29. Near the beginning of the last century, some of the generous wits of the reign of Queen Anne, seeing the need there was of greater attention to their vernacular language, and of a grammar more properly English than any then in use, produced a book with which the later writers on the same subjects, would have done well to have made themselves better acquainted. It is entitled "A Grammar of the English Tongue; with the Arts of Logick, Rhetorick, Poetry, &c. Illustrated with useful Notes; giving the Grounds and Reasons of Grammar in General. The Whole making a Compleat System of an English Education. Published by JOHN BRIGHTLAND, for the Use of the Schools of Great Britain and Ireland." It is ingeniously recommended in a certificate by Sir Richard Steele, or the Tattler, under the fictitious name of Isaac Bickerstaff, Esq., and in a poem of forty-three lines, by Nahum Tate, poet laureate to her Majesty. It is a duodecimo volume of three hundred pages; a work of no inconsiderable merit and originality; and written in a style which, though not faultless, has scarcely been surpassed by any English grammarian since. I quote it as Brightland's:[78] who were the real authors, does not appear. It seems to be the work of more than one, and perhaps the writers of the Tattler were the men. My copy is of the seventh edition, London, printed for Henry Lintot, 1746. It is evidently the work of very skillful hands; yet is it not in all respects well planned or well executed. It unwisely reduces the parts of speech to four; gives them new names; and rejects more of the old system than the schools could be made willing to give up. Hence it does not appear to have been very extensively adopted.
30. It is now about a hundred and thirty years, since Dr. Swift, in a public remonstrance addressed to the Earl of Oxford, complained of the imperfect state of our language, and alleged in particular, that "in many instances it offended against every part of grammar." [79] Fifty years afterward, Dr. Lowth seconded this complaint, and pressed it home upon the polite and the learned. "Does he mean," says the latter, "that the English language, as it is spoken by the politest part of the nation, and as it stands in the writings of the most approved authors, often offends against every part of grammar? Thus far, I am afraid the charge is true."—Lowth's Grammar, Preface, p. iv. Yet the learned Doctor, to whom much praise has been justly ascribed for the encouragement which he gave to this neglected study, attempted nothing more than "A Short Introduction to English Grammar;" which, he says, "was calculated for the learner even of the lowest class:" and those who would enter more deeply into the subject, he referred to Harris; whose work is not an English grammar, but "A Philosophical Inquiry concerning Universal Grammar." Lowth's Grammar was first published in 1758. At the commencement of his preface, the reverend author, after acknowledging the enlargement, polish, and refinement, which the language had received during the preceding two hundred years, ventures to add, "but, whatever other improvements it may have received, it hath made no advances in grammatical accuracy." I do not quote this assertion to affirm it literally true, in all its apparent breadth; but there is less reason to boast of the correctness even now attained, than to believe that the writers on grammar are not the authors who have in general come nearest to it in practice. Nor have the ablest authors always produced the best compends for the literary instruction of youth.
31. The treatises of the learned doctors Harris, Lowth, Johnson, Ash, Priestley, Horne Tooke, Crombie, Coote, and Webster, owe their celebrity not so much to their intrinsic fitness for school instruction, as to the literary reputation of the writers. Of Harris's Hermes, (which, in comparison with our common grammars, is indeed a work of much ingenuity and learning, full of interesting speculations, and written with great elegance both of style and method,) Dr. Lowth says, it is "the most beautiful and perfect example of analysis, that has been exhibited since the days of Aristotle."—Preface to Gram., p. x. But these two authors, if their works be taken together, as the latter intended they should be, supply no sufficient course of English grammar. The instructions of the one are too limited, and those of the other are not specially directed to the subject.
32. Dr. Johnson, who was practically one of the greatest grammarians that ever lived, and who was very nearly coetaneous with both Harris and Lowth, speaks of the state of English grammar in the following terms: "I found our speech copious without order, and energetick without rules: wherever I turned my view, there was perplexity to be disentangled, and confusion to be regulated."—Preface to Dict., p. 1. Again: "Having therefore no assistance but from general grammar, I applied myself to the perusal of our writers; and noting whatever might be of use to ascertain or illustrate any word or phrase, accumulated in time the materials of a dictionary."—Ibid. But it is not given to any one man to do every thing; else, Johnson had done it. His object was, to compile a dictionary, rather than to compose a grammar, of our language. To lexicography, grammar is necessary, as a preparation; but, as a purpose, it is merely incidental. Dr. Priestley speaks of Johnson thus: "I must not conclude this preface, without making my acknowledgements to Mr. Johnson, whose admirable dictionary has been of the greatest use to me in the study of our language. It is pity he had not formed as just, and as extensive an idea of English grammar. Perhaps this very useful work may still be reserved for his distinguished abilities in this way."—Priestley's Grammar, Preface, p. xxiii. Dr. Johnson's English Grammar is all comprised in fourteen pages, and of course it is very deficient. The syntax he seems inclined entirely to omit, as (he says) Wallis did, and Ben Jonson had better done; but, for form's sake, he condescends to bestow upon it ten short lines.
33. My point here is, that the best grammarians have left much to be done by him who may choose to labour for the further improvement of English grammar; and that a man may well deserve comparative praise, who has not reached perfection in a science like this. Johnson himself committed many errors, some of which I shall hereafter expose; yet I cannot conceive that the following judgement of his works was penned without some bias of prejudice: "Johnson's merit ought not to be denied to him; but his dictionary is the most imperfect and faulty, and the least valuable of any[80] of his productions; and that share of merit which it possesses, makes it by so much the more hurtful. I rejoice, however, that though the least valuable, he found it the most profitable: for I could never read his preface without shedding a tear. And yet it must be confessed, that his grammar and history and dictionary of what he calls the English language, are in all respects (except the bulk of the latter[81]) most truly contemptible performances; and a reproach to the learning and industry of a nation which could receive them with the slightest approbation. Nearly one third of this dictionary is as much the language of the Hottentots as of the English; and it would be no difficult matter so to translate any one of the plainest and most popular numbers of the Spectator into the language of this dictionary, that no mere Englishman, though well read in his own language, would he able to comprehend one sentence of it. It appears to be a work of labour, and yet is in truth one of the most idle performances ever offered to the public; compiled by an author who possessed not one single requisite for the undertaking, and (being a publication of a set of booksellers) owing its success to that very circumstance which alone must make it impossible that it should deserve success."—Tooke's Diversions of Purley, Vol. i, p. 182.
34. Dr. Ash's "Grammatical Institutes, or Easy Introduction to Dr. Lowth's English Grammar," is a meagre performance, the ease of which consists in nothing but its brevity. Dr. Priestley, who in the preface to his third edition acknowledges his obligations to Johnson, and also to Lowth, thought it premature to attempt an English grammar; and contented himself with publishing a few brief "Rudiments," with a loose appendix consisting of "Notes and Observations, for the use of those who have made some proficiency in the language." He says, "With respect to our own language, there seems to be a kind of claim upon all who make use of it, to do something for its improvement; and the best thing we can do for this purpose at present, is, to exhibit its actual structure, and the varieties with which it is used. When these are once distinctly pointed out, and generally attended to, the best forms of speech, and those which are most agreeable to the analogy of the language, will soon recommend themselves, and come into general use; and when, by this means, the language shall be written with sufficient uniformity, we may hope to see a complete grammar of it. At present, it is by no means ripe for such a work;[82] but we may approximate to it very fast, if all persons who are qualified to make remarks upon it, will give a little attention to the subject. In such a case, a few years might be sufficient to complete it."—Priestley's Grammar, Preface, p. xv. In point of time, both Ash and Priestley expressly claim priority to Lowth, for their first editions; but the former having allowed his work to be afterwards entitled an Introduction to Lowth's, and the latter having acknowledged some improvements in his from the same source, they have both been regarded as later authors.
35. The great work of the learned etymologist John Horne Tooke, consists of two octavo volumes, entitled, "EPEA PTEROENTA, or the Diversions of Purley." This work explains, with admirable sagacity, the origin and primitive import of many of the most common yet most obscure English words; and is, for that reason, a valuable performance. But as it contains nothing respecting the construction of the language, and embraces no proper system of grammatical doctrines, it is a great error to suppose that the common principles of practical grammar ought to give place to such instructions, or even be modelled according to what the author proves to be true in respect to the origin of particular words. The common grammarians were less confuted by him, than many of his readers have imagined; and it ought not to be forgotten that his purpose was as different from theirs, as are their schemes of Grammar from the plan of his critical "Diversions." In this connexion may be mentioned an other work of similar size and purpose, but more comprehensive in design; the "History of European Languages," by that astonishing linguist the late Dr. Alexander Murray. This work was left unfinished by its lamented author; but it will remain a monument of erudition never surpassed, acquired in spite of wants and difficulties as great as diligence ever surmounted. Like Tooke's volumes, it is however of little use to the mere English scholar. It can be read to advantage only by those who are acquainted with several other languages. The works of Crombie and Coote are more properly essays or dissertations, than elementary systems of grammar.
36. The number of English grammars has now become so very great, that not even a general idea of the comparative merits or defects of each can here be given. I have examined with some diligence all that I have had opportunity to obtain; but have heard of several which I have never yet seen. Whoever is curious to examine at large what has been published on this subject, and thus to qualify himself to judge the better of any new grammar, may easily make a collection of one or two hundred bearing different names. There are also many works not called grammars, from which our copyists have taken large portions of their compilations. Thus Murray confessedly copied from ten authors; five of whom are Beattie, Sheridan, Walker, Blair, and Campbell. Dr. Beattie, who acquired great celebrity as a teacher, poet, philosopher, and logician, was well skilled in grammar; but he treated the subject only in critical disquisitions, and not in any distinct elementary work adapted to general use. Sheridan and Walker, being lexicographers, confined themselves chiefly to orthography and pronunciation. Murray derived sundry principles from the writings of each; but the English Grammar prepared by the latter, was written, I think, several years later than Murray's. The learned doctors Blair and Campbell wrote on rhetoric, and not on the elementary parts of grammar. Of the two, the latter is by far the more accurate writer. Blair is fluent and easy, but he furnishes not a little false syntax; Campbell's Philosophy of Rhetoric is a very valuable treatise. To these, and five or six other authors whom I have noticed, was Lindley Murray "principally indebted for his materials." Thus far of the famous contributors to English grammar. The Lectures on Rhetoric and Oratory, delivered at Harvard University by John Quincy Adams, and published in two octavo volumes in 1810, are such as do credit even to that great man; but they descend less to verbal criticism, and enter less into the peculiar province of the grammarian, than do most other works of a similar title.
37. Some of the most respectable authors or compilers of more general systems of English grammar for the use of schools, are the writer of the British Grammar, Bicknell, Buchanan, William Ward, Alexander Murray the schoolmaster, Mennye, Fisher, Lindley Murray, Penning, W. Allen, Grant, David Blair, Lennie, Guy, Churchill. To attempt any thing like a review or comparative estimate of these, would protract this introduction beyond all reasonable bounds; and still others would be excluded, which are perhaps better entitled to notice. Of mere modifiers and abridgers, the number is so great, and the merit or fame so little, that I will not trespass upon the reader's patience by any further mention of them or their works. Whoever takes an accurate and comprehensive view of the history and present state of this branch of learning, though he may not conclude, with Dr. Priestley, that it is premature to attempt a complete grammar of the language, can scarcely forbear to coincide with Dr. Barrow, in the opinion that among all the treatises heretofore produced no such grammar is found. "Some superfluities have been expunged, some mistakes have been rectified, and some obscurities have been cleared; still, however, that all the grammars used in our different schools, public as well as private, are disgraced by errors or defects, is a complaint as just as it is frequent and loud."—Barrow's Essays, p. 83.
38. Whether, in what I have been enabled to do, there will be found a remedy for this complaint, must be referred to the decision of others. Upon the probability of effecting this, I have been willing to stake some labour; how much, and with what merit, let the candid and discerning, when they shall have examined for themselves, judge. It is certain that we have hitherto had, of our language, no complete grammar. The need of such a work I suppose to be at this time in no small degree felt, especially by those who conduct our higher institutions of learning; and my ambition has been to produce one which might deservedly stand along side of the Port-Royal Latin and Greek Grammars, or of the Grammaire des Grammaires of Girault Du Vivier. If this work is unworthy to aspire to such rank, let the patrons of English literature remember that the achievement of my design is still a desideratum. We surely have no other book which might, in any sense, have been called "the Grammar of English Grammars;" none, which, either by excellence, or on account of the particular direction of its criticism, might take such a name. I have turned the eyes of Grammar, in an especial manner, upon the conduct of her own household; and if, from this volume, the reader acquire a more just idea of the grammar which is displayed in English grammars, he will discover at least one reason for the title which has been bestowed upon the work. Such as the book is, I present it to the public, without pride, without self-seeking, and without anxiety: knowing that most of my readers will be interested in estimating it justly; that no true service, freely rendered to learning, can fail of its end; and that no achievement merits aught with Him who graciously supplies all ability. The opinions expressed in it have been formed with candour, and are offered with submission. If in any thing they are erroneous, there are those who can detect their faults. In the language of an ancient master, the earnest and assiduous Despauter, I invite the correction of the candid: "Nos quoque, quantumcunque diligentes, cùm a candidis tùm a lividis carpemur: a candidis interdum justè; quos oro, ut de erratis omnibus amicè me admoneant—erro nonnunquam quia homo sum."
GOOLD BROWN.
New York, 1836.
THE GRAMMAR OF ENGLISH GRAMMARS.
Grammar, as an art, is the power of reading, writing, and speaking correctly. As an acquisition, it is the essential skill of scholarship. As a study, it is the practical science which teaches the right use of language.
An English Grammar is a book which professes to explain the nature and structure of the English language; and to show, on just authority, what is, and what is not, good English.
ENGLISH GRAMMAR, in itself, is the art of reading, writing, and speaking the English language correctly. It implies, in the adept, such knowledge as enables him to avoid improprieties of speech; to correct any errors that may occur in literary compositions; and to parse, or explain grammatically, whatsoever is rightly written.
To read is to perceive what is written or printed, so as to understand the words, and be able to utter them with their proper sounds.
To write is to express words and thoughts by letters, or characters, made with a pen or other instrument.
To speak is to utter words orally, in order that they may be heard and understood.
Grammar, like every other liberal art, can be properly taught only by a regular analysis, or systematic elucidation, of its component parts or principles; and these parts or principles must be made known chiefly by means of definitions and examples, rules and exercises.
A perfect definition of any thing or class of things is such a description of it, as distinguishes that entire thing or class from every thing else, by briefly telling what it is.
An example is a particular instance or model, serving to prove or illustrate some given proposition or truth.
A rule of grammar is some law, more or less general, by which custom regulates and prescribes the right use of language.
An exercise is some technical performance required of the learner in order to bring his knowledge and skill into practice.
LANGUAGE, in the primitive sense of the term, embraced only vocal expression, or human speech uttered by the mouth; but after letters were invented to represent articulate sounds, language became twofold, spoken and written, so that the term, language, now signifies, any series of sounds or letters formed into words and employed for the expression of thought.
Of the composition of language we have also two kinds, prose and verse; the latter requiring a certain number and variety of syllables in each line, but the former being free from any such restraint.
The least parts of written language are letters; of spoken language, syllables; of language significant in each part, words; of language combining thought, phrases; of language subjoining sense, clauses; of language coördinating sense, members; of language completing sense, sentences.
A discourse, or narration, of any length, is but a series of sentences; which, when written, must be separated by the proper points, that the meaning and relation of all the words may be quickly and clearly perceived by the reader, and the whole be uttered as the sense requires.
In extended compositions, a sentence is usually less than a paragraph; a paragraph, less than a section; a section, less than a chapter; a chapter, less than a book; a book, less than a volume; and a volume, less than the entire work.
The common order of literary division, then, is; of a large work, into volumes; of volumes, into books; of books, into chapters; of chapters, into sections; of sections, into paragraphs; of paragraphs, into sentences; of sentences, into members; of members, into clauses; of clauses, into phrases; of phrases, into words; of words, into syllables; of syllables, into letters.
But it rarely happens that any one work requires the use of all these divisions; and we often assume some natural distinction and order of parts, naming each as we find it; and also subdivide into articles, verses, cantoes, stanzas, and other portions, as the nature of the subject suggests.
Grammar is divided into four parts; namely, Orthography, Etymology, Syntax, and Prosody.
Orthography treats of letters, syllables, separate words, and spelling.
Etymology treats of the different parts of speech, with their classes and modifications.
Syntax treats of the relation, agreement, government, and arrangement of words in sentences.
Prosody treats of punctuation, utterance, figures, and versification.
OBSERVATIONS.
OBS. 1.—In the Introduction to this work, have been taken many views of the study, or general science, of grammar; many notices of its history, with sundry criticisms upon its writers or critics; and thus language has often been presented to the reader's consideration, either as a whole, or with broader scope than belongs to the teaching of its particular forms. We come now to the work of analyzing our own tongue, and of laying down those special rules and principles which should guide us in the use of it, whether in speech or in writing. The author intends to dissent from other grammarians no more than they are found to dissent from truth and reason; nor will he expose their errors further than is necessary for the credit of the science and the information of the learner. A candid critic can have no satisfaction merely in finding fault with other men's performances. But the facts are not to be concealed, that many pretenders to grammar have shown themselves exceedingly superficial in their knowledge, as well as slovenly in their practice; and that many vain composers of books have proved themselves despisers of this study, by the abundance of their inaccuracies, and the obviousness of their solecisms.
OBS. 2.—Some grammarians have taught that the word language is of much broader signification, than that which is given to it in the definition above. I confine it to speech and writing. For the propriety of this limitation, and against those authors who describe the thing otherwise, I appeal to the common sense of mankind. One late writer defines it thus: "LANGUAGE is any means by which one person communicates his ideas to another."—Sanders's Spelling-Book, p. 7. The following is the explanation of an other slack thinker: "One may, by speaking or by writing, (and sometimes by motions,) communicate his thoughts to others. The process by which this is done, is called LANGUAGE.—Language is the expression of thought and feeling."—S. W. Clark's Practical Gram., p. 7. Dr. Webster goes much further, and says, "LANGUAGE, in its most extensive sense, is the instrument or means of communicating ideas and affections of the mind and body, from one animal to another. In this sense, brutes possess the power of language; for by various inarticulate sounds, they make known their wants, desires, and sufferings."— Philosophical Gram., p. 11; Improved Gram., p. 5. This latter definition the author of that vain book, "the District School," has adopted in his chapter on Grammar. Sheridan, the celebrated actor and orthoëpist, though he seems to confine language to the human species, gives it such an extension as to make words no necessary part of its essence. "The first thought," says he, "that would occur to every one, who had not properly considered the point, is, that language is composed of words. And yet, this is so far from being an adequate idea of language, that the point in which most men think its very essence to consist, is not even a necessary property of language. For language, in its full extent, means, any way or method whatsoever, by which all that passes in the mind of one man, may be manifested to another."—Sheridan's Lectures on Elocution, p. 129. Again: "I have already shown, that words are, in their own nature, no essential part of language, and are only considered so through custom."—Ib. p. 135.
OBS. 3.—According to S. Kirkham's notion, "LANGUAGE, in its most extensive sense, implies those signs by which men and brutes, communicate to each other their thoughts, affections and desires."—Kirkham's English Gram., p. 16. Again: "The language of brutes consists in the use of those inarticulate sounds by which they express their thoughts and affections."—Ib. To me it seems a shameful abuse of speech, and a vile descent from the dignity of grammar, to make the voices of "brutes" any part of language, as taken in a literal sense. We might with far more propriety raise our conceptions of it to the spheres above, and construe literally the metaphors of David, who ascribes to the starry heavens, both "speech" and "language," "voice" and "words," daily "uttered" and everywhere "heard." See Psalm xix.
OBS. 4.—But, strange as it may seem, Kirkham, commencing his instructions with the foregoing definition of language, proceeds to divide it, agreeably to this notion, into two sorts, natural and artificial; and affirms that the former "is common both to man and brute," and that the language which is peculiar to man, the language which consists of words, is altogether an artificial invention:[83] thereby contradicting at once a host of the most celebrated grammarians and philosophers, and that without appearing to know it. But this is the less strange, since he immediately forgets his own definition and division of the subject, and as plainly contradicts himself. Without limiting the term at all, without excluding his fanciful "language of brutes," he says, on the next leaf, "Language is conventional, and not only invented, but, in its progressive advancement, varied for purposes of practical convenience. Hence it assumes any and every form which those who make use of it, choose to give it."—Kirkham's Gram., p. 18. This, though scarcely more rational than his "natural language of men and brutes," plainly annihilates that questionable section of grammatical science, whether brutal or human, by making all language a thing "conventional" and "invented." In short, it leaves no ground at all for any grammatical science of a positive character, because it resolves all forms of language into the irresponsible will of those who utter any words, sounds, or noises.
OBS. 5.—Nor is this gentleman more fortunate in his explanation of what may really be called language. On one page, he says, "Spoken language or speech, is made up of articulate sounds uttered by the human voice."—Kirkham's Gram., p. 17. On the next, "The most important use of that faculty called speech, is, to convey our thoughts to others."—Ib., p. 18. Thus the grammarian who, in the same short paragraph, seems to "defy the ingenuity of man to give his words any other meaning than that which he himself intends them to express," (Ib., p. 19,) either writes so badly as to make any ordinary false syntax appear trivial, or actually conceives man to be the inventor of one of his own faculties. Nay, docs he not make man the contriver of that "natural language" which he possesses "in common with the brutes?" a language "The meaning of which," he says, "all the different animals perfectly understand?"—See his Gram., p. 16. And if this notion again be true, does it not follow, that a horse knows perfectly well what horned cattle mean by their bellowing, or a flock of geese by their gabbling? I should not have noticed these things, had not the book which teaches them, been made popular by a thousand imposing attestations to its excellence and accuracy. For grammar has nothing at all to do with inarticulate voices, or the imaginary languages of brutes. It is scope enough for one science to explain all the languages, dialects, and speeches, that lay claim to reason. We need not enlarge the field, by descending
"To beasts, whom[84] God on their creation-day
Created mute to all articulate sound."—Milton.[85]
PART I.
ORTHOGRAPHY.
ORTHOGRAPHY treats of letters, syllables, separate words, and spelling.
CHAPTER I.—OF LETTERS.
A Letter is an alphabetic character, which commonly represents some elementary sound of the human voice, some element of speech.
An elementary sound of the human voice, or an element of speech, is one of the simple sounds which compose a spoken language. The sound of a letter is commonly called its power: when any letter of a word is not sounded, it is said to be silent or mute. The letters in the English alphabet, are twenty-six; the simple or primary sounds which they represent, are about thirty-six or thirty-seven.
A knowledge of the letters consists in an acquaintance with these four sorts of things; their names, their classes, their powers, and their forms.
The letters are written, or printed, or painted, or engraved, or embossed, in an infinite variety of shapes and sizes; and yet are always the same, because their essential properties do not change, and their names, classes, and powers, are mostly permanent.
The following are some of the different sorts of types, or styles of letters, with which every reader should be early acquainted:—
1. The Roman: A a, B b, C c, D d, E e, F f, G g, H h, I i, J j, K k, L l, M m, N n, o, P p, Q q, R r, S s, T t, U u, V v, W w, X x, Y y, Z z.
2. The Italic: A a, B b, C c, D d, E e, F f, G g, H h, I i, J j, K k, L l, M m, N n, o, P p, Q q, R r, S s, T t, U u, V v, W w, X x, Y y, Z z.
3. The Script: [Script: A a, B b, C c, D d, E e, F f, G g, H h, I i, J j, K k, L l, M m, N n, o, P p, Q q, R r, S s, T t, U u, V v, W w, X x, Y y, Z z.]
4. The Old English: [Old English: A a, B b, C c, D d, E e, F f, G g, H h, I i, J j, K k, L l, M m, N n, o, P p, Q q, R r, S s, T t, U u, V v, W w, X x, Y y, Z z.]
OBSERVATIONS.
OBS. 1.—A letter consists not in the figure only, or in the power only, but in the figure and power united; as an ambassador consists not in the man only, or in the commission only, but in the man commissioned. The figure and the power, therefore, are necessary to constitute the letter; and a name is as necessary, to call it by, teach it, or tell what it is. The class of a letter is determined by the nature of its power, or sound; as the ambassador is plenipotentiary or otherwise, according to the extent of his commission. To all but the deaf and dumb, written language is the representative of that which is spoken; so that, in the view of people in general, the powers of the letters are habitually identified with their sounds, and are conceived to be nothing else. Hence any given sound, or modification of sound, which all men can produce at pleasure, when arbitrarily associated with a written sign, or conventional character, constitutes what is called a letter. Thus we may produce the sounds of a, e, o, then, by a particular compression of the organs of utterance, modify them all, into ba, be, bo, or fa, fe, fo; and we shall see that a, e, and o, are letters of one sort, and b and f of an other. By elementary or articulate sounds,[86] then, we mean not only the simple tones of the voice itself, but the modifying stops and turns which are given them in speech, and marked by letters: the real voices constituting vowels; and their modifications, consonants.
OBS. 2.—A mere mark to which no sound or power is ever given, cannot be a letter; though it may, like the marks used for punctuation, deserve a name and a place in grammar. Commas, semicolons, and the like, represent silence, rather than sounds, and are therefore not letters. Nor are the Arabic figures, which represent entire words, nor again any symbols standing for things, (as the astronomic marks for the sun, the moon, the planets,) to be confounded with letters; because the representative of any word or number, of any name or thing, differs widely in its power, from the sign of a simple elementary sound: i. e., from any constituent part of a written word. The first letter of a word or name does indeed sometimes stand for the whole, and is still a letter; but it is so, as being the first element of the word, and not as being the representative of the whole.
OBS. 3.—In their definitions of vowels and consonants, many grammarians have resolved letters into sounds only; as, "A Vowel is an articulate sound," &c.—"A Consonant is an articulate sound," &c.—L. Murray's Gram., p. 7. But this confounding of the visible signs with the things which they signify, is very far from being a true account of either. Besides, letters combined are capable of a certain mysterious power which is independent of all sound, though speech, doubtless, is what they properly represent. In practice, almost all the letters may occasionally happen to be silent; yet are they not, in these cases, necessarily useless. The deaf and dumb also, to whom none of the letters express or represent sounds, may be taught to read and write understandingly. They even learn in some way to distinguish the accented from the unaccented syllables, and to have some notion of quantity, or of something else equivalent to it; for some of them, it is said, can compose verses according to the rules of prosody. Hence it would appear, that the powers of the letters are not, of necessity, identified with their sounds; the things being in some respect distinguishable, though the terms are commonly taken as synonymous. The fact is, that a word, whether spoken or written, is of itself significant, whether its corresponding form be known or not. Hence, in the one form, it may be perfectly intelligible to the illiterate, and in the other, to the educated deaf and dumb; while, to the learned who hear and speak, either form immediately suggests the other, with the meaning common to both.
OBS. 4.—Our knowledge of letters rises no higher than to the forms used by the ancient Hebrews and Phoenicians. Moses is supposed to have written in characters which were nearly the same as those called Samaritan, but his writings have come to us in an alphabet more beautiful and regular, called the Chaldee or Chaldaic, which is said to have been made by Ezra the scribe, when he wrote out a new copy of the law, after the rebuilding of the temple. Cadmus carried the Phoenician alphabet into Greece, where it was subsequently altered and enlarged. The small letters were not invented till about the seventh century of our era. The Latins, or Romans, derived most of their capitals from the Greeks; but their small letters, if they had any, were made afterwards among themselves. This alphabet underwent various changes, and received very great improvements, before it became that beautiful series of characters which we now use, under the name of Roman letters. Indeed these particular forms, which are now justly preferred by many nations, are said to have been adopted after the invention of printing. "The Roman letters were first used by Sweynheim and Pannartz, printers who settled at Rome, in 1467. The earliest work printed wholly in this character in England, is said to have been Lily's or Paul's Accidence, printed by Richard Pinson, 1518. The Italic letters were invented by Aldus Manutius at Rome, towards the close of the fifteenth century, and were first used in an edition of Virgil, in 1501."—Constables Miscellany, Vol. xx, p. 147. The Saxon alphabet was mostly Roman. Not more than one quarter of the letters have other forms. But the changes, though few, give to a printed page a very different appearance. Under William the Conqueror, this alphabet was superseded by the modern Gothic, Old English, or Black letter; which, in its turn, happily gave place to the present Roman. The Germans still use a type similar to the Old English, but not so heavy.
OBS. 5.—I have suggested that a true knowledge of the letters implies an acquaintance with their names, their classes, their powers, and their forms. Under these four heads, therefore, I shall briefly present what seems most worthy of the learner's attention at first, and shall reserve for the appendix a more particular account of these important elements. The most common and the most useful things are not those about which we are in general most inquisitive. Hence many, who think themselves sufficiently acquainted with the letters, do in fact know but very little about them. If a person is able to read some easy book, he is apt to suppose he has no more to learn respecting the letters; or he neglects the minute study of these elements, because he sees what words they make, and can amuse himself with stories of things more interesting. But merely to understand common English, is a very small qualification for him who aspires to scholarship, and especially for a teacher. For one may do this, and even be a great reader, without ever being able to name the letters properly, or to pronounce such syllables as ca, ce, ci, co, cu, cy, without getting half of them wrong. No one can ever teach an art more perfectly than he has learned it; and if we neglect the elements of grammar, our attainments must needs be proportionately unsettled and superficial.
I. NAMES OF THE LETTERS. The names of the letters, as now commonly spoken
and written in English, are A, Bee, Cee, Dee, E, Eff, Gee, Aitch, I, Jay,
Kay, Ell, Em, En, O, Pee, Kue, Ar, Ess, Tee, U, Vee, Double-u, Ex, Wy,
Zee.
OBSERVATIONS.
OBS. 1.—With the learning and application of these names, our literary education begins; with a continual rehearsal of them in spelling, it is for a long time carried on; nor can we ever dispense with them, but by substituting others, or by ceasing to mention the things thus named. What is obviously indispensable, needs no proof of its importance. But I know not whether it has ever been noticed, that these names, like those of the days of the week, are worthy of particular distinction, for their own nature. They are words of a very peculiar kind, being nouns that are at once both proper and common. For, in respect to rank, character, and design, each letter is a thing strictly individual and identical—that is, it is ever one and the same; yet, in an other respect, it is a comprehensive sort, embracing individuals both various and numberless. Thus every B is a b, make it as you will; and can be nothing else than that same letter b, though you make it in a thousand different fashions, and multiply it after each pattern innumerably. Here, then, we see individuality combined at once with great diversity, and infinite multiplicity; and it is to this combination, that letters owe their wonderful power of transmitting thought. Their names, therefore, should always be written with capitals, as proper nouns, at least in the singular number; and should form the plural regularly, as ordinary appellatives. Thus: (if we adopt the names now most generally used in English schools:) A, Aes; Bee, Bees; Cee, Cees; Dee, Dees; E, Ees; Eff, Effs; Gee, Gees; Aitch, Aitches; I, Ies; Jay, Jays; Kay, Kays; Ell, Ells; Em, Ems; En, Ens; O, Oes; Pee, Pees; Kue, Kues; Ar, Ars; Ess, Esses; Tee, Tees; U, Ues; Vee, Vees; Double-u, Double-ues; Ex, Exes; Wy, Wies; Zee, Zees.
OBS. 2.—The names of the letters, as expressed in the modern languages, are mostly framed with reference to their powers, or sounds. Yet is there in English no letter of which the name is always identical with its power: for A, E, I, O, and U, are the only letters which can name themselves, and all these have other sounds than those which their names express. The simple powers of the other letters are so manifestly insufficient to form any name, and so palpable is the difference between the nature and the name of each, that did we not know how education has been trifled with, it would be hard to believe even Murray, when he says, "They are frequently confounded by writers on grammar. Observations and reasonings on the name, are often applied to explain the nature of a consonant; and by this means the student is led into error and perplexity."—L. Murray's Gram., 8vo, p. 8. The confounding of names with the things for which they stand, implies, unquestionably, great carelessness in the use of speech, and great indistinctness of apprehension in respect to things; yet so common is this error, that Murray himself has many times fallen into it.[87] Let the learner therefore be on his guard, remembering that grammar, both in its study and in its practice, requires the constant exercise of a rational discernment. Those letters which name themselves, take for their names those sounds which they usually represent at the end of an accented syllable; thus the names, A, E, I, O, U, are uttered with the sounds given to the same letters in the first syllables of the other names, Abel, Enoch, Isaac, Obed, Urim; or in the first syllables of the common words, paper, penal, pilot, potent, pupil. The other letters, most of which can never be perfectly sounded alone, have names in which their powers are combined with other sounds more vocal; as, Bee, Cee, Dee,—Ell, Em, En,—Jay, Kay, Kue. But in this respect the terms Aitch and Double-u are irregular; because they have no obvious reference to the powers of the letters thus named.
OBS. 3.—Letters, like all other things, must be learned and spoken of by their names; nor can they be spoken of otherwise; yet, as the simple characters are better known and more easily exhibited than their written names, the former are often substituted for the latter, and are read as the words for which they are assumed. Hence the orthography of these words has hitherto been left too much to mere fancy or caprice. Our dictionaries, by a strange oversight or negligence, do not recognize them as words; and writers have in general spelled them with very little regard to either authority or analogy. What they are, or ought to be, has therefore been treated as a trifling question: and, what is still more surprising, several authors of spelling-books make no mention at all of them; while others, here at the very threshold of instruction, teach falsely—giving "he" for Aitch, "er" for Ar, "oo" or "uu" for Double-u, "ye" for Wy, and writing almost all the rest improperly. So that many persons who think themselves well educated, would be greatly puzzled to name on paper these simple elements of all learning. Nay, there can be found a hundred men who can readily write the alphabetic names which were in use two or three thousand years ago in Greece or Palestine, for one who can do the same thing with propriety, respecting those which we now employ so constantly in English:[88] and yet the words themselves are as familiar to every school-boy's lips as are the characters to his eye. This fact may help to convince us, that the grammar of our language has never yet been sufficiently taught. Among all the particulars which constitute this subject, there are none which better deserve to be everywhere known, by proper and determinate names, than these prime elements of all written language.
OBS. 4.—Should it happen to be asked a hundred lustrums hence, what were the names of the letters in "the Augustan age of English literature," or in the days of William the Fourth and Andrew Jackson, I fear the learned of that day will be as much at a loss for an answer, as would most of our college tutors now, were they asked, by what series of names the Roman youth were taught to spell. Might not Quintilian or Varro have obliged many, by recording these? As it is, we are indebted to Priscian, a grammarian of the sixth century, for almost all we know about them. But even the information which may be had, on this point, has been strangely overlooked by our common Latin grammarians.[89] What, but the greater care of earlier writers, has made the Greek names better known or more important than the Latin? In every nation that is not totally illiterate, custom must have established for the letters a certain set of names, which are the only true ones, and which are of course to be preferred to such as are local or unauthorized. In this, however, as in other things, use may sometimes vary, and possibly improve; but when its decisions are clear, no feeble reason should be allowed to disturb them. Every parent, therefore, who would have his children instructed to read and write the English language, should see that in the first place they learn to name the letters as they are commonly named in English. A Scotch gentleman of good education informs me, that the names of the letters, as he first learned them in a school in his own country, were these: "A, Ib, Ec, Id, E, Iff, Ig, Ich, I, Ij, Ik, Ill, Im, In, O, Ip, Kue, Ir, Iss, It, U, Iv, Double-u, Ix, Wy, Iz;" but that in the same school the English names are now used. It is to be hoped, that all teachers will in time abandon every such local usage, and name the letters as they ought to be named; and that the day will come, in which the regular English orthography of these terms, shall be steadily preferred, ignorance of it be thought a disgrace, and the makers of school-books feel no longer at liberty to alter names that are a thousand times better known than their own.
OBS. 5.—It is not in respect to their orthography alone, that these first words in literature demand inquiry and reflection: the pronunciation of some of them has often been taught erroneously, and, with respect to three or four of them, some writers have attempted to make an entire change from the customary forms which I have recorded. Whether the name of the first letter should be pronounced "Aye," as it is in England, "Ah," as it is in Ireland, or "Aw," as it is in Scotland, is a question which Walker has largely discussed, and clearly decided in favour of the first sound; and this decision accords with the universal practice of the schools in America. It is remarkable that this able critic, though he treated minutely of the letters, naming them all in the outset of his "Principles" subsequently neglected the names of them all, except the first and the last. Of Zee, (which has also been called Zed, Zad, Izzard, Uzzard, Izzet, and Iz,)[90] he says, "Its common name is izzard, which Dr. Johnson explains into s hard; if, however, this is the meaning, it is a gross misnomer; for the z is not the hard, but the soft s;[91] but as it has a less sharp, and therefore not so audible a sound, it is not impossible but it may mean s surd. Zed, borrowed from the French, is the more fashionable name of this letter; but, in my opinion, not to be admitted, because the names of the letters ought to have no diversity."—Walker's Principles, No. 483. It is true, the name of a letter ought to be one, and in no respect diverse; but where diversity has already obtained, and become firmly rooted in custom, is it to be obviated by insisting upon what is old-fashioned, awkward, and inconvenient? Shall the better usage give place to the worse? Uniformity cannot be so reached. In this country, both Zed and Izzard, as well as the worse forms Zad and Uzzard, are now fairly superseded by the softer and better term Zee; and whoever will spell aloud, with each of these names, a few such words as dizzy, mizzen, gizzard, may easily perceive why none of the former can ever be brought again into use. The other two, Iz and Izzet, being localisms, and not authorized English, I give up all six; Zed to the French, and the rest to oblivion.
OBS. 6.—By way of apology for noticing the name of the first letter, Walker observes, "If a diversity of names to vowels did not confound us in our spelling, or declaring to each other the component letters of a word, it would be entirely needless to enter into so trifling a question as the mere name of a letter; but when we find ourselves unable to convey signs to each other on account of this diversity of names, and that words themselves are endangered by an improper utterance of their component parts, it seems highly incumbent on us to attempt a uniformity in this point, which, insignificant as it may seem, is undoubtedly the foundation of a just and regular pronunciation."—Dict., under A. If diversity in this matter is so perplexing, what shall we say to those who are attempting innovations without assigning reasons, or even pretending authority? and if a knowledge of these names is the basis of a just pronunciation, what shall we think of him who will take no pains to ascertain how he ought to speak and write them? He who pretends to teach the proper fashion of speaking and writing, cannot deal honestly, if ever he silently prefer a suggested improvement, to any established and undisturbed usage of the language; for, in grammar, no individual authority can be a counterpoise to general custom. The best usage can never be that which is little known, nor can it be well ascertained and taught by him who knows little. Inquisitive minds are ever curious to learn the nature, origin, and causes of things; and that instruction is the most useful, which is best calculated to gratify this rational curiosity. This is my apology for dwelling so long upon the present topic.
OBS. 7.—The names originally given to the letters were not mere notations of sound, intended solely to express or make known the powers of the several characters then in use; nor ought even the modern names of our present letters, though formed with special reference to their sounds, to be considered such. Expressions of mere sound, such as the notations in a pronouncing dictionary, having no reference to what is meant by the sound, do not constitute words at all; because they are not those acknowledged signs to which a meaning has been attached, and are consequently without that significance which is an essential property of words. But, in every language, there must be a series of sounds by which the alphabetical characters are commonly known in speech; and which, as they are the acknowledged names of these particular objects, must be entitled to a place among the words of the language. It is a great error to judge otherwise; and a greater to make it a "trifling question" in grammar, whether a given letter shall be called by one name or by an other. Who shall say that Daleth, Delta, and Dee, are not three real words, each equally important in the language to which it properly belongs? Such names have always been in use wherever literature has been cultivated; and as the forms and powers of the letters have been changed by the nations, and have become different in different languages, there has necessarily followed a change of the names. For, whatever inconvenience scholars may find in the diversity which has thence arisen, to name these elements in a set of foreign terms, inconsistent with the genius of the language to be learned, would surely be attended with a tenfold greater. We derived our letters, and their names too, from the Romans; but this is no good reason why the latter should be spelled and pronounced as we suppose they were spelled and pronounced in Rome.
OBS. 8.—The names of the twenty-two letters in Hebrew, are, without dispute, proper words; for they are not only significant of the letters thus named, but have in general, if not in every instance, some other meaning in that language. Thus the mysterious ciphers which the English reader meets with, and wonders over, as he reads the 119th Psalm, may be resolved, according to some of the Hebrew grammars, as follows:—
[Hebrew: Aleph] Aleph, A, an ox, or a leader; [Hebrew: Beth] Beth, Bee, house; [Hebrew: Gimel] Gimel, Gee, a camel; [Hebrew: Dalet] Daleth, Dee, a door; [Hebrew: he] He, E, she, or behold; [Hebrew: vav] Vau, U, a hook, or a nail; [Hebrew: zajin] Zain, Zee, armour; [Hebrew: het] Cheth, or Heth, Aitch, a hedge; [Hebrew: tet] Teth, Tee, a serpent, or a scroll; [Hebrew: jod] Jod, or Yod, I, or Wy, a hand shut; [Hebrew: kaf] Caph, Cee, a hollow hand, or a cup; [Hebrew: lamed] Lamed, Ell, an ox-goad; [Hebrew: mem] Mem, Em, a stain, or spot; [Hebrew: nun] Nun, En, a fish, or a snake; [Hebrew: samekh] Samech, Ess, a basis, or support; [Hebrew: ayin] Ain, or Oin, O, an eye, or a well; [Hebrew: pe] Pe, Pee, a lip, or mouth; [Hebrew: tsadi] Tzaddi, or Tsadhe, Tee-zee, (i. e. tz, or ts,) a hunter's pole; [Hebrew: qof] Koph, Kue, or Kay, an ape; [Hebrew: resh] Resch, or Resh, Ar, a head; [Hebrew: shin] Schin, or Sin, Ess-aitch, or Ess, a tooth; [Hebrew: tav] Tau, or Thau, Tee, or Tee-aitch, a cross, or mark.
These English names of the Hebrew letters are written with much less uniformity than those of the Greek, because there has been more dispute respecting their powers. This is directly contrary to what one would have expected; since the Hebrew names are words originally significant of other things than the letters, and the Greek are not. The original pronunciation of both languages is admitted to be lost, or involved in so much obscurity that little can be positively affirmed about it; and yet, where least was known, grammarians have produced the most diversity; aiming at disputed sounds in the one case, but generally preferring a correspondence of letters in the other.
OBS. 9.—The word alphabet is derived from the first two names in the following series. The Greek letters are twenty-four; which are formed, named, and sounded, thus:—
[Greek: A a], Alpha, a; [Greek: B, b], Beta, b; [Greek: G g], Gamma, g hard; [Greek: D d], Delta, d; [Greek: E e], Epsilon, e short; [Greek: Z z], Zeta, z; [Greek: Æ æ], Eta, e long; [Greek: TH Th th], Theta, th; [Greek: I i], Iota, i; [Greek K k], Kappa, k; [Greek: L l], Lambda, l; [Greek: M m], Mu, m; [Greek: N n], Nu, n; [Greek: X x], Xi, x; [Greek: O o], Omicron, o short; [Greek: P p], Pi, p; [Greek: R r] Rho, r; [Greek: S s s], Sigma, s; [Greek: T t], Tau, t; [Greek: Y y], Upsilon, u; [Greek: PH ph], Phi, ph; [Greek: CH ch], Chi, ch; [Greek: PS ps], Psi, ps; [Greek: O o], Omega, o long.
Of these names, our English dictionaries explain the first and the last; and Webster has defined Iota, and Zeta, but without reference to the meaning of the former in Greek. Beta, Delta, Lambda, and perhaps some others, are also found in the etymologies or definitions of Johnson and Webster, both of whom spell the word Lambda and its derivative lambdoidal without the silent b, which is commonly, if not always, inserted by the authors of our Greek grammars, and which Worcester, more properly, retains.
OBS. 10.—The reader will observe that the foregoing names, whether Greek or Hebrew, are in general much less simple than those which our letters now bear; and if he has ever attempted to spell aloud in either of those languages, he cannot but be sensible of the great advantage which was gained when to each letter there was given a short name, expressive, as ours mostly are, of its ordinary power. This improvement appears to have been introduced by the Romans, whose names for the letters were even more simple than our own. But so negligent in respect to them have been the Latin grammarians, both ancient and modern, that few even of the learned can tell what they really were in that language; or how they differed, either in orthography or sound, from those of the English or the French, the Hebrew or the Greek. Most of them, however, may yet be ascertained from Priscian, and some others of note among the ancient philologists; so that by taking from later authors the names of those letters which were not used in old times, we can still furnish an entire list, concerning the accuracy of which there is not much room to dispute. It is probable that in the ancient pronunciation of Latin, a was commonly sounded as in father; e like the English a; i mostly like e long; y like i short; c generally and g always hard, as in come and go. But, as the original, native, or just pronunciation of a language is not necessary to an understanding of it when written, the existing nations have severally, in a great measure, accommodated themselves, in their manner of reading this and other ancient tongues.
OBS. 11.—As the Latin language is now printed, its letters are twenty-five. Like the French, it has all that belong to the English alphabet, except the Double-u. But, till the first Punic war, the Romans wrote C for G, and doubtless gave it the power as well as the place of the Gamma or Gimel. It then seems to have slid into K; but they used it also for S, as we do now. The ancient Saxons, generally pronounced C as K, but sometimes as Ch. Their G was either guttural, or like our Y. In some of the early English grammars the name of the latter is written Ghee. The letter F, when first invented, was called, from its shape, Digamma, and afterwards Ef. J, when it was first distinguished from I, was called by the Hebrew name Jod, and afterwards Je. V, when first distinguished from U, was called Vau, then Va, then Ve. Y, when the Romans first borrowed it from the Greeks, was called Ypsilon; and Z, from the same source, was called Zeta; and, as these two letters were used only in words of Greek origin, I know not whether they ever received from the Romans any shorter names. In Schneider's Latin Grammar, the letters are named in the following manner; except Je and Ve, which are omitted by this author: "A, Be, Ce, De, E, Ef, Ge, Ha, I, [Je,] Ka, El, Em, En, O, Pe, Cu, Er, Es, Te, U, [Ve,] Ix, Ypsilon, Zeta." And this I suppose to be the most proper way of writing their names in Latin, unless we have sufficient authority for shortening Ypsilon into Y, sounded as short i, and for changing Zeta into Ez.
OBS. 12.—In many, if not in all languages, the five vowels, A, E, I, O, U, name themselves; but they name themselves differently to the ear, according to the different ways of uttering them in different languages. And as the name of a consonant necessarily requires one or more vowels, that also may be affected in the same manner. But in every language there should be a known way both of writing and of speaking every name in the series; and that, if there is nothing to hinder, should be made conformable to the genius of the language. I do not say that the names above can be regularly declined in Latin; but in English it is as easy to speak of two Dees as of two trees, of two Kays as of two days, of two Exes as of two foxes, of two Effs as of two skiffs; and there ought to be no more difficulty about the correct way of writing the word in the one case, than in the other. In Dr. Sam. Prat's Latin Grammar, (an elaborate octavo, all Latin, published in London, 1722,) nine of the consonants are reckoned mutes; b, c, d, g, p, q, t, j, and v; and eight, semivowels; f, l, m, n, r, s, x, z. "All the mutes," says this author, "are named by placing e after them; as, be, ce, de, ge, except q, which ends in u." See p. 8. "The semivowels, beginning with e, end in themselves; as, ef, ach, el, em, en, er, es, ex, (or, as Priscian will have it, ix,) eds." See p. 9. This mostly accords with the names given in the preceding paragraph; and so far as it does not, I judge the author to be wrong. The reader will observe that the Doctor's explanation is neither very exact nor quite complete: K is a mute which is not enumerated, and the rule would make the name of it Ke, and not Ka;—H is not one of his eight semivowels, nor does the name Ach accord with his rule or seem like a Latin word;—the name of Z, according to his principle, would be Ez and not "Eds," although the latter may better indicate the sound which was then given to this letter.
OBS. 13.—If the history of these names exhibits diversity, so does that of almost all other terms; and yet there is some way of writing every word with correctness, and correctness tends to permanence. But Time, that establishes authority, destroys it also, when he fairly sanctions newer customs. To all names worthy to be known, it is natural to wish a perpetual uniformity; but if any one thinks the variableness of these to be peculiar, let him open the English Bible of the fourteenth century, and read a few verses, observing the names. For instance: "Forsothe whanne Eroude was to bringynge forth hym, in that nigt Petir was slepynge bitwixe tweyno knytis."—Dedis, (i. e., Acts,) xii, 6. "Crist Ihesu that is to demynge the quyke and deed."—2 Tim., iv, 1. Since this was written for English, our language has changed much, and at the same time acquired, by means of the press, some aids to stability. I have recorded above the true names of the letters, as they are now used, with something of their history; and if there could be in human works any thing unchangeable, I should wish, (with due deference to all schemers and fault-finders,) that these names might remain the same forever.
OBS. 14.—If any change is desirable in our present names of the letters, it is that we may have a shorter and simpler term in stead of Double-u. But can we change this well known name? I imagine it would be about as easy to change Alpha, Upsilon, or Omega; and perhaps it would be as useful. Let Dr. Webster, or any defender of his spelling, try it. He never named the English letters rightly; long ago discarded the term Double-u; and is not yet tired of his experiment with "oo;" but thinks still to make the vowel sound of this letter its name. Yet he writes his new name wrong; has no authority for it but his own; and is, most certainly, reprehensible for the innovation.[92] If W is to be named as a vowel, it ought to name itself, as other vowels do, and not to take two Oes for its written name. Who that knows what it is, to name a letter, can think of naming w by double o? That it is possible for an ingenious man to misconceive this simple affair of naming the letters, may appear not only from the foregoing instance, but from the following quotation: "Among the thousand mismanagements of literary instruction, there is at the outset in the hornbook, the pretence to represent elementary sounds by syllables composed of two or more elements; as, Be, Kay, Zed, Double-u, and Aitch. These words are used in infancy, and through life, as simple elements in the process of synthetic spelling. If the definition of a consonant was made by the master from the practice of the child, it might suggest pity for the pedagogue, but should not make us forget the realities of nature."—Dr. Push, on the Philosophy of the Human Voice, p. 52. This is a strange allegation to come from such a source. If I bid a boy spell the word why, he says, "Double-u, Aitch, Wy, hwi;" and knows that he has spelled and pronounced the word correctly. But if he conceives that the five syllables which form the three words, Double-u, and Aitch, and Wy, are the three simple sounds which he utters in pronouncing the word why, it is not because the hornbook, or the teacher of the hornbook, ever made any such blunder or "pretence;" but because, like some great philosophers, he is capable of misconceiving very plain things. Suppose he should take it into his head to follow Dr. Webster's books, and to say, "Oo, he, ye, hwi;" who, but these doctors, would imagine, that such spelling was supported either by "the realities of nature," or by the authority of custom? I shall retain both the old "definition of a consonant," and the usual names of the letters, notwithstanding the contemptuous pity it may excite in the minds of such critics.
II. CLASSES OF THE LETTERS.
The letters are divided into two general classes, vowels and consonants.
A vowel is a letter which forms a perfect sound when uttered alone; as, a, e, o.
A consonant is a letter which cannot be perfectly uttered till joined to a vowel; as, b, c, d.[93]
The vowels are a, e, i, o, u, and sometimes w and y. All the other letters are consonants.
W or y is called a consonant when it precedes a vowel heard in the same syllable; as in wine, twine, whine; ye, yet, youth: in all other cases, these letters are vowels; as in Yssel, Ystadt, yttria; newly, dewy, eyebrow.
CLASSES OF CONSONANTS.
The consonants are divided, with respect to their powers, into semivowels and mutes.
A semivowel is a consonant which can be imperfectly sounded without a vowel, so that at the end of a syllable its sound may be protracted; as, l, n, z, in al, an, az.
A mute is a consonant which cannot be sounded at all without a vowel, and which at the end of a syllable suddenly stops the breath; as, k, p, t, in ak, ap, at.
The semivowels are, f, h, j, l, m, n, r, s, v, w, x, y, z, and c and g soft: but w or y at the end of a syllable, is a vowel; and the sound of c, f, g, h, j, s, or x, can be protracted only as an aspirate, or strong breath.
Four of the semivowels,—l, m, n, and r,—are termed liquids, on account of the fluency of their sounds; and four others,—v, w, y, and z,—are likewise more vocal than the aspirates.
The mutes are eight;—b, d, k, p, q, t, and c and g hard: three of these,—k, q, and c hard,—sound exactly alike: b, d, and g hard, stop the voice less suddenly than the rest.
OBSERVATIONS.
OBS. 1.—The foregoing division of the letters is of very great antiquity, and, in respect to its principal features sanctioned by almost universal authority; yet if we examine it minutely, either with reference to the various opinions of the learned, or with regard to the essential differences among the things of which it speaks, it will not perhaps be found in all respects indisputably certain. It will however be of use, as a basis for some subsequent rules, and as a means of calling the attention of the learner to the manner in which he utters the sounds of the letters. A knowledge of about three dozen different elementary sounds is implied in the faculty of speech. The power of producing these sounds with distinctness, and of adapting them to the purposes for which language is used, constitutes perfection of utterance. Had we a perfect alphabet, consisting of one symbol, and only one, for each elementary sound; and a perfect method of spelling, freed from silent letters, and precisely adjusted to the most correct pronunciation of words; the process of learning to read would doubtless be greatly facilitated. And yet any attempt toward such a reformation, any change short of the introduction of some entirely new mode of writing, would be both unwise and impracticable. It would involve our laws and literature in utter confusion, because pronunciation is the least permanent part of language; and if the orthography of words were conformed entirely to this standard, their origin and meaning would, in many instances, be soon lost. We must therefore content ourselves to learn languages as they are, and to make the best use we can of our present imperfect system of alphabetic characters; and we may be the better satisfied to do this, because the deficiencies and redundancies of this alphabet are not yet so well ascertained, as to make it certain what a perfect one would be.
OBS. 2.—In order to have a right understanding of the letters, it is necessary to enumerate, as accurately as we can, the elementary sounds of the language; and to attend carefully to the manner in which these sounds are enunciated, as well as to the characters by which they are represented. The most unconcerned observer cannot but perceive that there are certain differences in the sounds, as well as in the shapes, of the letters; and yet under what heads they ought severally to be classed, or how many of them will fall under some particular name, it may occasionally puzzle a philosopher to tell. The student must consider what is proposed or asked, use his own senses, and judge for himself. With our lower-case alphabet before him, he can tell by his own eye, which are the long letters, and which the short ones; so let him learn by his own ear, which are the vowels, and which, the consonants. The processes are alike simple; and, if he be neither blind nor deaf, he can do both about equally well. Thus he may know for a certainty, that a is a short letter, and b a long one; the former a vowel, the latter a consonant: and so of others. Yet as he may doubt whether t is a long letter or a short one, so he may be puzzled to say whether w and y, as heard in we and ye, are vowels or consonants: but neither of these difficulties should impair his confidence in any of his other decisions. If he attain by observation and practice a clear and perfect pronunciation of the letters, he will be able to class them for himself with as much accuracy as he will find in books.
OBS. 3.—Grammarians have generally agreed that every letter is either a vowel or a consonant; and also that there are among the latter some semivowels, some mutes, some aspirates, some liquids, some sharps, some flats, some labials, some dentals, some nasals, some palatals, and perhaps yet other species; but in enumerating the letters which belong to these several classes, they disagree so much as to make it no easy matter to ascertain what particular classification is best supported by their authority. I have adopted what I conceive to be the best authorized, and at the same time the most intelligible. He that dislikes the scheme, may do better, if he can. But let him with modesty determine what sort of discoveries may render our ancient authorities questionable. Aristotle, three hundred and thirty years before Christ, divided the Greek letters into vowels, semivowels, and mutes, and declared that no syllable could be formed without a vowel. In the opinion of some neoterics, it has been reserved to our age, to detect the fallacy of this. But I would fain believe that the Stagirite knew as well what he was saying, as did Dr. James Rush, when, in 1827, he declared the doctrine of vowels and consonants to be "a misrepresentation." The latter philosopher resolves the letters into "tonics, subtonics, and atonics;" and avers that "consonants alone may form syllables." Indeed, I cannot but think the ancient doctrine better. For, to say that "consonants alone may form syllables," is as much as to say that consonants are not consonants, but vowels! To be consistent, the attempters of this reformation should never speak of vowels or consonants, semivowels or mutes; because they judge the terms inappropriate, and the classification absurd. They should therefore adhere strictly to their "tonics, subtonics, and atonics;" which classes, though apparently the same as vowels, semivowels, and mutes, are better adapted to their new and peculiar division of these elements. Thus, by reforming both language and philosophy at once, they may make what they will of either!
OBS. 4.—Some teach that w and y are always vowels: conceiving the former to be equivalent to oo, and the latter to i or e. Dr. Lowth says, "Y is always a vowel," and "W is either a vowel or a diphthong." Dr. Webster supposes w to be always "a vowel, a simple sound;" but admits that, "At the beginning of words, y is called an articulation or consonant, and with some propriety perhaps, as it brings the root of the tongue in close contact with the lower part of the palate, and nearly in the position to which the close g brings it."—American Dict., Octavo. But I follow Wallis, Brightland, Johnson, Walker, Murray, Worcester, and others, in considering both of them sometimes vowels and sometimes consonants. They are consonants at the beginning of words in English, because their sounds take the article a, and not an, before them; as, a wall, a yard, and not, an wall, an yard. But oo or the sound of e, requires an, and not a; as, an eel, an oozy bog.[94] At the end of a syllable we know they are vowels; but at the beginning, they are so squeezed in their pronunciation, as to follow a vowel without any hiatus, or difficulty of utterance; as, "O worthy youth! so young, so wise!"
OBS. 5.—Murray's rule, "W and y are consonants when they begin a word or syllable, but in every other situation they are vowels," which is found in Comly's book, Kirkham's, Merchant's, Ingersoll's, Fisk's. Hart's, Hiley's, Alger's, Bullions's, Pond's, S. Putnam's, Weld's, and in sundry other grammars, is favourable to my doctrine, but too badly conceived to be quoted here as authority. It undesignedly makes w a consonant in wine, and a vowel in twine; and y a consonant when it forms a syllable, as in dewy: for a letter that forms a syllable, "begins" it. But Kirkham has lately learned his letters anew; and, supposing he had Dr. Rush on his side, has philosophically taken their names for their sounds. He now calls y a "diphthong." But he is wrong here by his own showing: he should rather have called it a triphthong. He says, "By pronouncing in a very deliberate and perfectly natural manner, the letter y, (which is a diphthong,) the unpractised student will perceive, that the sound produced, is compound; being formed, at its opening, of the obscure sound of oo as heard in oo-ze, which sound rapidly slides into that of i, and then advances to that of ee as heard in e-ve, and on which it gradually passes off into silence."—Kirkham's Elocution, p. 75. Thus the "unpractised student" is taught that b-y spells bwy; or, if pronounced "very deliberately, boo-i-ee!" Nay, this grammatist makes b, not a labial mute, as Walker, Webster, Cobb, and others, have called it, but a nasal subtonic, or semivowel. He delights in protracting its "guttural murmur;" perhaps, in assuming its name for its sound; and, having proved, that "consonants are capable of forming syllables," finds no difficulty in mouthing this little monosyllable by into b-oo-i-ee! In this way, it is the easiest thing in the world, for such a man to outface Aristotle, or any other divider of the letters; for he makes the sounds by which he judges. "Boy," says the teacher of Kirkham's Elocution, "describe the protracted sound of y."—Kirkham's Elocution, p. 110. The pupil may answer, "That letter, sir, has no longer or more complex sound, than what is heard in the word eye, or in the vowel i; but the book which I study, describes it otherwise. I know not whether I can make you understand it, but I will tr-oo-i-ee." If the word try, which the author uses as an example, does not exhibit his "protracted sound of y," there is no word that does: the sound is a mere fiction, originating in strange ignorance.