WeRead Powered by ReaderPub
The history of silhouettes cover

The history of silhouettes

Chapter 2: FOREWORD.
Open in WeRead

Explore more books like this:

About This Book

The book traces the art of black profile portraiture from ancient outline traditions through its rise and decline in modern decorative and social practice, examining cultural contexts and collecting. It explains technical methods—painted silhouettes, shadowgraphy and mechanical aids, and freehand scissor cutting—and considers studio practices, notable practitioners, and published manuals. Additional chapters treat silhouette decoration on porcelain and glass, miniature theatres, scrapbooks, and the work of court and popular cutters. The volume also supplies an alphabetical directory of silhouettists, a bibliography, and numerous illustrations documenting techniques, mounts, and representative specimens.

FOREWORD.

Amongst my reminiscences of personal belongings and the charm of old portraiture, none has given me greater pleasure than the silhouette of bygone days.

The souvenir, sometimes cut by gifted amateurs, was exchanged amongst friends in my early days as the photograph is to-day. We had many at Wolterton, our Norfolk home, and the picture of my grandmother, Lady Orford, and the cuttings of Princess Elizabeth are amongst my treasured possessions.

I remember Mr. Guest collected silhouettes, and had some fine examples of the work of Miers (who lived near Exeter Change), of Rosenberg, and of Field.

Mr. Guest was a very good judge of such things, having, by many years of collecting, perfected a naturally cultured sense of art. Like myself, he had learnt much from Mr. Pollard.

Lady Evelyn Cobbold shewed me three silhouettes of Mr. Cobbold, his father, and his grandfather, all perfect portraits, and very interesting.