RIMINI.
A.C. 49.
Cæsar, forgetting his virtues in order to sacrifice everything to his ambition, prepared to march against his country. But this was not done without a mental struggle. When he arrived on the banks of the Rubicon, he was a prey to a thousand conflicting thoughts; he stopped all at once, and turning to his friends, said: “We have it still in our power to retract; but if we cross this rivulet, the enterprise must be carried out by force of arms.” According to Suetonius, there appeared at that moment a man of extraordinary height, playing upon a rustic flute, and the soldiers flocked round him to listen to him. This wonderful man, seizing a trumpet, applied it to his mouth, and sounding a charge, crossed the river. This was most likely a ruse of Cæsar’s to encourage his troops; be that as it may, he immediately cried out,—“Forward! let us go whither the voice of the gods and the injustice of our enemies call us;—the die is cast!” And he crossed the Rubicon. The short siege and the capture of Rimini were the consequences of this determination, followed by the civil war between Cæsar and Pompey, which annihilated the liberties of Rome.
SECOND SIEGE, A.D. 538.
Vitiges, king of the Ostrogoths, appeared before Rimini, and laid siege to it. He brought towards the walls an enormous tower, at the top of which was a large drawbridge, to be let down when within reach of the parapets. The inhabitants were in a terrible fright; but the commander rendered the tower useless by having the ditch widened during the night; and by a spirited and unexpected attack upon the enemy’s camp, he raised as much dread among them as the machine had created in Rimini. Some of the bravest of the Goths fell in this sortie, and their leader turned the siege into a blockade. The arrival of Belisarius compelled him to abandon the enterprise altogether.