VIII
What was at all events not permanently hidden from him was a truth much less invidious about his years of darkness. It was the strange scheme of things again: the years of darkness had been needed to render possible the years of light. A wiser hand than he at first knew had kept him hard at acquisition of one sort as a perfect preliminary to acquisition of another, and the preliminary would have been weak and wanting if the good faith of it had been less. His comparative blindness had made the good faith, which in its turn had made the soil propitious for the flower of the supreme idea. He had had to LIKE forging and sweating, he had had to like polishing and piling up his arms. They were things at least he had had to believe he liked, just as he had believed he liked transcendent calculation and imaginative gambling all for themselves, the creation of "interests" that were the extinction of other interests, the livid vulgarity, even, of getting in, or getting out, first. That had of course been so far from really the case—with the supreme idea, all the while, growing and striking deep, under everything, in the warm, rich earth. He had stood unknowing, he had walked and worked where it was buried, and the fact itself, the fact of his fortune, would have been a barren fact enough if the first sharp tender shoot had never struggled into day. There on one side was the ugliness his middle time had been spared; there on the other, from all the portents, was the beauty with which his age might still be crowned. He was happier, doubtless, than he deserved; but THAT, when one was happy at all, it was easy to be. He had wrought by devious ways, but he had reached the place, and what would ever have been straighter, in any man's life, than his way, now, of occupying it? It hadn't merely, his plan, all the sanctions of civilization; it was positively civilization condensed, concrete, consummate, set down by his hands as a house on a rock—a house from whose open doors and windows, open to grateful, to thirsty millions, the higher, the highest knowledge would shine out to bless the land. In this house, designed as a gift, primarily, to the people of his adoptive city and native State, the urgency of whose release from the bondage of ugliness he was in a position to measure—in this museum of museums, a palace of art which was to show for compact as a Greek temple was compact, a receptacle of treasures sifted to positive sanctity, his spirit to-day almost altogether lived, making up, as he would have said, for lost time and haunting the portico in anticipation of the final rites.
These would be the "opening exercises," the august dedication of the place. His imagination, he was well aware, got over the ground faster than his judgment; there was much still to do for the production of his first effect. Foundations were laid and walls were rising, the structure of the shell all determined; but raw haste was forbidden him in a connection so intimate with the highest effects of patience and piety; he should belie himself by completing without a touch at least of the majesty of delay a monument to the religion he wished to propagate, the exemplary passion, the passion for perfection at any price. He was far from knowing as yet where he would end, but he was admirably definite as to where he wouldn't begin. He wouldn't begin with a small show—he would begin with a great, and he could scarce have indicated, even had he wished to try, the line of division he had drawn. He had taken no trouble to indicate it to his fellow- citizens, purveyors and consumers, in his own and the circumjacent commonwealths, of comic matter in large lettering, diurnally "set up," printed, published, folded and delivered, at the expense of his presumptuous emulation of the snail. The snail had become for him, under this ironic suggestion, the loveliest beast in nature, and his return to England, of which we are present witnesses, had not been unconnected with the appreciation so determined. It marked what he liked to mark, that he needed, on the matter in question, instruction from no one on earth. A couple of years of Europe again, of renewed nearness to changes and chances, refreshed sensibility to the currents of the market, would fall in with the consistency of wisdom, the particular shade of enlightened conviction, that he wished to observe. It didn't look like much for a whole family to hang about waiting- they being now, since the birth of his grandson, a whole family; and there was henceforth only one ground in all the world, he felt, on which the question of appearance would ever really again count for him. He cared that a work of art of price should "look like" the master to whom it might perhaps be deceitfully attributed; but he had ceased on the whole to know any matter of the rest of life by its looks.
He took life in general higher up the stream; so far as he was not actually taking it as a collector, he was taking it, decidedly, as a grandfather. In the way of precious small pieces he had handled nothing so precious as the Principino, his daughter's first-born, whose Italian designation endlessly amused him and whom he could manipulate and dandle, already almost toss and catch again, as he couldn't a correspondingly rare morsel of an earlier pate tendre. He could take the small clutching child from his nurse's arms with an iteration grimly discountenanced, in respect to their contents, by the glass doors of high cabinets. Something clearly beatific in this new relation had, moreover, without doubt, confirmed for him the sense that none of his silent answers to public detraction, to local vulgarity, had ever been so legitimately straight as the mere element of attitude—reduce it, he said, to that—in his easy weeks at Fawns. The element of attitude was all he wanted of these weeks, and he was enjoying it on the spot, even more than he had hoped: enjoying it in spite of Mrs. Rance and the Miss Lutches; in spite of the small worry of his belief that Fanny Assingham had really something for him that she was keeping back; in spite of his full consciousness, overflowing the cup like a wine too generously poured, that if he had consented to marry his daughter, and thereby to make, as it were, the difference, what surrounded him now was, exactly, consent vivified, marriage demonstrated, the difference, in fine, definitely made. He could call back his prior, his own wedded consciousness—it was not yet out of range of vague reflection. He had supposed himself, above all he had supposed his wife, as married as anyone could be, and yet he wondered if their state had deserved the name, or their union worn the beauty, in the degree to which the couple now before him carried the matter. In especial since the birth of their boy, in New York—the grand climax of their recent American period, brought to so right an issue—the happy pair struck him as having carried it higher, deeper, further; to where it ceased to concern his imagination, at any rate, to follow them. Extraordinary, beyond question, was one branch of his characteristic mute wonderment—it characterised above all, with its subject before it, his modesty: the strange dim doubt, waking up for him at the end of the years, of whether Maggie's mother had, after all, been capable of the maximum. The maximum of tenderness he meant—as the terms existed for him; the maximum of immersion in the fact of being married. Maggie herself was capable; Maggie herself at this season, was, exquisitely, divinely, the maximum: such was the impression that, positively holding off a little for the practical, the tactful consideration it inspired in him, a respect for the beauty and sanctity of it almost amounting to awe —such was the impression he daily received from her. She was her mother, oh yes—but her mother and something more; it becoming thus a new light for him, and in such a curious way too, that anything more than her mother should prove at this time of day possible.
He could live over again at almost any quiet moment the long process of his introduction to his present interests—an introduction that had depended all on himself, like the "cheek" of the young man who approaches a boss without credentials or picks up an acquaintance, makes even a real friend, by speaking to a passer in the street. HIS real friend, in all the business, was to have been his own mind, with which nobody had put him in relation. He had knocked at the door of that essentially private house, and his call, in truth, had not been immediately answered; so that when, after waiting and coming back, he had at last got in, it was, twirling his hat, as an embarrassed stranger, or, trying his keys, as a thief at night. He had gained confidence only with time, but when he had taken real possession of the place it had been never again to come away. All of which success represented, it must be allowed, his one principle of pride. Pride in the mere original spring, pride in his money, would have been pride in something that had come, in comparison, so easily. The right ground for elation was difficulty mastered, and his difficulty—thanks to his modesty—had been to believe in his facility. THIS was the problem he had worked out to its solution—the solution that was now doing more than all else to make his feet settle and his days flush; and when he wished to feel "good," as they said at American City, he had but to retrace his immense development. That was what the whole thing came back to—that the development had not been somebody's else passing falsely, accepted too ignobly, for his. To think how servile he might have been was absolutely to respect himself, was in fact, as much as he liked, to admire himself, as free. The very finest spring that ever responded to his touch was always there to press—the memory of his freedom as dawning upon him, like a sunrise all pink and silver, during a winter divided between Florence, Rome and Naples some three years after his wife's death. It was the hushed daybreak of the Roman revelation in particular that he could usually best recover, with the way that there, above all, where the princes and Popes had been before him, his divination of his faculty most went to his head. He was a plain American citizen, staying at an hotel where, sometimes, for days together, there were twenty others like him; but no Pope, no prince of them all had read a richer meaning, he believed, into the character of the Patron of Art. He was ashamed of them really, if he wasn't afraid, and he had on the whole never so climbed to the tip-top as in judging, over a perusal of Hermann Grimm, where Julius II and Leo X were "placed" by their treatment of Michael Angelo. Far below the plain American citizen—in the case at least in which this personage happened not to be too plain to be Adam Verver. Going to our friend's head, moreover, some of the results of such comparisons may doubtless be described as having stayed there. His freedom to see—of which the comparisons were part—what could it do but steadily grow and grow?
It came perhaps even too much to stand to him for ALL freedom— since, for example, it was as much there as ever at the very time of Mrs. Rance's conspiring against him, at Fawns, with the billiard-room and the Sunday morning, on the occasion round which we have perhaps drawn our circle too wide. Mrs. Rance at least controlled practically each other license of the present and the near future: the license to pass the hour as he would have found convenient; the license to stop remembering, for a little, that, though if proposed to—and not only by this aspirant but by any other—he wouldn't prove foolish, the proof of wisdom was none the less, in such a fashion, rather cruelly conditioned; the license in especial to proceed from his letters to his journals and insulate, orientate, himself afresh by the sound, over his gained interval, of the many-mouthed monster the exercise of whose lungs he so constantly stimulated. Mrs. Rance remained with him till the others came back from church, and it was by that time clearer than ever that his ordeal, when it should arrive, would be really most unpleasant. His impression—this was the point—took somehow the form not so much of her wanting to press home her own advantage as of her building better than she knew; that is of her symbolising, with virtual unconsciousness, his own special deficiency, his unfortunate lack of a wife to whom applications could be referred. The applications, the contingencies with which Mrs. Rance struck him as potentially bristling, were not of a sort, really, to be met by one's self. And the possibility of them, when his visitor said, or as good as said, "I'm restrained, you see, because of Mr. Rance, and also because I'm proud and refined; but if it WASN'T for Mr. Rance and for my refinement and my pride!"—the possibility of them, I say, turned to a great murmurous rustle, of a volume to fill the future; a rustle of petticoats, of scented, many-paged letters, of voices as to which, distinguish themselves as they might from each other, it mattered little in what part of the resounding country they had learned to make themselves prevail. The Assinghams and the Miss Lutches had taken the walk, through the park, to the little old church, "on the property," that our friend had often found himself wishing he were able to transport, as it stood, for its simple sweetness, in a glass case, to one of his exhibitory halls; while Maggie had induced her husband, not inveterate in such practices, to make with her, by carriage, the somewhat longer pilgrimage to the nearest altar, modest though it happened to be, of the faith—her own as it had been her mother's, and as Mr. Verver himself had been loosely willing, always, to let it be taken for his—without the solid ease of which, making the stage firm and smooth, the drama of her marriage might not have been acted out.
What at last appeared to have happened, however, was that the divided parties, coming back at the same moment, had met outside and then drifted together, from empty room to room, yet not in mere aimless quest of the pair of companions they had left at home. The quest had carried them to the door of the billiard- room, and their appearance, as it opened to admit them, determined for Adam Verver, in the oddest way in the world, a new and sharp perception. It was really remarkable: this perception expanded, on the spot, as a flower, one of the strangest, might, at a breath, have suddenly opened. The breath, for that matter, was more than anything else, the look in his daughter's eyes—the look with which he SAW her take in exactly what had occurred in her absence: Mrs. Rance's pursuit of him to this remote locality, the spirit and the very form, perfectly characteristic, of his acceptance of the complication—the seal set, in short, unmistakably, on one of Maggie's anxieties. The anxiety, it was true, would have been, even though not imparted, separately shared; for Fanny Assingham's face was, by the same stroke, not at all thickly veiled for him, and a queer light, of a colour quite to match, fairly glittered in the four fine eyes of the Miss Lutches. Each of these persons—counting out, that is, the Prince and the Colonel, who didn't care, and who didn't even see that the others did—knew something, or had at any rate had her idea; the idea, precisely, that this was what Mrs. Rance, artfully biding her time, WOULD do. The special shade of apprehension on the part of the Miss Lutches might indeed have suggested the vision of an energy supremely asserted. It was droll, in truth, if one came to that, the position of the Miss Lutches: they had themselves brought, they had guilelessly introduced Mrs. Rance, strong in the fact of Mr. Rance's having been literally beheld of them; and it was now for them, positively, as if their handful of flowers—since Mrs. Rance was a handful!—had been but the vehicle of a dangerous snake. Mr. Verver fairly felt in the air the Miss Lutches' imputation—in the intensity of which, really, his own propriety might have been involved.
That, none the less, was but a flicker; what made the real difference, as I have hinted, was his mute passage with Maggie. His daughter's anxiety alone had depths, and it opened out for him the wider that it was altogether new. When, in their common past, when till this moment, had she shown a fear, however dumbly, for his individual life? They had had fears together, just as they had had joys, but all of hers, at least, had been for what equally concerned them. Here of a sudden was a question that concerned him alone, and the soundless explosion of it somehow marked a date. He was on her mind, he was even in a manner on her hands—as a distinct thing, that is, from being, where he had always been, merely deep in her heart and in her life; too deep down, as it were, to be disengaged, contrasted or opposed, in short objectively presented. But time finally had done it; their relation was altered: he SAW, again, the difference lighted for her. This marked it to himself—and it wasn't a question simply of a Mrs. Rance the more or the less. For Maggie too, at a stroke, almost beneficently, their visitor had, from being an inconvenience, become a sign. They had made vacant, by their marriage, his immediate foreground, his personal precinct—they being the Princess and the Prince. They had made room in it for others—so others had become aware. He became aware himself, for that matter, during the minute Maggie stood there before speaking; and with the sense, moreover, of what he saw her see, he had the sense of what she saw HIM. This last, it may be added, would have been his intensest perception had there not, the next instant, been more for him in Fanny Assingham. Her face couldn't keep it from him; she had seen, on top of everything, in her quick way, what they both were seeing.
IX
So much mute communication was doubtless, all this time, marvellous, and we may confess to having perhaps read into the scene, prematurely, a critical character that took longer to develop. Yet the quiet hour of reunion enjoyed that afternoon by the father and the daughter did really little else than deal with the elements definitely presented to each in the vibration produced by the return of the church-goers. Nothing allusive, nothing at all insistent, passed between them either before or immediately after luncheon—except indeed so far as their failure soon again to meet might be itself an accident charged with reference. The hour or two after luncheon—and on Sundays with especial rigour, for one of the domestic reasons of which it belonged to Maggie quite multitudinously to take account—were habitually spent by the Princess with her little boy, in whose apartment she either frequently found her father already established or was sooner or later joined by him. His visit to his grandson, at some hour or other, held its place, in his day, against all interventions, and this without counting his grandson's visits to HIM, scarcely less ordered and timed, and the odd bits, as he called them, that they picked up together when they could—communions snatched, for the most part, on the terrace, in the gardens or the park, while the Principino, with much pomp and circumstance of perambulator, parasol, fine lace over-veiling and incorruptible female attendance, took the air. In the private apartments, which, occupying in the great house the larger part of a wing of their own, were not much more easily accessible than if the place had been a royal palace and the small child an heir-apparent—in the nursery of nurseries the talk, at these instituted times, was always so prevailingly with or about the master of the scene that other interests and other topics had fairly learned to avoid the slighting and inadequate notice there taken of them. They came in, at the best, but as involved in the little boy's future, his past, or his comprehensive present, never getting so much as a chance to plead their own merits or to complain of being neglected. Nothing perhaps, in truth, had done more than this united participation to confirm in the elder parties that sense of a life not only uninterrupted but more deeply associated, more largely combined, of which, on Adam Verver's behalf, we have made some mention. It was of course an old story and a familiar idea that a beautiful baby could take its place as a new link between a wife and a husband, but Maggie and her father had, with every ingenuity, converted the precious creature into a link between a mamma and a grandpapa. The Principino, for a chance spectator of this process, might have become, by an untoward stroke, a hapless half-orphan, with the place of immediate male parent swept bare and open to the next nearest sympathy.
They had no occasion thus, the conjoined worshippers, to talk of what the Prince might be or might do for his son—the sum of service, in his absence, so completely filled itself out. It was not in the least, moreover, that there was doubt of him, for he was conspicuously addicted to the manipulation of the child, in the frank Italian way, at such moments as he judged discreet in respect to other claims: conspicuously, indeed, that is, for Maggie, who had more occasion, on the whole, to speak to her husband of the extravagance of her father than to speak to her father of the extravagance of her husband. Adam Verver had, all round, in this connection, his own serenity. He was sure of his son-in-law's auxiliary admiration—admiration, he meant, of his grand-son; since, to begin with, what else had been at work but the instinct—or it might fairly have been the tradition—of the latter's making the child so solidly beautiful as to HAVE to be admired? What contributed most to harmony in this play of relations, however, was the way the young man seemed to leave it to be gathered that, tradition for tradition, the grandpapa's own was not, in any estimate, to go for nothing. A tradition, or whatever it was, that had flowered prelusively in the Princess herself—well, Amerigo's very discretions were his way of taking account of it. His discriminations in respect to his heir were, in fine, not more angular than any others to be observed in him; and Mr. Verver received perhaps from no source so distinct an impression of being for him an odd and important phenomenon as he received from this impunity of appropriation, these unchallenged nursery hours. It was as if the grandpapa's special show of the character were but another side for the observer to study, another item for him to note. It came back, this latter personage knew, to his own previous perception—that of the Prince's inability, in any matter in which he was concerned, to CONCLUDE. The idiosyncrasy, for him, at each stage, had to be demonstrated—on which, however, he admirably accepted it. This last was, after all, the point; he really worked, poor young man, for acceptance, since he worked so constantly for comprehension. And how, when you came to that, COULD you know that a horse wouldn't shy at a brass-band, in a country road, because it didn't shy at a traction-engine? It might have been brought up to traction-engines without having been brought up to brass-bands. Little by little, thus, from month to month, the Prince was learning what his wife's father had been brought up to; and now it could be checked off—he had been brought, up to the romantic view of principini. Who would have thought it, and where would it all stop? The only fear somewhat sharp for Mr. Verver was a certain fear of disappointing him for strangeness. He felt that the evidence he offered, thus viewed, was too much on the positive side. He didn't know—he was learning, and it was funny for him—to how many things he HAD been brought up. If the Prince could only strike something to which he hadn't! This wouldn't, it seemed to him, ruffle the smoothness, and yet MIGHT, a little, add to the interest.
What was now clear, at all events, for the father and the daughter, was their simply knowing they wanted, for the time, to be together—at any cost, as it were; and their necessity so worked in them as to bear them out of the house, in a quarter hidden from that in which their friends were gathered, and cause them to wander, unseen, unfollowed, along a covered walk in the "old" garden, as it was called, old with an antiquity of formal things, high box and shaped yew and expanses of brick wall that had turned at once to purple and to pink. They went out of a door in the wall, a door that had a slab with a date set above it, 1713, but in the old multiplied lettering, and then had before them a small white gate, intensely white and clean amid all the greenness, through which they gradually passed to where some of the grandest trees spaciously clustered and where they would find one of the quietest places. A bench had been placed, long ago, beneath a great oak that helped to crown a mild eminence, and the ground sank away below it, to rise again, opposite, at a distance sufficient to enclose the solitude and figure a bosky horizon. Summer, blissfully, was with them yet, and the low sun made a splash of light where it pierced the looser shade; Maggie, coming down to go out, had brought a parasol, which, as, over her charming bare head, she now handled it, gave, with the big straw hat that her father in these days always wore a good deal tipped back, definite intention to their walk. They knew the bench; it was "sequestered"—they had praised it for that together, before, and liked the word; and after they had begun to linger there they could have smiled (if they hadn't been really too serious, and if the question hadn't so soon ceased to matter), over the probable wonder of the others as to what would have become of them.
The extent to which they enjoyed their indifference to any judgment of their want of ceremony, what did that of itself speak but for the way that, as a rule, they almost equally had others on their mind? They each knew that both were full of the superstition of not "hurting," but might precisely have been asking themselves, asking in fact each other, at this moment, whether that was to be, after all, the last word of their conscientious development. Certain it was, at all events, that, in addition to the Assinghams and the Lutches and Mrs. Rance, the attendance at tea, just in the right place on the west terrace, might perfectly comprise the four or five persons—among them the very pretty, the typically Irish Miss Maddock, vaunted, announced and now brought—from the couple of other houses near enough, one of these the minor residence Of their proprietor, established, thriftily, while he hired out his ancestral home, within sight and sense of his profit. It was not less certain, either, that, for once in a way, the group in question must all take the case as they found it. Fanny Assingham, at any time, for that matter, might perfectly be trusted to see Mr. Verver and his daughter, to see their reputation for a decent friendliness, through any momentary danger; might be trusted even to carry off their absence for Amerigo, for Amerigo's possible funny Italian anxiety; Amerigo always being, as the Princess was well aware, conveniently amenable to this friend's explanations, beguilements, reassurances, and perhaps in fact rather more than less dependent on them as his new life—since that was his own name for it—opened out. It was no secret to Maggie—it was indeed positively a public joke for her—that she couldn't explain as Mrs. Assingham did, and that, the Prince liking explanations, liking them almost as if he collected them, in the manner of book-plates or postage-stamps, for themselves, his requisition of this luxury had to be met. He didn't seem to want them as yet for use—rather for ornament and amusement, innocent amusement of the kind he most fancied and that was so characteristic of his blessed, beautiful, general, slightly indolent lack of more dissipated, or even just of more sophisticated, tastes.
However that might be, the dear woman had come to be frankly and gaily recognised—and not least by herself—as filling in the intimate little circle an office that was not always a sinecure. It was almost as if she had taken, with her kind, melancholy Colonel at her heels, a responsible engagement; to be within call, as it were, for all those appeals that sprang out of talk, that sprang not a little, doubtless too, out of leisure. It naturally led her position in the household, as, she called it, to considerable frequency of presence, to visits, from the good couple, freely repeated and prolonged, and not so much as under form of protest. She was there to keep him quiet—it was Amerigo's own description of her influence; and it would only have needed a more visible disposition to unrest in him to make the account perfectly fit. Fanny herself limited indeed, she minimised, her office; you didn't need a jailor, she contended, for a domesticated lamb tied up with pink ribbon. This was not an animal to be controlled—it was an animal to be, at the most, educated. She admitted accordingly that she was educative—which Maggie was so aware that she herself, inevitably, wasn't; so it came round to being true that what she was most in charge of was his mere intelligence. This left, goodness knew, plenty of different calls for Maggie to meet—in a case in which so much pink ribbon, as it might be symbolically named, was lavished on the creature. What it all amounted to, at any rate, was that Mrs. Assingham would be keeping him quiet now, while his wife and his father-in-law carried out their own little frugal picnic; quite moreover, doubtless, not much less neededly in respect to the members of the circle that were with them there than in respect to the pair they were missing almost for the first time. It was present to Maggie that the Prince could bear, when he was with his wife, almost any queerness on the part of people, strange English types, who bored him, beyond convenience, by being so little as he himself was; for this was one of the ways in which a wife was practically sustaining. But she was as positively aware that she hadn't yet learned to see him as meeting such exposure in her absence. How did he move and talk, how above all did he, or how WOULD he, look—he who, with his so nobly handsome face, could look such wonderful things—in case of being left alone with some of the subjects of his wonder? There were subjects for wonder among these very neighbours; only Maggie herself had her own odd way—which didn't moreover the least irritate him—of really liking them in proportion as they could strike her as strange. It came out in her by heredity, he amused himself with declaring, this love of chinoiseries; but she actually this evening didn't mind—he might deal with her Chinese as he could.
Maggie indeed would always have had for such moments, had they oftener occurred, the impression made on her by a word of Mrs. Assingham's, a word referring precisely to that appetite in Amerigo for the explanatory which we have just found in our path. It wasn't that the Princess could be indebted to another person, even to so clever a one as this friend, for seeing anything in her husband that she mightn't see unaided; but she had ever, hitherto, been of a nature to accept with modest gratitude any better description of a felt truth than her little limits— terribly marked, she knew, in the direction of saying the right things—enabled her to make. Thus it was, at any rate, that she was able to live more or less in the light of the fact expressed so lucidly by their common comforter—the fact that the Prince was saving up, for some very mysterious but very fine eventual purpose, all the wisdom, all the answers to his questions, all the impressions and generalisations, he gathered; putting them away and packing them down because he wanted his great gun to be loaded to the brim on the day he should decide to let it off. He wanted first to make sure of the whole of the subject that was unrolling itself before him; after which the innumerable facts he had collected would find their use. He knew what he was about—- trust him at last therefore to make, and to some effect, his big noise. And Mrs. Assingham had repeated that he knew what he was about. It was the happy form of this assurance that had remained with Maggie; it could always come in for her that Amerigo knew what he was about. He might at moments seem vague, seem absent, seem even bored: this when, away from her father, with whom it was impossible for him to appear anything but respectfully occupied, he let his native gaiety go in outbreaks of song, or even of quite whimsical senseless sound, either expressive of intimate relaxation or else fantastically plaintive. He might at times reflect with the frankest lucidity on the circumstance that the case was for a good while yet absolutely settled in regard to what he still had left, at home, of his very own; in regard to the main seat of his affection, the house in Rome, the big black palace, the Palazzo Nero, as he was fond of naming it, and also on the question of the villa in the Sabine hills, which she had, at the time of their engagement, seen and yearned over, and the Castello proper, described by him always as the "perched" place, that had, as she knew, formerly stood up, on the pedestal of its mountain-slope, showing beautifully blue from afar, as the head and front of the princedom. He might rejoice in certain moods over the so long-estranged state of these properties, not indeed all irreclaimably alienated, but encumbered with unending leases and charges, with obstinate occupants, with impossibilities of use—all without counting the cloud of mortgages that had, from far back, buried them beneath the ashes of rage and remorse, a shroud as thick as the layer once resting on the towns at the foot of Vesuvius, and actually making of any present restorative effort a process much akin to slow excavation. Just so he might with another turn of his humour almost wail for these brightest spots of his lost paradise, declaring that he was an idiot not to be able to bring himself to face the sacrifices—sacrifices resting, if definitely anywhere, with Mr. Verver—necessary for winning them back.
One of the most comfortable things between the husband and the wife meanwhile—one of those easy certitudes they could be merely gay about—was that she never admired him so much, or so found him heartbreakingly handsome, clever, irresistible, in the very degree in which he had originally and fatally dawned upon her, as when she saw other women reduced to the same passive pulp that had then begun, once for all, to constitute HER substance. There was really nothing they had talked of together with more intimate and familiar pleasantry than of the license and privilege, the boundless happy margin, thus established for each: she going so far as to put it that, even should he some day get drunk and beat her, the spectacle of him with hated rivals would, after no matter what extremity, always, for the sovereign charm of it, charm of it in itself and as the exhibition of him that most deeply moved her, suffice to bring her round. What would therefore be more open to him than to keep her in love with him? He agreed, with all his heart, at these light moments, that his course wouldn't then be difficult, inasmuch as, so simply constituted as he was on all the precious question—and why should he be ashamed of it?—he knew but one way with the fair. They had to be fair—and he was fastidious and particular, his standard was high; but when once this was the case what relation with them was conceivable, what relation was decent, rudimentary, properly human, but that of a plain interest in the fairness? His interest, she always answered, happened not to be "plain," and plainness, all round, had little to do with the matter, which was marked, on the contrary, by the richest variety of colour; but the working basis, at all events, had been settled—the Miss Maddocks of life been assured of their importance for him. How conveniently assured Maggie—to take him too into the joke—had more than once gone so far as to mention to her father; since it fell in easily with the tenderness of her disposition to remember she might occasionally make him happy by an intimate confidence. This was one of her rules-full as she was of little rules, considerations, provisions. There were things she of course couldn't tell him, in so many words, about Amerigo and herself, and about their happiness and their union and their deepest depths—and there were other things she needn't; but there were also those that were both true and amusing, both communicable and real, and of these, with her so conscious, so delicately cultivated scheme of conduct as a daughter, she could make her profit at will. A pleasant hush, for that matter, had fallen on most of the elements while she lingered apart with her companion; it involved, this serenity, innumerable complete assumptions: since so ordered and so splendid a rest, all the tokens, spreading about them, of confidence solidly supported, might have suggested for persons of poorer pitch the very insolence of facility. Still, they weren't insolent—THEY weren't, our pair could reflect; they were only blissful and grateful and personally modest, not ashamed of knowing, with competence, when great things were great, when good things were good, and when safe things were safe, and not, therefore, placed below their fortune by timidity which would have been as bad as being below it by impudence. Worthy of it as they were, and as each appears, under our last possible analysis, to have wished to make the other feel that they were, what they most finally exhaled into the evening air as their eyes mildly met may well have been a kind of helplessness in their felicity. Their rightness, the justification of everything—something they so felt the pulse of—sat there with them; but they might have been asking themselves a little blankly to what further use they could put anything so perfect. They had created and nursed and established it; they had housed it here in dignity and crowned it with comfort; but mightn't the moment possibly count for them—or count at least for us while we watch them with their fate all before them—as the dawn of the discovery that it doesn't always meet ALL contingencies to be right? Otherwise why should Maggie have found a word of definite doubt—the expression of the fine pang determined in her a few hours before—rise after a time to her lips? She took so for granted moreover her companion's intelligence of her doubt that the mere vagueness of her question could say it all. "What is it, after all, that they want to do to you?" "They" were for the Princess too the hovering forces of which Mrs. Rance was the symbol, and her father, only smiling back now, at his ease, took no trouble to appear not to know what she meant. What she meant—when once she had spoken—could come out well enough; though indeed it was nothing, after they had come to the point, that could serve as ground for a great defensive campaign. The waters of talk spread a little, and Maggie presently contributed an idea in saying: "What has really happened is that the proportions, for us, are altered." He accepted equally, for the time, this somewhat cryptic remark; he still failed to challenge her even when she added that it wouldn't so much matter if he hadn't been so terribly young. He uttered a sound of protest only when she went to declare that she ought as a daughter, in common decency, to have waited. Yet by that time she was already herself admitting that she should have had to wait long—if she waited, that is, till he was old. But there was a way. "Since you ARE an irresistible youth, we've got to face it. That, somehow, is what that woman has made me feel. There'll be others."
X
To talk of it thus appeared at last a positive relief to him.
"Yes, there'll be others. But you'll see me through."
She hesitated. "Do you mean if you give in?"
"Oh no. Through my holding out."
Maggie waited again, but when she spoke it had an effect of abruptness. "Why SHOULD you hold out forever?"
He gave, none the less, no start—and this as from the habit of taking anything, taking everything, from her as harmonious. But it was quite written upon him too, for that matter, that holding out wouldn't be, so very completely, his natural, or at any rate his acquired, form. His appearance would have testified that he might have to do so a long time—for a man so greatly beset. This appearance, that is, spoke but little, as yet, of short remainders and simplified senses—and all in spite of his being a small, spare, slightly stale person, deprived of the general prerogative of presence. It was not by mass or weight or vulgar immediate quantity that he would in the future, any more than he had done in the past, insist or resist or prevail. There was even something in him that made his position, on any occasion, made his relation to any scene or to any group, a matter of the back of the stage, of an almost visibly conscious want of affinity with the footlights. He would have figured less than anything the stage-manager or the author of the play, who most occupy the foreground; he might be, at the best, the financial "backer," watching his interests from the wing, but in rather confessed ignorance of the mysteries of mimicry. Barely taller than his daughter, he pressed at no point on the presumed propriety of his greater stoutness. He had lost early in life much of his crisp, closely-curling hair, the fineness of which was repeated in a small neat beard, too compact to be called "full," though worn equally, as for a mark where other marks were wanting, on lip and cheek and chin. His neat, colourless face, provided with the merely indispensable features, suggested immediately, for a description, that it was CLEAR, and in this manner somewhat resembled a small decent room, clean-swept and unencumbered with furniture, but drawing a particular advantage, as might presently be noted, from the outlook of a pair of ample and uncurtained windows. There was something in Adam Verver's eyes that both admitted the morning and the evening in unusual quantities and gave the modest area the outward extension of a view that was "big" even when restricted to stars. Deeply and changeably blue, though not romantically large, they were yet youthfully, almost strangely beautiful, with their ambiguity of your scarce knowing if they most carried their possessor's vision out or most opened themselves to your own. Whatever you might feel, they stamped the place with their importance, as the house-agents say; so that, on one side or the other, you were never out of their range, were moving about, for possible community, opportunity, the sight of you scarce knew what, either before them or behind them. If other importances, not to extend the question, kept themselves down, they were in no direction less obtruded than in that of our friend's dress, adopted once for all as with a sort of sumptuary scruple. He wore every day of the year, whatever the occasion, the same little black "cut away" coat, of the fashion of his younger time; he wore the same cool-looking trousers, chequered in black and white—the proper harmony with which, he inveterately considered, was a sprigged blue satin necktie; and, over his concave little stomach, quaintly indifferent to climates and seasons, a white duck waistcoat. "Should you really," he now asked, "like me to marry?" He spoke as if, coming from his daughter herself, it MIGHT be an idea; which, for that matter, he would be ready to carry out should she definitely say so.
Definite, however, just yet, she was not prepared to be, though it seemed to come to her with force, as she thought, that there was a truth, in the connection, to utter. "What I feel is that there is somehow something that used to be right and that I've made wrong. It used to be right that you hadn't married, and that you didn't seem to want to. It used also"—she continued to make out "to seem easy for the question not to come up. That's what I've made different. It does come up. It WILL come up."
"You don't think I can keep it down?" Mr. Verver's tone was cheerfully pensive.
"Well, I've given you, by MY move, all the trouble of having to."
He liked the tenderness of her idea, and it made him, as she sat near him, pass his arm about her. "I guess I don't feel as if you had 'moved' very far. You've only moved next door."
"Well," she continued, "I don't feel as if it were fair for me just to have given you a push and left you so. If I've made the difference for you, I must think of the difference."
"Then what, darling," he indulgently asked, "DO you think?"
"That's just what I don't yet know. But I must find out. We must think together—as we've always thought. What I mean," she went on after a moment, "is that it strikes me that I ought to at least offer you some alternative. I ought to have worked one out for you."
"An alternative to what?"
"Well, to your simply missing what you've lost—without anything being done about it."
"But what HAVE I lost?"
She thought a minute, as if it were difficult to say, yet as if she more and more saw it. "Well, whatever it was that, BEFORE, kept us from thinking, and kept you, really, as you might say, in the market. It was as if you couldn't be in the market when you were married to me. Or rather as if I kept people off, innocently, by being married to you. Now that I'm married to some one else you're, as in consequence, married to nobody. Therefore you may be married to anybody, to everybody. People don't see why you shouldn't be married to THEM."
"Isn't it enough of a reason," he mildly inquired, "that I don't want to be?"
"It's enough of a reason, yes. But to BE enough of a reason it has to be too much of a trouble. I mean FOR you. It has to be too much of a fight. You ask me what you've lost," Maggie continued to explain. "The not having to take the trouble and to make the fight—that's what you've lost. The advantage, the happiness of being just as you were—because I was just as I was—that's what you miss."
"So that you think," her father presently said, "that I had better get married just in order to be as I was before?"
The detached tone of it—detached as if innocently to amuse her by showing his desire to accommodate—was so far successful as to draw from her gravity a short, light laugh. "Well, what I don't want you to feel is that if you were to I shouldn't understand. I SHOULD understand. That's all," said the Princess gently.
Her companion turned it pleasantly over. "You don't go so far as to wish me to take somebody I don't like?"
"Ah, father," she sighed, "you know how far I go—how far I COULD go. But I only wish that if you ever SHOULD like anybody, you may never doubt of my feeling how I've brought you to it. You'll always know that I know that it's my fault."
"You mean," he went on in his contemplative way, "that it will be you who'll take the consequences?"
Maggie just considered. "I'll leave you all the good ones, but
I'll take the bad."
"Well, that's handsome." He emphasised his sense of it by drawing her closer and holding her more tenderly. "It's about all I could expect of you. So far as you've wronged me, therefore, we'll call it square. I'll let you know in time if I see a prospect of your having to take it up. But am I to understand meanwhile," he soon went on, "that, ready as you are to see me through my collapse, you're not ready, or not AS ready, to see me through my resistance? I've got to be a regular martyr before you'll be inspired?"
She demurred at his way of putting it. "Why, if you like it, you know, it won't BE a collapse."
"Then why talk about seeing me through at all? I shall only collapse if I do like it. But what I seem to feel is that I don't WANT to like it. That is," he amended, "unless I feel surer I do than appears very probable. I don't want to have to THINK I like it in a case when I really shan't. I've had to do that in some cases," he confessed—"when it has been a question of other things. I don't want," he wound up, "to be MADE to make a mistake."
"Ah, but it's too dreadful," she returned, "that you should even have to FEAR—or just nervously to dream—that you may be. What does that show, after all," she asked, "but that you do really, well within, feel a want? What does it show but that you're truly susceptible?"
"Well, it may show that"—he defended himself against nothing. "But it shows also, I think, that charming women are, in the kind of life we're leading now, numerous and formidable."
Maggie entertained for a moment the proposition; under cover of which, however, she passed quickly from the general to the particular. "Do you feel Mrs. Rance to be charming?"
"Well, I feel her to be formidable. When they cast a spell it comes to the same thing. I think she'd do anything."
"Oh well, I'd help you," the Princess said with decision, "as against HER—if that's all you require. It's too funny," she went on before he again spoke, "that Mrs. Rance should be here at all. But if you talk of the life we lead, much of it is, altogether, I'm bound to say, too funny. The thing is," Maggie developed under this impression, "that I don't think we lead, as regards other people, any life at all. We don't at any rate, it seems to me, lead half the life we might. And so it seems, I think, to Amerigo. So it seems also, I'm sure, to Fanny Assingham."
Mr. Verver-as if from due regard for these persons—considered a little. "What life would they like us to lead?"
"Oh, it's not a question, I think, on which they quite feel together. SHE thinks, dear Fanny, that we ought to be greater."
"Greater—?" He echoed it vaguely. "And Amerigo too, you say?"
"Ah yes"-her reply was prompt "but Amerigo doesn't mind. He doesn't care, I mean, what we do. It's for us, he considers, to see things exactly as we wish. Fanny herself," Maggie pursued, "thinks he's magnificent. Magnificent, I mean, for taking everything as it is, for accepting the 'social limitations' of our life, for not missing what we don't give him."
Mr. Verver attended. "Then if he doesn't miss it his magnificence is easy."
"It IS easy-that's exactly what I think. If there were things he DID miss, and if in spite of them he were always sweet, then, no doubt, he would be a more or less unappreciated hero. He COULD be a Hero—he WILL be one if it's ever necessary. But it will be about something better than our dreariness. I know," the Princess declared, "where he's magnificent." And she rested a minute on that. She ended, however, as she had begun. "We're not, all the same, committed to anything stupid. If we ought to be grander, as Fanny thinks, we CAN be grander. There's nothing to prevent."
"Is it a strict moral obligation?" Adam Verver inquired.
"No—it's for the amusement."
"For whose? For Fanny's own?"
"For everyone's—though I dare say Fanny's would be a large part." She hesitated; she had now, it might have appeared, something more to bring out, which she finally produced. "For yours in particular, say—if you go into the question." She even bravely followed it up. "I haven't really, after all, had to think much to see that much more can be done for you than is done."
Mr. Verver uttered an odd vague sound. "Don't you think a good deal is done when you come out and talk to me this way?"
"Ah," said his daughter, smiling at him, "we make too much of that!" And then to explain: "That's good, and it's natural—but it isn't great. We forget that we're as free as air."
"Well, THAT'S great," Mr. Verver pleaded. "Great if we act on it.
Not if we don't."
She continued to smile, and he took her smile; wondering again a little by this time, however; struck more and more by an intensity in it that belied a light tone. "What do you want," he demanded, "to do to me?" And he added, as she didn't say: "You've got something in your mind." It had come to him within the minute that from the beginning of their session there she had been keeping something back, and that an impression of this had more than once, in spite of his general theoretic respect for her present right to personal reserves and mysteries, almost ceased to be vague in him. There had been from the first something in her anxious eyes, in the way she occasionally lost herself, that it would perfectly explain. He was therefore now quite sure.
"You've got something up your sleeve."
She had a silence that made him right. "Well, when I tell you you'll understand. It's only up my sleeve in the sense of being in a letter I got this morning. All day, yes—it HAS been in my mind. I've been asking myself if it were quite the right moment, or in any way fair, to ask you if you could stand just now another woman."
It relieved him a little, yet the beautiful consideration of her manner made it in a degree portentous. "Stand" one—?"
"Well, mind her coming."
He stared—then he laughed. It depends on who she is."
"There—you see! I've at all events been thinking whether you'd take this particular person but as a worry the more. Whether, that is, you'd go so far with her in your notion of having to be kind."
He gave at this the quickest shake to his foot. How far would she go in HER notion of it.
"Well," his daughter returned, "you know how far, in a general way, Charlotte Stant goes."
"Charlotte? Is SHE coming?"
"She writes me, practically, that she'd like to if we're so good as to ask her."
Mr. Verver continued to gaze, but rather as if waiting for more. Then, as everything appeared to have come, his expression had a drop. If this was all it was simple. "Then why in the world not?"
Maggie's face lighted anew, but it was now another light. "It isn't a want of tact?"
"To ask her?"
"To propose it to you."
"That I should ask her?"
He put the question as an effect of his remnant of vagueness, but this had also its own effect. Maggie wondered an instant; after which, as with a flush of recognition, she took it up. "It would be too beautiful if you WOULD!"
This, clearly, had not been her first idea—the chance of his words had prompted it. "Do you mean write to her myself?"
"Yes—it would be kind. It would be quite beautiful of you. That is, of course," said Maggie, "if you sincerely CAN."
He appeared to wonder an instant why he sincerely shouldn't, and indeed, for that matter, where the question of sincerity came in. This virtue, between him and his daughter's friend, had surely been taken for granted. "My dear child," he returned, "I don't think I'm afraid of Charlotte."
"Well, that's just what it's lovely to have from you. From the moment you're NOT—the least little bit—I'll immediately invite her."
"But where in the world is she?" He spoke as if he had not thought of Charlotte, nor so much as heard her name pronounced, for a very long time. He quite in fact amicably, almost amusedly, woke up to her.
"She's in Brittany, at a little bathing-place, with some people I don't know. She's always with people, poor dear—she rather has to be; even when, as is sometimes the case; they're people she doesn't immensely like."
"Well, I guess she likes US," said Adam Verver. "Yes—fortunately she likes us. And if I wasn't afraid of spoiling it for you," Maggie added, "I'd even mention that you're not the one of our number she likes least."
"Why should that spoil it for me?"
"Oh, my dear, you know. What else have we been talking about? It costs you so much to be liked. That's why I hesitated to tell you of my letter."
He stared a moment—as if the subject had suddenly grown out of recognition. "But Charlotte—on other visits—never used to cost me anything."
"No—only her 'keep,'" Maggie smiled.
"Then I don't think I mind her keep—if that's all." The Princess, however, it was clear, wished to be thoroughly conscientious. "Well, it may not be quite all. If I think of its being pleasant to have her, it's because she WILL make a difference."
"Well, what's the harm in that if it's but a difference for the better?"
"Ah then—there you are!" And the Princess showed in her smile her small triumphant wisdom. "If you acknowledge a possible difference for the better we're not, after all, so tremendously right as we are. I mean we're not—as satisfied and amused. We do see there are ways of being grander."
"But will Charlotte Stant," her father asked with surprise, "make us grander?"
Maggie, on this, looking at him well, had a remarkable reply.
"Yes, I think. Really grander."
He thought; for if this was a sudden opening he wished but the more to meet it. "Because she's so handsome?"
"No, father." And the Princess was almost solemn. "Because she's so great."
"Great—?"
"Great in nature, in character, in spirit. Great in life."
"So?" Mr. Verver echoed. "What has she done—in life?"
"Well, she has been brave and bright," said Maggie. "That mayn't sound like much, but she has been so in the face of things that might well have made it too difficult for many other girls. She hasn't a creature in the world really—that is nearly—belonging to her. Only acquaintances who, in all sorts of ways, make use of her, and distant relations who are so afraid she'll make use of THEM that they seldom let her look at them."
Mr. Verver was struck—and, as usual, to some purpose. "If we get her here to improve us don't we too then make use of her?"
It pulled the Princess up, however, but an instant. "We're old, old friends—we do her good too. I should always, even at the worst—speaking for myself—admire her still more than I used her."
"I see. That always does good."
Maggie hesitated. "Certainly—she knows it. She knows, I mean, how great I think her courage and her cleverness. She's not afraid—not of anything; and yet she no more ever takes a liberty with you than if she trembled for her life. And then she's INTERESTING—which plenty of other people with plenty of other merits never are a bit." In which fine flicker of vision the truth widened to the Princess's view. "I myself of course don't take liberties, but then I do, always, by nature, tremble for my life. That's the way I live."
"Oh I say, love!" her father vaguely murmured.
"Yes, I live in terror," she insisted. "I'm a small creeping thing."
"You'll not persuade me that you're not as good as Charlotte
Stant," he still placidly enough remarked.
"I may be as good, but I'm not so great—and that's what we're talking about. She has a great imagination. She has, in every way, a great attitude. She has above all a great conscience." More perhaps than ever in her life before Maggie addressed her father at this moment with a shade of the absolute in her tone. She had never come so near telling him what he should take it from her to believe. "She has only twopence in the world—but that has nothing to do with it. Or rather indeed"—she quickly corrected herself—"it has everything. For she doesn't care. I never saw her do anything but laugh at her poverty. Her life has been harder than anyone knows."
It was moreover as if, thus unprecedentedly positive, his child had an effect upon him that Mr. Verver really felt as a new thing. "Why then haven't you told me about her before?"
"Well, haven't we always known—?"
"I should have thought," he submitted, "that we had already pretty well sized her up."
"Certainly—we long ago quite took her for granted. But things change, with time, and I seem to know that, after this interval, I'm going to like her better than ever. I've lived more myself, I'm older, and one judges better. Yes, I'm going to see in Charlotte," said the Princess—and speaking now as with high and free expectation—"more than I've ever seen."
"Then I'll try to do so too. She WAS"—it came back to Mr. Verver more—"the one of your friends I thought the best for you."
His companion, however, was so launched in her permitted liberty of appreciation that she for the moment scarce heard him. She was lost in the case she made out, the vision of the different ways in which Charlotte had distinguished herself.
"She would have liked for instance—I'm sure she would have liked extremely—to marry; and nothing in general is more ridiculous, even when it has been pathetic, than a woman who has tried and has not been able."
It had all Mr. Verver's attention. "She has 'tried'—?"
"She has seen cases where she would have liked to."
"But she has not been able?"
"Well, there are more cases, in Europe, in which it doesn't come to girls who are poor than in which it does come to them. Especially," said Maggie with her continued competence, "when they're Americans."
Well, her father now met her, and met her cheerfully, on all sides. "Unless you mean," he suggested, "that when the girls are American there are more cases in which it comes to the rich than to the poor."
She looked at him good-humouredly. "That may be—but I'm not going to be smothered in MY case. It ought to make me—if I were in danger of being a fool—all the nicer to people like Charlotte. It's not hard for ME," she practically explained, "not to be ridiculous—unless in a very different way. I might easily be ridiculous, I suppose, by behaving as if I thought I had done a great thing. Charlotte, at any rate, has done nothing, and anyone can see it, and see also that it's rather strange; and yet no one—no one not awfully presumptuous or offensive would like, or would dare, to treat her, just as she is, as anything but quite RIGHT. That's what it is to have something about you that carries things off."
Mr. Verver's silence, on this, could only be a sign that she had caused her story to interest him; though the sign when he spoke was perhaps even sharper. "And is it also what you mean by Charlotte's being 'great'?"
"Well," said Maggie, "it's one of her ways. But she has many."
Again for a little her father considered. "And who is it she has tried to marry?"
Maggie, on her side as well, waited as if to bring it out with effect; but she after a minute either renounced or encountered an obstacle. "I'm afraid I'm not sure."
"Then how do you know?"
"Well, I don't KNOW"—and, qualifying again, she was earnestly emphatic. "I only make it out for myself."
"But you must make it out about someone in particular."
She had another pause. "I don't think I want even for myself to put names and times, to pull away any veil. I've an idea there has been, more than once, somebody I'm not acquainted with—and needn't be or want to be. In any case it's all over, and, beyond giving her credit for everything, it's none of my business."
Mr. Verver deferred, yet he discriminated. "I don't see how you can give credit without knowing the facts."
"Can't I give it—generally—for dignity? Dignity, I mean, in misfortune."
"You've got to postulate the misfortune first."
"Well," said Maggie, "I can do that. Isn't it always a misfortune to be—when you're so fine—so wasted? And yet," she went on, "not to wail about it, not to look even as if you knew it?"
Mr. Verver seemed at first to face this as a large question, and then, after a little, solicited by another view, to let the appeal drop. "Well, she mustn't be wasted. We won't at least have waste."
It produced in Maggie's face another gratitude. "Then, dear sir, that's all I want."
And it would apparently have settled their question and ended their talk if her father had not, after a little, shown the disposition to revert. "How many times are you supposing that she has tried?"
Once more, at this, and as if she hadn't been, couldn't be, hated to be, in such delicate matters, literal, she was moved to attenuate. "Oh, I don't say she absolutely ever TRIED—!"
He looked perplexed. "But if she has so absolutely failed, what then had she done?"
"She has suffered—she has done that." And the Princess added:
"She has loved—and she has lost."
Mr. Verver, however, still wondered. "But how many times."
Maggie hesitated, but it cleared up. "Once is enough. Enough, that is, for one to be kind to her."
Her father listened, yet not challenging—only as with a need of some basis on which, under these new lights, his bounty could be firm. "But has she told you nothing?"
"Ah, thank goodness, no!"
He stared. "Then don't young women tell?"
"Because, you mean, it's just what they're supposed to do?" She looked at him, flushed again now; with which, after another hesitation, "Do young men tell?" she asked.
He gave a short laugh. "How do I know, my dear, what young men do?"
"Then how do I know, father, what vulgar girls do?"
"I see—I see," he quickly returned.
But she spoke the next moment as if she might, odiously, have been sharp. "What happens at least is that where there's a great deal of pride there's a great deal of silence. I don't know, I admit, what I should do if I were lonely and sore—for what sorrow, to speak of, have I ever had in my life? I don't know even if I'm proud—it seems to me the question has never come up for me."
"Oh, I guess you're proud, Mag," her father cheerfully interposed. "I mean I guess you're proud enough."
"Well then, I hope I'm humble enough too. I might, at all events, for all I know, be abject under a blow. How can I tell? Do you realise, father, that I've never had the least blow?"
He gave her a long, quiet look. "Who SHOULD realise if I don't?"
"Well, you'll realise when I HAVE one!" she exclaimed with a short laugh that resembled, as for good reasons, his own of a minute before. "I wouldn't in any case have let her tell me what would have been dreadful to me. For such wounds and shames are dreadful: at least," she added, catching herself up, "I suppose they are; for what, as I say, do I know of them? I don't WANT to know!"—she spoke quite with vehemence. "There are things that are sacred whether they're joys or pains. But one can always, for safety, be kind," she kept on; "one feels when that's right."
She had got up with these last words; she stood there before him with that particular suggestion in her aspect to which even the long habit of their life together had not closed his sense, kept sharp, year after year, by the collation of types and signs, the comparison of fine object with fine object, of one degree of finish, of one form of the exquisite with another—the appearance of some slight, slim draped "antique" of Vatican or Capitoline halls, late and refined, rare as a note and immortal as a link, set in motion by the miraculous infusion of a modern impulse and yet, for all the sudden freedom of folds and footsteps forsaken after centuries by their pedestal, keeping still the quality, the perfect felicity, of the statue; the blurred, absent eyes, the smoothed, elegant, nameless head, the impersonal flit of a creature lost in an alien age and passing as an image in worn relief round and round a precious vase. She had always had odd moments of striking him, daughter of his very own though she was, as a figure thus simplified, "generalised" in its grace, a figure with which his human connection was fairly interrupted by some vague analogy of turn and attitude, something shyly mythological and nymphlike. The trick, he was not uncomplacently aware, was mainly of his own mind; it came from his caring for precious vases only less than for precious daughters. And what was more to the point still, it often operated while he was quite at the same time conscious that Maggie had been described, even in her prettiness, as "prim"—Mrs. Rance herself had enthusiastically used the word of her; while he remembered that when once she had been told before him, familiarly, that she resembled a nun, she had replied that she was delighted to hear it and would certainly try to; while also, finally, it was present to him that, discreetly heedless, thanks to her long association with nobleness in art, to the leaps and bounds of fashion, she brought her hair down very straight and flat over her temples, in the constant manner of her mother, who had not been a bit mythological. Nymphs and nuns were certainly separate types, but Mr. Verver, when he really amused himself, let consistency go. The play of vision was at all events so rooted in him that he could receive impressions of sense even while positively thinking. He was positively thinking while Maggie stood there, and it led for him to yet another question—which in its turn led to others still. "Do you regard the condition as hers then that you spoke of a minute ago?"
"The condition—?"
"Why that of having loved so intensely that she's, as you say, 'beyond everything'?"
Maggie had scarcely to reflect—her answer was so prompt. "Oh no.
She's beyond nothing. For she has had nothing."
"I see. You must have had things to be them. It's a kind of law of perspective."
Maggie didn't know about the law, but she continued definite.
"She's not, for example, beyond help."
"Oh well then, she shall have all we can give her. I'll write to her," he said, "with pleasure."
"Angel!" she answered as she gaily and tenderly looked at him.
True as this might be, however, there was one thing more—he was an angel with a human curiosity. "Has she told you she likes me much?"
"Certainly she has told me—but I won't pamper you. Let it be enough for you it has always been one of my reasons for liking HER."
"Then she's indeed not beyond everything," Mr. Verver more or less humorously observed.
"Oh it isn't, thank goodness, that she's in love with you. It's not, as I told you at first, the sort of thing for you to fear."
He had spoken with cheer, but it appeared to drop before this reassurance, as if the latter overdid his alarm, and that should be corrected. "Oh, my dear, I've always thought of her as a little girl."
"Ah, she's not a little girl," said the Princess.
"Then I'll write to her as a brilliant woman."
"It's exactly what she is."
Mr. Verver had got up as he spoke, and for a little, before retracing their steps, they stood looking at each other as if they had really arranged something. They had come out together for themselves, but it had produced something more. What it had produced was in fact expressed by the words with which he met his companion's last emphasis. "Well, she has a famous friend in you, Princess."
Maggie took this in—it was too plain for a protest. "Do you know what I'm really thinking of?" she asked.
He wondered, with her eyes on him—eyes of contentment at her freedom now to talk; and he wasn't such a fool, he presently showed, as not, suddenly, to arrive at it. "Why, of your finding her at last yourself a husband."
"Good for YOU!" Maggie smiled. "But it will take," she added, "some looking."
"Then let me look right here with you," her father said as they walked on.