About This Book
An extended essay compares garden design to painting and argues that designers must understand plants as a palette, consider light, shade, climate, soil, and national character, and accommodate living-material unpredictability and clients' wishes. It discusses composition principles—color, line, perspective, and texture—and contrasts static art's controlled limitations with the gardener's need to work in real light and changing seasons. It also examines historical influences, travel and photography's effects on imitation, and practical tensions between ideal plans and plant behavior.
About the Author
You May Also Like
6 picks
"Phiz" (Hablot Knight Browne), a Memoir.
by Frederic George Kitton
"Præterita": souvenirs de jeunesse
by John Ruskin
"The spirit of '76": Some recollections of the artist and the painting
by Henry Kelsey Devereux
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
by Dr. Doran
A architectura religiosa na Edade Média
by Augusto Fuschini
A Book About the Theater
by Brander Matthews