(References to ancient playwrights are supplementary to the Index of Passages; those to modern playwrights may be found by consulting “Parallels.” For theaters at various sites see “Theater.” All references are to the pages of this volume.)
- Acceleration of time, 250-57
- Actors, xi f., xiv, xix, 5, 35, 132 f., 162-95;
- first actor, 16-19, 162, 165;
- two actors, 163-71, 173-76, 183, 231 f.;
- three actors, 166-71, 176-83, 185-88, 231;
- number of, 129, 172-82, 182-84, 192;
- poets as, 18, 168 f., 318;
- coryphaeus as, 165, 169-71;
- in satyr-plays, 26;
- in comus, 43-46;
- in comedy, 46-49, 54-56;
- position in theater, 60, 77-79, 81 f., 86, 88-103, 117, 130, 149;
- ignored, 91, 163, 169, 173, 209, 230, 232;
- and chorus, 136-39, 149;
- contests of, 169, 269;
- guilds, 185-88;
- female rôles, 4, 188 f.;
- social position, 190 f.;
- specialization, 191 f., 202 f.;
- how introduced, 208-12;
- how paid, 165, 183 f., 270;
- how assigned, 273 f.
- See Aesthetic Law, Children, Lay Figure, Masks, Motivation, Mute, Parachoregema, etc.
- Acts, 148, 192-95, 265, 301, 307, 311
- Adrastus, 11-15, 17, 35
- Aeschylus:
- first tragic poet, 2, 33;
- introduced second actor, 166, 183;
- indebted to Homer, 17;
- imitated by Euripides, xviii;
- contested with Pratinas and Choerilus, 23 f., 63;
- originated tetralogies, 23, 133 f.;
- brought knowledge of Epicharmus to Athens, 56;
- historical themes, 124;
- dialogue, 170 f.;
- plays repeated, 203 f., 324;
- murders, 229;
- soliloquies, 305;
- iambic resolutions, 171 f.;
- victories, 272, 321, 324 f.
- Aesthetic law of actors, 53, 186-88;
- violence, 130 f., 229;
- of supports for stage, 86;
- effect of third actor, 167
- Aetiology, 6, 15, 295
- Agathon, 93, 124, 144-46, 148, 205 f.
- Agon, 41, 43-46, 49, 55, 193, 275
- Agonothete, 109, 271 f., 325
- Alexis, 304
- ἀναβαίνω, 91 f.
- ἀναγνώρισις. See Recognition
- Ancestor worship, 33 f.
- Anthropology, 4 f.
- Aparts (asides), 312
- ἀποκρίνεσθαι, 16
- Arion, 8-11, 13, 24, 32 f.
- Aristias, 23
- Aristomenes, 327 f.
- Aristophanes:
- productivity, 335;
- sought prize, xviii, 213-16;
- used coryphaei as actors, 44;
- borrowed ἐξόδια, 45;
- use of phallus, 46 f.;
- of chorus, 146;
- Frogs repeated, 204;
- imitated Euripides, 302;
- technique of dual entrance, 310;
- iambic resolutions, 172;
- position of name in records, 326-29
- Aristotle, ix, xxi, 5 f., 21;
- and spectacle, xi-xiii, xv f.;
- on origin of comedy, 35 f., 50-52, 54 f.;
- of tragedy, 6, 21 f., 28 f.
- ἀταξία, ἀτάκτως, 52 f., 184
- Audience, xiii, xvii, xix, 120 f., 132, 213, 215-20, 302 f., 305 f.
- Back scene, 65 f., 226-29, 241
- Bethe, 79
- Blinding, 131, 159, 222
- βοηλάτης, 7
- Box set, xv, 229
- Bulle, 31 f.
- Burial, 282 f.
- Butcher, 252
- Bywater, 6, 51
- Callistratus, 326, 328
- Capps, 23, 35, 55 f., 88, 144
- Castelvetro, xiii, 130
- Charon’s steps, 106
- Chauvinism, xvii f., 217-20
- Children, 120 f., 179 f., 189
- Chionides, 35, 51, 54
- Choerilus, 23, 63
- Choregus, 132, 182, 186, 205, 269-71, 273
- ΧΟΡΟΥ, 145-48, 193 f., 254
- Chorus (choreutae), 2, 5, 10 f., 132, 133-61;
- size of in dithyramb, 11, 132, 197;
- in satyr-play, 26;
- in tragedy, 133 f.;
- in comedy, 42, 134 f.;
- of satyrs, 2, 10, 15, 24-32, 136, 154;
- “goat” choruses at Sicyon, 11;
- non-satyric at Sicyon, 13 f., 15;
- likewise at Athens, 10 f.;
- of sileni, 16, 21, 24, 26, 29, 32, 135;
- transferred from Adrastus to Dionysus, 11-15;
- in comus, 42-46, 134;
- in comedy, 49, 51, 53 f., 135;
- as actors, 18, 43-45, 184;
- speaks through coryphaeus, 165;
- history of, 92 f., 97, 116 f., 148 f., 168, 193;
- position of, 77-79, 81, 88, 95, 99, 130, 149;
- relation to actors, 136-39, 147, 149, 193;
- relevancy of odes, 139-50;
- second and third chorus, 141;
- participation in plot, 88, 93, 117, 143 f.;
- constantly present, 154-60, 226, 243, 247, 250, 253, 307, 312;
- withdraws, 154, 247, 250 f., 306;
- preferably feeble, 160;
- introduces actors, 208-11;
- songs a hindrance, 153 f.;
- how paid, 165, 270 f.
- See Embolima, Impersonation, Motivation, Odes, etc.
- City Dionysia, 196 f., 273;
- reorganized, 24, 203, 269;
- procession, 20, 121-23, 132, 197, 224;
- dithyrambs, 11, 23, 197;
- satyr-plays, 23 f., 198 f., 204;
- tragedy, 21, 119, 197;
- old tragedies, 204, 324;
- comus, 24, 38, 119 f., 319;
- comedy, 51, 119, 197, 199 f.;
- tetralogies, 23, 133 f., 198 f., 203 f., 322 f., 332;
- contest of actors, 169, 183-85, 202;
- records, 318-28.
- See Prize, Proagon, etc.
- Clisthenes, 11, 14 f.
- Closet drama, xii, xiv
- Coincidence, 277, 293
- Comedy:
- etymology, 36;
- Old, Middle, and New, 39 f.;
- divisions, 40-42, 193-95;
- violence in, 132;
- chorus, 134 f., 147, 149, 162.
- See Origin of Comedy, Comus, etc.
- Commus, 96
- Comus, 24, 36-38, 42-46, 119 f., 127, 132, 162, 319
- Contaminatio, 188, 194
- Conventions, xvi, 66, 91, 129, 132, 152-54, 157 f., 165 f., 182, 208, 224-26, 228, 233 f., 236 f., 248, 254 f., 260 f., 266, 284, 287, 309 f.
- Cook, 24, 26
- Corinth, 4, 7-9, 11, 13, 15
- Cornford, 36 f., 51, 149 f., 160, 224, 267
- Coryphaeus, 10 f., 16, 18, 44, 49, 53, 134, 165, 168, 171, 187
- Costumes, 271;
- of satyrs, 2, 16, 24-32;
- of sileni, 16, 24, 26, 29, 32;
- in comus, 38, 43 f.;
- in comedy, 46 f., 135;
- in tragedy, 135 f., 162;
- of tragia choreutae, 2, 16, 21 f., 24-32
- Crane. See μηχανή
- Crates, 35, 50-52, 54-56
- Cratinus, 52-56, 327, 330, 335 f.
- Criticism, xi, xiii-xvi
- Curtain, 243-45, 247, 250, 311
- Deckinger, x
- De Prott, 26 f.
- Deus ex machina, 59 f., 201 f., 258 f., 292-98, 303.
- See μηχανή
- Dialogue, 10, 18, 164 f., 169-71, 178-82, 186 f., 232, 239, 241 f., 252, 259 f., 299 f., 309-11
- Didascalia (group of plays), 198, 318;
- (record), 318, 321-26, 330
- Didascalic numerals, 330-37
- Didascalus, 318, 326-30
- Dieterich, 6, 19
- Dindorf, 330, 335, 337
- Dionysus, 2, 6 f., 10-17, 20 f., 26, 33, 36, 104, 119, 121-24, 126 f., 142, 162 f., 198 f.
- See “Nothing to do with Dionysus”
- Dithyramb:
- source of tragedy, 2, 4, 6, 16, 119, 123, 198;
- source of satyric drama, 2, 4, 23 f., 123, 198;
- nature of, 6-8, 10 f., 33, 123, 133, 162, 197;
- broadened, 7, 10 f.;
- improvisational, 6, 10, 23;
- poetized, 8-11, 23;
- given titles, 9 f.;
- impersonation, 10, 16 f., 162 f.;
- modified by Thespis, 16-21;
- admitted to City Dionysia, 11, 23, 197;
- prizes for, 7, 11, 14, 269
- Dorians, 8 f., 15 f., 47 f., 56
- Dörpfeld, 58 f., 61, 67, 72, 74-76, 80-86, 97 f., 100, 117, 130, 226
- Drachma, 120, 269
- Drama, xiv f., 8 f., 10, 16 f.
- See Satyric Drama
- Dramaturgy, x, xii
- See Technique
- δρώμενα, 6, 8, 17
- Dryden, 202, 257, 265
- Eccyclema, 107, 241, 284-89
- ἐλεός, 18
- Eleusis, 6, 17, 37
- Eleutherae, 21, 63, 122
- Embolima, 93, 144-49
- England, 258 f.
- Eniautos-Daimon, 6
- Environment, ix, xvi
- Epic, xi, 17, 95, 244, 257, 263.
- See Homer
- Epicharmus, 50 f., 56
- Epigenes, 12 f., 15, 24, 32 f.
- Epilogue, 258 f.
- Episcenium, 59, 106-9, 111, 113, 289
- Episode (ἐπεισόδιον), 41, 47, 49
- Euripides:
- career, xviii, 205, 334;
- imitated Aeschylus, xviii;
- and Thespis, 299 f.;
- tags, xvii, 215;
- melodramatic, xviii;
- chauvinistic, xviii, 217-19;
- sought prize, xvii f., 215, 217-19;
- introduced sex problems, xviii;
- chorus, 144-46;
- deus ex machina, 201 f., 258 f., 294-96, 303;
- prologue, 206, 258, 299-304;
- eccyclema, 288;
- μηχανή, 292;
- soliloquies, 299-302, 305-9;
- technique of simultaneous entrance, 310;
- iambic resolutions, 172;
- indicated scene of action, 206;
- was criticized, 266 f., 293, 300, 302;
- modified myths, 300 f.;
- as skeptic, 96, 140;
- productivity, 334;
- popularity, xviii, 204, 272 f., 324 f.
- ἐξάρχων, 6 f., 16, 36, 44
- Exodus, 41 f., 45 f., 55
- Exon, 286
- Exostra, 288
- Fasti, 319-21, 324, 330
- Fear and pity, 128, 245, 317
- Fiechter, 70, 79, 81-86
- Flight, 289-92
- Flute-player, 26, 30, 271
- Frei, 96
- Frickenhaus, 20, 121
- Fries, 138
- Furtwängler, 16, 67
- γέρανος, 298
- Ghosts, 106, 225 f., 248, 302
- Gildersleeve, 94
- Goat:
- as prize, 7, 11, 13-16, 24, 268;
- as sacrifice, 14 f., 269;
- “goat” choruses, 11 f., 15;
- goat-song, 13 f., 21;
- goatskin, 26-28, 30 f.
- See Satyrs and Choreutae
- Gods, position of, 289-93
- Gomperz, 22
- Goodell, xvii f.
- Guglielmino, xvii
- Haigh, 10, 27, 79, 120 f.
- Harrison, 6, 17
- Heraclides, 20 f.
- Hermann, 78 f.
- Homer, 17, 244, 254 f., 266, 279 f., 282, 289, 300, 304-6.
- See Epic
- Hyposcenium, 61, 74, 84 f., 97, 100 f., 111, 113, 115
- Hypothesis, 330
- Iambic. See Meter
- Icaria, 4, 16 f., 19, 21, 38
- ἴκρια, 63, 66, 105, 108
- Immediate effects, xvii
- Impersonation (μίμησις), 10, 16-18, 43-45, 49, 53 f., 162 f.
- Improvisation, 6, 10, 16, 36, 38
- Interior scenes, xv, 68, 128, 229, 231, 237-43, 248, 278, 284 f.
- Irony, 312-17
- Jachmann, 329 f.
- Judges, 214-16, 272 f.
- Kaffenberger, 172, 187
- Kaibel, 152
- καταβαίνω, 91 f., 102 f.
- Katharsis, 317
- κῶμος. See Comus
- κονίστρα, 72
- Körte, 46 f., 324
- κράδη, 298
- Lay figure, 166 f., 174, 228, 244
- Legrand, 277
- Lenaea, 38, 56, 119 f., 183 f., 196, 202, 204 f., 269, 273, 318, 324-29
- Leo, 187, 307
- Lighting, 224-26, 233, 243, 253
- Litigiousness, 274 f.
- Logium (λογεῖον), 59 f., 76, 86, 97 f., 100, 102, 107, 111 f., 288, 291 f.
- Lot, 272 f.
- Lycurgus, 68-70, 191.
- See Theater
- Machina. See μηχανή
- Magic, 17, 153, 155
- Magnes, 35, 51, 54
- Marrett, 34
- Masks, 19, 26, 42, 49, 54, 130, 163 f., 173, 188, 212 f., 221-24, 266
- μηχανή, 68, 109, 235, 287, 289, 292 f.
- Megara, 47 f., 56
- μελάναιγις, 21
- Menander, 304, 332, 336 f.
- Messenger, 128, 164, 191, 229, 241, 248, 251, 276, 294
- Meter, 10, 16;
- iambic, 22, 171 f.;
- trochaic tetrameter, 22, 45
- μίμησις. See Impersonation
- Mina, 269
- Mooney, 231, 243
- Motivation:
- for movements of actors, 93, 147, 173 f., 229-33, 238-43, 249, 261, 281 f., 300;
- for movements of chorus, 150-52, 250 f.;
- for choral odes, 140-43, 152-54, 217;
- for unchanging features, 222 f.;
- for lack of darkness, 225 f.;
- for silence, 165, 176 f., 232;
- for soliloquies, 304 f., 308
- Murder. See Violence
- Murray, A. T., 201, 210
- Murray, G., xviii, 2, 6, 23, 158, 303
- Music, xi
- Mute, 174, 176 f., 179-81, 232, 244, 271
- Mythology, xviii, 123-26, 217, 219.
- See Themes
- Navarre, 42, 146
- Nemesis, 275 f.
- Nilsson, 9
- “Nothing to do with Dionysus,” 12 f., 21, 29
- Numerals given plays, 330-37
- Obol, 120
- Odes (στάσιμα), xv, 23, 41, 139-50, 152-54, 162 f., 192 f., 217, 252.
- See Embolima
- Oratorio, 16
- Orchestra, 57, 63, 65 f., 68 f., 72-79, 81-86, 88-91, 93, 95, 97-100, 102-8, 110-17, 130, 221, 223, 226, 228, 231, 233, 289, 292, 298
- Origin of comedy, 1, 35-56;
- obscurity of, 6, 35 f.;
- improvisational, 36;
- and comus, 36-38, 42-46, 127, 133;
- impersonation, 43-45, 49, 53 f., 162 f.;
- actors from Megara, 46-48, 53, 56;
- influence of tragedy, 49 f., 53 f., 127, 146;
- of mime, 50 f., 56, 127;
- plot, 50-52, 54, 127
- Origin of tragedy, 1-35;
- no serious gaps, 6;
- improvisational, 6;
- from dithyramb, 2, 4, 6, 16, 133, 198;
- Arion, 8-11;
- Sicyon, 11-15;
- occasion for name, 13-15, 268;
- Icaria, 16 f.;
- Thespis, 16-21;
- impersonation, 16-18, 162 f.;
- first actor, 16-19;
- non-Dionysiac themes, 21, 23, 198 f.;
- passed through “satyric” stage, 22 f., 28 f.
- See Homer, Ridgeway, Satyrs, Sileni, Thespis, etc.
- ὄψις. See Spectacle
- Panels. See πίνακες
- Parabasis, 41-43, 45 f., 49 f., 55, 193
- Parachoregema, 182, 186, 271
- Parallelism in comus and comedy, 42-46
- Parallels from modern theory and modern and mediaeval drama:
- Albright, 283;
- Archer, 148, 190 f., 261, 302;
- Brown, 263;
- Corneille, 256, 264;
- Cornford, 149, 224;
- Craig, 223 f., 284;
- Dennis, 152, 155, 221;
- Dryden, 202, 265;
- Elizabethan drama, 23, 188, 224, 244;
- Galsworthy, xv f.;
- Goethe, xiv, 12, 125, 140;
- Gray, 155;
- Greene, 145;
- Hamilton, xiii, 201;
- Ibsen, 242, 261, 266, 299, 311;
- Jones, xix;
- Kennedy, 264;
- Lessing, 225, 246, 303;
- Lounsbury, 130, 263 f., 279;
- Lowell, 262;
- Marlowe, 254;
- Matthews, xiii f.;
- Middleton, 313;
- Molière, 230 f., 264, 297 f.;
- Parker, 238;
- Racine, 124, 147, 264;
- Savage, 261;
- Schlegel, 220;
- Shakespeare, 123, 128, 141, 170, 188, 201 f., 208, 212, 225, 232, 243, 252, 256, 263, 283, 297, 303 f., 313;
- Shaw, 229;
- Sutro, 229;
- Voltaire, 201, 225;
- Walter, 263;
- also x, 16, 120, 123-25, 129-31, 162 f., 170, 190, 201 f., 236, 238, 243 f., 246, 248, 302
- Parascenium, 58, 66-70, 97 f., 104 f., 107 f., 111, 228, 235, 285, 287, 289
- Parodus (of chorus), 40, 45 f., 49, 55, 209, 252, 287, 298 f., 304
- Parodus (of theater), 59-61, 65 f., 70, 72, 75, 99, 102-4, 106, 108, 208, 226-28, 230 f., 233-35, 286
- Parody, 39, 200 f., 207, 210, 288, 309
- Patriotism, xvii f., 217-20
- Periacti, 298
- περιπέτεια. See Reversal of Situation
- Phallic, 36 f., 43, 46 f.
- Phlius, 4, 23 f.
- Phrynichus, 4, 6, 124, 141
- Pickard-Cambridge, 3, 10, 12, 14, 22
- πίνακες, 68, 71, 86, 107-9, 235 f., 244
- Pisistratus, 21, 63
- Plautus, ix, xx, 188, 194 f., 234, 304, 307, 309-11
- Playbill, 204-13, 254, 301
- Plot, 50-52, 54, 127, 261-63
- Plutarch. See Theater
- Poets, xvi, 18, 26, 123-27, 220, 271, 273, 318, 326-30
- Pollux. See Theater
- Pompey, 80 f., 85
- Porch, 68, 235 f., 238
- Pratinas, 4, 23 f., 25, 63
- Prescott, 174, 278
- Prickard, 202
- Prize, xvii f., 7, 11, 14 f., 16, 24, 213-20, 268 f.
- Proagon, 204-6
- Procession, 20, 121-23, 132, 197, 224
- Prologue, 35, 40, 49, 55 f., 206, 208-10, 252, 298-304
- Properties, 65, 106, 226, 228
- Proscenium, 58-60, 66, 68-71, 76, 80-87, 91 f., 97-101, 103-9, 111-14, 228, 235-39, 241, 244, 285, 287 f., 291 f.
- πρόθυρον. See Porch
- Psychology, xiv, xviii, 4, 296
- Puchstein, 79, 92
- Ramps, 104
- Recognition (ἀναγνώρισις), 17
- Rees, 53, 172, 187, 192
- Reisch, 3, 10, 14, 22, 30 f., 59, 319
- Reversal of situation (περιπέτεια), 17
- Richter, 150
- Ridgeway, 6 f., 12, 18-21, 31, 33-35, 236
- Robert, 101
- Rogers, 121, 214 f.
- Ruppel, 273
- Satyric drama (satyr-play), 2, 9, 22-32, 33 f., 125-27, 136, 198, 203 f., 322
- Satyrs, 2, 10 f., 13, 16, 22 f., 24-32, 126, 136, 154, 162
- Scaena. See σκηνή
- Scene-building. See σκηνή
- Scene of action, 206-8, 226-31, 233-36, 258, 300;
- changed, 206, 235, 247 f., 250 f.
- Scenery, xii, 66, 236, 244, 247 f., 260.
- See πίνακες
- Schmid, 3
- Scott, 254
- Seneca, ix, xx, 141, 187
- Sheppard, 276
- Shorey, 30
- Sicyon, 11-15, 21, 35, 80, 104, 108
- σῖγμα, 72
- Silence, 42, 91, 163, 165, 169, 173 f., 176 f., 186 f., 230, 232
- Sileni, 16, 21 f., 24, 26, 29, 32, 121 f., 135, 162
- Simonides, 11
- σκηνή (scaena; scene-building), 57 f., 66-70, 72, 77 f., 87, 93-98, 102-9, 111, 113, 226, 228, 231, 233, 235-37, 244, 284 f., 287-89, 291;
- ἐπὶ (ἀπὸ) σκηνῆς, 93-98;
- in scaena, 77;
- scaenae frons, 76, 83 f.
- σκηνικός, 61, 77 f., 96 f.
- Soliloquy, 240, 258, 286, 299-309, 311 f.
- Solon, 9, 17-19
- Sophocles:
- third actor, 53, 167, 183;
- ceased acting, 169;
- use of chorus, 144;
- was refused a chorus, 273;
- scenery, 66, 236;
- μηχανή, 296;
- soliloquies, 305;
- irony, 313;
- imitated Euripides, 302;
- iambic resolutions, 172;
- productivity, 335;
- victories, 272 f., 325
- Spectacle (ὄψις), xi f., xvi
- Spingarn, xi-xiii, xv
- Stage, xx, 60, 72-88, 91-100, 102 f., 111 f., 114-17, 130, 149.
- See σκηνή and Logium
- Stasima. See Odes
- Stephenson, 158
- Suicide, 129-32, 159, 244
- Susarion, 38, 47 f., 52 f.
- Synchoregi, 271
- Syzygy, 41, 43
- Tanner, 336
- Technique, ix f., xiv f., xvii, 10, 128 f., 173-76, 182, 191 f., 209 f., 229, 232, 239 f., 299 f., 310
- Terence, xx, 194 f., 234, 304, 307, 309-11, 316, 331
- Tetralogy (trilogy), 23 f., 133 f., 198 f., 203 f., 257 f., 265 f., 300, 322 f., 332, 334
- Theater (as a structure), 1, 57-117
- Technical terms, 57-61
- Greek, 76 f., 80;
- Roman, 75-77, 80;
- Hellenistic, 70 f., 76, 80, 82-87, 97, 100, 110 f.;
- Graeco-Roman, 80, 82-87, 110-14
- Athens, 62-75;
- site, 62 f., 208, 233 f.;
- size, 121, 221, 224, 312;
- in market-place, 63, 105;
- orchestra of ca. 499 B.C., 63, 65 f., 104, 226-28, 230;
- ca. 465 B.C., 66, 68, 228, 231 f., 285, 289;
- ca. 430 B.C., 67 f., 70, 235, 287, 289;
- Lycurgus, 68-70, 96, 103;
- Hellenistic, 70 f.;
- Nero, 72-74, 81, 98-101, 117;
- Phaedrus, 72, 74 f., 98
- Delos, 70 f., 80, 82 f., 107 f.;
- Delphi, 108, 116;
- Epidaurus, 70 f., 80, 104;
- Ephesus, 82 f., 109, 111-13, 116;
- Eretria, 70 f., 80, 82, 84, 104-7, 288;
- Megalopolis, 80, 108;
- Mitylene, 80 f., 85;
- Oropus, 80, 82, 84, 108-11, 113;
- Patara, 82-84;
- Pergamum, 80, 110 f., 116;
- Priene, 82 f., 86, 110 f., 113 f., 116;
- Sicyon, 80, 104, 108;
- Termessus, 82-85, 110 f.;
- Thoricus, 69, 80, 103 f., 227
- Vitruvius on, 75-87, 90, 92, 97;
- Pollux on, 78, 94, 98-100, 106;
- Plutarch, 101-3;
- Pompey’s, 80 f., 85;
- and fifth-century plays, 87-92;
- ἀναβαίνω, καταβαίνω, 91 f., 102 f.;
- and chorus, 92 f.;
- ἐπὶ τῆς σκηνῆς, 93-98;
- θυμελικός, σκηνικός, 95-97
- θέατρον, 60
- Themes, 7 f., 10, 13, 20 f., 123-27, 198 f., 279, 315
- Theologium, 59 f., 111
- Thespis:
- not mentioned in Poetics, 6;
- and Solon, 9, 17-19;
- place as tragic poet, 9, 12, 33;
- borrowings, 16;
- innovations, 16, 19 f.;
- first actor, 16-19, 163;
- impersonation, 16-18;
- his “grand step,” 19 f.;
- his wagon, 19 f.;
- non-Dionysiac themes, 20 f.;
- genuineness of extant titles, 20 f.;
- victor in first Athenian contest, 21;
- dramas somewhat like satyr-plays, 23;
- prologues, 55 f., 298-300
- Thirlwall, 313, 316
- Throop, 17
- Thymele, 18, 57, 61, 73, 79, 95-97, 104
- θυμελικός, 61, 77 f., 81, 95-97
- θυρώματα, 107, 109, 111
- Tomb ceremonies, 6, 12, 33-35
- τραγικοὶ χοροί, 11 f., 15
- τραγῳδία, 2, 8, 13-15, 21, 27 f.
- τραγῳδοί, 11, 13, 15 f., 21
- Tragedy:
- wagons in, 19 f.;
- at City Dionysia, 21;
- influence on comedy, 49 f., 53 f., 127, 146;
- influenced by epic, 17, 257, 263;
- themes, 123-25;
- chorus of, 135 f., 148-50, 162;
- early form, 162 f.;
- act divisions, 192 f.
- Trochaic tetrameter. See Meter
- Tyche, 277
- Unities, 201 f., 246-67, 277, 279, 295, 300
- Vases:
- satyrs on, 16, 22-32;
- sileni on, 22, 24, 26, 29, 32;
- satyr-plays on, 25-27, 29-32;
- comus on, 38, 46;
- wagon-ship on, 20
- Verrall, 5, 147, 151, 253
- Vestibule. See Porch
- Victories, 272 f., 324 f.
- Victors’-Lists, 324-30
- Violence, 127-32, 158-60, 229, 241, 247, 284 f.
- Wagons, 19 f., 121 f.
- Welcker, 1-3, 13
- Wernicke, 31
- Wieseler, 79 f.
- Wilamowitz-Möllendorff, von, 8, 11, 19, 48, 88, 189
- Wilhelm, 319, 328
- Women, 4, 42, 121, 180 f., 191, 277-83
- Year spirit, 6