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The Florentine Painters of the Renaissance / With An Index To Their Works cover

The Florentine Painters of the Renaissance / With An Index To Their Works

Chapter 31: BUGIARDINI.
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About This Book

The book offers a critical, essayistic survey of Florentine painting from its medieval roots through the Renaissance, examining individual artists' styles, technical aims, and the school's preoccupation with figure-painting. It emphasizes the painters' efforts to evoke tactile presence in two-dimensional work, contrasts Florentine versatility with Venetian specialization, revises attributions and artist lists, and includes indices of works and places to aid identification and study.

1502(?)-1572. Pupil of Pontormo; influenced by Michelangelo.

BUGIARDINI.

1475-1554. Pupil of Ghirlandajo and Pier di Cosimo; assistant of Albertinelli; influenced by Perugino, Michelangelo, Francesco Francia, and Franciabigio.

RAFFAELLE DEI CARLI (or Croli).

1470-after 1526. Started under influence of Ghirlandajo and Credi, later became almost Umbrian, and at one time was in close contact with Garbo, whom he may have assisted.

ANDREA DEL CASTAGNO.

Died rather young in 1457. Influenced by Donatello and Paolo Uccello.

CIMABUE.

About 1240-about 1301.

The following works are all by the same hand, probably Cimabue’s.

COSIMO, see PIER DI COSIMO.

LORENZO DI CREDI.

1456-1537. Pupil of Verrocchio.

DOMENICO, see VENEZIANO.

FILIPPINO and FILIPPO, see LIPPI.

FRANCIABIGIO.

1482-1525. Pupil of Pier di Cosimo and Albertinelli; worked with and was influenced by Andrea del Sarto.

RAFFAELINO DEL GARBO.

1466-1524 (?). Pupil of Botticelli and Filippino Lippi; influenced by Ghirlandajo and Perugino.

DOMENICO GHIRLANDAJO.

1449-1494. Pupil of Baldovinetti; influenced slightly by Botticelli and more strongly by Verrocchio.

RIDOLFO GHIRLANDAJO.

1483 to 1561. Pupil of Granacci, and eclectic imitator of most of his important contemporaries.

GIOTTO.

1276-1336. Follower of Pietro Cavallini; influenced by Giovanni Pisano.

GIOTTO’S ASSISTANTS.

[An attempt to distinguish in the mass of work usually ascribed to Giotto the different artistic personalities engaged as his most immediate followers and assistants.]

A.

B.

C.

  • Assisi.
    • S. Francesco, Lower Church, R. Transept. Frescoes: Eight Scenes from the Childhood of Christ.
  • Berlin.
    • 1074a. Crucifixion.
  • Florence.
    • Bargello Chapel. Fresco: Paradise (?). (Cf. also under B for assistance rendered by C.)

VARIOUS.

  • Bologna.
    • Pinacoteca, 102. Polyptych: Madonna and Saints.
  • Florence.
    • S. Felice. Painted Crucifix.
  • Munich.
    • 981. Crucifixion (?).
  • Paris.
    • 1512. St. Francis receiving Stigmata.
  • Rome.
    • St. Peter’s, Sagrestia dei Canonici. Stefaneschi Polyptych (suggests Bernardo Daddi).
  • Strasburg.
    • 203. Crucifixion.

GOZZOLI, see BENOZZO.

FRANCESCO GRANACCI.

1477-1543. Pupil first of Credi, and then of Ghirlandajo, whom he assisted; influenced by Botticelli, Michelangelo Fra Bartolommeo, and Pontormo.

LEONARDO DA VINCI.