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The Four-Masted Cat-Boat, and Other Truthful Tales cover

The Four-Masted Cat-Boat, and Other Truthful Tales

Chapter 28: XXIV THE MISSING-WORD BORE
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About This Book

This collection of humorous sketches presents a variety of whimsical tales that explore the absurdities of everyday life. Each story features unique characters and situations, ranging from a four-masted cat-boat navigating a storm to a fairy tale about a poor individual seeking fortune from a wealthy lady. The narratives blend satire and lighthearted commentary, often highlighting human folly and the quirks of society. With a playful tone, the author invites readers to enjoy the eccentricities of life through a series of entertaining and insightful vignettes.


XXIV

THE MISSING-WORD BORE

Then, there’s that bore whose thoughts come by freight, and the freight is always late. You know what’s coming, that is, you can imagine the way-bill, but he won’t let you help him to make better time, and runs his train of thought as if it were on a heavy grade.

He starts to tell a story, blinking his red eyes, meanwhile, as if he thought that they supplied the motive power for his tongue. To make listening to him the harder, he generally tells a very old story.

“One day, William Makepeace—er-er—”

“Thackeray,” you say, intending to help him. Of course it is Thackeray, and he was going to tell about the novelist and the Bowery boy; but he is so pig-headed that he shifts on to another track.

“No; Dickens, Charles Dickens. One day, when Charles Dickens was at work on ‘Bleak’—er—er—”

“‘Bleak House’?” you say.

“No!” he snaps; “‘Dombey and Son.’ One day, when Charles Dickens was at work on ‘Dombey and Son,’ he was approached by his biographer, John—er—er—”

“Forster?”

“No; it wasn’t his biographer, either; it was Edmund Yates.”

You now take a gleeful pleasure in seeing how hopelessly you can make him tangle himself up by the refusal of your help, but he doesn’t care. He’ll tell it in his own words, though the heavens fall and though he starts a hundred stories.

“Charles Dickens had a very loud way of—er—er—”

“Dressing?”

“No, no! He had a loud way of talking, and he and Edmund—er—er—”

“Yates?”

“No, sir; Edmund Spenser.”

Of course this is arrant nonsense on the face of it, but he won’t admit that he’s made pi of his story, and he goes on:

“Edmund said that Charles—”

“Dickens?”

“No, sir; Charles Reade. Edmund said that Charles Reade thought George—er—”

“Meredith?”

“No; hang it all! George Eliot. He thought that George Eliot never wrote a better book than ‘Silas’—er—”

“‘Marner’?”

“Not at all! ‘Silas Lapham.’”

Now, if you are merciful, or if you are refinedly cruel, either one, you will allow him to finish his story in peace, and, like as not, he will start all over again by saying: “I guess I inadvertently got hold of the wrong name at the beginning. It was not Dickens, as you said, but Thackeray. Thackeray was one day walking along the Bowery when he met a typical—” And so on to the bitter end.

For the sake of speed, do not ever interrupt his kind!