WeRead Powered by ReaderPub
The golden whales of California, and other rhymes in the American language cover

The golden whales of California, and other rhymes in the American language

Chapter 25: THE CONSCIENTIOUS DEACON
Open in WeRead

Explore more books like this:

About This Book

The collection gathers lyrical and narrative poems that range from long, scene-setting pieces celebrating California's landscapes and the new art of the moving picture to playful rhymed scenarios and verse games. It interleaves meditations on history, myth, science, and religion with comic sketches and dialectal songs, moves into wartime reflections and elegies for fallen poets, and closes with local, Midwestern vignettes and personal tributes. The poet shifts between high-lyric description, satirical invective, and vernacular rhythms, experimenting with form and voice to present an uneven but energetic portrait of American life, technology, and regional identity in early twentieth-century verse.

THE CONSCIENTIOUS DEACON

A song to be syncopated as you please

Black cats, grey cats, green cats miau—
Chasing the deacon who stole the cow.
He runs and tumbles, he tumbles and runs.
He sees big white men with dogs and guns.
He falls down flat. He turns to stare—
No cats, no dogs, and no men there.
But black shadows, grey shadows, green shadows come.
The wind says, “Miau!” and the rain says, “Hum!”
He goes straight home. He dreams all night.
He howls. He puts his wife in a fright.
Black devils, grey devils, green devils shine—
Yes, by Sambo,
And the fire looks fine!
Cat devils, dog devils, cow devils grin—
Yes, by Sambo,
And the fire rolls in.
And so, next day, to avoid the worst—
He takes that cow
Where he found her first.