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The History of Painting in Italy, Vol. 4 (of 6) / From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century cover

The History of Painting in Italy, Vol. 4 (of 6) / From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century

Chapter 41: Transcriber's Notes:
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About This Book

The volume offers a systematic survey of painting across Upper Italy, treating the schools of Lombardy—including Mantua, Modena, Parma, Cremona, and Milan—in successive epochs. It traces stylistic currents and mutual influences, compares local tendencies with Roman, Venetian, and Bolognese models, documents important frescoes and commissions, and discusses the foundation and impact of academies. The narrative assesses individual artists' techniques, composition, and shifts between innovation and decline, emphasizing cross‑regional exchange and the evolution of artistic institutions.

Transcriber's Notes:

Punctuation, use of hyphens, and accent marks were standardized. Obsolete and alternative spellings were left unchanged. For example, the author consistently uses 'Bonarruoti' rather than the usual 'Buonarroti,' 'accessaries' for 'accessories,' and 'canvass' for 'canvas.' Spelling corrections are provided as footnotes, below.

Footnotes were moved to the end of the section to which they pertain.

The following changes were made for consistency within the text:

'Michel Angiolo' to 'Michelangiolo'
'rilievo' to 'relievo'
'intitled' to 'entitled'

Additional changes:

[a] original reads '106'
[b] original reads 'Wmser'
[c] original reads 'Batista'
[d] original reads 'imtator'
[e] original reads 'musaicists'
[f] original reads 'developement'
[g] original reads 'recal'
[h] original reads 'Coregio'
[i] original reads 'begun'
[j] original reads 'Boccaccini'
[k] added 'to' ... nor yet has he referred to him as a pupil ...
[l] original reads 'pourtrayed'
[m] original reads 'Monistero'
[n] original reads 'Andai'
[o] original reads 'Brenghel'