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The Highland bagpipe

Chapter 2: Preface.
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About This Book

This work traces the origin and evolution of the Highland bagpipe from ancient and continental antecedents to its codified modern form, situating the instrument within Scottish and broader European musical traditions. It examines construction and acoustics, tuning and drone technique, and the distinct repertories and notation systems used to transmit pibroch and dance tunes. Chapters consider the instrument's social roles: clan and military uses, ceremonial and funerary functions, and the rivalries and replacement of earlier harp and bardic traditions. Interleaved with historical survey are discussions of literature about the pipes, anecdotes, superstitions, and practical observations on playing and teaching that illuminate both technical and cultural dimensions.

Preface.

This book was not written on a preconceived plan, drawn up from the beginning of the work. It “growed.” It had its inception in a commission to write for the Weekly Herald half-a-dozen biographical articles on famous pipers. The necessary investigation produced a mass of material too interesting to be left unused, and the half-dozen articles of the original commission became twenty-seven, with very little of the biographical in them. These, after being finally recast, revised, and in several cases re-written, are now in the form of a book flung at an unoffending public. If the volume interests any one—well. If not—well. There is nothing more to be said on that point.

It were vain to attempt to acknowledge indebtedness to books or to men. Every available book bearing on the subject even in the most indirect way has been consulted, in many cases read. A great deal of the material used is of course common to all Highland literature, and one book cannot be quoted more than another. With men it is equally impracticable to give names. So many have helped, so many have written giving additional bits of information or suggesting improvements, so many have, in reply to requests, kindly supplied matter dealing with phases of the subject on which they have intimate knowledge, that one could not do justice to all without naming all. Still, while this may not be done, I cannot possibly refrain from saying that without the assistance given by Mr. Henry Whyte (“Fionn”) in matters of Highland history and questions connected with the Gaelic language, the book could hardly have been published; while Mr. John Mac Kay, editor of the Celtic Monthly, in throwing open to me his valuable library of Celtic literature, did very much to lighten my labours. This, I think, is all I can safely say. If I said more, I would have to say so very much.

W. L. M.

Glasgow, April 27, 1901.