From "Sea Dreams"
What does little birdie say
In her nest at peep of day?
Let me fly, says little birdie,
Mother, let me fly away.
Birdie, rest a little longer,
Till the little wings are stronger.
So she rests a little longer,
Then she flies away.
In her nest at peep of day?
Let me fly, says little birdie,
Mother, let me fly away.
Birdie, rest a little longer,
Till the little wings are stronger.
So she rests a little longer,
Then she flies away.
What does little baby say,
In her bed at peep of day?
Baby says, like little birdie,
Let me rise and fly away.
Baby, sleep a little longer,
Till the little limbs are stronger,
If she sleeps a little longer,
Baby too shall fly away.
In her bed at peep of day?
Baby says, like little birdie,
Let me rise and fly away.
Baby, sleep a little longer,
Till the little limbs are stronger,
If she sleeps a little longer,
Baby too shall fly away.
Alfred Tennyson [1809-1892]
NURSE'S SONG
When the voices of children are heard on the green
And laughing is heard on the hill,
My heart is at rest within my breast,
And everything else is still.
And laughing is heard on the hill,
My heart is at rest within my breast,
And everything else is still.
"Then come home, my children, the sun is gone down,
And the dews of the night arise;
Come, come, leave off play, and let us away
Till the morning appears in the skies."
And the dews of the night arise;
Come, come, leave off play, and let us away
Till the morning appears in the skies."
"No, no, let us play, for it is yet day,
And we cannot go to sleep;
Besides in the sky the little birds fly,
And the hills are all covered with sheep."
And we cannot go to sleep;
Besides in the sky the little birds fly,
And the hills are all covered with sheep."
"Well, well, go and play till the light fades away,
And then go home to bed."
The little ones leaped and shouted and laughed;
And all the hills echoed.
And then go home to bed."
The little ones leaped and shouted and laughed;
And all the hills echoed.
William Blake [1757-1827]
JACK FROST
The door was shut, as doors should be,
Before you went to bed last night;
Yet Jack Frost has got in, you see,
And left your window silver white.
Before you went to bed last night;
Yet Jack Frost has got in, you see,
And left your window silver white.
He must have waited till you slept;
And not a single word he spoke,
But pencilled o'er the panes and crept
Away again before you woke.
And not a single word he spoke,
But pencilled o'er the panes and crept
Away again before you woke.
And now you cannot see the hills
Nor fields that stretch beyond the lane;
But there are fairer things than these
His fingers traced on every pane.
Nor fields that stretch beyond the lane;
But there are fairer things than these
His fingers traced on every pane.
Rocks and castles towering high;
Hills and dales, and streams and fields;
And knights in armor riding by,
With nodding plumes and shining shields.
Hills and dales, and streams and fields;
And knights in armor riding by,
With nodding plumes and shining shields.
And here are little boats, and there
Big ships with sails spread to the breeze;
And yonder, palm trees waving fair
On islands set in silver seas.
Big ships with sails spread to the breeze;
And yonder, palm trees waving fair
On islands set in silver seas.
And butterflies with gauzy wings;
And herds of cows and flocks of sheep;
And fruit and flowers and all the things
You see when you are sound asleep.
And herds of cows and flocks of sheep;
And fruit and flowers and all the things
You see when you are sound asleep.
For creeping softly underneath
The door when all the lights are out,
Jack Frost takes every breath you breathe,
And knows the things you think about.
The door when all the lights are out,
Jack Frost takes every breath you breathe,
And knows the things you think about.
He paints them on the window pane
In fairy lines with frozen steam;
And when you wake you see again
The lovely things you saw in dream.
In fairy lines with frozen steam;
And when you wake you see again
The lovely things you saw in dream.
Gabriel Setoun [1861-
OCTOBER'S PARTY
October gave a party;
The leaves by hundreds came—
The Chestnuts, Oaks, and Maples,
And leaves of every name.
The Sunshine spread a carpet,
And everything was grand,
Miss Weather led the dancing,
Professor Wind the band.
The leaves by hundreds came—
The Chestnuts, Oaks, and Maples,
And leaves of every name.
The Sunshine spread a carpet,
And everything was grand,
Miss Weather led the dancing,
Professor Wind the band.
The Chestnuts came in yellow,
The Oaks in crimson dressed;
The lovely Misses Maple
In scarlet looked their best;
All balanced to their partners,
And gaily fluttered by;
The sight was like a rainbow
New fallen from the sky.
The Oaks in crimson dressed;
The lovely Misses Maple
In scarlet looked their best;
All balanced to their partners,
And gaily fluttered by;
The sight was like a rainbow
New fallen from the sky.
Then, in the rustic hollow,
At hide-and-seek they played,
The party closed at sundown,
And everybody stayed.
Professor Wind played louder;
They flew along the ground;
And then the party ended
In jolly "hands around."
At hide-and-seek they played,
The party closed at sundown,
And everybody stayed.
Professor Wind played louder;
They flew along the ground;
And then the party ended
In jolly "hands around."
George Cooper [1840-1927]
THE SHEPHERD
How sweet is the Shepherd's sweet lot!
From the morn to the evening he strays;
He shall follow his sheep all the day,
And his tongue shall be filled with praise.
For he hears the lamb's innocent call,
And he hears the ewe's tender reply;
He is watchful, while they are in peace,
For they know when their Shepherd is nigh.
From the morn to the evening he strays;
He shall follow his sheep all the day,
And his tongue shall be filled with praise.
For he hears the lamb's innocent call,
And he hears the ewe's tender reply;
He is watchful, while they are in peace,
For they know when their Shepherd is nigh.
William Blake [1757-1827]
NIKOLINA
O tell me, little children, have you seen her—
The tiny maid from Norway, Nikolina?
O, her eyes are blue as cornflowers, mid the corn,
And her cheeks are rosy red as skies of morn!
The tiny maid from Norway, Nikolina?
O, her eyes are blue as cornflowers, mid the corn,
And her cheeks are rosy red as skies of morn!
Nikolina! swift she turns if any call her,
As she stands among the poppies, hardly taller,
Breaking off their scarlet cups for you,
With spikes of slender larkspur, burning blue.
As she stands among the poppies, hardly taller,
Breaking off their scarlet cups for you,
With spikes of slender larkspur, burning blue.
In her little garden many a flower is growing—
Red, gold, and purple in the soft wind blowing,
But the child that stands amid the blossoms gay
Is sweeter, quainter, brighter e'en than they.
Red, gold, and purple in the soft wind blowing,
But the child that stands amid the blossoms gay
Is sweeter, quainter, brighter e'en than they.
Celia Thaxter [1835-1894]
LITTLE GUSTAVA
Little Gustava sits in the sun,
Safe in the porch, and the little drops run
From the icicles under the eaves so fast,
For the bright spring sun shines warm at last,
And glad is little Gustava.
Safe in the porch, and the little drops run
From the icicles under the eaves so fast,
For the bright spring sun shines warm at last,
And glad is little Gustava.
She wears a quaint little scarlet cap,
And a little green bowl she holds in her lap,
Filled with bread and milk to the brim,
And a wreath of marigolds round the rim:
"Ha! ha!" laughs little Gustava.
And a little green bowl she holds in her lap,
Filled with bread and milk to the brim,
And a wreath of marigolds round the rim:
"Ha! ha!" laughs little Gustava.
Up comes her little gray coaxing cat
With her little pink nose, and she mews, "What's that?"
Gustava feeds her,—she begs for more;
And a little brown hen walks in at the door:
"Good day!" cries little Gustava.
With her little pink nose, and she mews, "What's that?"
Gustava feeds her,—she begs for more;
And a little brown hen walks in at the door:
"Good day!" cries little Gustava.
She scatters crumbs for the little brown hen.
There comes a rush and a flutter, and then
Down fly her little white doves so sweet,
With their snowy wings and crimson feet:
"Welcome!" cries little Gustava.
There comes a rush and a flutter, and then
Down fly her little white doves so sweet,
With their snowy wings and crimson feet:
"Welcome!" cries little Gustava.
So dainty and eager they pick up the crumbs.
But who is this through the doorway comes?
Little Scotch terrier, little dog Rags,
Looks in her face, and his funny tail wags:
"Ha! ha!" laughs little Gustava.
But who is this through the doorway comes?
Little Scotch terrier, little dog Rags,
Looks in her face, and his funny tail wags:
"Ha! ha!" laughs little Gustava.
"You want some breakfast too?" and down
She sets her bowl on the brick floor brown;
And little dog Rags drinks up her milk,
While she strokes his shaggy locks like silk:
"Dear Rags!" says little Gustava.
She sets her bowl on the brick floor brown;
And little dog Rags drinks up her milk,
While she strokes his shaggy locks like silk:
"Dear Rags!" says little Gustava.
Waiting without stood sparrow and crow,
Cooling their feet in the melting snow:
"Won't you come in, good folk?" she cried.
But they were too bashful, and stood outside
Though "Pray come in!" cried Gustava.
Cooling their feet in the melting snow:
"Won't you come in, good folk?" she cried.
But they were too bashful, and stood outside
Though "Pray come in!" cried Gustava.
So the last she threw them, and knelt on the mat
With doves and biddy and dog and cat.
And her mother came to the open house-door:
"Dear little daughter, I bring you some more.
My merry little Gustava!"
With doves and biddy and dog and cat.
And her mother came to the open house-door:
"Dear little daughter, I bring you some more.
My merry little Gustava!"
Kitty and terrier, biddy and doves,
All things harmless Gustava loves.
The shy, kind creatures 'tis joy to feed,
And oh, her breakfast is sweet indeed
To happy little Gustava!
All things harmless Gustava loves.
The shy, kind creatures 'tis joy to feed,
And oh, her breakfast is sweet indeed
To happy little Gustava!
Celia Thaxter [1835-1894]
PRINCE TATTERS
Little Prince Tatters has lost his cap!
Over the hedge he threw it;
Into the river it fell "kerslap!"
Stupid old thing to do it!
Now Mother may sigh and Nurse may fume
For the gay little cap with its eagle plume.
"One cannot be thinking all day of such matters!
Trifles are trifles!" says little Prince Tatters.
Over the hedge he threw it;
Into the river it fell "kerslap!"
Stupid old thing to do it!
Now Mother may sigh and Nurse may fume
For the gay little cap with its eagle plume.
"One cannot be thinking all day of such matters!
Trifles are trifles!" says little Prince Tatters.
Little Prince Tatters has lost his coat!
Playing, he did not need it;
"Left it right there, by the nanny-goat,
And nobody never seed it!"
Now Mother and Nurse may search till night
For the little new coat with its buttons bright;
But—"Coat-sleeves or shirt-sleeves, how little it matters!
Trifles are trifles!" says little Prince Tatters.
Playing, he did not need it;
"Left it right there, by the nanny-goat,
And nobody never seed it!"
Now Mother and Nurse may search till night
For the little new coat with its buttons bright;
But—"Coat-sleeves or shirt-sleeves, how little it matters!
Trifles are trifles!" says little Prince Tatters.
Little Prince Tatters has LOST HIS BALL!
Rolled away down the street!
Somebody'll have to find it, that's all,
Before he can sleep or eat.
Now raise the neighborhood, quickly, do!
And send for the crier and constable too!
"Trifles are trifles; but serious matters,
They must be seen to," says little Prince Tatters.
Rolled away down the street!
Somebody'll have to find it, that's all,
Before he can sleep or eat.
Now raise the neighborhood, quickly, do!
And send for the crier and constable too!
"Trifles are trifles; but serious matters,
They must be seen to," says little Prince Tatters.
Laura E. Richards [1850-
THE LITTLE BLACK BOY
My mother bore me in the southern wild,
And I am black, but oh, my soul is white!
White as an angel is the English child,
But I am black, as if bereaved of light.
And I am black, but oh, my soul is white!
White as an angel is the English child,
But I am black, as if bereaved of light.
My mother taught me underneath a tree,
And, sitting down before the heat of day,
She took me on her lap and kissed me,
And, pointing to the East, began to say:
And, sitting down before the heat of day,
She took me on her lap and kissed me,
And, pointing to the East, began to say:
"Look on the rising sun,—there God does live,
And gives His light, and gives His heat away;
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.
And gives His light, and gives His heat away;
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.
"And we are put on earth a little space,
That we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Are but a cloud, and like a shady grove.
That we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Are but a cloud, and like a shady grove.
"For, when our souls have learned the heat to bear,
The cloud will vanish, we shall hear His voice,
Saying: 'Come out from the grove, My love and care,
And round My golden tent like lambs rejoice.'"
The cloud will vanish, we shall hear His voice,
Saying: 'Come out from the grove, My love and care,
And round My golden tent like lambs rejoice.'"
Thus did my mother say, and kissed me;
And thus I say to little English boy.
When I from black, and he from white cloud free,
And round the tent of God like lambs we joy,
And thus I say to little English boy.
When I from black, and he from white cloud free,
And round the tent of God like lambs we joy,
I'll shade him from the heat, till he can bear
To lean in joy upon our Father's knee;
And then I'll stand and stroke his silver hair,
And be like him, and he will then love me.
To lean in joy upon our Father's knee;
And then I'll stand and stroke his silver hair,
And be like him, and he will then love me.
William Blake [1757-1827]
THE BLIND BOY
O say what is that thing called Light,
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
You talk of wondrous things you see,
You say the sun shines bright;
I feel him warm, but how can he,
Or make it day or night?
You say the sun shines bright;
I feel him warm, but how can he,
Or make it day or night?
My day or night myself I make
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
With heavy sighs I often hear
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
Then let not what I cannot have
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
Colley Cibber [1671-1757]
BUNCHES OF GRAPES
"Bunches of grapes," says Timothy,
"Pomegranates pink," says Elaine;
"A junket of cream and a cranberry tart
For me," says Jane.
"Pomegranates pink," says Elaine;
"A junket of cream and a cranberry tart
For me," says Jane.
"Love-in-a-mist," says Timothy,
"Primroses pale," says Elaine;
"A nosegay of pinks and mignonette
For me," says Jane.
"Primroses pale," says Elaine;
"A nosegay of pinks and mignonette
For me," says Jane.
"Chariots of gold," says Timothy,
"Silvery wings," says Elaine;
"A bumpety ride in a wagon of hay
For me," says Jane.
"Silvery wings," says Elaine;
"A bumpety ride in a wagon of hay
For me," says Jane.
Walter de la Mare [1873-
MY SHADOW
I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.
The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes gets so little that there's none of him at all.
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes gets so little that there's none of him at all.
He hasn't got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he's a coward you can see;
I'd think shame to stick to nursie as that shadow sticks to me!
And can only make a fool of me in every sort of way.
He stays so close beside me, he's a coward you can see;
I'd think shame to stick to nursie as that shadow sticks to me!
One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.
Robert Louis Stevenson [1850-1894]
THE LAND OF COUNTERPANE
When I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day.
I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day.
And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;
And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.
I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.
Robert Louis Stevenson [1850-1894]
THE LAND OF STORY-BOOKS
At evening when the lamp is lit,
Around the fire my parents sit;
They sit at home and talk and sing,
And do not play at anything.
Around the fire my parents sit;
They sit at home and talk and sing,
And do not play at anything.
Now, with my little gun, I crawl
All in the dark along the wall,
And follow round the forest track
Away behind the sofa back.
All in the dark along the wall,
And follow round the forest track
Away behind the sofa back.
There, in the night, where none can spy,
All in my hunter's camp I lie,
And play at books that I have read
Till it is time to go to bed.
All in my hunter's camp I lie,
And play at books that I have read
Till it is time to go to bed.
These are the hills, these are the woods,
These are my starry solitudes;
And there the river by whose brink
The roaring lions come to drink.
These are my starry solitudes;
And there the river by whose brink
The roaring lions come to drink.
I see the others far away
As if in firelit camp they lay,
And I, like to an Indian scout,
Around their party prowled about.
As if in firelit camp they lay,
And I, like to an Indian scout,
Around their party prowled about.
So, when my nurse comes in for me,
Home I return across the sea,
And go to bed with backward looks
At my dear land of Story-books.
Home I return across the sea,
And go to bed with backward looks
At my dear land of Story-books.
Robert Louis Stevenson [1850-1894]
THE GARDENER
The gardener does not love to talk,
He makes me keep the gravel walk;
And when he puts his tools away,
He locks the door and takes the key.
He makes me keep the gravel walk;
And when he puts his tools away,
He locks the door and takes the key.
Away behind the currant row
Where no one else but cook may go,
Far in the plots, I see him dig,
Old and serious, brown and big.
Where no one else but cook may go,
Far in the plots, I see him dig,
Old and serious, brown and big.
He digs the flowers, green, red, and blue,
Nor wishes to be spoken to.
He digs the flowers and cuts the hay,
And never seems to want to play.
Nor wishes to be spoken to.
He digs the flowers and cuts the hay,
And never seems to want to play.
Silly gardener! summer goes,
And winter comes with pinching toes,
When in the garden bare and brown
You must lay your barrow down.
And winter comes with pinching toes,
When in the garden bare and brown
You must lay your barrow down.
Well now, and while the summer stays,
To profit by these garden days
O how much wiser you would be
To play at Indian wars with me!
To profit by these garden days
O how much wiser you would be
To play at Indian wars with me!
Robert Louis Stevenson [1850-1894]
FOREIGN LANDS
Up into the cherry tree
Who should climb but little me?
I held the trunk with both my hands
And looked abroad on foreign lands.
Who should climb but little me?
I held the trunk with both my hands
And looked abroad on foreign lands.
I saw the next door garden lie,
Adorned with flowers, before my eye,
And many pleasant places more
That I had never seen before.
Adorned with flowers, before my eye,
And many pleasant places more
That I had never seen before.
I saw the dimpling river pass
And be the sky's blue looking-glass;
The dusty roads go up and down
With people tramping in to town.
And be the sky's blue looking-glass;
The dusty roads go up and down
With people tramping in to town.
If I could find a higher tree,
Farther and farther I should see,
To where the grown-up river slips
Into the sea among the ships;
Farther and farther I should see,
To where the grown-up river slips
Into the sea among the ships;
To where the roads on either hand
Lead onward into fairy land,
Where all the children dine at five,
And all the playthings come alive.
Lead onward into fairy land,
Where all the children dine at five,
And all the playthings come alive.
Robert Louis Stevenson [1850-1894]
MY BED IS A BOAT
My bed is like a little boat;
Nurse helps me in when I embark;
She girds me in my sailor's coat
And starts me in the dark.
Nurse helps me in when I embark;
She girds me in my sailor's coat
And starts me in the dark.
At night, I go on board and say
Good night to all my friends on shore;
I shut my eyes and sail away
And see and hear no more.
Good night to all my friends on shore;
I shut my eyes and sail away
And see and hear no more.
And sometimes things to bed I take,
As prudent sailors have to do;
Perhaps a slice of wedding-cake,
Perhaps a toy or two.
As prudent sailors have to do;
Perhaps a slice of wedding-cake,
Perhaps a toy or two.
All night across the dark we steer;
But when the day returns at last,
Safe in my room, beside the pier,
I find my vessel fast.
But when the day returns at last,
Safe in my room, beside the pier,
I find my vessel fast.
Robert Louis Stevenson [1850-1894]
THE PEDDLER'S CARAVAN
I wish I lived in a caravan,
With a horse to drive, like a peddler-man!
Where he comes from nobody knows,
Or where he goes to, but on he goes!
With a horse to drive, like a peddler-man!
Where he comes from nobody knows,
Or where he goes to, but on he goes!
His caravan has windows two,
And a chimney of tin, that the smoke comes through;
He has a wife, with a baby brown,
And they go riding from town to town.
And a chimney of tin, that the smoke comes through;
He has a wife, with a baby brown,
And they go riding from town to town.
Chairs to mend, and delf to sell!
He clashes the basins like a bell;
Tea-trays, baskets ranged in order,
Plates, with alphabets round the border!
He clashes the basins like a bell;
Tea-trays, baskets ranged in order,
Plates, with alphabets round the border!
The roads are brown, and the sea is green,
But his house is like a bathing-machine;
The world is round, and he can ride,
Rumble and slash, to the other side!
But his house is like a bathing-machine;
The world is round, and he can ride,
Rumble and slash, to the other side!
With the peddler-man I should like to roam,
And write a book when I came home;
All the people would read my book,
Just like the Travels of Captain Cook!
And write a book when I came home;
All the people would read my book,
Just like the Travels of Captain Cook!
William Brighty Rands [1823-1882]
MR. COGGS
A watch will tell the time of day,
Or tell it nearly, any way,
Excepting when it's overwound,
Or when you drop it on the ground.
Or tell it nearly, any way,
Excepting when it's overwound,
Or when you drop it on the ground.
If any of our watches stop,
We haste to Mr. Coggs's shop;
For though to scold us he pretends,
He's quite among our special friends.
We haste to Mr. Coggs's shop;
For though to scold us he pretends,
He's quite among our special friends.
He fits a dice-box in his eye,
And takes a long and thoughtful spy,
And prods the wheels, and says, "Dear, dear!
More carelessness, I greatly fear."
And takes a long and thoughtful spy,
And prods the wheels, and says, "Dear, dear!
More carelessness, I greatly fear."
And then he lays the dice-box down
And frowns a most prodigious frown;
But if we ask him what's the time,
He'll make his gold repeater chime.
And frowns a most prodigious frown;
But if we ask him what's the time,
He'll make his gold repeater chime.
Edward Verrall Lucas [1868-
THE BUILDING OF THE NEST
They'll come again to the apple tree—
Robin and all the rest—
When the orchard branches are fair to see,
In the snow of the blossoms dressed;
And the prettiest thing in the world will be
The building of the nest.
Robin and all the rest—
When the orchard branches are fair to see,
In the snow of the blossoms dressed;
And the prettiest thing in the world will be
The building of the nest.
Weaving it well, so round and trim,
Hollowing it with care,—
Nothing too far away for him,
Nothing for her too fair,—
Hanging it safe on the topmost limb,
Their castle in the air.
Hollowing it with care,—
Nothing too far away for him,
Nothing for her too fair,—
Hanging it safe on the topmost limb,
Their castle in the air.
Ah! mother bird, you'll have weary days
When the eggs are under your breast,
And shadow may darken the dancing rays
When the wee ones leave the nest;
But they'll find their wings in a glad amaze.
And God will see to the rest.
When the eggs are under your breast,
And shadow may darken the dancing rays
When the wee ones leave the nest;
But they'll find their wings in a glad amaze.
And God will see to the rest.
So come to the trees with all your train
When the apple blossoms blow;
Through the April shimmer of sun and rain,
Go flying to and fro;
And sing to our hearts as we watch again
Your fairy building grow.
When the apple blossoms blow;
Through the April shimmer of sun and rain,
Go flying to and fro;
And sing to our hearts as we watch again
Your fairy building grow.
Margaret Sangster [1838-1912]
"THERE WAS A JOLLY MILLER"
From "Love in a Village"
There was a jolly miller once lived on the river Dee;
He danced and sang from morn till night, no lark so blithe as he;
And this the burden of his song forever used to be:—
"I care for nobody, no not I, if nobody cares for me.
He danced and sang from morn till night, no lark so blithe as he;
And this the burden of his song forever used to be:—
"I care for nobody, no not I, if nobody cares for me.
"I live by my mill, God bless her! she's kindred, child, and wife;
I would not change my station for any other in life;
No lawyer, surgeon, or doctor e'er had a groat from me;
I care for nobody, no not I if nobody cares for me."
I would not change my station for any other in life;
No lawyer, surgeon, or doctor e'er had a groat from me;
I care for nobody, no not I if nobody cares for me."
When spring begins his merry career, oh, how his heart grows gay;
No summer's drought alarms his fear, nor winter's cold decay;
No foresight mars the miller's joy, who's wont to sing and say,
"Let others toil from year to year, I live from day to day."
No summer's drought alarms his fear, nor winter's cold decay;
No foresight mars the miller's joy, who's wont to sing and say,
"Let others toil from year to year, I live from day to day."
Thus, like the miller, bold and free, let us rejoice and sing;
The days of youth are made for glee, and time is on the wing;
This song shall pass from me to thee, along the jovial ring;
Let heart and voice and all agree to say, "Long live the king."
The days of youth are made for glee, and time is on the wing;
This song shall pass from me to thee, along the jovial ring;
Let heart and voice and all agree to say, "Long live the king."
Isaac Bickerstaff [?—1812?]
ONE AND ONE
Two little girls are better than one,
Two little boys can double the fun,
Two little birds can build a fine nest,
Two little arms can love mother best.
Two little ponies must go to a span;
Two little pockets has my little man;
Two little eyes to open and close,
Two little ears and one little nose,
Two little elbows, dimpled and sweet,
Two little shoes on two little feet,
Two little lips and one little chin,
Two little cheeks with a rose shut in;
Two little shoulders, chubby and strong,
Two little legs running all day long.
Two little prayers does my darling say,
Twice does he kneel by my side each day,
Two little folded hands, soft and brown,
Two little eyelids cast meekly down,
And two little angels guard him in bed,
"One at the foot, and one at the head."
Two little boys can double the fun,
Two little birds can build a fine nest,
Two little arms can love mother best.
Two little ponies must go to a span;
Two little pockets has my little man;
Two little eyes to open and close,
Two little ears and one little nose,
Two little elbows, dimpled and sweet,
Two little shoes on two little feet,
Two little lips and one little chin,
Two little cheeks with a rose shut in;
Two little shoulders, chubby and strong,
Two little legs running all day long.
Two little prayers does my darling say,
Twice does he kneel by my side each day,
Two little folded hands, soft and brown,
Two little eyelids cast meekly down,
And two little angels guard him in bed,
"One at the foot, and one at the head."
Mary Mapes Dodge [1831-1905]
A NURSERY SONG
Oh, Peterkin Pout and Gregory Grout
Are two little goblins black.
Full oft from my house I've driven them out,
But somehow they still come back.
Are two little goblins black.
Full oft from my house I've driven them out,
But somehow they still come back.
They clamber up to the baby's mouth,
And pull the corners down;
They perch aloft on the baby's brow,
And twist it into a frown.
And pull the corners down;
They perch aloft on the baby's brow,
And twist it into a frown.
Chorus:
And one says "Must!" and t'other says "Can't!"
And one says "Shall!" and t'other says "Shan't!"
Oh, Peterkin Pout and Gregory Grout,
I pray you now from my house keep out!
And one says "Must!" and t'other says "Can't!"
And one says "Shall!" and t'other says "Shan't!"
Oh, Peterkin Pout and Gregory Grout,
I pray you now from my house keep out!
But Samuel Smile and Lemuel Laugh
Are two little fairies bright;
They're always ready for fun and chaff,
And sunshine is their delight.
Are two little fairies bright;
They're always ready for fun and chaff,
And sunshine is their delight.
And when they creep into Baby's eyes,
Why, there the sunbeams are;
And when they peep through her rosy lips,
Her laughter rings near and far.
Why, there the sunbeams are;
And when they peep through her rosy lips,
Her laughter rings near and far.
Chorus:
And one says "Please!" and t'other says "Do!"
And both together say "I love you!"
So, Lemuel Laugh and Samuel Smile,
Come in, my dears, and tarry awhile!
And one says "Please!" and t'other says "Do!"
And both together say "I love you!"
So, Lemuel Laugh and Samuel Smile,
Come in, my dears, and tarry awhile!
Laura E. Richards [1850-
A MORTIFYING MISTAKE
I studied my tables over and over, and backward and forward, too;
But I couldn't remember six times nine, and I didn't know what to do,
Till sister told me to play with my doll, and not to bother my head.
"If you call her 'Fifty-four' for a while, you'll learn it by heart,"
she said.
But I couldn't remember six times nine, and I didn't know what to do,
Till sister told me to play with my doll, and not to bother my head.
"If you call her 'Fifty-four' for a while, you'll learn it by heart,"
she said.
So I took my favorite, Mary Ann (though I thought 'twas a dreadful shame
To give such a perfectly lovely child such a perfectly horrid name),
And I called her my dear little "Fifty-four" a hundred times, till I knew
The answer of six times nine as well as the answer of two times two.
To give such a perfectly lovely child such a perfectly horrid name),
And I called her my dear little "Fifty-four" a hundred times, till I knew
The answer of six times nine as well as the answer of two times two.
Next day Elizabeth Wigglesworth, who always acts so proud,
Said, "Six times nine is fifty-two," and I nearly laughed aloud!
But I wished I hadn't when teacher said, "Now, Dorothy, tell if you can."
For I thought of my doll and—sakes alive!—I answered, "Mary Ann!"
Said, "Six times nine is fifty-two," and I nearly laughed aloud!
But I wished I hadn't when teacher said, "Now, Dorothy, tell if you can."
For I thought of my doll and—sakes alive!—I answered, "Mary Ann!"
Anna Maria Pratt [18—-
THE RAGGEDY MAN
O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed—an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen—ef our hired girl says he can—
He milks the cow fer 'Lizabuth Ann.—
Ain't he a' awful good Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed—an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen—ef our hired girl says he can—
He milks the cow fer 'Lizabuth Ann.—
Ain't he a' awful good Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
W'y, the Raggedy Man—he's ist so good
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do.—
He clumbed clean up in our big tree
An' shooked a' apple down fer me—
An' nother'n', too, fer 'Lizabuth Ann—
An' nother'n', too, fer the Raggedy Man.—
Ain't he a' awful kind Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do.—
He clumbed clean up in our big tree
An' shooked a' apple down fer me—
An' nother'n', too, fer 'Lizabuth Ann—
An' nother'n', too, fer the Raggedy Man.—
Ain't he a' awful kind Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
An' the Raggedy Man, he knows most rhymes
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers therselves!
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
Er Ma, er Pa, er the Raggedy Man!
Ain't he a funny old Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers therselves!
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
Er Ma, er Pa, er the Raggedy Man!
Ain't he a funny old Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
The Raggedy Man—one time when he
Was makin' a little bow-n'-orry fer me,
Says, "When you're big like your Pa is,
Air you go' to keep a fine store like his—
An' be a rich merchunt—an' wear fine clothes?—
Er what air you go' to be, goodness knows?"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man!—
I'm ist go' to be a nice Raggedy Man!"
Raggedy! Raggedy! Raggedy Man!
Was makin' a little bow-n'-orry fer me,
Says, "When you're big like your Pa is,
Air you go' to keep a fine store like his—
An' be a rich merchunt—an' wear fine clothes?—
Er what air you go' to be, goodness knows?"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man!—
I'm ist go' to be a nice Raggedy Man!"
Raggedy! Raggedy! Raggedy Man!
James Whitcomb Riley [1849-1916]
THE MAN IN THE MOON
Said the Raggedy Man, on a hot afternoon,
"My!
Sakes!
What a lot o' mistakes
Some little folks makes on The Man in the Moon!
But people that's b'en up to see him, like me,
And calls on him frequent and intimately,
Might drop a few facts that would interest you
Clean!
Through!—
If you wanted 'em to—
Some actual facts that might interest you!
"My!
Sakes!
What a lot o' mistakes
Some little folks makes on The Man in the Moon!
But people that's b'en up to see him, like me,
And calls on him frequent and intimately,
Might drop a few facts that would interest you
Clean!
Through!—
If you wanted 'em to—
Some actual facts that might interest you!
"O The Man in the Moon has a crick in his back;
Whee!
Whimm!
Ain't you sorry for him?
And a mole on his nose that is purple and black;
And his eyes are so weak that they water and run
If he dares to dream even he looks at the sun.—
So he jes' dreams of stars, as the doctors advise—
My!
Eyes!
But isn't he wise—
To jes' dream of stars, as the doctors advise?
Whee!
Whimm!
Ain't you sorry for him?
And a mole on his nose that is purple and black;
And his eyes are so weak that they water and run
If he dares to dream even he looks at the sun.—
So he jes' dreams of stars, as the doctors advise—
My!
Eyes!
But isn't he wise—
To jes' dream of stars, as the doctors advise?
"And The Man in the Moon has a boil on his ear,—
Whee!
Whing!
What a singular thing!
I know! but these facts are authentic, my dear,—
There's a boil on his ear; and a corn on his chin,—
He calls it a dimple—but dimples stick in—
Yet it might be a dimple turned over, you know!
Whang!
Ho!
Why, certainly so!—
It might be a dimple turned over, you know!
Whee!
Whing!
What a singular thing!
I know! but these facts are authentic, my dear,—
There's a boil on his ear; and a corn on his chin,—
He calls it a dimple—but dimples stick in—
Yet it might be a dimple turned over, you know!
Whang!
Ho!
Why, certainly so!—
It might be a dimple turned over, you know!
"And The Man in the Moon has a rheumatic knee,—
Gee!
Whizz!
What a pity that is!
And his toes have worked round where his heels ought to be.
So whenever he wants to go North he goes South,
And comes back with porridge crumbs all round his mouth,
And he brushes them off with a Japanese fan.
Whing!
Whann!
What a marvelous man!
What a very remarkably marvelous man!
Gee!
Whizz!
What a pity that is!
And his toes have worked round where his heels ought to be.
So whenever he wants to go North he goes South,
And comes back with porridge crumbs all round his mouth,
And he brushes them off with a Japanese fan.
Whing!
Whann!
What a marvelous man!
What a very remarkably marvelous man!
"And The Man in the Moon," sighed the Raggedy Man,
"Gits!
So!
Sullonesome, you know,—
Up there by hisse'f sence creation began!—
That when I call on him and then come away,
He grabs me and holds me and begs me to stay,—
Till—Well! if it wasn't fer Jimmy-cum-Jim,
Dadd!
Limb!
I'd go pardners with him—
Jes' jump my job here and be pardners with him!"
"Gits!
So!
Sullonesome, you know,—
Up there by hisse'f sence creation began!—
That when I call on him and then come away,
He grabs me and holds me and begs me to stay,—
Till—Well! if it wasn't fer Jimmy-cum-Jim,
Dadd!
Limb!
I'd go pardners with him—
Jes' jump my job here and be pardners with him!"
James Whitcomb Riley [1849-1916]
LITTLE ORPHANT ANNIE
Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board an'-keep;
An' all us other children, when the supper things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board an'-keep;
An' all us other children, when the supper things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!
Onc't they was a little boy wouldn't say his prayers—
An' when he went to bed at night, away up stairs,
His Mammy heered him holler, an' his Daddy heered him bawl,
An' when they turn't the kivvers down, he wasn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'wheres, I guess;
But all they ever found was thist his pants an' roundabout:
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' when he went to bed at night, away up stairs,
His Mammy heered him holler, an' his Daddy heered him bawl,
An' when they turn't the kivvers down, he wasn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'wheres, I guess;
But all they ever found was thist his pants an' roundabout:
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' onc't when they was "company," an' ole folks was there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They was two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what
she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' make fun of ever' one, an' all her blood-an'-kin;
An' onc't when they was "company," an' ole folks was there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They was two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what
she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,—
You better mind yer parents, an' yer teachers fond and dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,—
You better mind yer parents, an' yer teachers fond and dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
James Whitcomb Riley [1849-1916]
OUR HIRED GIRL
Our hired girl, she's 'Lizabuth Ann;
An' she can cook best things to eat!
She ist puts dough in our pie-pan,
An' pours in somepin' 'at's good an' sweet;
An' nen she salts it all on top
With cinnamon; an' nen she'll stop
An' stoop an' slide it, ist as slow,
In th' old cook-stove, so's 'twon't slop
An' git all spilled; nen bakes it, so
It's custard-pie, first thing you know!
An' nen she'll say,
"Clear out o' my way!
They's time fer work, an' time fer play!
Take yer dough, an' run, child, run!
Er I cain't git no cookin' done!"
An' she can cook best things to eat!
She ist puts dough in our pie-pan,
An' pours in somepin' 'at's good an' sweet;
An' nen she salts it all on top
With cinnamon; an' nen she'll stop
An' stoop an' slide it, ist as slow,
In th' old cook-stove, so's 'twon't slop
An' git all spilled; nen bakes it, so
It's custard-pie, first thing you know!
An' nen she'll say,
"Clear out o' my way!
They's time fer work, an' time fer play!
Take yer dough, an' run, child, run!
Er I cain't git no cookin' done!"
When our hired girl 'tends like she's mad,
An' says folks got to walk the chalk
When she's around, er wisht they had!
I play out on our porch an' talk
To Th' Raggedy Man 'at mows our lawn;
An' he says, "Whew!" an' nen leans on
His old crook-scythe, and blinks his eyes,
An' sniffs all 'round an' says, "I swawn!
Ef my old nose don't tell me lies,
It 'pears like I smell custard-pies!"
An' nen he'll say,
"Clear out o' my way!
They's time fer work, an' time for play!
Take yer dough, an' run, child, run!
Er she cain't git no cookin' done!"
An' says folks got to walk the chalk
When she's around, er wisht they had!
I play out on our porch an' talk
To Th' Raggedy Man 'at mows our lawn;
An' he says, "Whew!" an' nen leans on
His old crook-scythe, and blinks his eyes,
An' sniffs all 'round an' says, "I swawn!
Ef my old nose don't tell me lies,
It 'pears like I smell custard-pies!"
An' nen he'll say,
"Clear out o' my way!
They's time fer work, an' time for play!
Take yer dough, an' run, child, run!
Er she cain't git no cookin' done!"
Wunst our hired girl, when she
Got the supper, an' we all et,
An' it wuz night, an' Ma an' me
An' Pa went wher' the "Social" met,—
An' nen when we come home, an' see
A light in the kitchen door, an' we
Heerd a maccordeun, Pa says, "Lan'—
O'-Gracious, who can her beau be?"
An' I marched in, an' 'Lizabuth Ann
Wuz parchin' corn fer The Raggedy Man!
Better say,
"Clear out o' the way!
They's time fer work, an' time fer play!
Take the hint, an' run, child, run!
Er we cain't git no courtin' done!"
Got the supper, an' we all et,
An' it wuz night, an' Ma an' me
An' Pa went wher' the "Social" met,—
An' nen when we come home, an' see
A light in the kitchen door, an' we
Heerd a maccordeun, Pa says, "Lan'—
O'-Gracious, who can her beau be?"
An' I marched in, an' 'Lizabuth Ann
Wuz parchin' corn fer The Raggedy Man!
Better say,
"Clear out o' the way!
They's time fer work, an' time fer play!
Take the hint, an' run, child, run!
Er we cain't git no courtin' done!"
James Whitcomb Riley [1849-1916]
SEEIN' THINGS
I ain't afeard uv snakes, or toads, or bugs, or worms, or mice,
An' things 'at girls are skeered uv I think are awful nice!
I'm pretty brave, I guess; an' yet I hate to go to bed,
For, when I'm tucked up warm an' snug an' when my prayers are said,
Mother tells me "Happy Dreams!" an' takes away the light,
An' leaves me lyin' all alone an' seein' things at night!
An' things 'at girls are skeered uv I think are awful nice!
I'm pretty brave, I guess; an' yet I hate to go to bed,
For, when I'm tucked up warm an' snug an' when my prayers are said,
Mother tells me "Happy Dreams!" an' takes away the light,
An' leaves me lyin' all alone an' seein' things at night!
Sometimes they're in the corner, sometimes they're by the door,
Sometimes they're all a-standin' in the middle uv the floor;
Sometimes they are a-sittin' down, sometimes they're walkin' round
So softly and so creepylike they never make a sound!
Sometimes they are as black as ink, an' other times they're white—
But the color ain't no difference when you see things at night!
Sometimes they're all a-standin' in the middle uv the floor;
Sometimes they are a-sittin' down, sometimes they're walkin' round
So softly and so creepylike they never make a sound!
Sometimes they are as black as ink, an' other times they're white—
But the color ain't no difference when you see things at night!
Once, when I licked a feller 'at had just moved on our street,
An' father sent me up to bed without a bite to eat,
I woke up in the dark an' saw things standin' in a row,
A-lookin' at me cross-eyed an' p'intin' at me—so!
Oh, my! I wuz so skeered that time I never slep' a mite—
It's almost alluz when I'm bad I see things at night!
An' father sent me up to bed without a bite to eat,
I woke up in the dark an' saw things standin' in a row,
A-lookin' at me cross-eyed an' p'intin' at me—so!
Oh, my! I wuz so skeered that time I never slep' a mite—
It's almost alluz when I'm bad I see things at night!
Lucky thing I ain't a girl, or I'd be skeered to death!
Bein' I'm a boy, I duck my head an' hold my breath;
An' I am, oh, so sorry I'm a naughty boy, an' then
I promise to be better an' I say my prayers again!
Gran'ma tells me that's the only way to make it right
When a feller has been wicked an' sees things at night!
Bein' I'm a boy, I duck my head an' hold my breath;
An' I am, oh, so sorry I'm a naughty boy, an' then
I promise to be better an' I say my prayers again!
Gran'ma tells me that's the only way to make it right
When a feller has been wicked an' sees things at night!
An' so, when other naughty boys would coax me into sin,
I try to skwush the Tempter's voice 'at urges me within;
An' when they's pie for supper, or cakes 'at's big an' nice,
I want to—but I do not pass my plate f'r them things twice!
No, ruther let Starvation wipe me slowly out o' sight
Than I should keep a-livin' on an' seein' things at night!
I try to skwush the Tempter's voice 'at urges me within;
An' when they's pie for supper, or cakes 'at's big an' nice,
I want to—but I do not pass my plate f'r them things twice!
No, ruther let Starvation wipe me slowly out o' sight
Than I should keep a-livin' on an' seein' things at night!
Eugene Field [1850-1895]
THE DUEL
The gingham dog and the calico cat
Side by side on the table sat;
'Twas half past twelve, and (what do you think!)
Nor one nor t'other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I wasn't there: I simply state
What was told to me by the Chinese plate!)
Side by side on the table sat;
'Twas half past twelve, and (what do you think!)
Nor one nor t'other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I wasn't there: I simply state
What was told to me by the Chinese plate!)
The gingham dog went, "Bow-wow-wow!"
And the calico cat replied, "Mee-ow!"
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney-place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind; I'm only telling you
What the old Dutch clock declares is true!)
And the calico cat replied, "Mee-ow!"
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney-place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind; I'm only telling you
What the old Dutch clock declares is true!)