About This Book
A comprehensive study argues that the conventions of ancient Greek drama are largely determined by its social and architectural environment, tracing origins, historical development, and foundational principles of tragedy and comedy. It emphasizes technical aspects of dramaturgy—structure, staging, and performance practice—while reexamining Aristotle’s treatment of spectacle versus poetic form. The author supplements classical evidence with medieval and modern parallels to illuminate practical theatrical problems and treats the ancient playwrights as living artists confronting real dramatic issues rather than remote mythic figures.