The Project Gutenberg eBook of The Fatal Falsehood: A Tragedy. In Five Acts
Title: The Fatal Falsehood: A Tragedy. In Five Acts
Author: Hannah More
Release date: May 29, 2011 [eBook #36257]
Language: English
Credits: Produced by Delphine Lettau and the Online Distributed
Proofreading Canada Team at http://www.pgdpcanada.net
THE
FATAL FALSEHOOD:
A TRAGEDY.
IN FIVE ACTS.
AS IT WAS ACTED AT THE
THEATRE ROYAL, COVENT GARDEN.
Drawn from:
THE
WORKS
OF
HANNAH MORE.
VOL. II.
LONDON
PRINTED FOR T. CADELL, STRAND
1830.
TO THE
COUNTESS BATHURST,
THIS TRAGEDY
IS
VERY RESPECTFULLY INSCRIBED,
AS
A SMALL TRIBUTE TO HER MANY VIRTUES,
AND
AS A GRATEFUL TESTIMONY
OF THE FRIENDSHIP WITH WHICH SHE HONOURS
HER MOST OBEDIENT
AND MOST OBLIGED
HUMBLE SERVANT,
THE AUTHOR.
DRAMATIS PERSONÆ.
| Earl Guildford, | Mr. Clarke. |
| Rivers, his Son, | Mr. Lewis. |
| Orlando, a young Italian Count, | Mr. Wroughton. |
| Bertrand, | Mr. Aickin. |
| Emmelina, | Miss Younge. |
| Julia, | Mrs. Hartley. |
| Scene—Earl Guildford's Castle. | |
PROLOGUE.
WRITTEN BY THE AUTHOR OF THE TRAGEDY.
SPOKEN BY MR. HULL.
|
Our modern poets now can scarcely choose A subject worthy of the Tragic Muse; For bards so well have glean'd th' historic field, That scarce one sheaf th' exhausted ancients yield; Or if, perchance, they from the golden crop Some grains, with hand penurious, rarely drop; Our author these consigns to manly toil, For classic themes demand a classic soil, A vagrant she, the desert waste who chose, Where Truth and History no restraints impose. To her the wilds of fiction open lie, A flow'ry prospect, and a boundless sky; Yet hard the task to keep the onward way, Where the wide scenery lures the foot to stray; Where no severer limits check the Muse, Than lawless fancy is dispos'd to choose. Nor does she emulate the loftier strains Which high heroic Tragedy maintains: Nor conquests she, nor wars, nor triumphs sings, Nor with rash hand o'erturns the thrones of kings. No ruin'd empires greet to night your eyes, No nations at our bidding fall or rise; To statesmen deep, to politicians grave, These themes congenial to their tastes we leave. Of crowns and camps, a kingdom's weal or woe, How few can judge, because how few can know! But here you all may boast the censor's art; Here all are critics who possess a heart. Of the mix'd passions we display to-night, Each hearer judges like the Stagyrite. The scenes of private life our author shows, A simple story of domestic woes; Nor unimportant is the glass we hold, To show th' effect of passions uncontroll'd; To govern empires is the lot of few, But all who live have passions to subdue. Self-conquest is the lesson books should preach, Self-conquest is the theme the Stage should teach. Vouchsafe to learn this obvious duty here, The verse though feeble, yet the moral's clear. O mark to-night the unexampled woes Which from unbounded self-indulgence flows. Your candour once endur'd our author's lays, Endure them now—it will be ample praise. |
THE FATAL FALSEHOOD.
ACT I.
Scene—An Apartment in Guildford Castle.
Enter Bertrand.
Ber. What fools are serious melancholy villains! |
| Enter Guildford. |
How fares my noble uncle? |
Guild.Honest Bertrand! |
Ber. O, my good lord! your pardon—spare me, sir, |
Guild. Well, be it so—youth has a privilege, |
Ber. Your gentleness, my lord, and mild reproof, |
Guild. Saw you my beauteous ward, the Lady Julia? |
Ber. She past this way, and with her your fair daughter, |
Guild. Call them both my daughters; |
Ber. Oft have I wonder'd how the gallant Rivers, |
Guild. 'Twas the condition of her father's will, |
Ber. Yet fame speaks loudly of his early valour. |
Guild. Ere since th' Italian Count, the young Orlando, |
Ber. Orlando's noble. |
Guild. And here comes one, |
Ber. What, your charming daughter! |
| Enter Emmelina. |
Guild. Come hither, Emmelina: we were speaking |
Em. (confused.) Of Orlando? |
Guild. Nay, he has merit |
Em. What has he done? How has he wrong'd my father? |
Guild. Nay, 'tis not much: |
Em. My lord, when first my brother's friend arriv'd—— |
Ber. She dares not use his name. |
Em. When first your noble guest |
Ber. Why trembles my fair cousin? |
Em. Can I think |
Ber. (ironically.) Generous pity! |
Em. I shall never. |
Ber. And why another's life? Why not Orlando's? |
Guild. He's still the same, the gibing, thoughtless Bertrand, |
| [Exit Guildford: Emmelina going. |
Ber. Stay, my fair cousin! still with adverse eyes |
Em. But that I know your levity means nothing, |
Ber. Come, confess the truth, |
Em. Ha! what has he confess'd? |
Ber. That you are wond'rous fair: nay, nothing further: |
Em. Know, Sir, that virtue no concealment needs: |
Ber. Yet mark me well: trust not Orlando's truth; |
| [Exit Bertrand. |
Em. No more; but leave me. |
| Re-enter Bertrand with Orlando. |
Ber. Now to alarm her heart, and search out his. |
| [Aside. |
Or. We crave your pardon, beauteous Emmelina, |
| Em. Be still, my heart, nor let him see thy weakness. |
| [Aside. |
| We are much bound to thank you, cousin Bertrand, That since your late return the Count Orlando Appears once more among us.—Say, my lord, Why have you shunn'd your friends' society? Was it well done? My father bade me chide you; I am not made for chiding, but he bade me: He says, no more you rise at early dawn With him to chase the boar: I pleaded for you; Told him 'twas savage sport. |
Or. What was his answer? |
Em. He said 'twas sport for heroes, and made heroes; |
Or. O, my fair advocate! scarce can I grieve |
Ber. (aside.) So, I like this well; |
Em. My Lord, your pardon; |
| [Exit. |
Ber. In truth, my Lord, you're a right happy man; |
Or. What shall I say? |
Ber. The hour is come |
Or. I cannot tell thee; 'tis a tale of guilt: |
Ber. My bosom is not steel'd with that harsh prudence |
Or. I own that she has charms |
Ber. What do I hear! you love her not! |
Or. Oh, Bertrand! |
Ber. Heard I aright? Did you not speak of Julia? |
Or. Go on, go on, and urge me with my guilt; |
Ber. Just as I wish.[Aside. |
Or. Thou know'st I left my native Italy, |
Ber. So far I knew; but what of Emmelina? |
Or. Whether her gentle beauties first allur'd me, |
Ber. But where was Julia? |
Or. Oh, too soon she came: |
Ber. Does Julia know your love? |
Or. Forbid it, heaven! |
Ber. Trust me, you judge too hardly of yourself. |
Or. Think I have lodg'd a secret in thy breast |
| [Exit. |
Ber. Am I awake?—No: 'tis delusion all! |
| [Exit. |
ACT II.
Enter Julia and Emmelina.
Jul. How many cares perplex the maid who loves! |
Em. Forbear these fears; they wound my brother's honour: |
Jul. I know his faith, and venerate his virtues; |
| Enter Guildford. |
Guild. Where are my friends, my daughter where is Julia? |
Em. My dearest brother! |
Jul. Ha! my Rivers comes! |
Em. And yet my Julia trembles. |
Jul. Have I not cause? my Rivers comes! but how? |
Guild. He comes a conqueror! |
| [Exit. |
Jul. My joy oppresses me! |
Em. And see, Orlando! |
| Enter Orlando and Bertrand. |
Jul. My Lord Orlando, |
Or. Still the same; |
Em. If Rivers is the same, then must I think |
Or. Have I not lov'd him? was my friendship cold? |
Jul. Valiant Rivers! |
| Ber. He's distant far, so I may safely praise him. |
| [Aside. |
| I claim some merit in my love of Rivers, Since I admire the virtues that eclipse me: With pleasure I survey those dazzling heights My gay, inactive temper cannot reach. |
Em. Spoke like my honest cousin. Then, Orlando, |
Or. How? when? |
Em. This day. |
Or. Impossible! |
Ber. Then all my schemes are air.[Aside. |
Em. To-day I shall embrace my valiant brother! |
Jul. You droop, my Lord: did you not hear her right? |
Or. He is most welcome! Is he not my friend? |
Ber. Joy to us all! joy to the Count Orlando! |
Em. My Lord! you are not well. |
Ber. Surprise and joy oppress him: I myself |
Em. How is it with you now? |
Or. Quite well—'tis past. |
Ber. The wonder's past, and nought but joy remains. |
| Enter Guildford and Rivers. |
Guild. He's come! he's here! I have embrac'd my warrior; |
Jul. My Lord! my Rivers! |
Riv. 'Tis my Julia's self! |
Jul. My hero! Do I then behold thee? |
Riv. Oh, my full heart! expect not words, my Julia! |
Em. Rivers! |
Riv. My sister! what an hour is this! |
Or. My noble friend! |
Riv. This is such prodigality of bliss, |
Guild. She is thine, my son; |
Riv. Therefore I dare not ask her; |
| [Guildford joins their hands. |
Jul. Spare me, my Lord.—As yet I scarce have seen you. |
| [Exeunt Julia and Emmelina. |
Riv. (looking after Julia.) Oh, generous Julia! |
Or. (aside to Bertrand.) |
Ber. (aside to Orlando.) |
Riv. Forgive me, good Orlando, best of friends! |
Guild. England! the land of worth, the soil of heroes, |
Riv. Past are those Gothic days, and, thanks to heaven, |
Guild. But while thy generous soul, my noble boy, |
| [Exeunt Guildford and Rivers. |
Or. Stay, Bertrand, stay—Oh, pity my distraction! |
Ber. I trembled for you: |
Or. 'Tis too much! |
Ber. On what? |
Or. To fly. |
Ber. To fly from Julia? |
Or. Yes, to fly from all, |
Ber. 'Tis cowardice to fly. |
Or. 'Tis death to stay. |
Ber. Where would you go?—How lost in thought |
Or. To solitude, to hopeless banishment! |
Ber. What! with monastic, lazy drones retire, |
Or. What can I do? |
Ber. (after a pause.) Beg she'll defer the marriage |
Or. How say'st thou? |
Ber. Still this cant of virtue! |
Or. Ask you what it is? |
| [Exit. |
Ber. Curse on his principles! Yet I shall shake them; |
| [Exit Bertrand. |
| Enter Emmelina and Rivers talking. |
Em. Yet do not blame Orlando, good my brother; |
Riv. How's this? my father said Orlando lov'd thee. |
Em. Indeed I thought so—he was kinder once; |
Riv. If he has wrong'd thee—yet I know he could not; |
Em. When to this castle first Orlando came, |
Riv. Blush not to own it; 'twas a well-plac'd flame! |
Em. He talk'd of you; I listen'd with delight, |
Riv. Aye, what of her, indeed? why nam'd you Julia? |
Em. (confusedly.) Nay, 'twas nothing, |
Riv. (agitated.) |
Em. 'Twas as I said. |
Riv. (recovering himself.) |
Em. Oh, flatterer! thus to soothe my easy nature |
Riv. This precious moment, worth a tedious age |
| [Exeunt. |
ACT III.
Scene—A Garden.
Em. Why do my feet unbidden seek this grove? |
| Enter Orlando. |
Or. Why, at this hour of universal joy, |
Em. I might retort the charge, my lord Orlando! |
Or. Oh, my fair monitress! I have deserv'd |
Em. Julia complains, too, of you. |
Or. Ah! does Julia? |
Em. Why so alarm'd? |
Or. Alarm'd! |
Em. Indeed you seem'd so. |
Or. Sure you mistake. Alarm'd! oh, no, I was not; |
Em. Of Julia? |
Or. That Julia was displeas'd——was it not so? |
Em. She complains |
Or. How! that I avoid her? |
Em. Why are you terrified? |
Or. No, |
Em. If she did, |
| Or. No cause? O there's a cause of dearer worth than empire! Quick let me fly, and find the fair upbraider; Tell her she wrongs me, tell her I would die Rather than meet her anger. |
| [Emmelina faints. Ah, she faints! |
| What have I said? curse my imprudent tongue! Look up, sweet innocence! my Emmelina—— My gentle friend, awake! look up, fair creature! 'Tis your Orlando calls. |
Em. Orlando's voice! |
| [Exit Emmelina. |
Or. So then, all's over; I've betray'd my secret, |
| Enter Rivers. |
Riv. The same. My other self! My own Orlando! |
Or. That I have ever lov'd thee, witness Heaven! |
Riv. What does Orlando mean? |
Or. That I must leave thee, Rivers; must renounce |
Riv. Thou hast been injur'd; |
Or. He is all goodness; no—there is a cause—— |
Riv. Now, by holy friendship! |
Or. It must, it must. |
Riv. Ah, must! then tell me wherefore? |
Or. I would not dim thy dawn of happiness, |
Riv. Is this the heart of him I call'd my friend, |
Or. Alas, how chang'd indeed! |
Riv. Then thou resolv'st to go? |
Or. This very day. |
Riv. What do I hear? To-day! It must not be: |
Or. Wed her to-day? |
Riv. This day unites me to her; |
Or. Impossible! another day were ruin. |
Riv. Then let me fly to Julia, and conjure her |
Or. Oh, no, no, no. |
Riv. I will: in such a cause |
Or. Canst thou bear this, my heart? |
Riv. Then, my Orlando, |
Or. Ah! my brain turns! |
Riv. 'Tis as I thought; I'll try him. [Aside. |
Or. Ha! how? I am betray'd! he reads my heart. |
Riv. Hast thou, with all that tenderness of soul, |
Or. Ha! dost thou know? |
Riv. Come, no more; |
Or. How's this? what! dost thou justify my passion? |
Riv. Applaud it—glory in it—will assist it. |
Or. How! |
Riv. She is another Julia. |
Or. I stood upon a fearful precipice— |
Riv. Be more explicit. |
Or. For the present spare me. |
| [Exit Orlando. |
Riv. It must be so—to what excess he loves her! |
| [Exit. |
| Re-enter Orlando. |
| Or. Wed her to-day? wed her perhaps this hour? Hasten the rites for me? I give her to him? I stand a tame spectator of their bliss? I live a patient witness of their joy? First let this dagger drink my heart's warm blood. |
| [Takes a dagger from his bosom, then sees Julia. |
| The sorceress comes! oh, there's a charm about her Which holds my hand, and makes me wish to live. I shudder at her sight! open, thou earth, And save me from the peril of her charms! |
| [Puts up the dagger. |
| Enter Julia. |
Jul. Methought I heard the cry of one in pain; |
Or. (furiously.) Die! |
Jul. Talk you of death? renounce the fatal thought; |
Or. For thy sake? |
Jul. And for the sake |
Or. Is it to-night? |
Jul. It is, and yet you leave us. |
Or. No——I'll stay, |
Jul. What mean you? |
Or. That I'll perish at the feet |
Jul. Tell your sorrows to my lord; |
Or. Tell him? Tell Rivers? |
Jul. Hate you? how you wrong me! |
Or. Hope you for joy? |
Jul. Have I not cause? Am I not lov'd by Rivers? |
Or. Enough! enough! |
Jul. What is it? |
Or. That till to-morrow's sun, I ask no longer, |
Jul. Ah! defer it? |
Or. No matter what; 'tis for his sake I ask it: |
Jul. His life? the life of Rivers? |
Or. I dare not. |
| Jul. What rage? what madman? what remorseless villain? Orlando—will not you protect your friend? Think how he loves you—he would die for you— Then save him, on my knees, I beg you save him— |
| [Kneels. |
| Oh! guard my Rivers from this bloody foe. |
Or. Dearer than life I love him—ask no more, |
Jul. Oh, save him! save him! |
Or. 'Tis to preserve him that I ask it: promise, |
| [He draws the dagger, she still kneeling. |
| Jul. I do promise. Hide, hide that deadly weapon—I do promise. |
| [Rises. |
| How wild you look! you tremble more than I. I'll call my Rivers hither. |
Or. Not for worlds. |
Jul. Be more compos'd; I leave you with regret. |
| (As Julia goes out, enter Bertrand; he speaks behind.) |
Ber. Why, this is well; this has a face; she weeps, |
Or. (after a pause.) And is she gone? |
Ber. 'Twill do. |
Or. For me? what say'st thou? Julia weep for me! |
Ber. Ungrateful! |
Or. How? |
Ber. Not by her tears, I judge, |
Or. What did she say? What didst thou hear, |
Ber. It is not safe to tell you. |
Or. Stay, |
Ber. That threat unlocks my tongue; I must not lose thee. |
Or. No more; thou shalt not tempt me to my ruin; |
| Ber. Then my point's gain'd; that will make Rivers jealous. |
| [Aside. |
| She loves you. |
Or. No; and even if she did, |
Ber. You are too scrupulous. |
Or. Shall I defraud my friend? he bled to gain her! |
| [Exit. |
Ber. Rave on, and beat thy wings; poor bird! thou'rt lim'd, |