OBS. 4.—Wells says, "A has six sounds:—1. Long; as in late. 2. Grave; as in father. 3. Broad; as in fall. 4. Short; as in man. 5. The sound heard in care, hare. 6. Intermediate between a in man and a in father; as in grass, pass, branch."—School Grammar, 1850, p. 33. Besides these six, Worcester recognizes a seventh sound,—the "A obscure; as in liar, rival"—Univ. and Crit. Dict., p. ix. Such a multiplication of the oral elements of our first vowel.—or, indeed, any extension of them beyond four,—appears to me to be unadvisable; because it not only makes our alphabet the more defective, but is unnecessary, and not sustained by our best and most popular orthoepical [sic—KTH] authorities. The sound of a in liar, (and in rival too, if made "obscure") is a borrowed one, pertaining more properly to the letter u. In grass, pass, and branch, properly uttered, the a is essentially the same as in man. In care and hare, we have the first sound of a, made as slender as the r will admit.
OBS. 5.—Concerning his fifth sound of a, Wells cites authorities thus: "Walker, Webster, Sheridan, Fulton and Knight, Kenrick, Jones, and Nares, give a in care the long sound of a, as in late. Page and Day give it the short sound of a, as in mat. See Page's Normal Chart, and Day's Art of Elocution. Worcester and Perry make the sound of a in care a separate element; and this distinction is also recognized by Russell, Mandeville, and Wright. See Russell's Lessons in Enunciation, Mandeville's Elements of Reading and Oratory, and Wright's Orthography."—Wells's School Grammar, p. 34. Now the opinion that a in care has its long, primal sound, and is not properly "a separate element," is maintained also by Murray, Hiley, Bullions, Scott, and Cobb; and is, undoubtedly, much more prevalent than any other. It accords, too, with the scheme of Johnson. To count this a by itself, seems too much like a distinction without a difference.
OBS. 6.—On his sixth sound of a, Wells remarks as follows: "Many persons pronounce this a incorrectly, giving it either the grave or the short sound. Perry, Jones, Nares, Webster, and Day, give to a in grass the grave sound, as in father; while Walker, Jamieson, and Russell, give it the short sound, as in man. But good speakers generally pronounce a in grass, plant, etc., as a distinct element, intermediate between the grave and the short sound."—School Gram., p. 34. He also cites Worcester and Smart to the same effect; and thinks, with the latter, "There can be no harm in avoiding the censure of both parties by shunning the extreme that offends the taste of each."—Ib., p. 35. But I say, that a needless multiplication of questionable vowel powers difficult to be discriminated, is "harm," or a fault in teaching; and, where intelligent orthoepists [sic—KTH] dispute whether words have "the grave or the short sound" of a, how can others, who condemn both parties, acceptably split the difference, and form "a distinct element" in the interval? Words are often mispronounced, and the French or close a may be mistaken for the Italian or broadish a, and vice versa; but, between the two, there does not appear to be room for an other distinguishable from both. Dr. Johnson says, (inaccurately indeed,) "A has three sounds, the slender, [the] open, and [the] broad. A slender is found in most words, as face, mane. A open is the a of the Italian, or nearly resembles it; as father, rather, congratulate, fancy, glass. A broad resembles the a of the German; as all, wall, call. [fist] The short a approaches to the a open, as grass."—Johnson's Grammar, in his Quarto Dictionary, p. 1. Thus the same word, grass, that serves Johnson for an example of "the short a" is used by Wells and Worcester to exemplify the "a intermediate;" while of the Doctor's five instances of what he calls the "a open," three, if not four, are evidently such as nearly all readers nowadays would call close or short!
OBS. 7.—There are several grammarians who agree in ascribing to our first vowel five sounds, but who nevertheless oppose one an other in making up the five. Thus, according to Hart, "A has five sounds of its own, as in fate, fare, far, fall, fat,"—Hart's E. Gram., p. 26. According to W. Allen, "A has five sounds;—the long or slender, as in cane; the short or open, as in can; the middle, as in arm; the broad, as in all; and the broad contracted, as in want."—Allen's E. Gram., p. 6. P. Davis has the same sounds in a different order, thus: "a [as in] mane, mar, fall, mat, what."—Davis's E. Gram., p. xvi. Mennye says, "A has five sounds; as, 1 fame, 2 fat, 3 false, 4 farm, 5 beggar."—Mennye's E. Gram., p. 55. Here the fifth sound is the seventh of Worcester,—the "A obscure."
DIPHTHONGS BEGINNING WITH A.
The only proper diphthong in which a is put first, is the word ay, meaning yes: in which a has its middle sound, as in ah, and y is like open e, or ee, uttered feebly—ah-ee. Aa, when pronounced as an improper diphthong, and not as pertaining to two syllables, usually takes the sound of close a; as in Balaam, Canaan, Isaac. In many words, as in Baäl, Gaäl, Gaäsh, the diæresis occurs. In baa, the cry of a sheep, we hear the Italian sound of a; and, since we hear it but once, one a or the other must be silent.
Æ, a Latin improper diphthong, common also in the Anglo-Saxon, generally has, according to modern orthoëpists, the sound of open e or ee; as in Cæsar, ænigma, pæan;—sometimes that of close or short e; as in aphæresis, diæresis, et cætera. Some authors, judging the a of this diphthong to be needless, reject it, and write Cesar, enigma, &c.
Ai, an improper diphthong, generally has the sound of open or long a; as in sail, avail, vainly. In a final unaccented syllable, it sometimes preserves the first sound of a; as in chilblain, mortmain: but oftener takes the sound of close or short i; as in certain, curtain, mountain, villain. In said, saith, again, and against, it takes the sound of close or short e; and in the name Britain, that of close or short u.
Ao, an improper diphthong, occurs in the word gaol, now frequently written as it is pronounced, jail; also in gaoler, which may be written jailer; and in the compounds of gaol: and, again, it is found in the adjective extraordinary, and its derivatives, in which, according to nearly all orthoëpists, the a is silent. The name Pharaoh, is pronounced F=a'r=o.
Au, an improper diphthong, is generally sounded like broad a; as in cause, caught, applause. Before n and an other consonant, it usually has the sound of grave or middle a; as in aunt, flaunt, gaunt, launch, laundry. So in laugh, laughter, and their derivatives. Gauge and gauger are pronounced gage and gager, and sometimes written so.
Aw, an improper diphthong, is always sounded like broad a; as in draw, drawn, drawl.
Ay, an improper diphthong, like ai, has usually the sound of open or long a; as in day, pay, delay: in sayst and says, it has the sound of close or short e.
TRIPHTHONGS BEGINNING WITH A.
Awe is sounded au, like broad a. Aye, an adverb signifying always, has the sound of open or long a only; being different, both in sound and in spelling, from the adverb ay, yes, with which it is often carelessly confounded. The distinction is maintained by Johnson, Walker, Todd, Chalmers, Jones, Cobb, Maunder, Bolles, and others; but Webster and Worcester give it up, and write "ay, or aye," each sounded ah-ee, for the affirmation, and "aye," sounded =a, for the adverb of time: Ainsworth on the contrary has ay only, for either sense, and does not note the pronunciation.
II. OF THE LETTER B.
The consonant B has but one sound; as in boy, robber, cub. B is silent before t or after m in the same syllable; as in debt, debtor, doubt, dumb, lamb, climb, tomb. It is heard in subtile, fine; but not in subtle, cunning.
III. OF THE LETTER C.
The consonant C has two sounds, neither of them peculiar to this letter; the one hard, like that of k, and the other soft, or rather hissing, like that of s. C before a, o, u, l, r, t, or when it ends a syllable, is generally hard, like k; as in can, come curb, clay, crab, act, action, accent, flaccid. C before e, i, or y, is always soft, like s; as in cent, civil, decency, acid.
In a few words, c takes the flat sound of s, like that of z; as in discern, suffice, sacrifice, sice. C before ea, ia, ie, io, or eou, when the accent precedes, sounds like sh; as in ocean, special, species, gracious, cetaceous. C is silent in czar, czarina, victuals, indict, muscle, corpuscle, and the second syllable of Connecticut.
Ch is generally sounded like tch, or tsh, which is the same to the ear; as in church, chance, child. But in words derived from the learned languages, it has the sound of k; as in character, scheme, catechise, chorus, choir, chyle, patriarch, drachma, magna charta: except in chart, charter, charity. Ch, in words derived from the French, takes the sound of sh; as in chaise, machine. In Hebrew words or names, in general, ch sounds like k; as in Chebar, Sirach, Enoch: but in Rachel, cherub, and cherubim, we have Anglicized the sound by uttering it as tch. Loch, a Scottish word, sometimes also a medical term, is heard as lok.
"Arch, before a vowel, is pronounced ark; as in archives, archangel, archipelago: except in arched, archer, archery, archenemy. Before a consonant it is pronounced artch; as in archbishop, archduke, archfiend."—See W. Allen's Gram., p. 10. Ch is silent in schism, yacht, and drachm. In schedule, some utter it as k; others, as sh; and many make it mute: I like the first practice.
IV. OF THE LETTER D.
The general sound of the consonant D, is that which is heard in dog, eddy, did. D, in the termination ed, preceded by a sharp consonant, takes the sound of t, when the e is suppressed or unheard: as in faced, stuffed, cracked, tripped, passed; pronounced faste, stuft, cract, tript, past. D before ia, ie, io, or eou, when the accent precedes, generally sounds like j; as in Indian, soldier, tedious, hideous. So in verdure, arduous, education.
V. OF THE LETTER E.
The vowel E has two sounds properly its own,—and I incline to think, three:—
1. The open, long, full, or primal e; as in me, mere, menial, melodious.
2. The close, curt, short, or stopped e; as in men, merry, ebony, strength.
3. The obscure or faint e; as in open, garden, shovel, able. This third sound is scarcely perceptible, and barely sufficient to articulate the consonant and form a syllable.
E final is mute and belongs to the syllable formed by the preceding vowel or diphthong; as in age, eve, ice, ore. Except—1. In the words, be, he, me, we, she, in which it has the open sound; and the article the, wherein it is open before a vowel, and obscure before a consonant. 2. In Greek and Latin words, in which it has its open sound, and forms a distinct syllable, or the basis of one; as in Penelope, Pasiphaë, Cyaneë, Gargaphië, Arsinoë, apostrophe, catastrophe, simile, extempore, epitome. 3. In the terminations ere, gre, tre, in which it has the sound of close or curt u, heard before the r; as in acre, meagre, centre.
Mute e, after a single consonant, or after st or th, generally preserves the open or long sound of the preceding vowel; as in cane, here, pine, cone, tune, thyme, baste, waste, lathe, clothe: except in syllables unaccented; as in the last of genuine;—and in a few monosyllables; as bade, are, were, gone, shone, one, done, give, live, shove, love.
DIPHTHONGS BEGINNING WITH E.
E before an other vowel, in general, either forms with it an improper diphthong, or else belongs to a separate syllable. We do not hear both vowels in one syllable, except perhaps in eu or ew.
Ea, an improper diphthong, mostly sounds like open or long e; as in ear, fear, tea; frequently like close or curt e; as in head, health, leather: sometimes, like open or long a; as in steak, bear, forswear: rarely, like middle a; as in heart, hearth, hearken. Ea in an unaccented syllable, sounds like close or curt u; as in vengeance, pageant.
Ee, an improper diphthong, mostly sounds like one open or long e; as in eel, sheep, tree, trustee, referee. The contractions e'er and ne'er, are pronounced air and nair, and not like ear and near. E'en, however, preserves the sound of open e. Been is most commonly heard with the curt sound of i, bin.
Ei, an improper diphthong, mostly sounds like the primal or long a; as in reign, veil: frequently, like open or long e; as in deceit, either, neither, seize: sometimes, like open or long i; as in height, sleight, heigh-ho: often, in unaccented syllables, like close or curt i; as in foreign, forfeit, surfeit, sovereign: rarely, like close e; as in heifer, nonpareil.
Eo, an improper diphthong, in people, sounds like open or long e; in leopard and jeopard, like close or curt e; in yeoman, according to the best usage, like open or long o; in George, Georgia, georgic, like close o; in dungeon, puncheon, sturgeon, &c., like close u. In feoff, and its derivatives, the close or short sound of e is most fashionable; but some prefer the long sound of e; and some write the word "fief." Feod, feodal, feodary, feodatory, are now commonly written as they are pronounced, feud, feudal, feudary, feudatory.
Eu and ew are sounded alike, and almost always with the diphthongal sound of open or long u; as in feud, deuce, jewel, dew, few, new. These diphthongs, when initial, sound like yu. Nouns beginning with this sound, require the article a, and not an, before them; as, A European, a ewer. After r or rh, eu and ew are commonly sounded like oo; as in drew, grew, screw, rheumatism. In sew and Shrewsbury, ew sounds like open o: Worcester, however, prefers the sound of oo in the latter word. Shew and strew, having the same meaning as show and strow, are sometimes, by sameness of pronunciation, made to be the same words; and sometimes distinguished as different words, by taking the sounds shu and stroo.
Ey, accented, has the sound of open or long a; as in bey, prey, survey: unaccented, it has the sound of open e; as in alley, valley, money. Key and ley are pronounced kee, lee.
TRIPHTHONGS BEGINNING WITH E.
Eau, a French triphthong, sounds like open o; as in beau, flambeau, portmanteau, bureau: except in beauty, and its compounds, in which it is pronounced like open u, as if the word were written buty.
Eou is a combination of vowels sometimes heard in one syllable, especially after c or g; as in crus-ta-ceous, gor-geous. Walker, in his Rhyming Dictionary, gives one hundred and twenty words ending in eous, in all of which he separates these vowels; as in ex-tra-ne-ous. And why, in his Pronouncing Dictionary, he gave us several such anomalies as fa-ba-ce-ous in four syllables and her-ba-ceous in three, it is not easy to tell. The best rule is this: after c or g, unite these vowels; after the other consonants, separate them.
Ewe is a triphthong having the sound of yu, and forming a word. The vulgar pronunciation yoe should be carefully avoided.
Eye is an improper triphthong which also forms a word, and is pronounced like open i, or the pronoun I.
VI. OF THE LETTER F.
The consonant F has one unvaried sound, which is heard in fan, effort, staff: except of, which, when simple, is pronounced ov.
VII. OF THE LETTER G.
The consonant G has two sounds;—the one hard, guttural, and peculiar to this letter; the other soft, like that of j. G before a, o, u, l, r, or at the end of a word, is hard; as in game, gone, gull, glory, grace, log, bog; except in gaol. G before e, i, or y, is soft; as in gem, ginger, elegy. Except—1. In get, give, gewgaw, finger, and a few other words. 2. When a syllable is added to a word ending in g: as, long, longer; fog, foggy.
G is silent before m or n in the same syllable; as in phlegm, apothegm, gnaw, design. G, when silent, usually lengthens the preceding vowel; as in resign, impregn, impugn.
Gh at the beginning of a word has the sound of g hard; as in ghastly, gherkin, Ghibelline, ghost, ghoul, ghyll: in other situations, it is generally silent; as in high, mighty, plough, bough, though, through, fight, night, bought. Gh final sometimes sounds like f; as in laugh, rough, tough; and sometimes, like g hard; as in burgh. In hough, lough, shough, it sounds like k, or ck; thus, hock, lock, shock.
VIII. OF THE LETTER H.
The sound of the consonant H, (though articulate and audible when properly uttered,) is little more than an aspirate breathing. It is heard in hat, hit, hot, hut, adhere.
H at the beginning of a word, is always sounded; except in heir, herb, honest, honour, hospital, hostler, hour, humble, humour, with their compounds and derivatives. H after r, is always silent; as in rhapsody, rhetoric, rheum, rhubarb. H final, immediately following a vowel, is always silent; as in ah, Sarah, Nineveh, Shiloh.
IX. OF THE LETTER I.
The vowel I has three sounds, each very common to it, and perhaps properly its own:—
1. The open, long, full, or primal i; as in life, fine, final, time, bind, child, sigh, pint, resign. This is a diphthongal sound, equivalent to the sounds of middle a and open e quickly united.
2. The close, curt, short, or stopped i; as in ink, limit, disfigure, mimicking.
3. The feeble, faint, or slender i, accentless; as in divest, doctrinal, diversity.
This third sound is equivalent to that of open e, or ee uttered feebly. I generally has this sound when it occurs at the end of an unaccented syllable: except at the end of Latin words, or of ancient names, where it is open or long; as in literati, Nervii, Eli, Levi.
In some words, (principally from other modern languages,) i has the full sound of open e, under the accent; as in Porto Rico, machine, magazine, antique, shire.
Accented i followed by a vowel, has its open or primal sound; and the vowels belong to separate syllables; as in pliant, diet, satiety, violet, pious. Unaccented i followed by a vowel, has its feeble sound; as in expatiate, obedient, various, abstemious.
DIPHTHONGS BEGINNING WITH I.
I, in the situation last described, readily coalesces with the vowel which follows, and is often sunk into the same syllable, forming a proper diphthong: as in fustian, quotient, question. The terminations cion, sion, and tion, are generally pronounced shun; and cious and tious are pronounced shus.
Ie is commonly an improper diphthong. Ie in die, hie, lie, pie, tie, vie, and their derivatives, has the sound of open i. Ie in words from the French, (as cap-a-pie, ecurie, grenadier, siege, bier,) has the sound of open e. So, generally, in the middle of English roots; as in chief, grief, thief; but, in sieve, it has the sound of close or short i. In friend, and its derivatives or compounds, it takes the sound of close e.
TRIPHTHONGS BEGINNING WITH I.
The triphthongs ieu and iew both sound like open or long u; as in lieu, adieu, view.
The three vowels iou, in the termination ious, often fall into one syllable, and form a triphthong. There are two hundred and forty-five words of this ending; and more than two hundred deriva- tives from them. Walker has several puzzling inconsistencies in their pronunciation; such as fas-tid-i-ous and per-fid-ious, con-ta-gi-ous and sac-ri-le-gious. After c, g, t, or x, these vowels should coalesce: as in gra-cious, re-li-gious, vex-a-tious, ob-nox-ious, and about two hundred other words. After the other consonants, let them form two syllables; (except when there is a syn- seresis in poetry;) as in dw-bi-ou-s, o-di-ous, va-ri-ous, en-vi-ous.
X. OF THE LETTER J.
The consonant J, the tenth letter of the English alphabet, has invariably the sound of soft g, like the g in giant, which some say is equivalent to the complex sound dzh; as, jade, jet, jilt, joy, justice, jewel, prejudice.
XI. OF THE LETTER K.
The consonant K, not silent, has uniformly the sound of c hard; and occurs where c would have its soft sound: as in keep, looking, kind, smoky.
K before n is silent; as in knave, know, knuckle. In stead of doubling c final, we write ck; as in lack, lock, luck, attack. In English words, k is never doubled, though two Kays may come together in certain compounds; as in brickkiln, jackknife. Two Kays, belonging to different syllables, also stand together in a few Scripture names; as in Akkub, Bakbakkar, Bukki, Bukkiah, Habakkuk. Hakkoz, Ikkesh, Sukkiims. C before k, though it does not always double the sound which c or k in such a situation must represent, always shuts or shortens the preceding vowel; as in rack, speck, freckle, cockle, wicked.
XII. OF THE LETTER L.
The consonant L, the plainest of the semivowels, has a soft, liquid sound; as in line, lily, roll, follow. L is sometimes silent; as in Holmes, alms, almond, calm, chalk, walk, calf, half, could, would, should. L, too, is frequently doubled where it is heard but once; as in hill, full, travelled. So any letter that is written twice, and not twice sounded, must there be once mute; as the last in baa, ebb, add, see, staff, egg, all, inn, coo, err, less, buzz.
XIII. OF THE LETTER M.
The consonant M is a semivowel and a liquid, capable of an audible, humming sound through the nose, when the mouth is closed. It is heard in map, murmur, mammon. In the old words, compt, accompt, comptroller, (for count, account, controller,) the m is sounded as n. M before n, at the beginning of a word, is silent; as in Mnason, Mnemosyne, mnemonics.
XIV. OF THE LETTER N.
The consonant N, which is also a semivowel and a liquid, has two sounds;—the first, the pure and natural sound of n; as in nun, banner, cannon;—the second, the ringing sound of ng, heard before certain gutturals; as in think, mangle, conquer, congress, singing, twinkling, Cen'chreä. The latter sound should be carefully preserved in all words ending in ing, and in such others as require it. The sounding of the syllable ing as if it were in, is a vulgarism in utterance; and the writing of it so, is, as it would seem by the usage of Burns, a Scotticism.
N final preceded by m, is silent; as in hymn, solemn, column, damn, condemn, autumn. But this n becomes audible in an additional syllable; as in autumnal, condemnable, damning.
XV. OF THE LETTER O.
The vowel O has three different sounds, which are properly its own:—
1. The open, full, primal, or long o; as in no, note, opiate, opacity, Roman.
2. The close, curt, short, or stopped o; as in not, nor, torrid, dollar, fondle.
3. The slender or narrow o, like oo; as in prove, move, who, to, do, tomb.
O, in many words, sounds like close or curt u; as in love, shove, son, come, nothing, dost, attorney, gallon, dragon, comfit, comfort, coloration. One is pronounced wun; and once, wunce. In the termination on immediately after the accent, o is often sunk into a sound scarcely perceptible, like that of obscure e; as in mason, person, lesson.
DIPHTHONGS BEGINNING WITH O.
Oa, an improper diphthong, has the sound of open or long o; as in boat, coal, roach, coast, coastwise: except in broad and groat, which have the sound of broad a.
Oe, an improper diphthong, when final, has the sound of open or long o: as in doe, foe, throe: except in canoe, shoe, pronounced canoo, shoo. OE, a Latin diphthong, generally sounds like open e; as in Antoeci, foetus: sometimes, like close or curt e; as in foetid, foeticide. But the English word f~etid is often, and perhaps generally, written without the o.
Oi is generally a proper diphthong, uniting the sound of close o or broad a, and that of open e; as in boil, coil, soil, rejoice. But the vowels, when they appear together, sometimes belong to separate syllables; as in Stoic, Stoicism. Oi unaccented, sometimes has the sound of close or curt i; as in avoirdupois, connoisseur, tortoise.
Oo, an improper diphthong, generally has the slender sound of o; as in coo, too, woo, fool, room. It has, in some words, a shorter or closer sound, (like that of u in bull,) as in foot, good, wood, stood, wool;—that of close u in blood and flood;—and that of open o in door and floor. Derivatives from any of these, sound as their primitives.
Ou is generally a proper diphthong, uniting the sound of close or curt o, and that of u as heard in bull,—or u sounded as oo; as in bound, found, sound, ounce, thou. Ou is also, in certain instances, an improper diphthong; and, as such, it has six different sounds:—(l.) That of close or curt u; as in rough, tough, young, flourish. (2.) That of broad a; as in ought, bought, thought. (3.) That of open or long o; as in court, dough, four, though. (4.) That of close or curt o; as in cough, trough, lough, shough: which are, I believe, the only examples. (5.) That of slender o, or oo; as in soup, you, through. (6.) That of u in bull, or of oo shortened; only in would, could, should.
Ow generally sounds like the proper diphthong ou,—or like a union of short o with oo; as in brown, dowry, now, shower: but it is often an improper diphthong, having only the sound of open or long o; as in know, show, stow.
Oy is a proper diphthong, equivalent in sound to oi; as in joy, toy, oyster.
TRIPHTHONGS BEGINNING WITH O.
OEu is a French triphthong, pronounced in English as oo, and occurring in the word manoeuvre, with its several derivatives. Owe is an improper triphthong, and an English word, in which the o only is heard, and heard always with its long or open sound.
XVI. OF THE LETTER P.
The consonant P, when not written before h, has commonly one peculiar sound; which is heard in pen, pine, sup, supper. The word cupboard is usually pronounced kubburd. P, written with an audible consonant, is sometimes itself silent; as in psalm, psalter, pseudography, psychology, ptarmigan, ptyalism, receipt, corps.
Ph generally sounds like f; as in philosophy. In Stephen and nephew, ph has the sound of v. The h after p, is silent in diphthong, triphthong, naphtha, ophthalmic; and both the p and the h are silent in apophthegm, phthisis, phthisical. From the last three words, ph is sometimes dropped.
XVII. OF THE LETTER Q.
The consonant Q, being never silent, never final, never doubled, and not having a sound peculiar to itself, is invariably heard, in English, with the power of k; and is always followed by the vowel u, which, in words purely English, is sounded like the narrow o, or oo,—or, perhaps, is squeezed into the consonantal sound of w;—as in queen, quaver, quiver, quarter, request. In some words of French origin, the u after q is silent; as in coquet, liquor, burlesque, etiquette.
XVIII. OF THE LETTER R.
The consonant R, called also a semivowel and a liquid, has usually, at the beginning of a word, or before a vowel, a rough or pretty strong sound; as in roll, rose, roam, proudly, prorogue. "In other positions," it is said by many to be "smooth" or "soft;" "as in hard, ford, word."—W. Allen.
OBSERVATIONS.
OBS. 1.—The letter R turns the tip of the tongue up against or towards the roof of the mouth, where the sound may be lengthened, roughened, trilled, or quavered. Consequently, this element may, at the will of the speaker, have more or less—little or nothing, or even very much—of that peculiar roughness, jar, or whur, which is commonly said to constitute the sound. The extremes should here be avoided. Some readers very improperly omit the sound of r from many words to which it pertains; pronouncing or as awe, nor as knaw, for as faugh, and war as the first syllable of water. On the other hand, "The excessive trilling of the r, as practised by some speakers, is a great fault."—D. P. Page.
OBS. 2.—Dr. Johnson, in his "Grammar of the English Tongue," says, "R has the same rough snarling sound as in other tongues."—P. 3. Again, in his Quarto Dictionary, under this letter, he says, "R is called the canine letter, because it is uttered with some resemblance to the growl or snarl of a cur: it has one constant sound in English, such as it has in other languages; as, red, rose, more, muriatick." Walker, however, who has a greater reputation as an orthoepist [sic—KTH], teaches that, "There is a distinction in the sound of this letter, which is," says he, "in my opinion, of no small importance; and that is, the [distinction of] the rough and [the] smooth r. Ben Jonson," continues he, "in his Grammar, says, 'It is sounded firm in the beginning of words, and more liquid in the middle and ends, as in rarer, riper; and so in the Latin.' The rough r is formed by jarring the tip of the tongue against the roof of the mouth near the fore teeth: the smooth r is a vibration of the lower part of the tongue, near the root, against the inward region of the palate, near the entrance of the throat."—Walker's Principles, No. 419; Octavo Dict., p. 48.
OBS. 3.—Wells, with his characteristic indecision, forbears all recognition of this difference, and all intimation of the quality of the sound, whether smooth or rough; saying, in his own text, only this: "R has the sound heard in rare."—School Grammar, p. 40. Then, referring the student to sundry authorities, he adds in a footnote certain "quotations," that are said to "present a general view of the different opinions which exist among orthoepists respecting this letter." And so admirably are these authorities or opinions balanced and offset, one class against an other, that it is hard to tell which has the odds. First, though it is not at all probable that Wells's utterance of "rare" exhibits twice over the rough snarl of Johnson's r, the "general view" seems intended to confirm the indefinite teaching above, thus: "'R has one constant sound in English.'—Johnson. The same view is adopted by Webster, Perry, Kendrick, Sheridan, Jones, Jameson, Knowles, and others."—School Grammar, p. 40. In counterpoise of these, Wells next cites about as many more—namely, Frazee, Page, Russell, Walker, Rush, Barber, Comstock, and Smart,—as maintaining or admitting that r has sometimes a rough sound, and sometimes a smoother one.
XIX. OF THE LETTER S.
The consonant S has a sharp, hissing, or hard sound; as in sad, sister, thus: and a flat, buzzing, or soft sound, like that of z; as in rose, dismal, bosom, husband. S, at the beginning of words, or after any of the sharp consonants, is always sharp; as in see, steps, cliffs, sits, stocks, smiths. S, after any of the flat mutes, or at the end of words when not preceded by a sharp consonant, is generally flat; as in eyes, trees, beds, bags, calves. But in the English termination ous, or in the Latin us, it is sharp; as joyous, vigorous, hiatus.
Ss is generally sharp; as in pass, kiss, harass, assuage, basset, cassock, remissness. But the first two Esses in possess, or any of its regular derivatives, as well as the two in dissolve, or its proximate kin, sound like two Zees; and the soft or flat sound is commonly given to each s in hyssop, hussy, and hussar. In scissel, scissible, and scissile, all the Esses hiss;—in scissors, the last three of the four are flat, like z;—but in the middle of scissure and scission we hear the sound of zh.
S, in the termination sion, takes the sound of sh, after a consonant; as in aspersion, session, passion, mission, compulsion: and that of zh, after a vowel; as in evasion, elision, confusion.
In the verb assure, and each of its derivatives, also in the nouns pressure and fissure, with their derivatives, we hear, according to Walker, the sound of sh for each s, or twice in each word; but, according to the orthoëpy of Worcester, that sound is heard only in the accented syllable of each word, and the vowel in each unaccented syllable is obscure.
S is silent or mute in the words, isle, island, aisle, demesne, corps, and viscount.
XX. OF THE LETTER T.
The general sound of the consonant T, is heard in time, letter, set. T, immediately after the accent, takes the sound of tch, before u, and generally also before eou; as in nature, feature, virtue, righteous, courteous: when s or x precedes, it takes this sound before ia or io; as in fustian, bastion, mixtion. But the general or most usual sound of t after the accent, when followed by i and an other vowel, is that of sh; as in creation, patient, cautious.
In English, t is seldom, if ever, silent or powerless. In depot, however, a word borrowed from the French, we do not sound it; and in chestnut, which is a compound of our own, it is much oftener written than heard. In often and soften, some think it silent; but it seems rather to take here the sound of f. In chasten, hasten, fasten, castle, nestle, whistle, apostle, epistle, bustle, and similar words, with their sundry derivatives, the t is said by some to be mute; but here it seems to take the sound of s; for, according to the best authorities, this sound is beard twice in such words. Th, written in Greek by the character called Theta, ([Greek: th] or O capital, [Greek: th] or [Greek: th] small,) represents an elementary sound; or, rather, two distinct elementary sounds, for which the Anglo-Saxons had different characters, supposed by Dr. Bosworth to have been applied with accurate discrimination of "the hard or sharp sound of th," from "the soft or flat sound."—(See Bosworth's Compendious Anglo-Saxon Dictionary, p. 268.) The English th is either sharp, as in thing, ethical, thinketh; or flat, as in this, whither, thither.
"Th initial is sharp; as in thought: except in than, that, the, thee, their, them, then, thence, there, these, they, thine, this, thither, those, thou, thus, thy, and their compounds."—W. Allen's Grammar, p. 22.
Th final is also sharp; as in south: except in beneath, booth, with, and several verbs formerly with th last, but now frequently (and more properly) written with final e; as loathe, mouthe, seethe, soothe, smoothe, clothe, wreathe, bequeathe, unclothe.
Th medial is sharp, too, when preceded or followed by a consonant; as in Arthur, ethnic, swarthy, athwart: except in brethren, burthen, farther, farthing, murther, northern, worthy. But "th between two vowels, is generally flat in words purely English; as in gather, neither, whither: and sharp in words from the learned languages; as in atheist, ether, method"—See W. Allen's Gram., p. 22.
"Th, in Thames, Thomas, thyme, asthma, phthisis, and their compounds, is pronounced like t."—Ib.
XXI. OF THE LETTER U.
The vowel U has three sounds which may be considered to be properly its own:—
1. The open, long, full, primal, or diphthongal u; as in tube, cubic, juvenile.
2. The close, curt, short, or stopped u; as in tub, butter, justice, unhung.
3. The middle u, resembling a short or quick oo; as in pull, pulpit, artful.
U forming a syllable by itself or U as naming itself is nearly equivalent in sound to you, and requires the article a, and not an, before it; as, a U, a union.
U sometimes borrows the sound of some other vowel; for bury is pronounced berry, and busy is pronounced bizzy. So in the derivatives, burial, buried, busied, busily, and the like.
The long or diphthongal u, commonly sounded as yu, or as ew in ewer,—or any equivalent diphthong or digraph, as ue, ui, eu, or ew.—when it follows r or rh, assumes the sound of slender o or oo; as in rude, rhubarb, rue, rueful, rheum, fruit, truth, brewer.
DIPHTHONGS BEGINNING WITH U.
U, in the proper diphthongs, ua, ue, ui, uo, uy, has the sound of w or of oo feeble; as in persuade, query, quell, quiet, languid, quote, obloquy.
Ua, an improper diphthong, has the sound—1. Of middle a; as in guard, guardian. 2. Of close a; as in guarantee, piquant. 3. Of obscure e; as in victuals and its compounds or kindred. 4. Of open u; as in mantuamaker.
Ue, an improper diphthong, has the sound—1. Of open u; as in blue, ensue, ague. 2. Of close e; as in guest, guesser. 3. Of close u; as in leaguer. Ue final is sometimes silent; as in league, antique. Ui, an improper diphthong, has the sound—1. Of open i; as in guide, guile. 2. Of close i; as in conduit, circuit. 3. Of open u; as in juice, sluice, suit.
Uo can scarcely be called an improper diphthong, except, perhaps, after q in liquor, liquorice, liquorish, where uor is heard as ur.
Uy, an improper diphthong, has the sound—1. Of open y; as in buy, buyer. 2. Of feeble y, or of ee feeble; as in plaguy, roguy.
TRIPHTHONGS BEGINNING WITH U.
Uai is pronounced nearly, if not exactly, like way; as in guai-a-cum, quail, quaint. Uaw is sounded like wa in water; as in squaw, a female Indian. Uay has the sound of way; as in Par-a-guay: except in quay, which nearly all our orthoepists pronounce kee. Uea and uee are each sounded wee; as in queasy, queer, squeal, squeeze. Uoi and woy are each sounded woi; as in quoit, buoy. Some say, that, as u, in these combinations, sounds like w, it is a consonant; others allege, that w itself has only the sound of oo, and is therefore in all cases a vowel. U has, certainly, in these connexions, as much of the sound of oo, as has w; and perhaps a little more.
XXII. OF THE LETTER V.
The consonant V always has a sound like that of f flattened; as in love, vulture, vivacious. In pure English, it is never silent, never final, never doubled: but it is often doubled in the dialect of Craven; and there, too, it is sometimes final.
XXIII. OF THE LETTER W.
W, when reckoned a consonant, (as it usually is when uttered with a vowel that follows it,) has the sound heard at the beginning of wine, win, woman, woody; being a sound less vocal than that of oo, and depending more upon the lips.
W before h, is usually pronounced as if it followed the h; as in what, when, where, while: but, in who, whose, whom, whole, whoop, and words formed from these, it is silent. Before r, in the same syllable, it is also silent; as in wrath, wrench, wrong. So in a few other cases; as in sword, answer, two.
W is never used alone as a vowel; except in some Welsh or foreign names, in which it is equivalent to oo; as in "Cwm Cothy," the name of a mountain in Wales; "Wkra" the name of a small river in Poland.—See Lockhart's Napoleon, Vol. ii, p. 15. In a diphthong, when heard, it has the power of u in bull, or nearly that of oo; as in new, now, brow, frown. Aw and ow are frequently improper diphthongs, the w being silent, the a broad, and the o long; as in law, flaw,—tow, snow. W, when sounded before vowels, being reckoned a consonant, we have no diphthongs or triphthongs beginning with this letter.
XXIV. OF THE LETTER X.
The consonant "X has a sharp sound, like ks; as in ox: and a flat one, like gz; as in example. X is sharp, when it ends an accented syllable; as in exercise, exit, excellence: or when it precedes an accented syllable beginning with a consonant; as in expand, extreme, expunge. X unaccented is generally flat, when the next syllable begins with a vowel; as in exist, exemption, exotic. X initial, in Greek proper names, has the sound of z; as in Xanthus, Xantippe, Xenophon, Xerxes"—See W. Allen's Gram., p. 25.
XXV. OF THE LETTER Y.
Y, as a consonant, has the sound heard at the beginning of yarn, young, youth; being rather less vocal than the feeble sound of i, or of the vowel y, and serving merely to modify that of a succeeding vowel, with which it is quickly united. Y, as a vowel, has the same sounds as i:—
1. The open, long, full, or primal y; as in cry, crying, thyme, cycle.
2. The close, curt, short, or stopped y; as in system, symptom, cynic.
3. The feeble or faint y, accentless; (like open e feeble;) as in cymar, cycloidal, mercy.
The vowels i and y have, in general, exactly the same sound under similar circumstances, and, in forming derivatives, we often change one for the other: as in city, cities; tie, tying; easy, easily.
Y, before a vowel heard in the same syllable, is reckoned a consonant; we have, therefore, no diphthongs or triphthongs commencing with this letter.
XXVI. OF THE LETTER Z.
The consonant Z, the last letter of our alphabet, has usually a soft or buzzing sound, the same as that of s flat; as in Zeno, zenith, breeze, dizzy. Before u primal or i feeble, z, as well as s flat, sometimes takes the sound of zh, which, in the enumeration of consonantal sounds, is reckoned a distinct element; as in azure, seizure, glazier; osier, measure, pleasure.
END OF THE FIRST APPENDIX.
APPENDIX II.
TO PART SECOND, OR ETYMOLOGY.
OF THE DERIVATION OF WORDS.
Derivation, as a topic to be treated by the grammarian, is a species of Etymology, which explains the various methods by which those derivative words which are not formed by mere grammatical inflections, are deduced from their primitives. Most of those words which are regarded as primitives in English, may be traced to ulterior sources, and many of them are found to be compounds or derivatives in the other languages from which they have come to us. To show the composition, origin, and literal sense of these, is also a part, and a highly useful part, of this general inquiry, or theme of instruction.
This species of information, though insignificant in those whose studies reach to nothing better,—to nothing valuable and available in life,—is nevertheless essential to education and to science; because it is essential to a right understanding of the import and just application of such words. All reliable etymology, all authentic derivation of words, has ever been highly valued by the wise. The learned James Harris has a remark as follows: "How useful to ETHIC SCIENCE, and indeed to KNOWLEDGE in general, a GRAMMATICAL DISQUISITION into the Etymology and Meaning of WORDS was esteemed by the chief and ablest Philosophers, may be seen by consulting Plato in his Cratylus; Xenophon's Memorabilia, IV, 5, 6; Arrian. Epict. I, 17; II, 10; Marc. Anton. III, 11;" &c.—See Harris's Hermes, p. 407.
A knowledge of the Saxon, Latin, Greek, and French languages, will throw much light on this subject, the derivation of our modern English; nor is it a weak argument in favour of studying these, that our acquaintance with them, whether deep or slight, tends to a better understanding of what is borrowed, and what is vernacular, in our own tongue. But etymological analysis may extensively teach the origin of English words, their composition, and the import of their parts, without demanding of the student the power of reading foreign or ancient languages, or of discoursing at all on General Grammar. And, since many of the users of this work may be but readers of our current English, to whom an unknown letter or a foreign word is a particularly uncouth and repulsive thing, we shall here forbear the use of Saxon characters, and, in our explanations, not go beyond the precincts of our own language, except to show the origin and primitive import of some of our definitive and connecting particles, and to explain the prefixes and terminations which are frequently employed to form English derivatives.
The rude and cursory languages of barbarous nations, to whom literature is unknown, are among those transitory things which, by the hand of time, are irrecoverably buried in oblivion. The fabric of the English language is undoubtedly of Saxon origin; but what was the particular form of the language spoken by the Saxons, when about the year 450 they entered Britain, cannot now be accurately known. It was probably a dialect of the Gothic or Teutonic. This Anglo-Saxon dialect, being the nucleus, received large accessions from other tongues of the north, from the Norman French, and from the more polished languages of Rome and Greece, to form the modern English. The speech of our rude and warlike ancestors thus gradually improved, as Christianity, civilization, and knowledge, advanced the arts of life in Britain; and, as early as the tenth century, it became a language capable of expressing all the sentiments of a civilized people. From the time of Alfred, its progress may be traced by means of writings which remain; but it can scarcely be called English, as I have shown in the Introduction to this work, till about the thirteenth century. And for two or three centuries later, it was so different from the modern English, as to be scarcely intelligible at all to the mere English reader; but, gradually improving by means upon which we need not here dilate, it at length became what we now find it,—a language copious, strong, refined, impressive, and capable, if properly used, of a great degree of beauty and harmony.
SECTION I.—DERIVATION OF THE ARTICLES.
1. For the derivation of our article THE, which he calls "an adjective," Dr. Webster was satisfied with giving this hint: "Sax. the; Dutch, de."—Amer. Dict. According to Horne Tooke, this definite article of ours, is the Saxon verb "THE," imperative, from THEAN, to take; and is nearly equivalent in meaning to that or those, because our that is "the past participle of THEAN," and "means taken."—Diversions of Purley, Vol. ii, p. 49. But this is not very satisfactory. Examining ancient works, we find the word, or something resembling it, or akin to it, written in various forms, as se, see, ye, te, de, the, thá, and others that cannot be shown by our modern letters; and, tracing it as one article, or one and the same word, through what we suppose to be the oldest of these forms, in stead of accounting the forms as signs of different roots, we should sooner regard it as originating in the imperative of SEON, to see.
2. AN, our indefinite article, is the Saxon oen, ane, an, ONE; and, by dropping n before a consonant, becomes a. Gawin Douglas, an ancient English writer, wrote ane, even before a consonant; as, "Ane book,"—"Ane lang spere,"—"Ane volume."
OBSERVATIONS.
OBS. 1.—The words of Tooke, concerning the derivation of That and The, as nearly as they can be given in our letters, are these: "THAT (in the Anglo-Saxon Thæt, i.e. Thead, Theat) means taken, assumed; being merely the past participle of the Anglo-Saxon verb Thean, Thegan, Thion, Thihan, Thicgan, Thigian; sumere, assumere, accipere; to THE, to get, to take, to assume.
'Ill mote he THE That caused me
To make myselfe a frere.'—Sir T. More's Workes, pag. 4.
THE (our article, as it is called) is the imperative of the same verb Thean: which may very well supply the place of the correspondent Anglo-Saxon article Se, which is the imperative of Seon, videre: for it answers the same purpose in discourse, to say…. see man, or take man."—Diversions of Purley, Vol. ii, p. 49.
OBS. 2.—Now, between Thæt and Theat, there is a considerable difference of form, for æ and ea are not the same diphthong; and, in the identifying of so many infinitives, as forming but one verb, there is room for error. Nor is it half so probable that these are truly one root, as that our article The is the same, in its origin, as the old Anglo-Saxon Se. Dr. Bosworth, in his Anglo-Saxon Dictionary, gives no such word as Thean or Thegan, no such participle as Thead or Theat, which derivative is perhaps imaginary; but he has inserted together "Thicgan, thicgean, thigan, to receive, or take;" and separately, "Theon, to thrive, or flourish,"—"Thihan, to thrive,"—and "Thion, to flourish;" as well as the preterit "Theat, howled," from "Theotan, to howl." And is it not plain, that the old verb "THE," as used by More, is from Theon, to thrive, rather than from Thicgan, to take? "Ill mote he THE"—"Ill might he thrive," not, "Ill might he take."
OBS. 3.—Professor Hart says, "The word the was originally thæt, or that. In course of time [,] it became abbreviated, and the short form acquired, in usage, a shade of meaning different from the original long one. That is demonstrative with emphasis; the is demonstrative without emphasis."—Hart's E. Grammar, p. 32. This derivation of The is quite improbable; because the shortening of a monosyllable of five letters by striking out the third and the fifth, is no usual mode of abbreviation. Bosworth's Dictionary explains THE as "An indeclinable article, often used for all the cases of Se, seo, thæt, especially in adverbial expressions and in corrupt Anglo-Saxon, as in the Chronicle after the year 1138."
OBS. 4—Dr. Latham, in a section which is evidently neither accurate nor self-consistent, teaches us—"that there exist in the present English two powers of the word spelled t-h-e, or of the so-called definite article;" then, out of sixteen Anglo-Saxon equivalents, he selects two for the roots of this double-powered the; saying, "Hence the the that has originated out of the Anglo-Saxon thy is one word; whilst the the that has originated out of the Anglo-Saxon the, [is] another. The latter is the common article: the former the the in expressions like all the more, all the better—more by all that, better by all that, and the Latin phrases eo majus, eo melius."—Latham's Hand-Book, p. 158. This double derivation is liable to many objections. The Hand-Book afterwards says, "That the, in expressions like all the more, all the better, &c., is no article, has already been shown."—P. 196. But in fact, though the before comparatives or superlatives be no article, Dr. Latham's etymologies prove no such thing; neither does he anywhere tell us what it is. His examples, too, with their interpretations, are all of them fictitious, ambiguous, and otherwise bad. It is uncertain whether he meant his phrases for counterparts to each other or not. If the means "by that," or thereby, it is an adverb; and so is its equivalent "eo" denominated by the Latin grammarians. See OBS. 10, under Rule I.
SECTION II.—DERIVATION OF NOUNS.
In English, Nouns are derived from nouns, from adjectives, from verbs, or from participles.
I. Nouns are derived from Nouns in several different ways:—
1. By the adding of ship, dom, ric, wick, or, ate, hood, or head: as, fellow, fellowship; king, kingdom; bishop, bishopric; bailiff, or baily, bailiwick; senate, senator; tetrarch, tetrarchate; child, childhood; God, Godhead. These generally denote dominion, office, or character.
2. By the adding of ian: as, music, musician; physic, physician; theology, theologian; grammar, grammarian; college, collegian. These generally denote profession.
3. By the adding of r, ry, or ery: as, grocer, grocery; cutler, cutlery; slave, slavery; scene, scenery; fool, foolery. These sometimes denote state or habit; sometimes, an artificer's wares or shop.
4. By the adding of age or ade: as, patron, patronage; porter, porterage; band, bandage; lemon, lemonade; baluster, balustrade; wharf, wharfage; vassal, vassalage.
5. By the adding of kin, let, ling, ock, el, erel, or et: as, lamb, lambkin; ring, ringlet; cross, crosslet; duck, duckling; hill, hillock; run, runnel; cock, cockerel; pistol, pistolet; eagle, eaglet; circle, circlet. All these denote little things, and are called diminutives.
6. By the addition of ist: as, psalm, psalmist; botany, botanist; dial, dialist; journal, journalist. These denote persons devoted to, or skilled in, the subject expressed by the primitive.
7. By the prefixing of an adjective, or an other noun, so as to form a compound word: as, foreman, broadsword, statesman, tradesman; bedside, hillside, seaside; bear-berry, bear-fly, bear-garden; bear's-ear, bear's-foot, goat's-beard.
8. By the adoption of a negative prefix to reverse the meaning: as, order, disorder; pleasure, displeasure; consistency, inconsistency; capacity, incapacity; observance, nonobservance; resistance, nonresistance; truth, untruth; constraint, unconstraint.
9. By the use of the prefix counter, signifying against or opposite: as, attraction, counter-attraction; bond, counter-bond; current, counter-current; movement, counter-movement.
10. By the addition of ess, ix, or ine, or the changing of masculines to feminines so terminating: as, heir, heiress; prophet, prophetess; abbot, abbess; governor, governess; testator, testatrix; hero, heroine.
II. Nouns are derived from Adjectives in several different ways:—
1. By the adding of ness, ity, ship, dom, or hood: as, good, goodness; real, reality; hard, hardship; wise, wisdom; free, freedom; false, falsehood.
2. By the changing of t into ce or cy: as, radiant, radiance; consequent, consequence; flagrant, flagrancy; current, currency; discrepant, discrepance, or discrepancy.
3. By the changing of some of the letters, and the adding of t or th: as, long, length; broad, breadth; wide, width; high, height. The nouns included under these three heads, generally denote abstract qualities, and are called abstract nouns.
4. By the adding of ard: as, drunk, drunkard; dull, dullard. These denote ill character.
5. By the adding of ist: as, sensual, sensualist; separate, separatist; royal, royalist; fatal, fatalist. These denote persons devoted, addicted, or attached, to something.
6. By the adding of a, the Latin ending of neuter plurals, to certain proper adjectives in an: as, Miltonian, Miltoniana; Johnsonian, Johnsoniana. These literally mean, Miltonian things, sayings, or anecdotes, &c.; and are words somewhat fashionable with the journalists, and are sometimes used for titles of books that refer to table-talk.
III. Nouns are derived from Verbs in several different ways:—
1. By the adding of ment, ance, ence, ure, or age: as, punish, punishment; abate, abatement; repent, repentance; condole, condolence; forfeit, forfeiture; stow, stowage; equip, equipage; truck, truckage.
2. By a change of the termination of the verb, into se, ce, sion, tion, ation, or ition: as, expand, expanse, expansion; pretend, pretence, pretension; invent, invention; create, creation; omit, omission; provide, provision; reform, reformation; oppose, opposition. These denote either the act of doing, or the thing done.
3. By the adding of er or or: as, hunt, hunter; write, writer; collect, collector; assert, assertor; instruct, instructer, or instructor. These generally denote the doer. To denote the person to whom something is done, we sometimes form a derivative ending in ee: as, promisee, mortgagee, appellee, consignee.
4. Nouns and Verbs are sometimes alike in orthography, but different in pronunciation: as, a house, to house; a use, to use; a reb'el, to rebel'; a rec'ord, to record'; a cem'ent, to cement'. Of such pairs, it may often be difficult to say which word is the primitive.
5. In many instances, nouns and verbs are wholly alike as to form and sound, and are distinguished by their sense and construction only: as, love, to love; fear, to fear; sleep, to sleep;—to revise, a revise; to rebuke, a rebuke. In these, we have but the same word used differently.
IV. Nouns are often derived from Participles in ing; as, a meeting, the understanding, murmurings, disputings, sayings, and doings: and, occasionally, one is formed from such a word and an adverb or a perfect participle joined with it; as, "The turning-away,"—"His goings-forth,"—"Your having-boasted of it."
SECTION III.—DERIVATION OF ADJECTIVES.
In English, Adjectives are derived from nouns, from adjectives, from verbs, or from participles.
I. Adjectives are derived from Nouns in several different ways:—
1. By the adding of ous, ious, eous, y, ey, ic, al, ical or ine: (sometimes with an omission or change of some of the final letters:) as, danger, dangerous; glory, glorious; right, righteous; rock, rocky; clay, clayey; poet, poetic, or poetical; nation, national; method, methodical; vertex, vertical; clergy, clerical; adamant, adamantine. Adjectives thus formed, generally apply the properties of their primitives, to the nouns to which they relate.
2. By the adding of ful: as, fear, fearful; cheer, cheerful; grace, graceful; shame, shameful; power, powerful. These come almost entirely from personal qualities or feelings, and denote abundance.
3. By the adding of some: as, burden, burdensome; game, gamesome; toil, toilsome. These denote plenty, but do not exaggerate.
4. By the adding of en: as, oak, oaken; silk, silken; wheat, wheaten; oat, oaten; hemp, hempen. Here the derivative denotes the matter of which something is made.
5. By the adding of ly or ish: as, friend, friendly; gentleman, gentlemanly; child, childish; prude, prudish. These denote resemblance. The termination ly signifies like.
6. By the adding of able or ible: as, fashion, fashionable; access, accessible. But these terminations are generally, and more properly, added to verbs. See Obs. 17th, 18th, &c., on the Rules for Spelling.
7. By the adding of less: as, house, houseless; death, deathless; sleep, sleepless; bottom, bottomless. These denote privation or exemption—the absence of what is named by the primitive.
8. By the adding of ed: as, saint, sainted; bigot, bigoted; mast, masted; wit, witted. These have a resemblance to participles, and some of them are rarely used, except when joined with some other word to form a compound adjective: as, three-sided, bare-footed, long-eared, hundred-handed, flat-nosed, hard-hearted, marble-hearted, chicken-hearted.
9. Adjectives coming from proper names, take various terminations: as, America, American; England, English; Dane, Danish; Portugal, Portuguese; Plato, Platonic.
10. Nouns are often converted into adjectives, without change of termination: as, paper currency; a gold chain; silver knee-buckles.
II. Adjectives are derived from Adjectives in several different ways:—
1. By the adding of ish or some: as, white, whitish; green, greenish; lone, lonesome; glad, gladsome. These denote quality with some diminution.
2. By the prefixing of dis, in, or un: as, honest, dishonest; consistent, inconsistent; wise, unwise. These express a negation of the quality denoted by their primitives.
3. By the adding of y or ly: as, swarth, swarthy; good, goodly. Of these there are but few; for almost all the derivatives of the latter form are adverbs.
III. Adjectives are derived from Verbs in several different ways:—
1. By the adding of able or ible: (sometimes with a change of some of the final letters:) as, perish, perishable; vary, variable; convert, convertible; divide, divisible, or dividable. These, according to their analogy, have usually a passive import, and denote susceptibility of receiving action. 2. By the adding of ive or ory: (sometimes with a change of some of the final letters:) as, elect, elective; interrogate, interrogative, interrogatory; defend, defensive; defame, defamatory; explain, explanatory.
3. Words ending in ate, are mostly verbs; but some of them may be employed as adjectives, in the same form, especially in poetry; as, reprobate, complicate.
IV. Adjectives are derived from Participles, not by suffixes, but in these ways:—
1. By the prefixing of un, meaning not; as, unyielding, unregarded, unreserved, unendowed, unendeared, unendorsed, unencountered, unencumbered, undisheartened, undishonoured. Of this sort there are very many.
2. By a combining of the participle with some word which does not belong to the verb; as, way-faring, hollow-sounding, long-drawn, deep-laid, dear-purchased, down-trodden. These, too, are numerous.
3. Participles often become adjectives without change of form. Such adjectives are distinguished from participles by their construction alone: as, "A lasting ornament;"—"The starving chymist;"—"Words of learned length;"—"With counterfeited glee."