost recesses of the cave, he saw once more his old friend the Genie, who after reproaching him with the bad use he had made of his precious gift, gave him a world of good advice and instruction.
There is no doubt that after that time, Joachim was seen daily struggling against his bad habits; and that by degrees he became able to exercise his mind in following after the good and beautiful instead of after the bad and ugly. It was a hard task to him for many a long day to fix his flighty thoughts down to the business in hand, and to dismiss from before his eyes the ridiculous images that often presented themselves. But his Mother's wishes, or the Genie's advice, or something better still, prevailed. And you cannot think, of what wonderful use the Genie's gift was to him then. Once turned in a right direction and towards worthy objects, he found it like a sort of friend at his right hand, helping him forward in some of the most interesting pursuits of life. Ah! all the energy he had once bestowed on imitating lisps and stuttering, was now engaged in catching the sounds of foreign tongues, and thus taking one step towards the citizenship of the world. And instead of wasting time in gazing at the singing master's face, that he might ape its unnatural distortions—it was now the sweet tones of skilful harmony to which he bent his attention, and which he strove, and not in vain, to reproduce.
The portfolio which he brought home to his Mother at the end of another half-year, was crowded with laborious and careful copies from the best models of beauty and grace. And not with those only, for many a face could be found on its pages in which the Mother recognized some of her son's old companions. Portraits, not of the mere formation of mouths and noses, which in so many cases, viewed merely as forms, are defective and unattractive, but portraits of the same faces, upon which the character of the inward mind and heart was so stamped that it threw the mere shape of the features far into the background.
Thus with the pursuit of his favourite art, Joachim combined "that most excellent gift of charity;" for it was now his pride and pleasure to make the charm of expression from "the good points" his old friend had talked about, triumph over any physical defects. The very spirit and soul of the best sort of portrait painting. And here, my dear young readers, I would fain call your attention to the fact of how one right habit produces another. The more Joachim laboured over seizing the good expression of the faces he drew from, the more he was led to seek after and find out the good points themselves whence the expression arose; and thus at last it became a Habit with him to try and discover every thing that was excellent and commendable in the characters of those he met; a very different plan from that pursued by many of us, who in our intercourse with each other, are but too apt to fasten with eagle-eye accuracy on failings and faults. Which is a very grave error, and a very misleading one, for if it does nothing else, it deprives us of all the good we should get by a daily habit of contemplating what is worthy our regard and remembrance. And so strongly did Joachim's mother feel this, and so earnestly did she wish her son to understand that a power which seems bestowed for worldly ends, may be turned to spiritual advantage also, that when his birthday came round she presented to him among other gifts, a little book, called "The Imitation of Jesus Christ." It was the work of an old fellow called Thomas à Kempis, and though more practical books of piety have since been written, the idea contained in the title suggests a great lesson, and held up before Joachim's eyes, Him whom one of our own divines has since called "The Great Exemplar."
This part of our little hero's 'Lesson of Life,' we can all take to ourselves, and go and do likewise. And so I hope his story may be profitable, though we have not all of us a large Genie-gift of Imitation as he had. With him the excess of this power took a very natural turn, for though he possessed through its aid, considerable facilities for music and the study of languages also, the course of events led him irresistibly to what is usually called "the fine arts." And if the old dream of the royal chariot and the twelve jet black horses was never realized to him, a higher happiness by far was his, when some years after, he and his Mother stood in the council house of his native town; she looking up with affectionate pride while he showed her a portrait of the good young King which had a few hours before been hung up upon its walls. It was the work of Joachim himself.