This principle was simply to be, with the girl, always simple— and with the very last simplicity. That would cover everything. It had covered, then and there, certainly, his immediate submission to the sight of what was clearest. This was, really, that what she asked was little compared to what she gave. What she gave touched him, as she faced him, for it was the full tune of her renouncing. She really renounced—renounced everything, and without even insisting now on what it had all been for her. Her only insistence was her insistence on the small matter of their keeping their appointment to themselves. That, in exchange for "everything," everything she gave up, was verily but a trifle. He let himself accordingly be guided; he so soon assented, for enlightened indulgence, to any particular turn she might wish the occasion to take, that the stamp of her preference had been well applied to it even while they were still in the Park. The application in fact presently required that they should sit down a little, really to see where they were; in obedience to which propriety they had some ten minutes, of a quality quite distinct, in a couple of penny-chairs under one of the larger trees. They had taken, for their walk, to the cropped, rain-freshened grass, after finding it already dry; and the chairs, turned away from the broad alley, the main drive and the aspect of Park Lane, looked across the wide reaches of green which seemed in a manner to refine upon their freedom. They helped Charlotte thus to make her position—her temporary position—still more clear, and it was for this purpose, obviously, that, abruptly, on seeing her opportunity, she sat down. He stood for a little before her, as if to mark the importance of not wasting time, the importance she herself had previously insisted on; but after she had said a few words it was impossible for him not to resort again to good-nature. He marked as he could, by this concession, that if he had finally met her first proposal for what would be "amusing" in it, so any idea she might have would contribute to that effect. He had consequently— in all consistency—to treat it as amusing that she reaffirmed, and reaffirmed again, the truth that was HER truth.
"I don't care what you make of it, and I don't ask anything whatever of you—anything but this. I want to have said it— that's all; I want not to have failed to say it. To see you once and be with you, to be as we are now and as we used to be, for one small hour—or say for two—that's what I have had for weeks in my head. I mean, of course, to get it BEFORE—before what you're going to do. So, all the while, you see," she went on with her eyes on him, "it was a question for me if I should be able to manage it in time. If I couldn't have come now I probably shouldn't have come at all—perhaps even ever. Now that I'm here I shall stay, but there were moments, over there, when I despaired. It wasn't easy—there were reasons; but it was either this or nothing. So I didn't struggle, you see, in vain. AFTER— oh, I didn't want that! I don't mean," she smiled, "that it wouldn't have been delightful to see you even then—to see you at any time; but I would never have come for it. This is different. This is what I wanted. This is what I've got. This is what I shall always have. This is what I should have missed, of course," she pursued, "if you had chosen to make me miss it. If you had thought me horrid, had refused to come, I should, naturally, have been immensely 'sold.' I had to take the risk. Well, you're all I could have hoped. That's what I was to have said. I didn't want simply to get my time with you, but I wanted you to know. I wanted you"—she kept it up, slowly, softly, with a small tremor of voice, but without the least failure of sense or sequence—"I wanted you to understand. I wanted you, that is, to hear. I don't care, I think, whether you understand or not. If I ask nothing of you I don't—I mayn't—ask even so much as that. What you may think of me—that doesn't in the least matter. What I want is that it shall always be with you—so that you'll never be able quite to get rid of it—that I DID. I won't say that you did—you may make as little of that as you like. But that I was here with you where we are and as we are—I just saying this. Giving myself, in other words, away—and perfectly willing to do it for nothing. That's all."
She paused as if her demonstration was complete—yet, for the moment, without moving; as if in fact to give it a few minutes to sink in; into the listening air, into the watching space, into the conscious hospitality of nature, so far as nature was, all Londonised, all vulgarised, with them there; or even, for that matter, into her own open ears, rather than into the attention of her passive and prudent friend. His attention had done all that attention could do; his handsome, slightly anxious, yet still more definitely "amused" face sufficiently played its part. He clutched, however, at what he could best clutch at—the fact that she let him off, definitely let him off. She let him off, it seemed, even from so much as answering; so that while he smiled back at her in return for her information he felt his lips remain closed to the successive vaguenesses of rejoinder, of objection, that rose for him from within. Charlotte herself spoke again at last—"You may want to know what I get by it. But that's my own affair." He really didn't want to know even this—or continued, for the safest plan, quite to behave as if he didn't; which prolonged the mere dumbness of diversion in which he had taken refuge. He was glad when, finally—the point she had wished to make seeming established to her satisfaction—they brought to what might pass for a close the moment of his life at which he had had least to say. Movement and progress, after this, with more impersonal talk, were naturally a relief; so that he was not again, during their excursion, at a loss for the right word. The air had been, as it were, cleared; they had their errand itself to discuss, and the opportunities of London, the sense of the wonderful place, the pleasures of prowling there, the question of shops, of possibilities, of particular objects, noticed by each in previous prowls. Each professed surprise at the extent of the other's knowledge; the Prince in especial wondered at his friend's possession of her London. He had rather prized his own possession, the guidance he could really often give a cabman; it was a whim of his own, a part of his Anglomania, and congruous with that feature, which had, after all, so much more surface than depth. When his companion, with the memory of other visits and other rambles, spoke of places he hadn't seen and things he didn't know, he actually felt again—as half the effect—just a shade humiliated. He might even have felt a trifle annoyed—if it hadn't been, on this spot, for his being, even more, interested. It was a fresh light on Charlotte and on her curious world-quality, of which, in Rome, he had had his due sense, but which clearly would show larger on the big London stage. Rome was, in comparison, a village, a family-party, a little old-world spinnet for the fingers of one hand. By the time they reached the Marble Arch it was almost as if she were showing him a new side, and that, in fact, gave amusement a new and a firmer basis. The right tone would be easy for putting himself in her hands. Should they disagree a little—frankly and fairly—about directions and chances, values and authenticities, the situation would be quite gloriously saved. They were none the less, as happened, much of one mind on the article of their keeping clear of resorts with which Maggie would be acquainted. Charlotte recalled it as a matter of course, named it in time as a condition—they would keep away from any place to which he had already been with Maggie.
This made indeed a scant difference, for though he had during the last month done few things so much as attend his future wife on her making of purchases, the antiquarii, as he called them with Charlotte, had not been the great affair. Except in Bond Street, really, Maggie had had no use for them: her situation indeed, in connection with that order of traffic, was full of consequences produced by her father's. Mr. Verver, one of the great collectors of the world, hadn't left his daughter to prowl for herself; he had little to do with shops, and was mostly, as a purchaser, approached privately and from afar. Great people, all over Europe, sought introductions to him; high personages, incredibly high, and more of them than would ever be known, solemnly sworn as everyone was, in such cases, to discretion, high personages made up to him as the one man on the short authentic list likely to give the price. It had therefore been easy to settle, as they walked, that the tracks of the Ververs, daughter's as well as father's, were to be avoided; the importance only was that their talk about it led for a moment to the first words they had as yet exchanged on the subject of Maggie. Charlotte, still in the Park, proceeded to them—for it was she who began—with a serenity of appreciation that was odd, certainly, as a sequel to her words of ten minutes before. This was another note on her—what he would have called another light—for her companion, who, though without giving a sign, admired, for what it was, the simplicity of her transition, a transition that took no trouble either to trace or to explain itself. She paused again an instant, on the grass, to make it; she stopped before him with a sudden "Anything of course, dear as she is, will do for her. I mean if I were to give her a pin-cushion from the Baker-Street Bazaar."
"That's exactly what I meant"—the Prince laughed out this allusion to their snatch of talk in Portland Place. "It's just what I suggested."
She took, however, no notice of the reminder; she went on in her own way. "But it isn't a reason. In that case one would never do anything for her. I mean," Charlotte explained, "if one took advantage of her character."
"Of her character?"
"We mustn't take advantage of her character," the girl, again unheeding, pursued. "One mustn't, if not for HER, at least for one's self. She saves one such trouble."
She had spoken thoughtfully, with her eyes on her friend's; she might have been talking, preoccupied and practical, of someone with whom he was comparatively unconnected. "She certainly GIVES one no trouble," said the Prince. And then as if this were perhaps ambiguous or inadequate: "She's not selfish—God forgive her!—enough."
"That's what I mean," Charlotte instantly said. "She's not selfish enough. There's nothing, absolutely, that one NEED do for her. She's so modest," she developed—"she doesn't miss things. I mean if you love her—or, rather, I should say, if she loves you. She lets it go."
The Prince frowned a little—as a tribute, after all, to seriousness. "She lets what—?"
"Anything—anything that you might do and that you don't. She lets everything go but her own disposition to be kind to you. It's of herself that she asks efforts—so far as she ever HAS to ask them. She hasn't, much. She does everything herself. And that's terrible."
The Prince had listened; but, always with propriety, he didn't commit himself. "Terrible?"
"Well, unless one is almost as good as she. It makes too easy terms for one. It takes stuff, within one, so far as one's decency is concerned, to stand it. And nobody," Charlotte continued in the same manner, "is decent enough, good enough, to stand it—not without help from religion, or something of that kind. Not without prayer and fasting—that is without taking great care. Certainly," she said, "such people as you and I are not."
The Prince, obligingly, thought an instant. "Not good enough to stand it?"
"Well, not good enough not rather to feel the strain. We happen each, I think, to be of the kind that are easily spoiled."
Her friend, again, for propriety, followed the argument. "Oh, I don't know. May not one's affection for her do something more for one's decency, as you call it, than her own generosity—her own affection, HER 'decency'—has the unfortunate virtue to undo?"
"Ah, of course it must be all in that."
But she had made her question, all the same, interesting to him. "What it comes to—one can see what you mean—is the way she believes in one. That is if she believes at all."
"Yes, that's what it comes to," said Charlotte Stant.
"And why," he asked, almost soothingly, "should it be terrible?"
He couldn't, at the worst, see that.
"Because it's always so—the idea of having to pity people."
"Not when there's also, with it, the idea of helping them."
"Yes, but if we can't help them?"
"We CAN—we always can. That is," he competently added, "if we care for them. And that's what we're talking about."
"Yes"—she on the whole assented. "It comes back then to our absolutely refusing to be spoiled."
"Certainly. But everything," the Prince laughed as they went on— "all your 'decency,' I mean—comes back to that."
She walked beside him a moment. "It's just what I meant," she then reasonably said.
VI
The man in the little shop in which, well after this, they lingered longest, the small but interesting dealer in the Bloomsbury street who was remarkable for an insistence not importunate, inasmuch as it was mainly mute, but singularly, intensely coercive—this personage fixed on his visitors an extraordinary pair of eyes and looked from one to the other while they considered the object with which he appeared mainly to hope to tempt them. They had come to him last, for their time was nearly up; an hour of it at least, from the moment of their getting into a hansom at the Marble Arch, having yielded no better result than the amusement invoked from the first. The amusement, of course, was to have consisted in seeking, but it had also involved the idea of finding; which latter necessity would have been obtrusive only if they had found too soon. The question at present was if they were finding, and they put it to each other, in the Bloomsbury shop, while they enjoyed the undiverted attention of the shopman. He was clearly the master, and devoted to his business—the essence of which, in his conception, might precisely have been this particular secret that he possessed for worrying the customer so little that it fairly made for their relations a sort of solemnity. He had not many things, none of the redundancy of "rot" they had elsewhere seen, and our friends had, on entering, even had the sense of a muster so scant that, as high values obviously wouldn't reign, the effect might be almost pitiful. Then their impression had changed; for, though the show was of small pieces, several taken from the little window and others extracted from a cupboard behind the counter—dusky, in the rather low-browed place, despite its glass doors—each bid for their attention spoke, however modestly, for itself, and the pitch of their entertainer's pretensions was promptly enough given. His array was heterogeneous and not at all imposing; still, it differed agreeably from what they had hitherto seen.
Charlotte, after the incident, was to be full of impressions, of several of which, later on, she gave her companion—always in the interest of their amusement—the benefit; and one of the impressions had been that the man himself was the greatest curiosity they had looked at. The Prince was to reply to this that he himself hadn't looked at him; as, precisely, in the general connection, Charlotte had more than once, from other days, noted, for his advantage, her consciousness of how, below a certain social plane, he never SAW. One kind of shopman was just like another to him—which was oddly inconsequent on the part of a mind that, where it did notice, noticed so much. He took throughout, always, the meaner sort for granted—the night of their meanness, or whatever name one might give it for him, made all his cats grey. He didn't, no doubt, want to hurt them, but he imaged them no more than if his eyes acted only for the level of his own high head. Her own vision acted for every relation—this he had seen for himself: she remarked beggars, she remembered servants, she recognised cabmen; she had often distinguished beauty, when out with him, in dirty children; she had admired "type" in faces at hucksters' stalls. Therefore, on this occasion, she had found their antiquario interesting; partly because he cared so for his things, and partly because he cared— well, so for them. "He likes his things—he loves them," she was to say; "and it isn't only—it isn't perhaps even at all—that he loves to sell them. I think he would love to keep them if he could; and he prefers, at any rate, to sell them to right people. We, clearly, were right people—he knows them when he sees them; and that's why, as I say, you could make out, or at least I could, that he cared for us. Didn't you see"—she was to ask it with an insistence—"the way he looked at us and took us in? I doubt if either of us have ever been so well looked at before. Yes, he'll remember us"—she was to profess herself convinced of that almost to uneasiness. "But it was after all"—this was perhaps reassuring—"because, given his taste, since he HAS taste, he was pleased with us, he was struck—he had ideas about us. Well, I should think people might; we're beautiful—aren't we?—and he knows. Then, also, he has his way; for that way of saying nothing with his lips when he's all the while pressing you so with his face, which shows how he knows you feel it—that is a regular way."
Of decent old gold, old silver, old bronze, of old chased and jewelled artistry, were the objects that, successively produced, had ended by numerously dotting the counter, where the shopman's slim, light fingers, with neat nails, touched them at moments, briefly, nervously, tenderly, as those of a chess-player rest, a few seconds, over the board, on a figure he thinks he may move and then may not: small florid ancientries, ornaments, pendants, lockets, brooches, buckles, pretexts for dim brilliants, bloodless rubies, pearls either too large or too opaque for value; miniatures mounted with diamonds that had ceased to dazzle; snuffboxes presented to—or by—the too-questionable great; cups, trays, taper-stands, suggestive of pawn-tickets, archaic and brown, that would themselves, if preserved, have been prized curiosities. A few commemorative medals, of neat outline but dull reference; a classic monument or two, things of the first years of the century; things consular, Napoleonic, temples, obelisks, arches, tinily re-embodied, completed the discreet cluster; in which, however, even after tentative reinforcement from several quaint rings, intaglios, amethysts, carbuncles, each of which had found a home in the ancient sallow satin of some weakly-snapping little box, there was, in spite of the due proportion of faint poetry, no great force of persuasion. They looked, the visitors, they touched, they vaguely pretended to consider, but with scepticism, so far as courtesy permitted, in the quality of their attention. It was impossible they shouldn't, after a little, tacitly agree as to the absurdity of carrying to Maggie a token from such a stock. It would be—that was the difficulty—pretentious without being "good"; too usual, as a treasure, to have been an inspiration of the giver, and yet too primitive to be taken as tribute welcome on any terms. They had been out more than two hours and, evidently, had found nothing. It forced from Charlotte a kind of admission.
"It ought, really, if it should be a thing of this sort, to take its little value from having belonged to one's self."
"Ecco!" said the Prince—just triumphantly enough. "There you are."
Behind the dealer were sundry small cupboards in the wall. Two or three of these Charlotte had seen him open, so that her eyes found themselves resting on those he had not visited. But she completed her admission. "There's nothing here she could wear."
It was only after a moment that her companion rejoined. "Is there anything—do you think—that you could?"
It made her just start. She didn't, at all events, look at the objects; she but looked for an instant very directly at him. "No."
"Ah!" the Prince quietly exclaimed.
"Would it be," Charlotte asked, "your idea to offer me something?"
"Well, why not—as a small ricordo."
"But a ricordo of what?"
"Why, of 'this'—as you yourself say. Of this little hunt."
"Oh, I say it—but hasn't my whole point been that I don't ask you to. Therefore," she demanded—but smiling at him now— "where's the logic?"
"Oh, the logic—!" he laughed.
"But logic's everything. That, at least, is how I feel it. A ricordo from you—from you to me—is a ricordo of nothing. It has no reference."
"Ah, my dear!" he vaguely protested. Their entertainer, meanwhile, stood there with his eyes on them, and the girl, though at this minute more interested in her passage with her friend than in anything else, again met his gaze. It was a comfort to her that their foreign tongue covered what they said— and they might have appeared of course, as the Prince now had one of the snuffboxes in his hand, to be discussing a purchase.
"You don't refer," she went on to her companion. "I refer."
He had lifted the lid of his little box and he looked into it hard. "Do you mean by that then that you would be free—?"
"'Free'—?"
"To offer me something?"
This gave her a longer pause, and when she spoke again she might have seemed, oddly, to be addressing the dealer. "Would you allow me—?"
"No," said the Prince into his little box.
"You wouldn't accept it from me?"
"No," he repeated in the same way.
She exhaled a long breath that was like a guarded sigh. "But you've touched an idea that HAS been mine. It's what I've wanted." Then she added: "It was what I hoped."
He put down his box—this had drawn his eyes. He made nothing, clearly, of the little man's attention. "It's what you brought me out for?"
"Well, that's, at any rate," she returned, "my own affair. But it won't do?"
"It won't do, cara mia."
"It's impossible?"
"It's impossible." And he took up one of the brooches.
She had another pause, while the shopman only waited. "If I were to accept from you one of these charming little ornaments as you suggest, what should I do with it?"
He was perhaps at last a little irritated; he even—as if HE might understand—looked vaguely across at their host. "Wear it, per Bacco!"
"Where then, please? Under my clothes?"
"Wherever you like. But it isn't then, if you will," he added, "worth talking about."
"It's only worth talking about, mio caro," she smiled, "from your having begun it. My question is only reasonable—so that your idea may stand or fall by your answer to it. If I should pin one of these things on for you would it be, to your mind, that I might go home and show it to Maggie as your present?"
They had had between them often in talk the refrain, jocosely, descriptively applied, of "old Roman." It had been, as a pleasantry, in the other time, his explanation to her of everything; but nothing, truly, had even seemed so old-Roman as the shrug in which he now indulged. "Why in the world not?"
"Because—on our basis—it would be impossible to give her an account of the pretext."
"The pretext—?" He wondered.
"The occasion. This ramble that we shall have had together and that we're not to speak of."
"Oh yes," he said after a moment "I remember we're not to speak of it."
"That of course you're pledged to. And the one thing, you see, goes with the other. So you don't insist."
He had again, at random, laid back his trinket; with which he quite turned to her, a little wearily at last—even a little impatiently. "I don't insist."
It disposed for the time of the question, but what was next apparent was that it had seen them no further. The shopman, who had not stirred, stood there in his patience—which, his mute intensity helping, had almost the effect of an ironic comment. The Prince moved to the glass door and, his back to the others, as with nothing more to contribute, looked—though not less patiently—into the street. Then the shopman, for Charlotte, momentously broke silence. "You've seen, disgraziatamente, signora principessa," he sadly said, "too much"—and it made the Prince face about. For the effect of the momentous came, if not from the sense, from the sound of his words; which was that of the suddenest, sharpest Italian. Charlotte exchanged with her friend a glance that matched it, and just for the minute they were held in check. But their glance had, after all, by that time, said more than one thing; had both exclaimed on the apprehension, by the wretch, of their intimate conversation, let alone of her possible, her impossible, title, and remarked, for mutual reassurance, that it didn't, all the same, matter. The Prince remained by the door, but immediately addressing the speaker from where he stood.
"You're Italian then, are you?"
But the reply came in English. "Oh dear no."
"You're English?"
To which the answer was this time, with a smile, in briefest Italian. "Che!" The dealer waived the question—he practically disposed of it by turning straightway toward a receptacle to which he had not yet resorted and from which, after unlocking it, he extracted a square box, of some twenty inches in height, covered with worn-looking leather. He placed the box on the counter, pushed back a pair of small hooks, lifted the lid and removed from its nest a drinking-vessel larger than a common cup, yet not of exorbitant size, and formed, to appearance, either of old fine gold or of some material once richly gilt. He handled it with tenderness, with ceremony, making a place for it on a small satin mat. "My Golden Bowl," he observed—and it sounded, on his lips, as if it said everything. He left the important object—for as "important" it did somehow present itself—to produce its certain effect. Simple, but singularly elegant, it stood on a circular foot, a short pedestal with a slightly spreading base, and, though not of signal depth, justified its title by the charm of its shape as well as by the tone of its surface. It might have been a large goblet diminished, to the enhancement of its happy curve, by half its original height. As formed of solid gold it was impressive; it seemed indeed to warn off the prudent admirer. Charlotte, with care, immediately took it up, while the Prince, who had after a minute shifted his position again, regarded it from a distance.
It was heavier than Charlotte had thought. "Gold, really gold?" she asked of their companion.
He hesitated. "Look a little, and perhaps you'll make out."
She looked, holding it up in both her fine hands, turning it to the light. "It may be cheap for what it is, but it will be dear, I'm afraid, for me."
"Well," said the man, "I can part with it for less than its value. I got it, you see, for less."
"For how much then?"
Again he waited, always with his serene stare. "Do you like it then?"
Charlotte turned to her friend. "Do YOU like it?" He came no nearer; he looked at their companion. "cos'e?"
"Well, signori miei, if you must know, it's just a perfect crystal."
"Of course we must know, per Dio!" said the Prince. But he turned away again—he went back to his glass door.
Charlotte set down the bowl; she was evidently taken. "Do you mean it's cut out of a single crystal?"
"If it isn't I think I can promise you that you'll never find any joint or any piecing."
She wondered. "Even if I were to scrape off the gold?"
He showed, though with due respect, that she amused him. "You couldn't scrape it off—it has been too well put on; put on I don't know when and I don't know how. But by some very fine old worker and by some beautiful old process."
Charlotte, frankly charmed with the cup, smiled back at him now.
"A lost art?"
"Call it a lost art,"
"But of what time then is the whole thing?"
"Well, say also of a lost time."
The girl considered. "Then if it's so precious, how comes it to be cheap?"
Her interlocutor once more hung fire, but by this time the Prince had lost patience. "I'll wait for you out in the air," he said to his companion, and, though he spoke without irritation, he pointed his remark by passing immediately into the street, where, during the next minutes, the others saw him, his back to the shopwindow, philosophically enough hover and light a fresh cigarette. Charlotte even took, a little, her time; she was aware of his funny Italian taste for London street-life.
Her host meanwhile, at any rate, answered her question. "Ah, I've had it a long time without selling it. I think I must have been keeping it, madam, for you."
"You've kept it for me because you've thought I mightn't see what's the matter with it?"
He only continued to face her—he only continued to appear to follow the play of her mind. "What IS the matter with it?"
"Oh, it's not for me to say; it's for you honestly to tell me. Of course I know something must be."
"But if it's something you can't find out, isn't it as good as if it were nothing?"
"I probably SHOULD find out as soon as I had paid for it."
"Not," her host lucidly insisted, "if you hadn't paid too much."
"What do you call," she asked, "little enough?"
"Well, what should you say to fifteen pounds?"
"I should say," said Charlotte with the utmost promptitude, "that it's altogether too much."
The dealer shook his head slowly and sadly, but firmly. "It's my price, madam—and if you admire the thing I think it really might be yours. It's not too much. It's too little. It's almost nothing. I can't go lower."
Charlotte, wondering, but resisting, bent over the bowl again.
"Then it's impossible. It's more than I can afford."
"Ah," the man returned, "one can sometimes afford for a present more than one can afford for one's self." He said it so coaxingly that she found herself going on without, as might be said, putting him in his place. "Oh, of course it would be only for a present—!"
"Then it would be a lovely one."
"Does one make a present," she asked, "of an object that contains, to one's knowledge, a flaw?"
"Well, if one knows of it one has only to mention it. The good faith," the man smiled, "is always there."
"And leave the person to whom one gives the thing, you mean, to discover it?"
"He wouldn't discover it—if you're speaking of a gentleman."
"I'm not speaking of anyone in particular," Charlotte said.
"Well, whoever it might be. He might know—and he might try. But he wouldn't find."
She kept her eyes on him as if, though unsatisfied, mystified, she yet had a fancy for the bowl. "Not even if the thing should come to pieces?" And then as he was silent: "Not even if he should have to say to me 'The Golden Bowl is broken'?"
He was still silent; after which he had his strangest smile. "Ah, if anyone should WANT to smash it—!"
She laughed; she almost admired the little man's expression. "You mean one could smash it with a hammer?"
"Yes; if nothing else would do. Or perhaps even by dashing it with violence—say upon a marble floor."
"Oh, marble floors!" But she might have been thinking—for they were a connection, marble floors; a connection with many things: with her old Rome, and with his; with the palaces of his past, and, a little, of hers; with the possibilities of his future, with the sumptuosities of his marriage, with the wealth of the Ververs. All the same, however, there were other things; and they all together held for a moment her fancy. "Does crystal then break—when it IS crystal? I thought its beauty was its hardness."
Her friend, in his way, discriminated. "Its beauty is its BEING crystal. But its hardness is certainly, its safety. It doesn't break," he went on, "like vile glass. It splits—if there is a split."
"Ah!"—Charlotte breathed with interest. "If there is a split."
And she looked down again at the bowl. "There IS a split, eh?
Crystal does split, eh?"
"On lines and by laws of its own."
"You mean if there's a weak place?"
For all answer, after an hesitation, he took the bowl up again, holding it aloft and tapping it with a key. It rang with the finest, sweetest sound. "Where is the weak place?"
She then did the question justice. "Well, for ME, only the price. I'm poor, you see—very poor. But I thank you and I'll think." The Prince, on the other side of the shop-window, had finally faced about and, as to see if she hadn't done, was trying to reach, with his eyes, the comparatively dim interior. "I like it," she said—"I want it. But I must decide what I can do."
The man, not ungraciously, resigned himself. "Well, I'll keep it for you."
The small quarter-of-an-hour had had its marked oddity—this she felt even by the time the open air and the Bloomsbury aspects had again, in their protest against the truth of her gathered impression, made her more or less their own. Yet the oddity might have been registered as small as compared to the other effect that, before they had gone much further, she had, with her companion, to take account of. This latter was simply the effect of their having, by some tacit logic, some queer inevitability, quite dropped the idea of a continued pursuit. They didn't say so, but it was on the line of giving up Maggie's present that they practically proceeded—the line of giving it up without more reference to it. The Prince's first reference was in fact quite independently made. "I hope you satisfied yourself, before you had done, of what was the matter with that bowl."
"No indeed, I satisfied myself of nothing. Of nothing at least but that the more I looked at it the more I liked it, and that if you weren't so unaccommodating this would be just the occasion for your giving me the pleasure of accepting it."
He looked graver for her, at this, than he had looked all the morning. "Do you propose it seriously—without wishing to play me a trick?"
She wondered. "What trick would it be?"
He looked at her harder. "You mean you really don't know?"
"But know what?"
"Why, what's the matter with it. You didn't see, all the while?"
She only continued, however, to stare. "How could you see—out in the street?"
"I saw before I went out. It was because I saw that I did go out. I didn't want to have another scene with you, before that rascal, and I judged you would presently guess for yourself."
"Is he a rascal?" Charlotte asked. "His price is so moderate. She waited but a moment. "Five pounds. Really so little."
"Five pounds?"
He continued to look at her. "Five pounds."
He might have been doubting her word, but he was only, it appeared, gathering emphasis. "It would be dear—to make a gift of—at five shillings. If it had cost you even but five pence I wouldn't take it from you."
"Then," she asked, "what IS the matter?"
"Why, it has a crack."
It sounded, on his lips, so sharp, it had such an authority, that she almost started, while her colour, at the word, rose. It was as if he had been right, though his assurance was wonderful. "You answer for it without having looked?"
"I did look. I saw the object itself. It told its story. No wonder it's cheap."
"But it's exquisite," Charlotte, as if with an interest in it now made even tenderer and stranger, found herself moved to insist.
"Of course it's exquisite. That's the danger." Then a light visibly came to her—a light in which her friend suddenly and intensely showed. The reflection of it, as she smiled at him, was in her own face. "The danger—I see—is because you're superstitious."
"Per Dio, I'm superstitious! A crack is a crack—and an omen's an omen."
"You'd be afraid—?"
"Per Bacco!"
"For your happiness?"
"For my happiness."
"For your safety?"
"For my safety."
She just paused. "For your marriage?"
"For my marriage. For everything."
She thought again. "Thank goodness then that if there BE a crack we know it! But if we may perish by cracks in things that we don't know—!" And she smiled with the sadness of it. "We can never then give each other anything."
He considered, but he met it. "Ah, but one does know. I do, at least—and by instinct. I don't fail. That will always protect me."
It was funny, the way he said such things; yet she liked him, really, the more for it. They fell in for her with a general, or rather with a special, vision. But she spoke with a mild despair.
"What then will protect ME?"
"Where I'm concerned I will. From me at least you've nothing to fear," he now quite amiably responded. "Anything you consent to accept from me—" But he paused.
"Well?"
"Well, shall be perfect."
"That's very fine," she presently answered. "It's vain, after all, for you to talk of my accepting things when you'll accept nothing from me."
Ah, THERE, better still, he could meet her. "You attach an impossible condition. That, I mean, of my keeping your gift so to myself."
Well, she looked, before him there, at the condition—then, abruptly, with a gesture, she gave it up. She had a headshake of disenchantment—so far as the idea had appealed to her. It all appeared too difficult. "Oh, my 'condition'—I don't hold to it. You may cry it on the housetops—anything I ever do."
"Ah well, then—!" This made, he laughed, all the difference.
But it was too late. "Oh, I don't care now! I SHOULD have liked the Bowl. But if that won't do there's nothing."
He considered this; he took it in, looking graver again; but after a moment he qualified. "Yet I shall want some day to give you something."
She wondered at him. "What day?"
"The day you marry. For you WILL marry. You must—SERIOUSLY— marry."
She took it from him, but it determined in her the only words she was to have uttered, all the morning, that came out as if a spring had been pressed. "To make you feel better?"
"Well," he replied frankly, wonderfully—"it will. But here," he added, "is your hansom."
He had signalled—the cab was charging. She put out no hand for their separation, but she prepared to get in. Before she did so, however, she said what had been gathering while she waited. "Well, I would marry, I think, to have something from you in all freedom."
PART SECOND
VII
Adam Verver, at Fawns, that autumn Sunday, might have been observed to open the door of the billiard-room with a certain freedom—might have been observed, that is, had there been a spectator in the field. The justification of the push he had applied, however, and of the push, equally sharp, that, to shut himself in, he again applied—the ground of this energy was precisely that he might here, however briefly, find himself alone, alone with the handful of letters, newspapers and other unopened missives, to which, during and since breakfast, he had lacked opportunity to give an eye. The vast, square, clean apartment was empty, and its large clear windows looked out into spaces of terrace and garden, of park and woodland and shining artificial lake, of richly-condensed horizon, all dark blue upland and church-towered village and strong cloudshadow, which were, together, a thing to create the sense, with everyone else at church, of one's having the world to one's self. We share this world, none the less, for the hour, with Mr. Verver; the very fact of his striking, as he would have said, for solitude, the fact of his quiet flight, almost on tiptoe, through tortuous corridors, investing him with an interest that makes our attention—tender indeed almost to compassion—qualify his achieved isolation. For it may immediately be mentioned that this amiable man bethought himself of his personal advantage, in general, only when it might appear to him that other advantages, those of other persons, had successfully put in their claim. It may be mentioned also that he always figured other persons—such was the law of his nature—as a numerous array, and that, though conscious of but a single near tie, one affection, one duty deepest-rooted in his life, it had never, for many minutes together, been his portion not to feel himself surrounded and committed, never quite been his refreshment to make out where the many-coloured human appeal, represented by gradations of tint, diminishing concentric zones of intensity, of importunity, really faded to the blessed impersonal whiteness for which his vision sometimes ached. It shaded off, the appeal—he would have admitted that; but he had as yet noted no point at which it positively stopped.
Thus had grown in him a little habit—his innermost secret, not confided even to Maggie, though he felt she understood it, as she understood, to his view, everything—thus had shaped itself the innocent trick of occasionally making believe that he had no conscience, or at least that blankness, in the field of duty, did reign for an hour; a small game to which the few persons near enough to have caught him playing it, and of whom Mrs. Assingham, for instance, was one, attached indulgently that idea of quaintness, quite in fact that charm of the pathetic, involved in the preservation by an adult of one of childhood's toys. When he took a rare moment "off," he did so with the touching, confessing eyes of a man of forty-seven caught in the act of handling a relic of infancy—sticking on the head of a broken soldier or trying the lock of a wooden gun. It was essentially, in him, the IMITATION of depravity—which, for amusement, as might have been, he practised "keeping up." In spite of practice he was still imperfect, for these so artlessly-artful interludes were condemned, by the nature of the case, to brevity. He had fatally stamped himself—it was his own fault—a man who could be interrupted with impunity. The greatest of wonders, moreover, was exactly in this, that so interrupted a man should ever have got, as the phrase was, should above all have got so early, to where he was. It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made of the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions.
The essential pulse of the flame, the very action of the cerebral temperature, brought to the highest point, yet extraordinarily contained—these facts themselves were the immensity of the result; they were one with perfection of machinery, they had constituted the kind of acquisitive power engendered and applied, the necessary triumph of all operations. A dim explanation of phenomena once vivid must at all events for the moment suffice us; it being obviously no account of the matter to throw on our friend's amiability alone the weight of the demonstration of his economic history. Amiability, of a truth, is an aid to success; it has even been known to be the principle of large accumulations; but the link, for the mind, is none the less fatally missing between proof, on such a scale, of continuity, if of nothing more insolent, in one field, and accessibility to distraction in every other. Variety of imagination—what is that but fatal, in the world of affairs, unless so disciplined as not to be distinguished from monotony? Mr. Verver then, for a fresh, full period, a period betraying, extraordinarily, no wasted year, had been inscrutably monotonous behind an iridescent cloud. The cloud was his native envelope—the soft looseness, so to say, of his temper and tone, not directly expressive enough, no doubt, to figure an amplitude of folds, but of a quality unmistakable for sensitive feelers. He was still reduced, in fine, to getting his rare moments with himself by feigning a cynicism. His real inability to maintain the pretence, however, had perhaps not often been better instanced than by his acceptance of the inevitable to-day—his acceptance of it on the arrival, at the end of a quarter-of-an hour, of that element of obligation with which he had all the while known he must reckon. A quarter-of-an- hour of egoism was about as much as he, taking one situation with another, usually got. Mrs. Rance opened the door—more tentatively indeed than he himself had just done; but on the other hand, as if to make up for this, she pushed forward even more briskly on seeing him than he had been moved to do on seeing nobody. Then, with force, it came home to him that he had, definitely, a week before, established a precedent. He did her at least that justice—it was a kind of justice he was always doing someone. He had on the previous Sunday liked to stop at home, and he had exposed himself thereby to be caught in the act. To make this possible, that is, Mrs. Rance had only had to like to do the same—the trick was so easily played. It had not occurred to him to plan in any way for her absence—which would have destroyed, somehow, in principle, the propriety of his own presence. If persons under his roof hadn't a right not to go to church, what became, for a fair mind, of his own right? His subtlest manoeuvre had been simply to change from the library to the billiard-room, it being in the library that his guest, or his daughter's, or the guest of the Miss Lutches—he scarce knew in which light to regard her—had then, and not unnaturally, of course, joined him. It was urged on him by his memory of the duration of the visit she had that time, as it were, paid him, that the law of recurrence would already have got itself enacted. She had spent the whole morning with him, was still there, in the library, when the others came back—thanks to her having been tepid about their taking, Mr. Verver and she, a turn outside. It had been as if she looked on that as a kind of subterfuge—almost as a form of disloyalty. Yet what was it she had in mind, what did she wish to make of him beyond what she had already made, a patient, punctilious host, mindful that she had originally arrived much as a stranger, arrived not at all deliberately or yearningly invited?—so that one positively had her possible susceptibilities the MORE on one's conscience. The Miss Lutches, the sisters from the middle West, were there as friends of Maggie's, friends of the earlier time; but Mrs. Rance was there— or at least had primarily appeared—only as a friend of the Miss Lutches.
This lady herself was not of the middle West—she rather insisted on it—but of New Jersey, Rhode Island or Delaware, one of the smallest and most intimate States: he couldn't remember which, though she insisted too on that. It was not in him—we may say it for him—to go so far as to wonder if their group were next to be recruited by some friend of her own; and this partly because she had struck him, verily, rather as wanting to get the Miss Lutches themselves away than to extend the actual circle, and partly, as well as more essentially, because such connection as he enjoyed with the ironic question in general resided substantially less in a personal use of it than in the habit of seeing it as easy to others. He was so framed by nature as to be able to keep his inconveniences separate from his resentments; though indeed if the sum of these latter had at the most always been small, that was doubtless in some degree a consequence of the fewness of the former. His greatest inconvenience, he would have admitted, had he analyzed, was in finding it so taken for granted that, as he had money, he had force. It pressed upon him hard, and all round, assuredly, this attribution of power. Everyone had need of one's power, whereas one's own need, at the best, would have seemed to be but some trick for not communicating it. The effect of a reserve so merely, so meanly defensive would in most cases, beyond question, sufficiently discredit the cause; wherefore, though it was complicating to be perpetually treated as an infinite agent, the outrage was not the greatest of which a brave man might complain. Complaint, besides, was a luxury, and he dreaded the imputation of greed. The other, the constant imputation, that of being able to "do," would have no ground if he hadn't been, to start with—this was the point—provably luxurious. His lips, somehow, were closed—and by a spring connected moreover with the action of his eyes themselves. The latter showed him what he had done, showed him where he had come out; quite at the top of his hill of difficulty, the tall sharp spiral round which he had begun to wind his ascent at the age of twenty, and the apex of which was a platform looking down, if one would, on the kingdoms of the earth and with standing-room for but half-a-dozen others.
His eyes, in any case, now saw Mrs. Rance approach with an instant failure to attach to the fact any grossness of avidity of Mrs. Rance's own—or at least to descry any triumphant use even for the luridest impression of her intensity. What was virtually supreme would be her vision of his having attempted, by his desertion of the library, to mislead her—which in point of fact barely escaped being what he had designed. It was not easy for him, in spite of accumulations fondly and funnily regarded as of systematic practice, not now to be ashamed; the one thing comparatively easy would be to gloss over his course. The billiard-room was NOT, at the particular crisis, either a natural or a graceful place for the nominally main occupant of so large a house to retire to—and this without prejudice, either, to the fact that his visitor wouldn't, as he apprehended, explicitly make him a scene. Should she frankly denounce him for a sneak he would simply go to pieces; but he was, after an instant, not afraid of that. Wouldn't she rather, as emphasising their communion, accept and in a manner exploit the anomaly, treat it perhaps as romantic or possibly even as comic?—show at least that they needn't mind even though the vast table, draped in brown holland, thrust itself between them as an expanse of desert sand. She couldn't cross the desert, but she could, and did, beautifully get round it; so that for him to convert it into an obstacle he would have had to cause himself, as in some childish game or unbecoming romp, to be pursued, to be genially hunted. This last was a turn he was well aware the occasion should on no account take; and there loomed before him—for the mere moment— the prospect of her fairly proposing that they should knock about the balls. That danger certainly, it struck him, he should manage in some way to deal with. Why too, for that matter, had he need of defences, material or other?—how was it a question of dangers really to be called such? The deep danger, the only one that made him, as an idea, positively turn cold, would have been the possibility of her seeking him in marriage, of her bringing up between them that terrible issue. Here, fortunately, she was powerless, it being apparently so provable against her that she had a husband in undiminished existence.
She had him, it was true, only in America, only in Texas, in Nebraska, in Arizona or somewhere—somewhere that, at old Fawns House, in the county of Kent, scarcely counted as a definite place at all; it showed somehow, from afar, as so lost, so indistinct and illusory, in the great alkali desert of cheap Divorce. She had him even in bondage, poor man, had him in contempt, had him in remembrance so imperfect as barely to assert itself, but she had him, none the less, in existence unimpeached: the Miss Lutches had seen him in the flesh—as they had appeared eager to mention; though when they were separately questioned their descriptions failed to tally. He would be at the worst, should it come to the worst, Mrs. Rance's difficulty, and he served therefore quite enough as the stout bulwark of anyone else. This was in truth logic without a flaw, yet it gave Mr. Verver less comfort than it ought. He feared not only danger—he feared the idea of danger, or in other words feared, hauntedly, himself. It was above all as a symbol that Mrs. Rance actually rose before him—a symbol of the supreme effort that he should have sooner or later, as he felt, to make. This effort would be to say No—he lived in terror of having to. He should be proposed to at a given moment—it was only a question of time—and then he should have to do a thing that would be extremely disagreeable. He almost wished, on occasion, that he wasn't so sure he WOULD do it. He knew himself, however, well enough not to doubt: he knew coldly, quite bleakly, where he would, at the crisis, draw the line. It was Maggie's marriage and Maggie's finer happiness— happy as he had supposed her before—that had made the difference; he hadn't in the other time, it now seemed to him, had to think of such things. They hadn't come up for him, and it was as if she, positively, had herself kept them down. She had only been his child—which she was indeed as much as ever; but there were sides on which she had protected him as if she were more than a daughter. She had done for him more than he knew— much, and blissfully, as he always HAD known. If she did at present more than ever, through having what she called the change in his life to make up to him for, his situation still, all the same, kept pace with her activity—his situation being simply that there was more than ever to be done.
There had not yet been quite so much, on all the showing, as since their return from their twenty months in America, as since their settlement again in England, experimental though it was, and the consequent sense, now quite established for him, of a domestic air that had cleared and lightened, producing the effect, for their common personal life, of wider perspectives and large waiting spaces. It was as if his son-in-law's presence, even from before his becoming his son-in-law, had somehow filled the scene and blocked the future—very richly and handsomely, when all was said, not at all inconveniently or in ways not to have been desired: inasmuch as though the Prince, his measure now practically taken, was still pretty much the same "big fact," the sky had lifted, the horizon receded, the very foreground itself expanded, quite to match him, quite to keep everything in comfortable scale. At first, certainly, their decent little old-time union, Maggie's and his own, had resembled a good deal some pleasant public square, in the heart of an old city, into which a great Palladian church, say—something with a grand architectural front—had suddenly been dropped; so that the rest of the place, the space in front, the way round, outside, to the east end, the margin of street and passage, the quantity of over-arching heaven, had been temporarily compromised. Not even then, of a truth, in a manner disconcerting—given, that is, for the critical, or at least the intelligent, eye, the great style of the facade and its high place in its class. The phenomenon that had since occurred, whether originally to have been pronounced calculable or not, had not, naturally, been the miracle of a night, but had taken place so gradually, quietly, easily, that from this vantage of wide, wooded Fawns, with its eighty rooms, as they said, with its spreading park, with its acres and acres of garden and its majesty of artificial lake— though that, for a person so familiar with the "great" ones, might be rather ridiculous—no visibility of transition showed, no violence of adjustment, in retrospect, emerged. The Palladian church was always there, but the piazza took care of itself. The sun stared down in his fulness, the air circulated, and the public not less; the limit stood off, the way round was easy, the east end was as fine, in its fashion, as the west, and there were also side doors for entrance, between the two—large, monumental, ornamental, in their style—as for all proper great churches. By some such process, in fine, had the Prince, for his father-in- law, while remaining solidly a feature, ceased to be, at all ominously, a block.
Mr. Verver, it may further be mentioned, had taken at no moment sufficient alarm to have kept in detail the record of his reassurance; but he would none the less not have been unable, not really have been indisposed, to impart in confidence to the right person his notion of the history of the matter. The right person—it is equally distinct—had not, for this illumination, been wanting, but had been encountered in the form of Fanny Assingham, not for the first time indeed admitted to his counsels, and who would have doubtless at present, in any case, from plenitude of interest and with equal guarantees, repeated his secret. It all came then, the great clearance, from the one prime fact that the Prince, by good fortune, hadn't proved angular. He clung to that description of his daughter's husband as he often did to terms and phrases, in the human, the social connection, that he had found for himself: it was his way to have times of using these constantly, as if they just then lighted the world, or his own path in it, for him—even when for some of his interlocutors they covered less ground. It was true that with Mrs. Assingham he never felt quite sure of the ground anything covered; she disputed with him so little, agreed with him so much, surrounded him with such systematic consideration, such predetermined tenderness, that it was almost—which he had once told her in irritation as if she were nursing a sick baby. He had accused her of not taking him seriously, and she had replied—as from her it couldn't frighten him—that she took him religiously, adoringly. She had laughed again, as she had laughed before, on his producing for her that good right word about the happy issue of his connection with the Prince—with an effect the more odd perhaps as she had not contested its value. She couldn't of course, however, be, at the best, as much in love with his discovery as he was himself. He was so much so that he fairly worked it—to his own comfort; came in fact sometimes near publicly pointing the moral of what might have occurred if friction, so to speak, had occurred. He pointed it frankly one day to the personage in question, mentioned to the Prince the particular justice he did him, was even explicit as to the danger that, in their remarkable relation, they had thus escaped. Oh, if he HAD been angular!—who could say what might THEN have happened? He spoke—and it was the way he had spoken to Mrs. Assingham too—as if he grasped the facts, without exception, for which angularity stood.
It figured for him, clearly, as a final idea, a conception of the last vividness. He might have been signifying by it the sharp corners and hard edges, all the stony pointedness, the grand right geometry of his spreading Palladian church. Just so, he was insensible to no feature of the felicity of a contact that, beguilingly, almost confoundingly, was a contact but with practically yielding lines and curved surfaces. "You're round, my boy," he had said—"you're ALL, you're variously and inexhaustibly round, when you might, by all the chances, have been abominably square. I'm not sure, for that matter," he had added, "that you're not square in the general mass—whether abominably or not. The abomination isn't a question, for you're inveterately round—that's what I mean—in the detail. It's the sort of thing, in you, that one feels—or at least I do—with one's hand. Say you had been formed, all over, in a lot of little pyramidal lozenges like that wonderful side of the Ducal Palace in Venice—so lovely in a building, but so damnable, for rubbing against, in a man, and especially in a near relation. I can see them all from here—each of them sticking out by itself—all the architectural cut diamonds that would have scratched one's softer sides. One would have been scratched by diamonds—doubtless the neatest way if one was to be scratched at all—but one would have been more or less reduced to a hash. As it is, for living with, you're a pure and perfect crystal. I give you my idea—I think you ought to have it—just as it has come to me." The Prince had taken the idea, in his way, for he was well accustomed, by this time, to taking; and nothing perhaps even could more have confirmed Mr. Verver's account of his surface than the manner in which these golden drops evenly flowed over it. They caught in no interstice, they gathered in no concavity; the uniform smoothness betrayed the dew but by showing for the moment a richer tone. The young man, in other words, unconfusedly smiled—though indeed as if assenting, from principle and habit, to more than he understood. He liked all signs that things were well, but he cared rather less WHY they were.
In regard to the people among whom he had since his marriage been living, the reasons they so frequently gave—so much oftener than he had ever heard reasons given before—remained on the whole the element by which he most differed from them; and his father-in- law and his wife were, after all, only first among the people among whom he had been living. He was never even yet sure of how, at this, that or the other point, he would strike them; they felt remarkably, so often, things he hadn't meant, and missed not less remarkably, and not less often, things he had. He had fallen back on his general explanation—"We haven't the same values;" by which he understood the same measure of importance. His "curves" apparently were important because they had been unexpected, or, still more, unconceived; whereas when one had always, as in his relegated old world, taken curves, and in much greater quantities too, for granted, one was no more surprised at the resulting feasibility of intercourse than one was surprised at being upstairs in a house that had a staircase. He had in fact on this occasion disposed alertly enough of the subject of Mr. Verver's approbation. The promptitude of his answer, we may in fact well surmise, had sprung not a little from a particular kindled remembrance; this had given his acknowledgment its easiest turn. "Oh, if I'm a crystal I'm delighted that I'm a perfect one, for I believe that they sometimes have cracks and flaws—in which case they're to be had very cheap!" He had stopped short of the emphasis it would have given his joke to add that there had been certainly no having HIM cheap; and it was doubtless a mark of the good taste practically reigning between them that Mr. Verver had not, on his side either, taken up the opportunity. It is the latter's relation to such aspects, however, that now most concerns us, and the bearing of his pleased view of this absence of friction upon Amerigo's character as a representative precious object. Representative precious objects, great ancient pictures and other works of art, fine eminent "pieces" in gold, in silver, in enamel, majolica, ivory, bronze, had for a number of years so multiplied themselves round him and, as a general challenge to acquisition and appreciation, so engaged all the faculties of his mind, that the instinct, the particular sharpened appetite of the collector, had fairly served as a basis for his acceptance of the Prince's suit.
Over and above the signal fact of the impression made on Maggie herself, the aspirant to his daughter's hand showed somehow the great marks and signs, stood before him with the high authenticities, he had learned to look for in pieces of the first order. Adam Verver knew, by this time, knew thoroughly; no man in Europe or in America, he privately believed, was less capable, in such estimates, of vulgar mistakes. He had never spoken of himself as infallible—it was not his way; but, apart from the natural affections, he had acquainted himself with no greater joy, of the intimately personal type, than the joy of his originally coming to feel, and all so unexpectedly, that he had in him the spirit of the connoisseur. He had, like many other persons, in the course of his reading, been struck with Keats's sonnet about stout Cortez in the presence of the Pacific; but few persons, probably, had so devoutly fitted the poet's grand image to a fact of experience. It consorted so with Mr. Verver's consciousness of the way in which, at a given moment, he had stared at HIS Pacific, that a couple of perusals of the immortal lines had sufficed to stamp them in his memory. His "peak in Darien" was the sudden hour that had transformed his life, the hour of his perceiving with a mute inward gasp akin to the low moan of apprehensive passion, that a world was left him to conquer and that he might conquer it if he tried. It had been a turning of the page of the book of life—as if a leaf long inert had moved at a touch and, eagerly reversed, had made such a stir of the air as sent up into his face the very breath of the Golden Isles. To rifle the Golden Isles had, on the spot, become the business of his future, and with the sweetness of it—what was most wondrous of all—still more even in the thought than in the act. The thought was that of the affinity of Genius, or at least of Taste, with something in himself—with the dormant intelligence of which he had thus almost violently become aware and that affected him as changing by a mere revolution of the screw his whole intellectual plane. He was equal, somehow, with the great seers, the invokers and encouragers of beauty—and he didn't after all perhaps dangle so far below the great producers and creators. He had been nothing of that kind before-too decidedly, too dreadfully not; but now he saw why he had been what he had, why he had failed and fallen short even in huge success; now he read into his career, in one single magnificent night, the immense meaning it had waited for.
It was during his first visit to Europe after the death of his wife, when his daughter was ten years old, that the light, in his mind, had so broken—and he had even made out at that time why, on an earlier occasion, the journey of his honeymoon year, it had still been closely covered. He had "bought" then, so far as he had been able, but he had bought almost wholly for the frail, fluttered creature at his side, who had had her fancies, decidedly, but all for the art, then wonderful to both of them, of the Rue de la Paix, the costly authenticities of dressmakers and jewellers. Her flutter—pale disconcerted ghost as she actually was, a broken white flower tied round, almost grotesquely for his present sense, with a huge satin "bow" of the Boulevard—her flutter had been mainly that of ribbons, frills and fine fabrics; all funny, pathetic evidence, for memory, of the bewilderments overtaking them as a bridal pair confronted with opportunity. He could wince, fairly, still, as he remembered the sense in which the poor girl's pressure had, under his fond encouragement indeed, been exerted in favour of purchase and curiosity. These were wandering images, out of the earlier dusk, that threw her back, for his pity, into a past more remote than he liked their common past, their young affection, to appear. It would have had to be admitted, to an insistent criticism, that Maggie's mother, all too strangely, had not so much failed of faith as of the right application of it; since she had exercised it eagerly and restlessly, made it a pretext for innocent perversities in respect to which philosophic time was at, last to reduce all groans to gentleness. And they had loved each other so that his own intelligence, on the higher line, had temporarily paid for it. The futilities, the enormities, the depravities, of decoration and ingenuity, that, before his sense was unsealed, she had made him think lovely! Musing, reconsidering little man that he was, and addicted to silent pleasures—as he was accessible to silent pains—he even sometimes wondered what would have become of his intelligence, in the sphere in which it was to learn more and more exclusively to play, if his wife's influence upon it had not been, in the strange scheme of things, so promptly removed. Would she have led him altogether, attached as he was to her, into the wilderness of mere mistakes? Would she have prevented him from ever scaling his vertiginous Peak?—or would she, otherwise, have been able to accompany him to that eminence, where he might have pointed out to her, as Cortez to HIS companions, the revelation vouchsafed? No companion of Cortez had presumably been a real lady: Mr. Verver allowed that historic fact to determine his inference.