WeRead Powered by ReaderPub
The floral symbolism of the great masters cover

The floral symbolism of the great masters

Chapter 3: LIST OF ILLUSTRATIONS
Open in WeRead

Explore more books like this:

About This Book

The volume surveys the use of flowers and plants as Christian iconography in Western art, tracing how emblems evolved from early pictorial symbols to the richer visual language of later painters and mosaicists. Individual chapters analyze associations attached to specific blooms and fruits—lilies, roses, irises, carnations, palms, pomegranates, vines, strawberries, gourds and others—and show how botanical motifs signify virtues, divine mysteries, martyrdom, and salvation. Illustrated examples and gallery attributions accompany concise notes aimed at readers interested in theological meaning rather than formal criticism.

LIST OF ILLUSTRATIONS

PLATE PAGE
I. The Virgin in a Strawberry-decorated Mantle (Lorenzo da San Severino)
Frontispiece
II. The Badge of the Order of the Lily of Navarre 41
III. The Flowers of Heaven (Mosaic of the 13th Century) 41
IV. The ‘Enclosed Garden’ of the Virgin (Stefano da Zevio) 100
V. Gabriel, crowned with Olive, brings the Message of Reconciliation (Martin Schöngauer) 123
VI. The Crown of Thorns (Zurburan) 128
VII. The Acanthus of Paradise (Mosaic of the 13th Century) 146
VIII. The Rose of Divine Love rising from a Precious Vessel (Pinturicchio) 169
IX. The Royal Lily Springing from a Humble Vase (Pesello) 169
X. The Columbine of the Seven Gifts (Jörg Breu) 188
XI. Saint Barbara with the Royal Lily (The Master of Flémalle) 188
XII. The Fruit of Damnation exchanged for the Fruit of Redemption (Hugo van der Goes) 245
XIII. The Fruit of Heaven relinquished for the Apple of Eden (Memling) 245
XIV. Adam and Eve delivered from Hell (Martin Schöngauer) 248
XV. The Child with the Pomegranate surrounded by Angels with Lilies and Rose-garlands (Botticelli) 262
XVI. Paradise (Giovanni di Paolo) 278
XVII. The Queen of Heaven (Hubert van Eyck) 280
XVIII. The Adoration of the Shepherds (Hugo van der Goes) 282
XIX. The Immaculate Conception (Murillo) 284
XX. The Girlhood of Mary, Virgin (Dante Gabriel Rossetti) 286