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The Happy Warrior

Chapter 3: CHAPTER I
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The story follows a suburban household and the wider circle of families and young people connected to it as a sequence of chance events, romantic entanglements, and youthful follies reshapes fortunes and relationships. Episodes portray sudden social promotion, courting and misunderstandings, playful and painful rites of passage, lessons in loyalty and character, and escalating tensions that lead to physical confrontations and a climactic fight. Interwoven vignettes examine how luck, naivety, affection, and courage interact to test loyalties and define maturity.

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Title: The Happy Warrior

Author: A. S. M. Hutchinson

Illustrator: Paul Julian Meylan

Release date: December 17, 2011 [eBook #38325]
Most recently updated: January 8, 2021

Language: English

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK THE HAPPY WARRIOR ***





THE HAPPY WARRIOR



BY

A. S. M. HUTCHINSON

AUTHOR OF "ONCE ABOARD THE LUGGER——"




WITH FRONTISPIECE BY

PAUL JULIEN MEYLAN




TORONTO
MCCLELLAND & GOODCHILD LIMITED




Copyright, 1912,
BY A. S. M. HUTCHINSON.

All rights reserved.

First Edition Printed, December, 1912
Reprinted, January, 1913 (three times)
February, 1913 (three times)
Reprinted, March, 1913



Set up and electrotyped by J. S. Cushing Co., Norwood, Mass., U.S.A.
Presswork by S. J. Parkhill & Co., Boston, Mass., U.S.A.




Who is the happy Warrior? Who is he
That every man in arms should wish to be?
—It is the generous spirit, who,...
Come when it will, is equal to the need...
Who, with a toward or untoward lot,
Prosperous or adverse, to his wish or not—
Plays, in the many games of life, that one
Where what he most doth value must be won:
Whom neither shape of danger can dismay,
Nor thought of tender happiness betray.
                                                            —WORDSWORTH.




CONTENTS


BOOK ONE

A NICE, SHORT BOOK, ILLUSTRATING THE
ELEMENTS OF CHANCE

CHAPTER  
I.   A PAGE OF THE PEERAGE
II.   A CHANGE IN THE PEERAGE
III.   INTO THE PEERAGE
IV.   A FORETASTE OF THE PEERAGE
V.   MISREADING A PEERESS
VI.   MISCALCULATING A PEER


BOOK TWO

A BOOK OF THE SAME SIZE, ILLUSTRATING THE ELEMENT OF FOLLY

I.   LOVE TRIMS WRECKERS' LAMPS
II.   LOVE LEADS AN EXPEDITION INTO THE UNFORESEEN
III.   A LOVERS' LITANY
IV.   WHAT THE TOOO-FIRTY WINNER BROUGHT MRS. ERPS
V.   WHAT AUDREY BROUGHT LADY BURDON
VI.   ARRIVAL OF THE HAPPY WARRIOR
VII.   ENLISTMENT OF THE HAPPY WARRIOR


BOOK THREE

BOOK OF THE HAPPY, HAPPY TIME. THE ELEMENT OF YOUTH

I.   PERCIVAL HAS A PEEP AT THE 'NORMOUS
II.   FOLLOWS A FROG AND FINDS A TADPOLE
III.   LADY BURDON COMES TO "POST OFFIC"
IV.   LITTLE 'ORSES AND LITTLE STU-PIDS
V.   THE WORLD AS SHOWMAN: ALL THE JOLLY FUN
VI.   JAPHRA AND IMA AND SNOW-WHITE-AND-ROSE-RED
VII.   BURDON HOUSE LEASED: THE OLD MANOR OCCUPIED


BOOK FOUR

BOOK OF STORMS AND OF THREATENING STORM. THE ELEMENT OF LOVE

I.   PLANS AND DREAMS AND PROMISES
II.   FEARS AND VISIONS AND DISCOVERIES
III.   A FRIEND UNCHANGED—AND A FRIEND GROWN
IV.   IMA'S LESSONS
V.   JAPHRA'S LESSONS
VI.   WITH IMA ON PLOWMAN'S RIDGE
VII.   ALONE ON PLOWMAN'S RIDGE
VIII.   WITH DORA IN THE DRIVE
IX.   WITH AUNT MAGGIE IN FAREWELL
X.   WITH EGBERT IN FREEDOM
XI.   WITH JAPHRA ON THE ROAD
XII.   LETTERS OF RECALL
XIII.   MR. AMBER DOES NOT RECOGNISE
XIV.   DORA REMEMBERS


BOOK FIVE

BOOK OF FIGHTS AND OF THE BIG FIGHT. THE ELEMENT OF COURAGE

I.   BOSS MADDOX SHOWS HIS HAND
II.   IMA SHOWS HER HEART
III.   PERCIVAL SHOWS HIS FISTS
IV.   FOXY PINSENT v. JAPHRA'S GENTLEMAN
V.   A FIGHT THAT IS TOLD
VI.   THE STICKS COME OUT—AND A KNIFE
VII.   JAPHRA AND IMA. JAPHRA AND AUNT MAGGIE
VIII.   A COLD 'UN FOR EGBERT HUNT. ROUGH 'UNS FOR PERCIVAL
IX.   ONE COMES OVER THE RIDGE
X.   TWO RIDE TOGETHER
XI.   NEWS OF HUNT. NEWS OF ROLLO. NEWS OF DORA
XII.   PRELUDE TO THE BIG FIGHT
XIII.   THE BIG FIGHT OPENS
XIV.   ALWAYS VICTORY



THE HAPPY WARRIOR



BOOK ONE

A NICE, SHORT BOOK, ILLUSTRATING
THE ELEMENTS OF CHANCE



CHAPTER I

A PAGE OF THE PEERAGE

I

This life we stumble through, or strut through, or through which we creep and whine, or through which we dance and whistle, is built upon hazard—and that is why it is such a very wobbling affair, made up of tricks and chances; hence its miseries, but hence also its spice; hence its tragedies, and hence also its romance. A dog I know—illustrating the point—passed from its gate into the village street one morning, and merely to ease the itch of a momentary fit of temper, or merely to indulge a prankish whim, put a firm bite into a plump leg. Mark, now, the hazard foundation of this chancey life. A dozen commonplace legs were offered the dog; it might have tasted the lot and procured no more pother than the passing of a few shillings, the solatium of a pair of trousers or so. One leg was as good as another to the dog; yet it chanced upon the vicar's (whose back was turned), enjoyed its bite, jerked from the devout but startled man an amazingly coarse expression, and hence arose alarums and excursions, a village set by the ears, family feuds, a budding betrothal crushed by parental strife (one party owning the dog and the other calling the vicar Father) and the genesis of a dead set against the vicar's curate (who hit at the dog and struck the priest) that ended in the unfortunate young man having to leave the village.

But all that is by the way, and is only offered to your notice because commonplace examples are usually the most striking illustrations. It is introduced to excuse the starting of this story with its least and worst character. He figures but occasionally on these pages; yet by this chance and by that he comes to play a vital part as the story draws to an end; he comes, in fact, to close it: and therefore, out of his place, he shall be the first to occupy your attention.

Egbert Hunt his name.



II

Miller's Field, Hertfordshire, an outer suburb of London and within the cockney twang, was put into a proper commotion by the news that had brought a title into its midst—had left a peerage as casually as the morning milk at its desirable residence "Hillside," where Mr. and Mrs. Letham (Lord and Lady Burdon as suddenly and completely as Monday becomes Tuesday) made their home. The commotion chattered and clacked in every household and in every chance meeting in the streets; but it swirled most violently about Hillside and in Hillside, and its brunt—if his own statement may be accepted—pressed most heavily upon Egbert Hunt.

Egbert, morose, a pallid and stoutish boy of fourteen years, constituted the male staff at Hillside. This boy toiled sullenly at a diversity of tasks, knives, boots, coals, windows: any soul-corroding duties of such character, throughout the earlier hours of the day. In the afternoon he fitted himself into a tight page-boy's suit that had been procured through the advertisement columns of the "Lady," and that, on the very day of its arrival, had been shorn of much of the glory it first possessed in Egbert's eyes.

Sunning himself proudly down the village street, the lad had been greeted with a howl of "Marbles!" by the ribald companions he thought to impress.

"Marbles! They're buttons, yer silly toads!" the indignant Egbert had cried.

"Wot O! Marbles!" they jeered, and two of the round silver buttons were wrenched off in the distressing affair that followed.

Egbert carried them home in his pocket. The incident augmented the hostile and suspicious air with which, from his childhood upwards, he regarded the world. For this attitude the accident attending his birth was primarily responsible. When he presented this morose disposition to his mother's friends, Mrs. Hunt, in her softer moods, would instruct them that his sourness—as she termed it—was due to the sudden and unexpected discharge of a cannon during her visit to a circus, when Egbert was but eight months on the road to this vale of tears. The cannon had hastened his arrival (she never knew, so she said, how she managed to get home) and the abruptness, she was convinced, was responsible for his glum demeanor. By a dark process of reasoning, wherein were combined retribution to the clown who had fired the cannon and recompense to the child it had unduly impelled into the world, she had named the boy Egbert, this being the title by which the clown was announced on the circus programme.

The story became a popular joke against the lad; to shout "Bang!" at Egbert from behind concealment became a favourite sport of his grosser companions. It rankled him sorely. For one so young he was unnaturally embittered; his digestion, moreover, was defective.



III

Upon the evening of the day on which his employers, Mr. and Mrs. Letham, had been miraculously elevated to the style and title of Lord and Lady Burdon, Egbert's hostility towards the world was at its height. From half-past three onwards, callers followed one another, or passed one another, over the Hillside threshold. Egbert was bone-tired. It was close upon seven when kindly Mrs. Archer, the doctor's wife, addressing him as he showed her out, inquired in her gentle way after his mother and passed down the path with a "Well, good night, Egbert!"

"Good night, mum," Egbert muttered. He added in a lower but more devout key, "An' I yope ter Gawd yer the last of um."

The cool air invited him to the gate and he leaned wearily over it, his bitterness of spirit increased by a boy who, spying him, cried, "Bang!" as he passed, "Bang!" in retort to Egbert's tongue thrust out in hatred and contempt across the gate, and "Bang! bang!" again, as the gathering evening took him in her trailing cloak.

Egbert drew in his tongue with a groan of misery and hate, of indigestion and of weariness. An approaching footstep along the road caused him to thrust it out again and to keep it extended, armed lest the newcomer should be one of the bangers who irked his young life.

It chanced to be his father, returning from work in the fields. Mr. Hunt paused opposite his son and gazed for a few moments at the outstretched tongue. At some pain to himself Egbert pressed it to further extension: the boy was a little short-sighted and in the gloom did not recognise his parent.

"Tongue sore?" Mr. Hunt inquired, after a space.

Recognising the voice, Egbert restored the member to his mouth.

"Comes of tellin' a lie, so I've 'eard," said Mr. Hunt.

Considerable sympathy was in his tone; but Egbert gave no more attention to this view of retributive justice than he had vouchsafed to the question preceding it.

Father and son—neither greatly given to words when together—continued to regard each other solemnly across the gate. Presently Egbert jerked his head back at the house. "Heard about it?" he inquired.

The news had long since permeated the village. Mr. Hunt said, "Ah!" and taking a step forward, gazed earnestly at the house, first on one side of Egbert's head and then on the other. His air was that of a man who, the inmates suddenly having reached the peerage, rather expected to see a coronet suspended from the roof or a scarlet robe fluttering from a window; and as he stepped back he said, "Ah!" again, in a tone that committed him, as a result of his observations, neither to complete surprise nor complete satisfaction.

"Ah!" said Mr. Hunt, and shifted the spade he carried from his left hand to his right and waited.

"Goin' to take me with 'em when they move to the 'Ouse o' Lords," Egbert announced. "Told me so, dinner time."

Mr. Hunt put the spade before him, and leaning on it gazed profoundly at his son. "Ah! You'll wear one of them wing things side of yer 'at, that's what you'll wear," he informed him. "Tall 'at."

"Cockatoos they call um, don't they?" Egbert inquired.

"That's right. Side of yer 'at," his father replied. "Tall 'at."

Egbert appeared to ponder gloomily on the prospect. It was the habit of this boy's sombre mind to suspect a hidden indignity in each change thrust into his life. Seeking it in the cockatoos, he presently found it.

"Make me a Guy-forx again, I suppose," he said. "Same as these 'ere buttons."

Mr. Hunt took a step forward, and peering over the gate gazed down at his son's buttons with considerable concern.

The inspection finished, "Different in the 'Ouse o' Lords," he consoled. "Expec' they'll all wear them wing things side of their 'ats there. Call 'em same as they call you, that's what you can do. Tall 'ats."

But this boy's pessimism was incurable. "I'll have the biggest, you'll find," Egbert responded. "Else they'll give me two an' make a Guy-forx of me that way."

Mr. Hunt mentally visualised cockades the size of albatross wings on each side of his son's hat. The picture made him unable to deny the slightly outré effect that would be produced, and he began to move away.

"Comin' in to see your mother to-night, I suppose?" he asked.

Egbert grunted.

"Tongue still sore?"

"Boilin'," said Egbert, and turning from the gate moved moodily towards the house.

At nine o'clock, following his usual Tuesday night privilege, he betook himself down the village street to his parents' cottage. A further word or two dropped by his mistress joined with kitchen gossip during supper to enable him to supply something of the information for which he found his mother impatiently waiting.

"So you're goin' with 'em, I hear?" she greeted him.

Egbert nodded.

"Think you was goin' to prising, 'stead of to a lord's castle, one would, judgin' by your face," Mrs. Hunt exclaimed.

"Goin' to wear one o' them wing things side of his 'at, that's what he's goin' to wear," announced her husband. "Tall 'at."

"An' oughter be proud," cried Mrs. Hunt. "Hold yer yed up, Sulky, do!"

Sulky gave a stiff jerk to his bullet head. "Not goin' to the 'Ouse o' Lords, after all," he answered his father.

"'Ouse o' Lords! 'Ouse o' nonsense!" Mrs. Hunt exclaimed. "Goin' to live in a castle, that's where you're goin' to live, young man. Down in Wiltsheer; the cook told me all about it when I popped round this afternoon."

"Goin' to wear one o' them wing things side of 'is 'at, that's what he's goin' to wear," pronounced Mr. Hunt doggedly. "Tall 'at. Tall 'at," he reaffirmed; but "In a castle!" Mrs. Hunt continued, heedless of the interruption. "Burdon Old Manor, they call it, at a place called Little Letham, which Letham is the family name of the family, they giving their name to it as is very often the case, and a proper castle it is, too, though called a Manor."

Mrs. Hunt foamed out this information with a heat that increased as she perceived the morose indifference with which Egbert accepted it. Throwing herself into the third person, "Don't you 'ear what your mother is a telling of you, Sulk?" she demanded. Her eye caught on the wall behind Sulk's head a coloured presentation calendar depicting Lambert Simnel at scullion's work in an enormous kitchen, and she took inspiration. "A proper castle, your mother's telling you, where you'll have scullings in the kitchen; that's what you'll 'ave, you nasty sulk, you! Can't you say something?"

"I'll sculling 'em!" breathed Egbert, yielding to her request. He scented in this new form of acquaintance some fresh trial and indignity. "I'll sculling 'em!" he repeated.

His fierce intention earned him at once, and earned him full, the thump upon his head that his mother's excitement and his own gloom had been conspiring to inflict ever since he entered the cottage; and he trudged his way back to Hillside viciously embittered against every point of an aching day: his mistress, her visitors, the approaching change in his life, his mother, the "scullings." "Tyrangs!" said Egbert. He stumbled over a stone as he pronounced the savage word and bit his tongue most painfully. "Boil yer," said Egbert to the stone; and, including the stone with the "tyrangs," as wearily he got him to bed, "Boil um!" he said. "Tyrangs! Toads!"




CHAPTER II

A CHANGE IN THE PEERAGE

This hazard foundation of life! As a stone tossed down a hillside dislodges others and sets them rolling, themselves dislodging more till the first light pitch will gather to a rumble where was peace, the first stone cause to jump and shout many score that might have held their place long after the thrower's idle hand was equal dust with the dust of their descent—so it is with the lightest action that the least of us may idly toss upon our small affairs. We cannot move alone. Life has us in a web, within whose meshes none may stir a hand but he pulls here, loosens there, and sets a wave of movement through a hundred tangles of the coil.

This hazard foundation of life! Egbert Hunt was made to lean wearily over the gate that evening and the toads and "tyrangs" whose oppression had cost him a bitter day were set in his path by a movement in the web, leagues upon leagues of land and sea from Miller's Field. Life has us in a web. In one remote corner an Afridi tribesman shot a British officer: that was his movement in the meshes, and swift, swift, the chain of tugs set up thereby acted upon a morose page-boy in another remote corner, rendering him bone-tired through ushering the visitors come to congratulate those who had stepped into the dead man's shoes.

This hazard touch even in the billet that the Afridi tribesman selected for his bullet! In sheeting rain, behind a rock above a pass on the northwestern frontier of India, Multan Khan—Afridi, one-time sepoy, deserter from his regiment, scoundrel, first-class shot—snuggled his cheek against his stolen rifle, hesitated for a moment between the heads of three British officers, drew a line on one, pressed the trigger; and, while he chuckled over his success, himself pitched dead with a bullet through the incautious skull he had craned over the rock the better to enjoy the fruits of his skill.

Brief his pleasure but lusty the tug he had given the web. The news of it reached London just in time to catch the final edition of the evening papers as they went to press, just in time to supply a good contents-bill for an uncommonly dull night.

PEER
KILLED IN
FRONTIER
FIGHTING

went flaming down the streets, substantiated in the news columns by a brief message announcing Lord Burdon's name among the casualties of a brisk little engagement in the Frontier Campaign.

The morning papers did better with it, particularly that which Egbert Hunt took in from the doorstep of Hillside. This paper's "Own Correspondent" with the British force, eluding vigilance, had enjoyed the fortune of getting among the party detailed for clearing the rocks whence Multan Khan and his friends had made themselves surprisingly unpleasant; and his long despatch, well handled in Fleet Street, bravely headlined above:

Gallant Young Peer
Lord Burdon Killed in Sharp Frontier Engagement
Leads Dashing Charge

and nicely rounded off below with a paragraph written up from "cuttings about Lord Burdon" in the newspaper's library, was distributed far and wide on the morrow. The journalists dished it up, the presses hammered it out, the carts, the trains, and the boys galloped it broadcast over the country. To some it fetched tragedy (as we shall see); to others idle interest; to Egbert Hunt a bone-aching day and cruel indignities (as have been shown); to Mrs. Letham bewildering excitement.




CHAPTER III

INTO THE PEERAGE

I

It made Mrs. Letham very excited. Mrs. Letham, coming upon it as she idly turned over the newspaper at her breakfast, took a bang at the heart that for the moment made the print difficult to read. Recovering, she read it through, her pulses drumming, her breath catching, her hands shaking so that the paper rustled a little between them. She half rose from her seat, then read again. She read a third time and now pursued the lines to that subjoined paragraph written up from the "cuttings about Lord Burdon."

"Lord Burdon, the twelfth Baron, was attached to the staff of General Sir Wryford Sheringham, commanding the expeditionary force. He was a lieutenant in the 30th Hussars and left England in October last with General Sheringham when the latter went out to take command. Lord Burdon, who only attained his majority in April last, was unmarried. This is the first time since the creation of the Barony in 1660 that the title has not passed directly from holder to eldest son; and about Little Letham, Wilts, where is Burdon Old Manor, the family seat, the expressions "Safe as a Burdon till he's got his heir," and "Safe as a Burdon heir" have passed into the common parlance of the countryside. The successor is of a very remote branch—Mr. Maurice Redpath Letham, whose paternal great-grandfather was the eighth baron. It will be noticed as a most singular event that the first break in a direct succession extending over two hundred years should cause the new heir to be found in the line of no fewer than four generations ago of his house."

When Mrs. Letham presently arose, she arose suddenly as if she forced herself to move against spells that numbed her movements. She arose, the paper clutched between her hands, and for a space she stood with a dizzy air, as if her thoughts reeled in a giddy maze and perplexed her actions. A jostle of visions—half caught, bewildering glimpses of what this thing meant to her—spun through her brain, the mind shaping them quicker than the mental eye could distinguish them, as one half-stunned by a blow, dizzy between its violence and the onward pressure of events. She put a hand for support upon the table before her and felt, but did not think to end, the unpleasant shrinking of her flesh communicated by her fingers scraping the wood where they bunched the cloth beneath them.

She was Lady Burdon...!



II

With that amazement singing in her ears, and recovered from the first effects of her bewilderment, she went quickly to the door and excitedly up the stairs. She was thirty-five; they called her pretty; and certainly she made an attractive presence as she came to the threshold of the room where she sought her husband. Her entry was abrupt: a quick jerk on the door handle, the door wide open and she with a sudden movement standing there, tense, animated, a flush on her cheeks, sparkle in her eyes, and a high, glad, strange note in the "Maurice!" that she cried. "Maurice!"

"Con-found!" came the answer. "Conster-nation!" and illustrating the reason of the words, a fleck of blood came through the snowy lather on a chin in process of being shaved.

Mr. Letham—portly; forty; pleasant of countenance in a loose-lipped, good-natured fashion; in a shirt and trousers before the looking-glass; pain on face; finger firmly on the blood stain; razor in the other hand—Mr. Letham peered short-sightedly into the mirror, made a very squeamish stroke with the razor in the vicinity of the wound, and, quickly over his concern, pleasantly addressed his wife.

"'Morning, old girl. I say, you made me jump. Am I so fearfully late? What's for breakfast?"

He did not turn to face her. Viewed from behind, half-hitched trousers and bulging shirt, he had a lumpish appearance, and it was the more inelegant for the contortions of his arms and shoulders, characteristic of a clumsy shaver.

The spectacle caused Mrs. Letham a pucker of the brows that marred her rosy animation. She said, "Maurice! Do turn round! I've something to tell you."

"M-m-m," murmured Mr. Letham, at very ticklish work with the razor.

"Maurice!"

"M-m-m—M-m-m. Beastly rude, I know. Half-a-second, old girl. This is a most infernal job—"

She interrupted him, "Oh, listen! Listen! In this paper here—" Her voice caught. "In this paper—you are Lord Burdon!"

Mr. Letham, signalling amusement as best he was able, gave a kind of wriggle of his back, held his breath while he made another stroke with the razor, and expired the breath with: "Well, I'll buy a new razor then, hanged if I won't. This infernal thing—" and he bent towards the glass, peering at the reflection of the skin he had cleared.

The door behind him slammed violently, and then for the first time he turned. He had thought her gone—angry, as she was often angry, at his mild joking. Instead he saw her standing there, one hand behind her in the action with which she had swung-to the door, the other clutching the newspaper all rumpled up against her bosom; and there was that in her face, in her eyes, and in the tremble of her parted lips that made him change the easy, tolerant smile and the light banter with which he turned to her. "Only my silly fun, Nelly," he began. "What is it? Some howler in the newspaper? Let's have a—" Then appreciated the pose, the eyes, the parted lips; and changed nervously to: "Eh? Eh? What is it? What's up?"

She broke out: "Your fun! Will you only listen! It's true—true what I tell you! You are Lord Burdon." Angry and incoherent she became, for her husband blinked at her, and looked untidy and looked doltish. "He's unmarried. I was trying only the other day to interest you in what that meant. When his uncle died last August I spoke to you about it—"

Mr. Letham, blinking, more untidy, more doltish: "Who's unmarried?"

And she cried at him: "Young Lord Burdon! Young Lord Burdon is dead! He's been killed in the fighting in India—"

She stopped. She had moved him at last.



III

Mr. Letham laid down his razor—slowly, letting the handle slip noiselessly from his fingers to the dressing-table. Slowly also he lifted his face towards his wife, and she saw his mild forehead all puckered, his eyes dimmed with a bemused air, his loose mouth parted: she particularly saw the comical aspect given to his perturbation by its setting of little patches of soap with the little trickle of red at the chin.

He put out a hand for the paper and made a slow step towards her. "Eh?" he said—a kind of bleat, it sounded to her.

"No! Listen!" she told him. "Listen to this at the end of the account," and she spread the sheet in her hands. A little difficult to find the place ... a little difficult to control her voice.... "Listen!" and she found and read aloud, in jerky sentences, the paragraph that had been made out of "cuttings about Lord Burdon."

Almost in a whisper the vital clause "...the successor is of a very remote branch—Mr. Maurice Redpath Letham, whose paternal great-grandfather was the eighth baron...."

And in a whisper, dizzy again with the amazement of it: "Maurice! Do you realise?"

His turn for bewilderment. He ignored her appeal. He did not heed her agitation. He took the paper from her and she read that in his eyes—preoccupation with some idea outside her range—that caused her own to harden. She crossed and stood against the bed rail, and she eyed him with narrowing gaze as he read Our Own Correspondent's despatch.

"Poor young beggar!" he murmured, following the story. "Poor, plucky young beggar!"

She just watched his face, comical with its dabs of drying soap, reddening a little, eyelids blinking. She watched him reach the fold of the paper, ignore the paragraph relating to himself, and turn again to Our Own Correspondent's account. "Poor—poor, plucky young beggar!" he repeated.

She gave a little catch at her breath. He exasperated her—exasperated! Here was the most amazing fortune suddenly theirs, and he was blind to it! Often Mrs. Letham flamed against her husband those outbursts of almost ungovernable exasperation that a dull intelligence, fumbling with an idea, arouses in the quick-witted. They are the more violent, these outbursts, if the stupid fumbling, fumbling with some moral issue, conveys a reproach to the quicker wit. She was made to feel such a reproach by that reiterated "Poor young beggar! Poor, plucky young beggar!" It intensified the outbreak of exasperation that threatened her; and she told herself the reproach was unmerited, and that intensified her anger more. It was nothing to her and less than nothing, this boy's death; but she had rushed up to her husband the better to enjoy her natural joy by sharing it with him, and ready, if he had met her excitement, to compassionate the fate of young Lord Burdon. He greeted her, instead, only with "Poor young beggar! Poor, plucky young beggar!" She caught her breath. Exasperation surged like a live thing within her. If he said it again! If he said it again, she would break out! She could not bear it! She would dash the paper from his hands. She would cry in his startled face—his doltish face: "What! What! What! What! Don't you see? Don't you understand? Lord Burdon! Lady Burdon! Are you a fool? Are you an utter, utter fool?"