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The Freeman, and Other Poems

Chapter 28: THE HUNTER
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About This Book

This collection of poems ranges from defiant explorations of freedom and despair to quiet meditations on mortality, love, and faith. Using vivid natural and domestic imagery, the pieces move between stark, sometimes macabre scenes and reflective lyric moments, probing truth, justice, memory, and the human urge to seek meaning. Occasional poems address public themes and ethical concerns, while shorter lyrics record tenderness, humor, and grief. The overall voice balances resolute individualism with compassionate scrutiny of life and its losses.

When the blasts beat loud and the tempests shriek,
And the winds are smote as the chords of a lyre,
I curtain the cold where the corners leak,
Tossing the logs till the flames leap higher,
As I sit on the hearth while the rafters creak,
Feeding the fangs of the hungry fire.
(Hark! ’tis a child on the howling plain!
Nay, the fir-tree’s tap on the window pane.)
Do you hear her knock? Are her feet on the stones?
She may call in vain, for the storm is loud,
And her speech is the rattle of rigid bones.
Perchance she is lost where the thickets crowd;
It is far from the church where a vault she owns,
And for cover she has but a crumbling shroud.
(’Tis a mad soul clutched by a demon—hist!
Nay, nay, but the wail of the wind, I wist.)
She enters the door with a blast of cold—
She enters to me and to my embrace;
Her fingers are freed from their fleshly fold,
The veil is rent from her ashen face.
To her sheet there lingers a scent of mould,
Where the wily worms have woven a trace.
(Hark! is it Love on the writhing rack!
Nay, nay, but the wolves on a shepherd’s track.)
She has taken her seat at my board of pine,
We have poured the water and broken the bread,
I have pledged her health in the blood-red wine,
She has bowed to me with her spectral head.
I am hers forever, as she is mine,
I shall lie with her in her nuptial bed.
(Hark! ’tis a stroke on a coffin nail!
Nay, the beat of your heart as the pulses fail!)
From her fleshless lips I have felt her kiss
(The room is small, but the world is wide).
What matter the honours that I shall miss,
When I find her lying against my side?
From the reefs of Fate God has spared me this—
The love that is long and the breast of a bride.
(For bone of my bone I have chosen Death!
“Nay, nay—ah, love, I am Life,” she saith.)

TO MY DOG

ENGLAND’S GREATNESS

AT THE GRAVE OF CHARLES DARWIN, 1896

MARY

Mother of all the Sorrows,
Pierced by the world’s despair,
Wearing a veil that borrows
Gloom from our earthly air;
Broken by ceaseless sighing,
Ravaged by endless tears,
Bearing thy pangs undying
Into the dying years—
By the sweat on thy brow that paleth,
By the Cross where thy heart has lain,
By memory’s pang that naileth
Thy heart to the wood again,
By the passions that rise below thee,
By the sorrows enthroned on thy brow,
By the hearts that have broken to know thee,
We hail thee “Blessed,” now.

THE HUNTER

I sit within the sodden gloom,
Amid the dead that wall the room;
Through galleries damp that reek decay,
My stumbling feet have groped the way.
Mine eyes that shudder at the light
Have read the secrets of the night—
From skeletons with toothless jaws
I wring the utterance of the laws.
Then forth into the light of day,
I fare again upon my way.
A grain of sand, a blade of grass,
Smite me to silence as I pass.
In living men and worms I trace
Old allegories of the race;
In weeds put forth from out the sod
I read the Scriptures of my God.
Unto the hills I mount and see
The vultures of the mountains flee;
My failing eyes I backward cast
To glean the harvest of the past.
My tottering feet have paused alone
Before the barriers of the known—
For onward still, through wrong and ruth,
I fare—a hunter of the Truth.