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The Gentleman from Indiana

Chapter 7: CHAPTER VI. JUNE
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About This Book

The story follows a cultured young man who returns to his rural hometown and becomes entangled in its civic and social affairs. He navigates campaigns, newspaper offices, court-house controversies, and intimate relationships that expose local rivalries and shifting values. Narrative scenes alternate between wide landscape descriptions and domestic settings, tracing how honor, ambition, and personal loyalties shape public decisions. Through wry observation and moral scrutiny, the work explores leadership, community expectations, and the compromises required when private affection and civic duty collide.

          “'The time has come,' the Walrus said,
             'To talk of many things:
           Of shoes—and ships—and sealing-wax—
             And cabbages—and kings—'”

He put the paper in his pocket, and set off rapidly down the village street.

At his departure William Todd looked up quickly; then he got upon his feet and quietly followed the editor. In the dusk a tattered little figure rose up from the weeds across the way, and stole noiselessly after William. He was in his shirt-sleeves, his waistcoat unbuttoned and loose. On the nearest corner Mr. Todd encountered a fellow-townsman, who had been pacing up and down in front of a cottage, crooning to a protestive baby held in his arms. He had paused in his vigil to stare after Harkless.

“Whereas he bound for, William?” inquired the man with the baby.

“Briscoes',” answered William, pursuing his way.

“I reckoned he would be,” commented the other, turning to his wife, who sat on the doorstep, “I reckoned so when I see that lady at the lecture last night.”

The woman rose to her feet. “Hi, Bill Todd!” she said. “What you got onto the back of your vest?” William paused, put his hand behind him and encountered a paper pinned to the dangling strap of his waistcoat. The woman ran to him and unpinned the paper. It bore a writing. They took it to where the yellow lamp-light shone through the open door, and read:

           “der Sir
              “FoLer harkls aL yo ples an gaRd him yoR
best venagesn is closteR, harkls not Got 3 das to liv
                                  “We come in Wite.”

“What ye think, William?” asked the man with the baby, anxiously. But the woman gave the youth a sharp push with her hand. “They never dast to do it!” she cried. “Never in the world! You hurry, Bill Todd. Don't you leave him out of your sight one second.”





CHAPTER V. AT THE PASTURE BARS: ELDER-BUSHES MAY HAVE STINGS

The street upon which the Palace Hotel fronted formed the south side of the Square and ran west to the edge of the town, where it turned to the south for a quarter of a mile or more, then bent to the west again. Some distance from this second turn, there stood, fronting close on the road, a large brick house, the most pretentious mansion in Carlow County. And yet it was a homelike place, with its red-brick walls embowered in masses of cool Virginia creeper, and a comfortable veranda crossing the broad front, while half a hundred stalwart sentinels of elm and beech and poplar stood guard around it. The front walk was bordered by geraniums and hollyhocks; and honeysuckle climbed the pillars of the porch. Behind the house there was a shady little orchard; and, back of the orchard, an old-fashioned, very fragrant rose-garden, divided by a long grape arbor, extended to the shallow waters of a wandering creek; and on the bank a rustic seat was placed, beneath the sycamores.

From the first bend of the road, where it left the town and became (after some indecision) a country highway—called the pike—rather than a proud city boulevard, a pathway led through the fields to end at some pasture bars opposite the brick house.

John Harkless was leaning on the pasture bars. The stars were wan, and the full moon shone over the fields. Meadows and woodlands lay quiet under the old, sweet marvel of a June night. In the wide monotony of the flat lands, there sometimes comes a feeling that the whole earth is stretched out before one. To-night it seemed to lie so, in the pathos of silent beauty, all passive and still; yet breathing an antique message, sad, mysterious, reassuring. But there had come a divine melody adrift on the air. Through the open windows it floated. Indoors some one struck a peal of silver chords, like a harp touched by a lover, and a woman's voice was lifted. John Harkless leaned on the pasture bars and listened with upraised head and parted lips.

“To thy chamber window roving, love hath led my feet.”

The Lord sent manna to the children of Israel in the wilderness. Harkless had been five years in Plattville, and a woman's voice singing Schubert's serenade came to him at last as he stood by the pasture bars of Jones's field and listened and rested his dazzled eyes on the big, white face of the moon.

How long had it been since he had heard a song, or any discourse of music other than that furnished by the Plattville Band—not that he had not taste for a brass band! But music that he loved always gave him an ache of delight and the twinge of reminiscences of old, gay days gone forever. To-night his memory leaped to the last day of a June gone seven years; to a morning when the little estuary waves twinkled in the bright sun about the boat in which he sat, the trim launch that brought a cheery party ashore from their schooner to the Casino landing at Winter Harbor, far up on the Maine coast.

It was the happiest of those last irresponsible days before he struck into his work in the world and became a failure. To-night he saw the picture as plainly as if it were yesterday; no reminiscence had risen so keenly before his eyes for years: pretty Mrs. Van Skuyt sitting beside him—pretty Mrs. Van Skuyt and her roses! What had become of her? He saw the crowd of friends waiting on the pier for their arrival, and the dozen or so emblazoned classmates (it was in the time of brilliant flannels) who suddenly sent up a volley of college cheers in his honor—how plainly the dear, old, young faces rose up before him to-night, the men from whose lives he had slipped! Dearest and jolliest of the faces was that of Tom Meredith, clubmate, classmate, his closest friend, the thin, red-headed third baseman; he could see Tom's mouth opened at least a yard, it seemed, such was his frantic vociferousness. Again and again the cheers rang out, “Harkless! Harkless!” on the end of them. In those days everybody (particularly his classmates) thought he would be minister to England in a few years, and the orchestra on the Casino porch was playing “The Conquering Hero,” in his honor, and at the behest of Tom Meredith, he knew.

There were other pretty ladies besides Mrs. Van Skuyt in the launch-load from the yacht, but, as they touched the pier, pretty girls, or pretty women, or jovial gentlemen, all were overlooked in the wild scramble the college men made for their hero. They haled him forth, set him on high, bore him on their shoulders, shouting “Skal to the Viking!” and carried him up the wooded bluff to the Casino. He heard Mrs. Van Skuyt say, “Oh, we're used to it; we've put in at several other places where he had friends!” He struggled manfully to be set down, but his triumphal procession swept on. He heard bystanders telling each other, “It's that young Harkless, 'the Great Harkless,' they're all so mad about”; and while it pleased him a little to hear such things, they always made him laugh a great deal. He had never understood his popularity: he had been chief editor of the university daily, and he had done a little in athletics, and the rest of his distinction lay in college offices his mates had heaped upon him without his being able to comprehend why they did it. And yet, somehow, and in spite of himself, they had convinced him that the world was his oyster; that it would open for him at a touch. He could not help seeing how the Freshmen looked at him, how the Sophomores jumped off the narrow campus walks to let him pass; he could not help knowing that he was the great man of his time, so that “The Great Harkless” came to be one of the traditions of the university. He remembered the wild progress they made for him up the slope that morning at Winter Harbor, how the people baked on, and laughed, and clapped their hands. But at the veranda edge he had noticed a little form disappearing around a corner of the building; a young girl running away as fast as she could.

“See there!” he said, as the tribe set him down, “You have frightened the populace.” And Tom Meredith stopped shouting long enough to answer, “It's my little cousin, overcome with emotion. She's been counting the hours till you came—been hearing of you from me and others for a good while; and hasn't been able to talk or think of anything else. She's only fifteen, and the crucial moment is too much for her—the Great Harkless has arrived, and she has fled.”

He remembered other incidents of his greatness, of the glory that now struck him as rarely comical; he hoped he hadn't taken it too seriously then, in the flush of his youth. Maybe, after all, he had been a, big-headed boy, but he must have bottled up his conceit tightly enough, or the other boys would have detected it and abhorred him. He was inclined to believe that he had not been very much set up by the pomp they made for him. At all events, that day at Winter Harbor had been beautiful, full of the laughter of friends and music; for there was a musicale at the Casino in the afternoon.

But the present hour grew on him as he leaned on the pasture bars, and suddenly his memories sped; and the voice that was singing Schubert's serenade across the way touched him with the urgent, personal appeal that a present beauty always had for him. It was a soprano; and without tremolo, yet came to his ear with a certain tremulous sweetness; it was soft and slender, but the listener knew it could be lifted with fullness and power if the singer would. It spoke only of the song, yet the listener thought of the singer. Under the moon thoughts run into dreams, and he dreamed that the owner of the voice, she who quoted “The Walrus and the Carpenter” on Fisbee's notes, was one to laugh with you and weep with you; yet her laughter would be tempered with sorrow, and her tears with laughter.

When the song was ended, he struck the rail he leaned upon a sharp blow with his open hand. There swept over him a feeling that he had stood precisely where he stood now, on such a night, a thousand years ago, had heard that voice and that song, had listened and been moved by the song, and the night, just as he was moved now.

He had long known himself for a sentimentalist; he had almost given up trying to cure himself. And he knew himself for a born lover; he had always been in love with some one. In his earlier youth his affections had been so constantly inconstant that he finally came to settle with his self-respect by recognizing in himself a fine constancy that worshipped one woman always—it was only the shifting image of her that changed! Somewhere (he dreamed, whimsically indulgent of the fancy; yet mocking himself for it) there was a girl whom he had never seen, who waited till he should come. She was Everything. Until he found her, he could not help adoring others who possessed little pieces and suggestions of her—her brilliancy, her courage, her short upper lip, “like a curled roseleaf,” or her dear voice, or her pure profile. He had no recollection of any lady who had quite her eyes.

He had never passed a lovely stranger on the street, in the old days, without a thrill of delight and warmth. If he never saw her again, and the vision only lasted the time it takes a lady to cross the sidewalk from a shop door to a carriage, he was always a little in love with her, because she bore about her, somewhere, as did every pretty girl he ever saw, a suggestion of the far-away divinity. One does not pass lovely strangers in the streets of Plattville. Miss Briscoe was pretty, but not at all in the way that Harkless dreamed. For five years the lover in him that had loved so often had been starved of all but dreams. Only at twilight and dusk in the summer, when, strolling, he caught sight of a woman's skirt, far up the village street—half-outlined in the darkness under the cathedral arch of meeting branches—this romancer of petticoats could sigh a true lover's sigh, and, if he kept enough distance between, fly a yearning fancy that his lady wandered there.

Ever since his university days the image of her had been growing more and more distinct. He had completely settled his mind as to her appearance and her voice. She was tall, almost too tall, he was sure of that; and out of his consciousness there had grown a sweet and vivacious young face that he knew was hers. Her hair was light-brown with gold lustres (he reveled in the gold lustres, on the proper theory that when your fancy is painting a picture you may as well go in for the whole thing and make it sumptuous), and her eyes were gray. They were very earnest, and yet they sparkled and laughed to him companionably; and sometimes he had smiled back upon her. The Undine danced before him through the lonely years, on fair nights in his walks, and came to sit by his fire on winter evenings when he stared alone at the embers.

And to-night, here in Plattville, he heard a voice he had waited for long, one that his fickle memory told him he had never heard before. But, listening, he knew better—he had heard it long ago, though when and how, he did not know, as rich and true, and ineffably tender as now. He threw a sop to his common sense. “Miss Sherwood is a little thing” (the image was so surely tall) “with a bumpy forehead and spectacles,” he said to himself, “or else a provincial young lady with big eyes to pose at you.” Then he felt the ridiculousness of looking after his common sense on a moonlight night in June; also, he knew that he lied.

The song had ceased, but the musician lingered, and the keys were touched to plaintive harmonies new to him. He had come to Plattville before “Cavalleria Rusticana” was sung at Rome, and now, entranced, he heard the “Intermezzo” for the first time. Listening to this, he feared to move lest he should wake from a summer-night's dream.

A ragged little shadow flitted down the path behind him, and from a solitary apple-tree, standing like a lonely ghost in the middle of the field, came the woo of a screech owl—twice. It was answered—twice—from a clump of elder-bushes that grew in a fence-corner fifty yards west of the pasture bars. Then the barrel of a squirrel rifle issued, lifted out of the white elder-blossoms, and lay along the fence. The music in the house across the way ceased, and Harkless saw two white dresses come out through the long parlor windows to the veranda.

“It will be cooler out here,” came the voice of the singer clearly through the quiet. “What a night!”

John vaulted the bars and started to cross the road. They saw him from the veranda, and Miss Briscoe called to him in welcome. As his tall figure stood out plainly in the bright light against the white dust, a streak of fire leaped from the elder-blossoms and there rang out the sharp report of a rifle. There were two screams from the veranda. One white figure ran into the house. The other, a little one with a gauzy wrap streaming behind, came flying out into the moonlight—straight to Harkless. There was a second report; the rifle-shot was answered by a revolver. William Todd had risen up, apparently from nowhere, and, kneeling by the pasture bars, fired at the flash of the rifle.

“Jump fer the shadder, Mr. Harkless,” he shouted; “he's in them elders,” and then: “Fer God's sake, comeback!”

Empty-handed as he was, the editor dashed for the treacherous elder-bush as fast as his long legs could carry him; but, before he had taken six strides, a hand clutched his sleeve, and a girl's voice quavered from close behind him:

“Don't run like that, Mr. Harkless; I can't keep up!” He wheeled about, and confronted a vision, a dainty little figure about five feet high, a flushed and lovely face, hair and draperies disarranged and flying. He stamped his foot with rage. “Get back in the house!” he cried.

“You mustn't go,” she panted. “It's the only way to stop you.”

“Go back to the house!” he shouted, savagely.

“Will you come?”

“Fer God's sake,” cried William Todd, “come back! Keep out of the road.” He was emptying his revolver at the clump of elder, the uproar of his firing blasting the night. Some one screamed from the house:

“Helen! Helen!”

John seized the girl's wrists roughly; her gray eyes flashed into his defiantly. “Will you go?” he roared.

“No!”

He dropped her wrists, caught her up in his arms as if she had been a kitten, and leaped into the shadow of the trees that leaned over the road from the yard. The rifle rang out again, and the little ball whistled venomously overhead. Harkless ran along the fence and turned in at the gate.

A loose strand of the girl's hair blew across his cheek, and in the moon her head shone with gold. She had light-brown hair and gray eyes and a short upper lip like a curled rose-leaf. He set her down on the veranda steps. Both of them laughed wildly.

“But you came with me!” she gasped triumphantly.

“I always thought you were tall,” he answered; and there was afterward a time when he had to agree that this was a somewhat vague reply.





CHAPTER VI. JUNE

Judge Briscoe smiled grimly and leaned on his shot-gun in the moonlight by the veranda. He and William Todd had been trampling down the elder-bushes, and returning to the house, found Minnie alone on the porch. “Safe?” he said to his daughter, who turned an anxious face upon him. “They'll be safe enough now, and in our garden.”

“Maybe I oughtn't to have let them go,” she returned, nervously.

“Pooh! They're all right; that scalawag's half-way to Six-Cross-Roads by this time, isn't he, William?”

“He tuck up the fence like a scared rabbit,” Mr. Todd responded, looking into his hat to avoid meeting the eyes of the lady. “I didn't have no call to toller, and he knowed how to run, I reckon. Time Mr. Harkless come out the yard again, he was near out o' sight, and we see him take across the road to the wedge-woods, near half-a-mile up. Somebody else with him then—looked like a kid. Must 'a' cut acrost the field to join him. They're fur enough towards home by this.”

“Did Miss Helen shake hands with you four or five times?” asked Briscoe, chuckling.

“No. Why?”

“Because Harkless did. My hand aches, and I guess William's does, too; he nearly shook our arms off when we told him he'd been a fool. Seemed to do him good. I told him he ought to hire somebody to take a shot at him every morning before breakfast—not that it's any joking matter,” the old gentleman finished, thoughtfully.

“I should say not,” said William, with a deep frown and a jerk of his head toward the rear of the house. “He jokes about it enough. Wouldn't even promise to carry a gun after this. Said he wouldn't know how to use it. Never shot one off since he was a boy, on the Fourth of July. This is the third time he's be'n shot at this year, but he says the others was at a—a—what'd he call it?”

“'A merely complimentary range,'” Briscoe supplied. He handed William a cigar and bit the end off another himself. “Minnie, you better go in the house and read, I expect—unless you want to go down the creek and join those folks.”

Me!” she responded. “I know when to stay away, I guess. Do go and put that terrible gun up.”

“No,” said Briscoe, lighting his cigar, deliberately. “It's all safe; there's no question of that; but maybe William and I better go out and take a smoke in the orchard as long as they stay down at the creek.”

In the garden, shafts of white light pierced the bordering trees and fell where June roses lifted their heads to breathe the mild night breeze, and here, through summer spells, the editor of the “Herald” and the lady who had run to him at the pasture bars strolled down a path trembling with shadows to where the shallow creek tinkled over the pebbles. They walked slowly, with an air of being well-accustomed friends and comrades, and for some reason it did not strike either of them as unnatural or extraordinary. They came to a bench on the bank, and he made a great fuss dusting the seat for her with his black slouch hat. Then he regretted the hat—it was a shabby old hat of a Carlow County fashion.

It was a long bench, and he seated himself rather remotely toward the end opposite her, suddenly realizing that he had walked very close to her, coming down the narrow garden path. Neither knew that neither had spoken since they left the veranda; and it had taken them a long time to come through the little orchard and the garden. She rested her chin on her hand, leaning forward and looking steadily at the creek. Her laughter had quite gone; her attitude seemed a little wistful and a little sad. He noted that her hair curled over her brow in a way he had not pictured in the lady of his dreams; this was so much lovelier. He did not care for tall girls; he had not cared for them for almost half an hour. It was so much more beautiful to be dainty and small and piquant. He had no notion that he was sighing in a way that would have put a furnace to shame, but he turned his eyes from her because he feared that if he looked longer he might blurt out some speech about her beauty. His glance rested on the bank; but its diameter included the edge of her white skirt and the tip of a little, white, high-heeled slipper that peeped out beneath it; and he had to look away from that, too, to keep from telling her that he meant to advocate a law compelling all women to wear crisp, white gowns and white slippers on moonlight nights.

She picked a long spear of grass from the turf before her, twisted it absently in her fingers, then turned to him slowly. Her lips parted as if to speak. Then she turned away again. The action was so odd, and somehow, as she did it, so adorable, and the preserved silence was such a bond between them, that for his life he could not have helped moving half-way up the bench toward her.

“What is it?” he asked; and he spoke in a whisper he might have used at the bedside of a dying friend. He would not have laughed if he had known he did so. She twisted the spear of grass into a little ball and threw it at a stone in the water before she answered.

“Do you know, Mr. Harkless, you and I haven't 'met,' have we? Didn't we forget to be presented to each other?”

“I beg your pardon. Miss Sherwood. In the perturbation of comedy I forgot.”

“It was melodrama, wasn't it?” she said. He laughed, but she shook her head.

“Comedy,” he answered, “except your part of it, which you shouldn't have done. It was not arranged in honor of 'visiting ladies.' But you mustn't think me a comedian. Truly, I didn't plan it. My friend from Six-Cross-Roads must be given the credit of devising the scene-though you divined it!”

“It was a little too picturesque, I think. I know about Six-Cross-Roads. Please tell me what you mean to do.”

“Nothing. What should I?”

“You mean that you will keep on letting them shoot at you, until they—until you—” She struck the bench angrily with her hand.

“There's no summer theatre in Six-Cross-Roads; there's not even a church. Why shouldn't they?” he asked gravely. “During the long and tedious evenings it cheers the poor Cross-Reader's soul to drop over here and take a shot at me. It whiles away dull care for him, and he has the additional exercise of running all the way home.”

“Ah!” she cried indignantly, “they told me you always answered like this!”

“Well, you see the Cross-Roads efforts have proved so purely hygienic for me. As a patriot I have sometimes felt extreme mortification that such bad marksmanship should exist in the county, but I console myself with the thought that their best shots are unhappily in the penitentiary.”

“There are many left. Can't you understand that they will organize again and come in a body, as they did before you broke them up? And then, if they come on a night when they know you are wandering out of town——”

“You have not the advantage of an intimate study of the most exclusive people of the Cross-Roads, Miss Sherwood. There are about twenty gentlemen who remain in that neighborhood while their relatives sojourn under discipline. If you had the entree over there, you would understand that these twenty could not gather themselves into a company and march the seven miles without physical debate in the ranks. They are not precisely amiable people, even amongst themselves. They would quarrel and shoot each other to pieces long before they got here.”

“But they worked in a company once.”

“Never for seven miles. Four miles was their radius. Five would see them all dead.”

She struck the bench again. “Oh, you laugh at me! You make a joke of your own life and death, and laugh at everything! Have five years of Plattville taught you to do that?”

“I laugh only at taking the poor Cross-Roaders too seriously. I don't laugh at your running into fire to help a fellow-mortal.”

“I knew there wasn't any risk. I knew he had to stop to load before he shot again.”

“He did shoot again. If I had known you before to-night—I—” His tone changed and he spoke gravely. “I am at your feet in worship of your philanthropy. It's so much finer to risk your life for a stranger than for a friend.”

“That is rather a man's point of view, isn't it?”

“You risked yours for a man you had never seen before.”

“Oh, no! I saw you at the lecture; I heard you introduce the Honorable Mr. Halloway.”

“Then I don't understand your wishing to save me.”

She smiled unwillingly, and turned her gray eyes upon him with troubled sunniness, and, under the kindness of her regard, he set a watch upon his lips, though he knew it might not avail him. He had driveled along respectably so far, he thought, but he had the sentimental longings of years, starved of expression, culminating in his heart. She continued to look at him, wistfully, searchingly, gently. Then her eyes traveled over his big frame from his shoes (a patch of moonlight fell on them; they were dusty; he drew them under the bench with a shudder) to his broad shoulders (he shook the stoop out of them). She stretched her small hands toward him in contrast, and broke into the most delicious low laughter in the world. At this sound he knew the watch on his lips was worthless. It was a question of minutes till he should present himself to her eyes as a sentimental and susceptible imbecile. He knew it. He was in wild spirits.

“Could you realize that one of your dangers might be a shaking?” she cried. “Is your seriousness a lost art?” Her laughter ceased suddenly. “Ah, no. I understand. Thiers said the French laugh always, in order not to weep. I haven't lived here five years. I should laugh too, if I were you.”

“Look at the moon,” he responded. “We Plattvillains own that with the best of metropolitans, and, for my part, I see more of it here. You do not appreciate us. We have large landscapes in the heart of the city, and what other capital possesses advantages like that? Next winter the railway station is to have a new stove for the waiting-room. Heaven itself is one of our suburbs—it is so close that all one has to do is to die. You insist upon my being French, you see, and I know you are fond of nonsense. How did you happen to put 'The Walrus and the Carpenter' at the bottom of a page of Fisbee's notes?”

“Was it? How were you sure it was I?”

“In Carlow County!”

“He might have written it himself.”

“Fisbee has never in his life read anything lighter than cuneiform inscriptions.”

“Miss Briscoe——”

“She doesn't read Lewis Carroll; and it was not her hand. What made you write it on Fisbee's manuscript?”

“He was with us this afternoon, and I teased him a little about your heading. 'Business and the Cradle, the Altar, and the Tomb,' isn't it? And he said it had always troubled him, but that you thought it good. So do I. He asked me if I could think of anything that you might like better, to put in place of it, and I wrote, 'The time has come,' because it was the only thing I could think of that was as appropriate and as fetching as your headlines. He was perfectly dear about it. He was so serious; he said he feared it wouldn't be acceptable. I didn't notice that the paper he handed me to write on was part of his notes, nor did he, I think. Afterward, he put it back in his pocket. It wasn't a message.”

“I'm not so sure he did not notice. He is very wise. Do you know, somehow, I have the impression that the old fellow wanted me to meet you.”

“How dear and good of him!” She spoke earnestly, and her face was suffused with a warm light. There was no doubt about her meaning what she said.

“It was,” John answered, unsteadily. “He knew how great was my need of a few moments' companionableness with—with——”

“No,” she interrupted. “I meant dear and good to me, because I think he was thinking of me, and it was for my sake he wanted us to meet.”

It would have been hard to convince a woman, if she had overheard this speech, that Miss Sherwood's humility was not the calculated affectation of a coquette. Sometimes a man's unsuspicion is wiser, and Harkless knew that she was not flirting with him. In addition, he was not a fatuous man; he did not extend the implication of her words nearly so far as she would have had him.

“But I had met you,” said he, “long ago.”

“What!” she cried, and her eyes danced. “You actually remember?”

“Yes; do you?” he answered. “I stood in Jones's field and heard you singing, and I remembered. It was a long time since I had heard you sing:

          “'I was a ruffler of Flanders,
             And fought for a florin's hire.
            You were the dame of my captain
             And sang to my heart's desire.'

“But that is the balladist's notion. The truth is that you were a lady at the Court of Clovis, and I was a heathen captive. I heard you sing a Christian hymn—and asked for baptism.” By a great effort he managed to look as if he did not mean it.

But she did not seem over-pleased with his fancy, for, the surprise fading from her face, “Oh, that was the way you remembered!” she said.

“Perhaps it was not that way alone. You won't despise me for being mawkish to-night?” he asked. “I haven't had the chance for so long.”

The night air wrapped them warmly, and the balm of the little breezes that stirred the foliage around them was the smell of damask roses from the garden. The creek tinkled over the pebbles at their feet, and a drowsy bird, half-wakened by the moon, crooned languorously in the sycamores. The girl looked out at the flashing water through downcast lashes. “Is it because it is so transient that beauty is pathetic?” she said; “because we can never come back to it in quite the same way? I am a sentimental girl. If you are born so, it is never entirely teased out of you, is it? Besides, to-night is all a dream. It isn't real, you know. You couldn't be mawkish.”

Her tone was gentle as a caress, and it made him tingle to his finger-tips. “How do you know?” he asked in a low voice.

“I just know. Do you think I'm very 'bold and forward'?” she said, dreamily.

“It was your song I wanted to be sentimental about. I am like one 'who through long days of toil'—only that doesn't quite apply—'and nights devoid of ease'—but I can't claim that one doesn't sleep well here; it is Plattville's specialty—like one who

           “'Still heard in his soul the music
             Of wonderful melodies.'”

“Those blessed old lines!” she said. “Once a thing is music or poetry, all the hand-organs and elocutionists in the world cannot ruin it, can they? Yes; to live here, out of the world, giving up the world, doing good and working for others, working for a community as you do——”

“I am not quite shameless,” he interrupted, smilingly. “I was given a life sentence for incompetency, and I've served five years of it, which have been made much happier than my deserts.”

“No,” she persisted, “that is your way of talking of yourself; I know you would always 'run yourself down,' if one paid any attention to it. But to give up the world, to drop out of it without regret, to come here and do what you have done, and to live the life that must be so desperately dry and dull for a man of your sort, and yet to have the kind of heart that makes wonderful melodies sing in itself—oh!” she cried, “I say that is fine!”

“You do not understand,” he returned, sadly, wishing, before her, to be unmercifully just to himself. “I came here because I couldn't make a living anywhere else. And the 'wonderful melodies'—I have known you only one evening—and the melodies—” He rose to his feet and took a few steps toward the garden. “Come,” he said. “Let me take you back. Let us go before I—” he finished with a helpless laugh.

She stood by the bench, one hand resting on it; she stood all in the tremulant shadow. She moved one step toward him, and a single, long sliver of light pierced the sycamores and fell upon her head. He gasped.

“What was it about the melodies?” she said.

“Nothing! I don't know how to thank you for this evening that you have given me. I—I suppose you are leaving to-morrow. No one ever stays here.—I——”

“What about the melodies?”

He gave it up. “The moon makes people insane!” he cried.

“If that is true,” she returned, “then you need not be more afraid than I, because 'people' is plural. What were you saying about——”

“I had heard them—in my heart. When I heard your voice to-night, I knew that it was you who sang them there—had been singing them for me always.”

“So!” she cried, gaily. “All that debate about a pretty speech!” Then, sinking before him in a deep courtesy, “I am beholden to you,” she said. “Do you think that no man ever made a little flattery for me before to-night?”

At the edge of the orchard, where they could keep an unseen watch on the garden and the bank of the creek. Judge Briscoe and Mr. Todd were ensconced under an apple-tree, the former still armed with his shot-gun. When the two young people got up from their bench, the two men rose hastily, and then sauntered slowly toward them. When they met, Harkless shook each of them cordially by the hand, without seeming to know it.

“We were coming to look for you,” explained the judge. “William was afraid to go home alone; thought some one might take him for Mr. Harkless and shoot him before he got into town. Can you come out with young Willetts in the morning, Harkless,” he went on, “and go with the ladies to see the parade? And Minnie wants you to stay to dinner and go to the show with them in the afternoon.”

Harkless seized his hand and shook it fervently, and then laughed heartily, as he accepted the invitation.

At the gate, Miss Sherwood extended her hand to him and said politely, and with some flavor of mockery: “Good-night, Mr. Harkless. I do not leave to-morrow. I am very glad to have met you.”

“We are going to keep her all summer if we can,” said Minnie, weaving her arm about her friend's waist. “You'll come in the morning?”

“Good-night, Miss Sherwood,” he returned, hilariously. “It has been such a pleasure to meet you. Thank you so much for saving my life. It was very good of you indeed. Yes, in the morning. Good-night—good-night.” He shook hands with them all again, including Mr. Todd, who was going with him.

He laughed most of the way home, and Mr. Todd walked at his side in amazement. The Herald Building was a decrepit frame structure on Main Street; it had once been a small warehouse and was now sadly in need of paint. Closely adjoining it, in a large, blank-looking yard, stood a low brick cottage, over which the second story of the warehouse leaned in an effect of tipsy affection that had reminded Harkless, when he first saw it, of an old Sunday-school book wood-cut of an inebriated parent under convoy of a devoted child. The title to these two buildings and the blank yard had been included in the purchase of the “Herald”; and the cottage was Harkless's home.

There was a light burning upstairs in the “Herald” office. From the street a broad, tumble-down stairway ran up on the outside of the building to the second floor, and at the stairway railing John turned and shook his companion warmly by the hand.

“Good-night, William,” he said. “It was plucky of you to join in that muss, to-night. I shan't forget it.”

“I jest happened to come along,” replied the other, drowsily; then, with a portentous yawn, he asked: “Ain't ye goin' to bed?”

“No; Parker wouldn't allow it.”

“Well,” observed William, with another yawn, which bade fair to expose the veritable soul of him, “I d'know how ye stand it. It's closte on eleven o'clock. Good-night.”

John went up the steps, singing aloud:

          “For to-night we'll merry, merry be,
           For to-night we'll merry, merry be,”

and stopped on the sagging platform at the top of the stairs and gave the moon good-night with a wave of the hand and friendly laughter. At that it suddenly struck him that he was twenty-nine years of age; that he had laughed a great deal that evening; that he had laughed and laughed over things not in the least humorous, like an excited schoolboy making his first formal call; that he had shaken hands with Miss Briscoe when he left her, as if he should never see her again; that he had taken Miss Sherwood's hand twice in one very temporary parting; that he had shaken the judge's hand five times, and William's four!

“Idiot!” he cried. “What has happened to me?” Then he shook his fist at the moon and went in to work—he thought.





CHAPTER VII. MORNING: “SOME IN RAGS AND SOME IN TAGS AND SOME IN VELVET

GOWNS”

The bright sun of circus-day shone into Harkless's window, and he awoke to find himself smiling. For a little while he lay content, drowsily wondering why he smiled, only knowing that there was something new. It was thus, as a boy, he had wakened on his birthday mornings, or on Christmas, or on the Fourth of July, drifting happily out of pleasant dreams into the consciousness of long-awaited delights that had come true, yet lying only half-awake in a cheerful borderland, leaving happiness undefined.

The morning breeze was fluttering at his window blind; a honeysuckle vine tapped lightly on the pane. Birds were trilling, warbling, whistling. From the street came the rumbling of wagons, merry cries of greeting, and the barking of dogs. What was it made him feel so young and strong and light-hearted? The breeze brought him the smell of June roses, fresh and sweet with dew, and then he knew why he had come smiling from his dreams. He would go a holiday-making. With that he leaped out of bed, and shouted loudly: “Zen! Hello, Xenophon!”

In answer, an ancient, very black darky put his head in at the door, his warped and wrinkled visage showing under his grizzled hair like charred paper in a fall of pine ashes. He said: “Good-mawn', suh. Yessuh. Hit's done pump' full. Good-mawn', suh.”

A few moments later, the colored man, seated on the front steps of the cottage, heard a mighty splashing within, while the rafters rang with stentorian song:

       “He promised to buy me a bunch o' blue ribbon,
        He promised to buy me a bunch o' blue ribbon,
        He promised to buy me a bunch o' blue ribbon,
             To tie up my bonny brown hair

       “Oh dear! What can the matter be?
        Oh dear! What can the matter be?
        Oh dear! What can the matter be?
             Johnnie's so long at the Fair!”

At the sound of this complaint, delivered in a manly voice, the listener's jaw dropped, and his mouth opened and stayed open. “Him!” he muttered, faintly. “Singin'!”