ANONYMOUS
TOM O’ BEDLAM
The morn’s my
constant mistress,
And the lovely owl my marrow;
The naming drake,
And the night-crow, make
Me music to my sorrow.
I know more than Apollo;
For oft when he lies sleeping,
I behold the stars
At mortal wars,
And the rounded welkin weeping.
The moon embraces her shepherd,
And the Queen of Love her warrior;
While the first does horn
The stars of the morn,
And the next the heavenly farrier.
With a heart of furious fancies,
Whereof I am commander:
With a burning spear,
And a horse of air,
To the wilderness I wander;
With a Knight of ghosts and shadows,
I summoned am to Tourney:
Ten leagues beyond
The wide world’s end;
Methinks it is no journey.
THOMAS CAMPION
Circ.
1567–1620
KIND ARE HER ANSWERS
Kind are her
answers,
But her performance keeps no day;
Breaks time, as dancers
From their own music when they stray.
All her free favours and smooth words
Wing my hopes in vain.
O, did
ever voice so sweet but only feign?
Can true love yield such delay,
Converting joy to pain?
Lost is our freedom
When we submit to women so:
Why do we need ’em
When, in their best, they work our woe?
There is no wisdom
Can alter ends by fate prefixt.
O, why is the good of man with evil mixt?
Never were days yet called two
But one night went betwixt.
LAURA
Rose-cheeked Laura,
come;
Sing thou smoothly with thy beauty’s
Silent music, either other
Sweetly gracing.
Lovely forms do flow
From concent divinely framed;
Heaven is music, and thy beauty’s
Birth is heavenly.
These dull notes we sing
Discords need for helps to grace them,
Only beauty purely loving
Knows no discord.
But still moves delight,
Like clear springs renewed by flowing,
Ever perfect, ever in them-
Selves eternal.
HER BACKED BOWER
Where she her sacred
bower adorns
The rivers clearly flow,
The groves and meadows swell with flowers,
The winds all gently blow.
Her sun-like beauty shines so fair,
Her spring can never fade.
Who then can blame the life that strives
To harbour in her shade?
Her grace I sought, her love I wooed;
Her love though I obtain,
No time, no toil, no vow, no faith
Her wished grace can gain.
Yet truth can tell my heart is hers
And her will I adore;
And from that love when I depart
Let heaven view me no more!
Her roses with my prayers shall spring;
And when her trees I praise,
Their boughs shall blossom, mellow fruit
Shall straw her pleasant ways.
The words of hearty zeal have power
High wonders to effect;
O, why should then her princely ear
My words or zeal neglect?
If she my faith misdeems, or worth,
Woe worth my hapless fate!
For though time can my truth reveal,
That time will come too late.
And who
can glory in the worth
That cannot yield him grace?
Content in everything is not,
Nor joy in every place.
But from her Bower of Joy since I
Must now excluded be,
And she will not relieve my cares,
Which none can help but she;
My comfort in her love shall dwell,
Her love lodge in my breast,
And though not in her bower, yet I
Shall in her temple rest.
FOLLOW
Follow thy fair sun,
unhappy shadow,
Though thou be black as night,
And she made all of light;
Yet follow thy fair sun, unhappy shadow!
Follow her whose light thy light depriveth;
Though here thou live disgraced
And she in heaven is placed;
Yet follow her whose light the world reviveth.
Follow those pure beams whose beauty burneth
That so have scorched thee
As thou still black must be,
Till her kind beams thy black to brightness turneth.
Follow her while yet her glory shineth;
There comes a luckless night
That will dim all her light;
And this the black unhappy shade divineth.
Follow still since so thy fates ordained;
The sun must have his shade,
Till both at once do fade;
The sun still proved, the shadow still disdained.
WHEN THOU MUST HOME
When thou must home
to shades of underground,
And there arrived, a new admired guest,
The beauteous spirits do engird thee round,
White Iope, blithe Helen, and the rest,
To hear the stories of thy finished love,
From that smooth tongue whose music hell can
move;
Then wilt thou speak of banqueting delights,
Of masks and revels which sweet youth did make,
Of tourneys and great challenges of knights,
And all these triumphs for thy beauties’
sake:
When thou hast told these honours done to thee,
Then tell, O tell, how thou didst murther me.
WESTERN WIND
The peaceful western
wind
The winter storms hath tamed,
And nature in each kind
The kind heat hath inflamed:
The forward buds so sweetly breathe
Out of their earthly bowers,
That heav’n, which views their pomp beneath,
Would fain be decked with flowers.
See how the morning smiles
On her bright eastern hill,
And with soft steps beguiles
Them that lie slumbering still!
The
music-loving birds are come
From cliffs and rocks unknown,
To see the trees and briars bloom
That late were overflown.
What Saturn did destroy,
Love’s Queen revives again;
And now her naked boy
Doth in the fields remain,
Where he such pleasing change doth view
In every living thing,
As if the world were born anew
To gratify the Spring.
If all things life present,
Why die my comforts then?
Why suffers my content?
Am I the worst of men?
O beauty, be not thou accus’d
Too justly in this case!
Unkindly if true love be used,
’Twill yield thee little grace.
FOLLOW YOUR SAINT
Follow your saint, follow with accents
sweet!
Haste you, sad notes, fall at her flying feet!
There, wrapped in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love;
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight and ne’er return
again.
All that I sang still to her praise
did tend,
Still she was first, still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty’s sympathy.
Then let my notes pursue her scornful flight!
It shall suffice that they were breathed and died for her
delight.
CHERRY-RIPE
There is a garden in
her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do grow;
There cherries grow that none may buy,
Till Cherry-Ripe themselves do cry.
Those cherries fairly do enclose
Of orient pearl a double row,
Which when her lovely laughter shows,
They look like rosebuds filled with snow:
Yet them no peer nor prince may buy,
Till Cherry-Ripe themselves do cry.
Her eyes like angels watch them still;
Her brows like bended bows do stand,
Threat’ning with piercing frowns to kill
All that approach with eye or hand
These sacred cherries to come nigh,
Till Cherry-Ripe themselves do cry!
THOMAS
NASH
1567–1601
SPRING
Spring, the sweet
Spring, is the year’s pleasant king;
Then blooms each thing, then maids dance in a ring;
Cold doth not sting, the pretty birds do sing,
Cuckoo, jug-jug, pu-we, tu-witta-woo.
The palm and may make country-houses gay,
Lambs frisk and play, the shepherds pipe all day,
And hear we aye birds tune this merry lay,
Cuckoo, jug-jug, pu-we, tu-witta-woo.
The fields breathe sweet, the daisies kiss our
feet,
Young lovers meet, old wives a-sunning sit;
In every street these tunes our ears do greet,
Cuckoo, jug-jug, pu-we, tu-witta-woo.
Spring, the
sweet Spring!
JOHN DONNE
1573–1631
THIS HAPPY DREAM
Dear love, for
nothing less than thee
Would I have broke this happy dream;
It was a theme
For reason, much too strong for fantasy.
Therefore thou wak’dst me wisely; yet
My dream thou brok’st not but continu’dst it:
Thou art
so true, that thoughts of thee suffice
To make dreams truth, and fables histories;
Enter these arms, for since thou thought’st it best
Not to dream all my dream, let’s act the rest.
As lightning or a taper’s light,
Thine eyes, and not thy noise, waked me.
Yet I thought thee
(For thou lov’st truth) an angel at first sight;
But when I saw thou saw’st my heart,
And knew’st my thoughts beyond an angel’s art,
When thou knew’st what I dreamt, then thou knew’st
when
Excess of joy would wake me, and cam’st then;
I must confess, it could not choose but be
Profane to think thee anything but thee.
Coming and staying showed thee thee,
But rising makes me doubt, that now
Thou art not thou.
That love is weak, where fear’s as strong as he;
’Tis not all spirit, pure and brave,
If mixture it of fear, shame, honour, have.
Perchance as torches, which must ready be,
Men light and put out, so thou deal’st with me;
Thou cam’st to kindle, goest to come: then I
Will dream that hope again, but else would die.
DEATH
Death, be not proud,
though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think’st thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep which but thy picture be,
Much pleasure, then from thee much more must flow;
And soonest our best men with thee do go,
Rest of their bones, and soul’s delivery.
Thou ’rt slave to fate, chance, kings,
and desperate men,
And dost with poison, war, and sickness dwell,
And poppy or charms can make us sleep as well,
And better than thy stroke. Why swell’st thou
then?
One short sleep past, we wake eternally,
And Death shall be no more; Death, thou shalt die.
HYMN TO GOD THE FATHER
Wilt Thou forgive
that sin where I begun,
Which was my sin, though it were done before?
Wilt Thou forgive that sin through which I run,
And do run still, though still I do deplore?
When Thou hast done, Thou hast not done;
For I have
more.
Wilt Thou forgive that sin, which I have won
Others to sin, and made my sins their door?
Wilt Thou forgive that sin which I did shun
A year or two and wallowed in a score?
When Thou hast done, Thou hast not done;
For I have
more.
I have a sin of fear, that when I’ve
spun
My last thread, I shall perish on the shore;
But swear by Thyself that at my death Thy Son
Shall shine, as He shines now and heretofore.
And having done that, Thou hast done;
I fear no
more.
THE FUNERAL
Whoever comes to shroud me, do not harm
Nor question much
That subtle wreath of hair about mine arm;
The mystery, the sign, you must not touch,
For ’tis my outward soul,
Viceroy to that which, unto heaven being gone,
Will leave this to control
And keep these limbs, her provinces, from dissolution.
But if the sinewy thread my
brain lets fall
Through every part,
Can tie those parts and make me one of all;
The hairs, which upward grew, and strength and
art
Have from a better brain,
Can better do’t; except she meant that I
By this should know my pain,
As prisoners are manacled when they’re condemned to
die.
Whate’er she meant
by’t, bury it with me;
For since I am
Love’s martyr, it might breed idolatry
If into others’ hands these relics came.
As ’twas humility
To afford to it all that a soul can do,
So ’twas some bravery
That since you would have none of me, I bury some of you.
RICHARD BARNEFIELD
1574(?)–(?)
THE NIGHTINGALE
As it fell upon a
day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring;
Everything did banish moan
Save the Nightingale alone.
She, poor bird, as all forlorn,
Leaned her breast up-till a thorn,
And there sung the dolefull’st ditty
That to hear it was great pity.
Fie, fie, fie, now would she cry;
Teru, teru, by and by:
That to hear her so complain
Scarce I could from tears refrain;
For her griefs so lively shown
Made me think upon mine own.
—Ah, thought I, thou mourn’st in vain,
None takes pity on thy pain:
Senseless trees, they cannot hear thee,
Ruthless beasts, they will not cheer thee;
King Pandion, he is dead,
All thy friends are lapped in lead:
All thy fellow birds do sing
Careless of thy sorrowing:
Even so, poor bird, like thee
None alive will pity me.
BEN
JONSON
1574–1637
CHARIS’ TRIUMPH
See the chariot at
hand here of Love,
Wherein my lady rideth!
Each that draws is a swan or a dove,
And well the car Love guideth.
As she goes all hearts do duty
Unto her beauty;
And enamoured do wish, so they might
But enjoy such a sight,
That they still were to run by her side,
Through swords, through seas, whither she would ride.
Do but look on her eyes, they do light
All that love’s world compriseth!
Do but look on her, she is bright
As love’s star when it riseth!
Do but mark, her forehead’s smoother
Than words that soothe her!
And from her arched brows, such a grace
Sheds itself through the face,
As alone there triumphs to the life
All the gain, all the good of the elements’ strife.
Have you seen but a bright lily grow
Before rude hands have touched it?
Have you marked but the fall of the snow
Before the soil hath smutched it?
Have you felt the wool of the beaver,
Or swan’s down ever?
Or have
smelled o’ the bud o’ the brier?
Or the nard in the fire?
Or have tasted the bag of the bee?
O so white! O so soft! O so sweet is she!
JEALOUSY
Wretched and foolish
jealousy,
How cam’st thou thus to enter me?
I ne’er
was of thy kind:
Nor have I yet the narrow mind
To vent that
poor desire,
That others should not warm them at my fire:
I wish the sun
should shine
On all men’s fruits and flowers as well as mine.
But under the disguise of love,
Thou say’st thou only cam’st to prove
What my
affections were.
Think’st thou that love is helped by fear?
Go, get thee
quickly forth,
Love’s sickness and his noted want of worth,
Seek doubting
men to please.
I ne’er will owe my health to a disease.
EPITAPH ON ELIZABETH L. H.
Wouldst thou hear
what many say
In a little?—reader, stay.
Underneath this stone doth lie
As much beauty as could die;
Which in life did harbour give
To more virtue than doth live.
If at all
she had a fault,
Leave it buried in this vault.
One name was Elizabeth,
The other, let it sleep with death:
Fitter where it died to tell
Than that it lived at all. Farewell!
HYMN TO DIANA
Queen and Huntress,
chaste and fair,
Now the sun is laid to sleep,
Seated in thy silver chair
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright!
Earth, let not thy envious shade
Dare itself to interpose;
Cynthia’s shining orb was made
Heaven to clear when day did close:
Bless us then with wished
sight,
Goddess excellently bright!
Lay thy bow of pearl apart,
And thy crystal-shining quiver;
Give unto the flying hart
Space to breathe, how short soever:
Thou that mak’st a day of
night,
Goddess excellently bright!
ON MY FIRST DAUGHTER
Here lies to each
her parent’s ruth,
Mary, the daughter of their youth:
Yet all
heaven’s gifts being heaven’s due,
It makes the father less to rue.
At six months’ end she parted hence
With safety of her innocence;
Whose soul Heaven’s Queen (whose name she bears),
In comfort of her mother’s tears,
Hath placed among her virgin train:
Where, while that severed doth remain,
This grave partakes the fleshly birth,
Which cover lightly, gentle earth.
ECHO’S LAMENT FOB NARCISSUS
Slow, slow, fresh
fount, keep time with my salt tears;
Yet, slower yet; O faintly, gentle springs;
List to the heavy part the music bears;
Woe weeps out her division when she sings.
Droop herbs and flowers;
Fall grief in showers,
Our beauties are not ours;
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is now a withered daffodil.
AN EPITAPH ON SALATHIEL PAVY, A CHILD OF QUEEN ELIZABETH’S CHAPEL
Weep with me, all
you that read
This little story;
And know, for whom a tear you shed
Death’s self is sorry.
It was a
child that so did thrive
In grace and feature,
As Heaven and Nature seemed to strive
Which owned the creature.
Years he numbered scarce thirteen
When fates turned cruel,
Yet three filled zodiacs had he been
The stage’s jewel;
And did act (what now we moan)
Old men so duly,
Ah, sooth, the Parcae thought him one—
He played so truly.
So by error to his fate
They all consented,
But viewing him since, alas, too late
They have repented;
And have sought, to give new birth,
In baths to steep him;
But being much too good for earth,
Heaven vows to keep him.
JOHN FLETCHER
1579–1625
INVOCATION TO SLEEP, FROM VALENTINIAN
Care-charming Sleep,
thou easer of all woes,
Brother to Death, sweetly thyself dispose
On this afflicted prince; fall like a cloud
In gentle showers; give nothing that is loud
Or painful to his slumbers;—easy, sweet,
And as a purling stream, thou son of Night,
Pass by his troubled senses; sing his pain
Like hollow murmuring wind or silver rain;
Into this
prince gently, oh, gently slide
And kiss him into slumbers like a bride!
TO BACCHUS
God Lyæus,
ever young,
Ever honoured, ever sung;
Stained with blood of lusty grapes
In a thousand lusty shapes;
Dance upon the mazer’s brim,
In the crimson liquor swim;
From thy plenteous hand divine,
Let a river run with wine:
God of Youth, let this day here
Enter neither care nor fear.
JOHN WEBSTER
(?)–1625
SONG FROM THE DUCHESS OF MALFI
Hark, now everything
is still,
The screech-owl and the whistler shrill
Call upon our dame aloud,
And bid her quickly don her shroud:
Much you had of land and rent,
Your length in clay’s now competent;
A long war disturbed your mind,
Here your perfect peace is signed.
Of what is’t fools make such vain keeping?
Sin their conception, their birth weeping,
Their life a general mist of error,
Their death a hideous storm of terror.
Strew your hair with powders sweet,
Don clean linen, bathe your feet,
And (the
foul fiend more to check)
A crucifix let bless your neck;
’Tis now full tide ’tween night and day;
End your groan and come away.
SONG FROM THE DEVIL’S LAW-CASE
All the flowers of
the spring
Meet to perfume our burying;
These have but their growing prime,
And man does flourish but his time.
Survey our progress from our birth;
We’re set, we grow, we turn to earth,
Courts adieu, and all delights,
All bewitching appetites!
Sweetest breath and clearest eye,
Like perfumes, go out and die;
And consequently this is done
As shadows wait upon the sun.
Vain the ambition of kings
Who seek by trophies and dead things
To leave a living name behind,
And weave but nets to catch the wind.
IN EARTH, DIRGE FROM VITTORIA COROMBONA
Call for the
robin-redbreast and the wren,
Since o’er shady groves they hover,
And with leaves and flowers do cover
The friendless bodies of unburied men.
Call unto his funeral dole
The ant, the field-mouse, and the mole
To rear him hillocks that shall keep him warm
And (when gay tombs are robbed) sustain no harm;
But keep the wolf far thence, that’s foe to men,
For with his nails he’ll dig them up again.
WILLIAM DRUMMOND OF HAWTHORNDEN
1585–1649
SONG
Phœbus,
arise!
And paint the sable skies
With azure, white, and red:
Rouse Memnon’s mother from her Tithon’s bed
That she thy càreer may with roses spread:
The nightingales thy coming each-where sing:
Make an eternal Spring!
Give life to this dark world which lieth dead;
Spread forth thy golden hair
In larger locks than thou wast wont before,
And emperor-like decore
With diadem of pearl thy temples fair:
Chase hence the ugly night
Which serves but to make dear thy glorious light.
This is that happy morn,
That day, long-wished day
Of all my life so dark
(If cruel stars have not my ruin sworn
And fates not hope betray),
Which, purely white, deserves
An everlasting diamond should it mark.
This is the morn should bring unto this grove
My Love, to hear and recompense my love.
Fair king, who all preserves,
But show thy blushing beams,
And thou two sweeter eyes
Shalt see
than those which by Peneus’ streams
Did once thy heart surprise.
Nay, suns, which shine as clear
As thou, when two thou didst to Rome appear.
Now, Flora, deck thyself in fairest guise:
If that ye winds would hear
A voice surpassing far Amphion’s lyre,
Your stormy chiding stay;
Let Zephyr only breathe,
And with her tresses play,
Kissing sometimes these purple ports of death.
—The winds all silent are,
And Phœbus in his chair
Ensaffroning sea and air
Makes vanish every star:
Night like a drunkard reels
Beyond the hills, to shun his flaming wheels:
The fields with flowers are decked in every hue,
The clouds with orient gold spangle their blue;
Here is the pleasant place—
And nothing wanting is, save She, alas!
SLEEP, SILENCE’ CHILD
Sleep,
Silence’ child, sweet father of soft rest,
Prince, whose approach peace to all mortals brings,
Indifferent host to shepherds and to kings,
Sole comforter of minds with grief oppressed;
Lo, by thy charming rod all breathing things
Lie slumb’ring, with forgetfulness possessed,
And yet o’er me to spread thy drowsy wings
Thou sparest, alas! who cannot be thy guest.
Since I am thine, O come, but with that face
To inward light which thou art wont to show;
With
feigned solace ease a true-felt woe;
Or if, deaf god, thou do deny that grace,
Come as thou wilt, and what thou wilt bequeath:
I long to kiss the image of my death.
TO THE NIGHTINGALE
Dear chorister, who
from these shadows sends,
Ere that the blushing morn dare show her light,
Such sad lamenting strains, that night attends,
Become all ear, stars stay to hear thy plight:
If one whose grief even reach of thought transcends,
Who ne’er, not in a dream, did taste delight,
May thee importune who like care pretends,
And seems to joy in woe, in woe’s despite;
Tell me (so may thou fortune milder try,
And long, long sing) for what thou thus complains,
Sith, winter gone, the sun in dappled sky
Now smiles on meadows, mountains, woods, and plains?
The bird, as if my question did her move,
With trembling wings sobbed forth, ‘I
love! I love!’
MADRIGAL I
Like the Idalian queen,
Her hair about her eyne,
With neck and breast’s ripe apples to be seen,
At first glance of the morn,
In Cyprus’ gardens gathering those fair flowers
Which of her blood were born,
I saw, but fainting saw, my paramours.
The graces naked danced about the place,
The winds and trees amazed
With silence on her gazed;
The
flowers did smile, like those upon her face,
And as their aspen stalks those fingers band,
That she might read my case
A hyacinth I wished me in her hand.
MADRIGAL II
The beauty and the life
Of life’s and beauty’s fairest paragon,
O tears! O grief! hung at a feeble thread
To which pale Atropos had set her knife;
The soul with many a groan
Had left each outward part,
And now did take its last leave of the heart;
Nought else did want, save death, even to be dead;
When the afflicted band about her bed,
Seeing so fair him come in lips, cheeks, eyes,
Cried, ‘Ah! and can death enter paradise?’
BEAUMONT and FLETCHER
1586–1616 and 1579–1625
I DIED TRUE
Lay a garland on my
hearse
Of the dismal yew;
Maidens willow branches bear;
Say, I die true.
My love was false, but I was firm
From my hour of birth.
Upon my buried body lie
Lightly, gentle earth.
FRANCIS BEAUMONT
1586–1616
ON THE TOMBS IN WESTMINSTER ABBEY
Mortality, behold
and fear!
What a change of flesh is here!
Think how many royal bones
Sleep within these heaps of stones;
Here they lie, had realms and lands,
Who now want strength to stir their hands;
Where from their pulpits sealed with dust
They preach, ‘In greatness is no trust.’
Here’s an acre sown indeed
With the richest royallest seed
That the earth did e’er suck in
Since the first man died for sin:
Here the bones of birth have cried,
‘Though gods they were, as men they died!’
Here are sands, ignoble things,
Dropt from the ruined sides of kings:
Here’s a world of pomp and state
Buried in dust, once dead by fate.
SIR FRANCIS KYNASTON
1587–1642
TO CYNTHIA, ON CONCEALMENT OF HER BEAUTY
Do not conceal those
radiant eyes,
The starlight of serenest skies;
Lest, wanting of their heavenly light,
They turn to chaos’ endless night!
Do not conceal those tresses fair,
The silken snares of thy curled hair
Lest, finding neither gold nor ore,
The curious silk-worm work no more.
Do not conceal those breasts of thine,
More snow-white than the Apennine;
Lest, if there be like cold and frost,
The lily be for ever lost.
Do not conceal that fragrant scent,
Thy breath, which to all flowers hath lent
Perfumes; lest, it being supprest,
No spices grow in all the rest.
Do not conceal thy heavenly voice,
Which makes the hearts of gods rejoice;
Lest, music hearing no such thing,
The nightingale forget to sing.
Do not conceal, nor yet eclipse,
Thy pearly teeth with coral lips;
Lest that the seas cease to bring forth
Gems which from thee have all thy worth.
Do not conceal no beauty, grace,
That’s either in thy mind or face;
Lest virtue overcome by vice
Make men believe no Paradise.
NATHANIEL FIELD
1587–1638
MATIN SONG
Rise, Lady Mistress,
rise!
The night hath tedious been;
No sleep hath fallen into mine eyes
Nor slumbers made me sin.
Is not she a saint then, say,
Thoughts of whom keep sin away?
Rise, Madam! rise and give me light,
Whom darkness still will cover,
And ignorance, darker than night,
Till thou smile on thy lover.
All want day till thy beauty rise;
For the grey morn breaks from thine eyes.
GEORGE WITHER
1588–1667
SLEEP, BABY, SLEEP!
Sleep, baby, sleep!
what ails my dear,
What ails my darling thus to cry?
Be still, my child, and lend thine ear,
To hear me sing thy lullaby.
My pretty lamb, forbear to weep;
Be still, my dear; sweet baby, sleep.
Thou blessed soul, what canst thou fear?
What thing to thee can mischief do?
Thy God is now thy father dear,
His holy Spouse thy mother too.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Though thy conception was in sin,
A sacred bathing thou hast had;
And though thy birth unclean hath been,
A blameless babe thou now art made.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
While thus thy lullaby I sing,
For thee great blessings ripening be;
Thine Eldest Brother is a king,
And hath a kingdom bought for thee.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Sweet baby, sleep, and nothing fear;
For whosoever thee offends
By thy protector threaten’d are,
And God and angels are thy friends.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
When God with us was dwelling here,
In little babes He took delight;
Such innocents as thou, my dear,
Are ever precious in His sight.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
A little infant once was He;
And strength in weakness then was laid
Upon His Virgin Mother’s knee,
That power to thee might be convey’d.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
In this thy frailty and thy need
He friends and helpers doth prepare,
Which thee shall cherish, clothe, and feed,
For of thy weal they tender are.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
The King of kings, when He was born,
Had not so much for outward ease;
By Him such dressings were not worn,
Nor such like swaddling-clothes as these.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Within a manger lodged thy Lord,
Where oxen lay and asses fed:
Warm rooms we do to thee afford,
An easy cradle or a bed.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
The wants that He did then sustain
Have purchased wealth, my babe, for thee;
And by His torments and His pain
Thy rest and ease secured be.
My baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Thou hast, yet more, to perfect this,
A promise and an earnest got
Of gaining everlasting bliss,
Though thou, my babe, perceiv’st it not.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
THOMAS CAREW
1589–1639
SONG
Ask me no more where
Jove bestows,
When June is past, the fading rose;
For in your beauties, orient deep,
These flowers, as in their causes, sleep.
Ask me no more whither do stray
The golden atoms of the day;
For in pure love heaven did prepare
Those powders to enrich your hair.
Ask me no more whither doth haste
The nightingale when May is past;
For in your sweet dividing throat
She winters, and keeps warm her note.
Ask me no more if east or west
The phœnix builds her spicy nest;
For unto you at last she flies,
And in your fragrant bosom dies!
TO MY INCONSTANT MISTRESS
When thou, poor
Excommunicate
From all the joys of Love, shalt see
The full reward and glorious fate
Which my strong faith shall purchase me,
Then curse thine own Inconstancy.
A fairer hand than thine shall cure
That heart which thy false oaths did wound;
And to my soul a soul more pure
Than thine shall by Love’s hand be bound,
And both with equal glory crowned.
Then shalt thou weep, entreat, complain
To Love, as I did once to thee:
When all thy tears shall be as vain
As mine were then: for thou shalt be
Damned for thy false Apostacy.
AN HYMENEAL DIALOGUE
Groom.—Tell me, my Love, since Hymen tied
The holy knot, hast thou not felt
A new-infused spirit slide
Into thy breast, whilst mine did melt?
Bride.—First tell me, Sweet, whose
words were those?
For though your voice the air did break,
Yet did my soul the sense compose,
And through your lips my heart did speak.
Groom.—Then I perceive, when from the
flame
Of love my scorched soul did retire,
Your frozen heart in that place came,
And sweetly melted in that fire.
Bride.—’Tis true, for when
that mutual change
Of souls was made, with equal gain,
I straight might feel diffused a strange
But gentle heat through every vein.
Bride.—Thy bosom then I’ll
make my nest,
Since there my willing soul doth perch.
Groom.—And for my heart, in thy chaste breast,
I’ll make an everlasting search.
O blest disunion, that doth so
Our bodies from our souls divide;
As two to one, and one four grow,
Each by contraction multiplied.
INGRATEFUL BEAUTY THREATENED
Know, Celia (since
thou art so proud),
’Twas I that gave thee thy renown!
Thou hadst in the forgotten crowd
Of common beauties lived unknown,
Had not my verse exhaled thy name,
And with it imped the wings of fame.
That killing power is none of thine;
I gave it to thy voice and eyes;
Thy sweets, thy graces, all are mine;
Thou art my star, shin’st in my skies;
Then dart not from thy borrowed sphere
Lightning on him that fixed thee there.
Tempt me with such affrights no more,
Lest what I made I uncreate!
Let fools thy mystic forms adore;
I’ll know thee in thy mortal state.
Wise poets, that wrapped the truth in tales,
Knew her themselves through all her veils.
THOMAS DEKKER
Circa
1570–1641
LULLABY
Golden slumbers kiss
your eyes,
Smiles awake you when you rise.
Sleep, pretty wantons, do not cry,
And I will sing a lullaby.
Bock them, rock a lullaby.
Care is heavy, therefore sleep you,
You are care, and care must keep you.
Sleep, pretty wantons, do not cry,
And I will sing a lullaby.
Rock them, rock a lullaby.
SWEET CONTENT
Art thou poor, yet
hast thou golden slumbers?
O sweet
content!
Art thou rich, yet is thy mind perplexed?
O punishment!
Dost thou laugh to see how fools are vexed
To add to golden numbers, golden numbers?
O sweet
content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!
Canst drink the waters of the crisped
spring?
O sweet content!
Swimm’st thou in wealth, yet sink’st in thine own
tears?
O punishment!
Then he that patiently want’s burden bears
No burden bears, but is a king, a king!
O sweet content! O sweet, O sweet content!
Work apace, apace, apace, apace;
Honest labour bears a lovely face;
Then hey nonny nonny, hey nonny nonny!
THOMAS HEYWOOD
—1649?
GOOD-MORROW
Pack, clouds, away,
and welcome day,
With night we banish sorrow;
Sweet air blow soft, mount larks aloft
To give my Love good-morrow!
Wings from the wind to please her mind,
Notes from the lark I’ll borrow;
Bird, prune thy wing, nightingale sing,
To give my Love good-morrow;
To give my Love good-morrow,
Notes from them both I’ll borrow.
Wake from thy nest, Robin-redbreast,
Sing, birds, in every furrow;
And from each hill, let music shrill
Give my fair Love good-morrow!
Blackbird and thrush in every bush,
Stare, linnet, and cock-sparrow!
You pretty elves, amongst yourselves,
Sing my fair Love good-morrow;
To give my Love good-morrow
Sing, birds, in every furrow!
ROBERT HERRICK
1591–1674
TO DIANEME
Sweet, be not proud
of those two eyes
Which star-like sparkle in their skies;
Nor be you proud, that you can see
All hearts your captives; yours yet free.
Be you not proud of that rich hair
Which wantons with the love-sick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone
When all your world of beauty’s gone.
TO MEADOWS
Ye have been fresh
and green,
Ye have been filled with flowers;
And ye the walks have been
Where maids have spent their hours.
Ye have beheld how they
With wicker arks did come
To kiss and bear away
The richer cowslips home.
You’ve heard them sweetly sing,
And seen them in a round,
Each virgin, like a Spring,
With honeysuckles crowned.
But now we see none here
Whose silvery feet did tread,
And with dishevelled hair
Adorned this smoother mead.
Like unthrifts, having spent
Your stock, and needy grown,
You’re left here to lament
Your poor estates alone.
TO BLOSSOMS
Fair pledges of a
fruitful tree,
Why do ye fall so fast?
Your date is not so past,
But you may stay yet here awhile
To blush and gently smile,
And go at last.
What, were ye born to be
An hour or half’s delight,
And so to bid good-night?
’Twas pity Nature brought ye forth
Merely to show your worth,
And lose you quite!
But you are lovely leaves, where we
May read how soon things have
Their end, though ne’er so brave:
And after they have shown their pride
Like you, awhile, they glide
Into the grave.
TO DAFFODILS
Fair Daffodils, we
weep to see
You haste away so soon:
As yet the early-rising Sun
Has not attained his noon.
Stay, stay,
Until the hasting day
Has run
But to the even-song;
And, having prayed together, we
Will go with you along.
We have short time to stay, as you,
We have as short a Spring;
As quick a growth to meet decay
As you, or any thing.
We die,
As your hours do, and dry
Away,
Like to the Summer’s rain,
Or as the pearls of morning’s dew,
Ne’er to be found again.
TO VIOLETS
Welcome, Maids of
Honour!
You do bring
In the Spring,
And wait upon her.
She has Virgins many,
Fresh and fair;
Yet you are
More sweet than any.
Ye are the Maiden Posies,
And so graced
To be placed
’Fore damask roses.
But, though thus respected,
By and by
Ye do lie,
Poor girls, neglected.
TO PRIMROSES
Why do ye weep,
sweet babes? can tears
Speak grief in you,
Who were but born
Just as the modest morn
Teemed her refreshing dew?
Alas, you have not known that shower
That mars a flower;
Nor felt th’ unkind
Breath of a blasting wind;
Nor are ye worn with years;
Or warped as
we,
Who think it strange to see
Such pretty flowers, like to orphans young,
To speak by tears, before ye have a tongue.
Speak, whimp’ring younglings, and make
known
The reason, why
Ye droop and weep;
Is it for want of sleep?
Or childish lullaby?
Or that ye have not seen as yet
The violet?
Or brought a kiss
From that sweetheart to this?
No, no, this sorrow shown
By your tears shed,
Would have this lecture read,
That things of greatest, so of meanest, worth,
Conceived with care are, and with tears brought forth.
TO DAISIES, NOT TO SHUT SO SOON
Shut not so soon;
the dull-eyed night
Hath not as yet begun
To make a seizure on the light,
Or to seal up the sun.
No marigolds yet closed are,
No shadows great appear;
Nor doth the early shepherd’s star
Shine like a spangle here.
Stay but till my Julia close
Her life-begetting eye,
And let the whole world then dispose
Itself to live or die.
TO THE VIRGINS, TO MAKE MUCH OF TIME
Gather ye rose-buds
while ye may,
Old Time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.
The glorious Lamp of Heaven, the Sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.
That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time;
And while ye may, go marry:
For having lost but once your prime,
You may for ever tarry.
DRESS
A sweet disorder in
the dress
Kindles in clothes a wantonness:—
A lawn about the shoulders thrown
Into a fine distraction,—
An erring
lace, which here and there
Enthrals the crimson stomacher,—
A cuff neglectful, and thereby
Ribbands to flow confusedly,—
A winning wave, deserving note,
In the tempestuous petticoat,—
A careless shoe-string, in whose tie
I see a wild civility,—
Do more bewitch me, than when art
Is too precise in every part.
IN SILKS
Whenas in silks my
Julia goes,
Then, then (methinks) how sweetly flows
That liquefaction of her clothes.
Next, when I cast mine eyes and see
That brave vibration each way free;
O how that glittering taketh me!
CORINNA’S GOING A-MAYING
Get up, get up for
shame! The blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the
air!
Get up, sweet Slug-a-bed, and
see
The dew bespangling herb and
tree.
Each flower has wept, and bowed toward the east,
Above an hour since; yet you not drest—
Nay! not so much as out of bed,
When all the birds have matins
said,
And sung their thankful hymns:
’tis sin,
Nay, profanation, to keep
in—
Whenas a thousand virgins on this day
Spring, sooner than the lark, to fetch in May.
Rise, and put on your foliage, and be seen
To come forth, like the Spring-time, fresh and green,
And sweet as Flora. Take no
care
For jewels for your gown or
hair:
Fear not; the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept:
Come, and receive them while the
light
Hangs on the dew-locks of the
night:
And Titan on the eastern hill
Retires himself, or else stands
still
Till you come forth. Wash, dress, be brief in praying:
Few beads are best, when once we go a-Maying.
Come, my Corinna, come! and coming, mark
How each field turns a street, each street a park
Made green, and trimmed with
trees: see how
Devotion gives each house a
bough
Or branch: each porch, each door,
ere this,
An ark, a tabernacle is,
Made up of white-thorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the
street
And open fields, and we not
see’t?
Come, we’ll abroad: and
let’s obey
The proclamation made for May:
And sin no
more, as we have done, by staying:
But, my Corinna, come! let’s go a-Maying.
There’s not a budding boy or girl, this
day,
But is got up, and gone to bring in May.
A deal of youth, ere this, is
come
Back, and with white-thorn laden
home.
Some have despatched their cakes
and cream,
Before that we have left to
dream:
And some have wept, and wooed, and plighted troth
And chose their priest, ere we can cast off sloth:
Many a green-gown has been
given;
Many a kiss, both odd and even:
Many a glance, too, has been
sent
From out the eye, Love’s
firmament:
Many a jest told of the keys betraying
This night, and locks picked:—Yet we’re not
a-Maying.
Come! let us go, while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and
die
Before we know our liberty.
Our life is short; and our days
run
As fast away as does the sun:
And as a vapour, or a drop of rain
Once lost, can ne’er be found again;
So when or you or I are made
A fable, song, or fleeting
shade,
All love, all liking, all
delight
Lies drowned with us in endless
night.
Then while time serves, and we are but decaying,
Come, my Corinna, come! let’s go a-Maying.
GRACE FOR A CHILD
Here, a little
child, I stand,
Heaving up my either hand:
Cold as paddocks though they be,
Here I lift them up to Thee,
For a benison to fall
On our meat and on our all. Amen.
BEN JONSON
Ah, Ben!
Say how, or
when,
Shall we thy
guests
Meet at those lyric feasts
Made at the
Sun,
The Dog, the Triple Tun?
Where we such clusters had
As made us nobly wild, not mad;
And yet each verse of thine
Out-did the meat, out-did the frolic wine.
My
Ben!
Or come again
Or send to us
Thy wit’s great
over-plus;
But teach us
yet
Wisely to husband it,
Lest we that talent spend:
And having once brought to an end
That precious stock, the store
Of such a wit, the world should have no more.
GEORGE
HERBERT
1593–1632
HOLY BAPTISM
Since, Lord, to Thee
A narrow way and little gate
Is all the passage, on my infancy
Thou didst lay hold, and antedate
My faith in me.
O, let me
still
Write Thee ‘great God,’ and me ‘a
child’;
Let me be soft and supple to Thy will,
Small to myself, to others mild,
Behither ill.
Although by
stealth
My flesh get on; yet let her sister,
My soul, bid nothing but preserve her wealth:
The growth of flesh is but a blister;
Childhood is health.
VIRTUE
Sweet day, so cool,
so calm, so bright,
The bridal of the earth and sky,
The dew shall weep thy fall to-night,
For thou must
die.
Sweet rose, whose hue, angry and brave,
Bids the rash gazer wipe his eye,
Thy root is ever in its grave,
And thou must
die.
Sweet Spring, full of sweet days and roses,
A box where sweets compacted lie,
My music shows ye have your closes,
And all must
die.
Only a sweet and virtuous soul,
Like seasoned timber, never gives;
But though the whole world turn to coal,
Then chiefly
lives.
UNKINDNESS
Lord, make me coy
and tender to offend:
In friendship, first I think if that agree
Which I intend
Unto my friend’s intent and end;
I would not use a friend as I use Thee.
If any touch my friend or his good name,
It is my honour and my love-to free
His blasted fame
From the least spot or thought of blame;
I could not use a friend as I use Thee.
My friend may spit upon my curious floor;
Would he have gold? I lend it instantly;
But let the poor,
And Thee within them, starve at door;
I cannot use a friend as I use Thee.
When that my friend pretendeth to a place,
I quit my interest, and leave it free;
But when Thy grace
Sues for my heart, I Thee displace;
Nor would I use a friend as I use Thee.
Yet can a friend what Thou hast done fulfil?
O, write in brass, ‘My God upon a tree
His blood did spill,
Only to purchase my good-will’;
Yet use I not my foes as I use Thee.
LOVE
Love bade me
welcome; yet my soul drew back,
Guilty of dust and sin.
But quick-eyed Love, observing me grow slack
From my first entrance in,
Drew nearer to me, sweetly questioning
If I lacked anything.
‘A guest,’ I answered,
‘worthy to be here’:
Love said, ‘You shall be he.’
‘I, the unkind, ungrateful? Ah, my dear!
I cannot look on thee.’
Love took my hand, and smiling did reply,
‘Who made the eyes but I?’
‘Truth, Lord; but I have marred them; let
my shame
Go where it doth deserve.’
‘And know you not,’ says Love, ‘who bore the
blame?
‘My dear, then I will serve.’
‘You must sit down,’ says Love, ‘and taste my
meat.’
So I did sit and eat.
THE PULLEY
When God at first made man,
Having a glass of blessings standing by,
‘Let us,’ said He, ‘pour on him all we can;
Let the world’s riches, which dispersed lie,
Contract into a span.’
So strength
first made a way,
Then beauty flowed, then wisdom, honour pleasure;
When almost all was out, God made a stay,
Perceiving that, alone of all His treasure,
Rest in the bottom lay.
‘For
if I should,’ said He,
‘Bestow this jewel also on My creature,
He would adore My gifts instead of Me,
And rest in Nature, not the God of Nature:
So both should losers be.
‘Yet
let him keep the rest,
But keep them with repining restlessness;
Let him be rich and weary, that at least,
If goodness lead him not, yet weariness
May toss him to My
breast.’
THE COLLAR
I struck the board,
and cried, ‘No more;
I will
abroad.
What, shall I ever sigh and pine?
My lines and life are free; free as the road,
Loose as the wind, as large as store.
Shall I be still
in suit?
Have I no harvest but a thorn
To let me blood, and not restore
What I have lost with cordial fruit?
Sure there was
wine
Before my sighs did dry it; there was corn
Before my tears did drown it;
Is the
year only lost to me?
Have I no bays to crown it,
No flowers, no garlands gay? all blasted,
All wasted?
Not so, my heart; but there is fruit,
And thou hast
hands.
Recover all thy sigh-blown age
On double pleasures; leave thy cold dispute
Of what is fit and not; forsake thy cage,
Thy rope of
sands,
Which petty thoughts have made; and made to thee
Good cable, to enforce and draw,
And be thy
law,
While thou didst wink and wouldst not see.
Away! take
heed;
I will
abroad.
Call in thy death’s-head there, tie-up thy fears;
He that
forbears
To suit and serve his need
Deserves his
load.’
But as I raved and grew more fierce and wild
At every
word,
Methought I heard one calling, ‘Child’;
And I replied,
‘My Lord.’