Give me a cheek that's like the peach,
Two arms to clasp me from the cold;
And all my heaven's within my reach,
Just four years old.
Two arms to clasp me from the cold;
And all my heaven's within my reach,
Just four years old.
Dear God, You give me from Your skies
A little paradise to hold,
As Mary once her Paradise,
Just four years old.
A little paradise to hold,
As Mary once her Paradise,
Just four years old.
Katherine Tynan Hinkson [1861-1931]
A CHILD'S LAUGHTER
All the bells of heaven may ring,
All the birds of heaven may sing,
All the wells on earth may spring,
All the winds on earth may bring
All sweet sounds together;
Sweeter far then all things heard,
Hand of harper, tone of bird,
Sound of woods at sundawn stirred,
Welling water's winsome word,
Wind in warm, wan weather.
All the birds of heaven may sing,
All the wells on earth may spring,
All the winds on earth may bring
All sweet sounds together;
Sweeter far then all things heard,
Hand of harper, tone of bird,
Sound of woods at sundawn stirred,
Welling water's winsome word,
Wind in warm, wan weather.
One thing yet there is, that none,
Hearing ere its chime be done,
Knows not well the sweetest one
Heard of man beneath the sun,
Hoped in heaven hereafter;
Soft and strong and loud and light,
Very sound of very light,
Heard from morning's rosiest height,
When the soul of all delight,
Fills a child's clear laughter.
Hearing ere its chime be done,
Knows not well the sweetest one
Heard of man beneath the sun,
Hoped in heaven hereafter;
Soft and strong and loud and light,
Very sound of very light,
Heard from morning's rosiest height,
When the soul of all delight,
Fills a child's clear laughter.
Golden bells of welcome rolled
Never forth such note, nor told
Hours so blithe in tones so bold,
As the radiant mouth of gold
Here that rings forth heaven.
If the golden-crested wren
Were a nightingale—why, then
Something seen and heard of men
Might be half as sweet as when
Laughs a child of seven.
Never forth such note, nor told
Hours so blithe in tones so bold,
As the radiant mouth of gold
Here that rings forth heaven.
If the golden-crested wren
Were a nightingale—why, then
Something seen and heard of men
Might be half as sweet as when
Laughs a child of seven.
Algernon Charles Swinburne [1837-1909]
SEVEN YEARS OLD
Seven white roses on one tree,
Seven white loaves of blameless leaven,
Seven white sails on one soft sea,
Seven white swans on one lake's lea,
Seven white flowerlike stars in Heaven,
All are types unmeet to be
For a birthday's crown of seven.
Seven white loaves of blameless leaven,
Seven white sails on one soft sea,
Seven white swans on one lake's lea,
Seven white flowerlike stars in Heaven,
All are types unmeet to be
For a birthday's crown of seven.
Not the radiance of the roses,
Not the blessing of the bread,
Not the breeze that ere day grows is
Fresh for sails and swans, and closes
Wings above the sun's grave spread
When the starshine on the snows is
Sweet as sleep on sorrow shed.
Not the blessing of the bread,
Not the breeze that ere day grows is
Fresh for sails and swans, and closes
Wings above the sun's grave spread
When the starshine on the snows is
Sweet as sleep on sorrow shed.
Nothing sweeter, nothing best,
Holds so good and sweet a treasure
As the love wherewith once blest
Joy grows holy, grief takes rest,
Life, half tired with hours to measure,
Fills his eyes and lips and breast
With most light and breath of pleasure;
Holds so good and sweet a treasure
As the love wherewith once blest
Joy grows holy, grief takes rest,
Life, half tired with hours to measure,
Fills his eyes and lips and breast
With most light and breath of pleasure;
As the rapture unpolluted,
As the passion undefiled,
By whose force all pains heart-rooted
Are transfigured and transmuted,
Recompensed and reconciled,
Through the imperial, undisputed,
Present godhead of a child.
As the passion undefiled,
By whose force all pains heart-rooted
Are transfigured and transmuted,
Recompensed and reconciled,
Through the imperial, undisputed,
Present godhead of a child.
Brown bright eyes and fair bright head,
Worth a worthier crown than this is,
Worth a worthier song instead,
Sweet grave wise round mouth, full fed
With the joy of love, whose bliss is
More than mortal wine and bread,
Lips whose words are sweet as kisses.
Worth a worthier crown than this is,
Worth a worthier song instead,
Sweet grave wise round mouth, full fed
With the joy of love, whose bliss is
More than mortal wine and bread,
Lips whose words are sweet as kisses.
Little hands so glad of giving,
Little heart so glad of love,
Little soul so glad of living,
While the strong swift hours are weaving
Light with darkness woven above,
Time for mirth and time for grieving,
Plume of raven and plume of dove.
Little heart so glad of love,
Little soul so glad of living,
While the strong swift hours are weaving
Light with darkness woven above,
Time for mirth and time for grieving,
Plume of raven and plume of dove.
I can give you but a word
Warm with love therein for leaven,
But a song that falls unheard
Yet on ears of sense unstirred
Yet by song so far from Heaven,
Whence you came the brightest bird,
Seven years since, of seven times seven.
Warm with love therein for leaven,
But a song that falls unheard
Yet on ears of sense unstirred
Yet by song so far from Heaven,
Whence you came the brightest bird,
Seven years since, of seven times seven.
Algernon Charles Swinburne [1837-1909]
CREEP AFORE YE GANG
Creep awa', my bairnie, creep afore ye gang,
Cock ye baith your lugs to your auld Grannie's sang:
Gin ye gang as far ye will think the road lang,
Creep awa', my bairnie, creep afore ye gang.
Cock ye baith your lugs to your auld Grannie's sang:
Gin ye gang as far ye will think the road lang,
Creep awa', my bairnie, creep afore ye gang.
Creep awa', my bairnie, ye're ower young to learn
To tot up and down yet, my bonnie wee bairn;
Better creepin' cannie, than fa'in' wi' a bang,
Duntin' a' your wee brow,—creep afore ye gang.
To tot up and down yet, my bonnie wee bairn;
Better creepin' cannie, than fa'in' wi' a bang,
Duntin' a' your wee brow,—creep afore ye gang.
Ye'll creep, an' ye'll hotch, an' ye'll nod to your mither,
Watchin' ilka step o' your wee dousy brither;
Rest ye on the floor till your wee limbs grow strang,
An' ye'll be a braw chiel yet,—creep afore ye gang.
Watchin' ilka step o' your wee dousy brither;
Rest ye on the floor till your wee limbs grow strang,
An' ye'll be a braw chiel yet,—creep afore ye gang.
The wee birdie fa's when it tries ower soon to flee,
Folks are sure to tumble, when they climb ower hie;
They wha canna walk right are sure to come to wrang,
Creep awa', my bairnie, creep afore ye gang.
Folks are sure to tumble, when they climb ower hie;
They wha canna walk right are sure to come to wrang,
Creep awa', my bairnie, creep afore ye gang.
James Ballantine [1808-1877]
CASTLES IN THE AIR
The bonnie, bonnie bairn who sits poking in the ase,
Glowering in the fire wi' his wee round face,
Laughing at the fuffin' lowe—what sees he there?
Ha! the young dreamer's bigging castles in the air.
Glowering in the fire wi' his wee round face,
Laughing at the fuffin' lowe—what sees he there?
Ha! the young dreamer's bigging castles in the air.
His wee chubby face and his touzie curly pow
Are laughing and nodding to the dancing lowe;
He'll brown his rosy cheeks, and singe his sunny hair,
Glowering at the imps wi' their castles in the air.
Are laughing and nodding to the dancing lowe;
He'll brown his rosy cheeks, and singe his sunny hair,
Glowering at the imps wi' their castles in the air.
He sees muckle castles towering to the moon;
He sees little sodgers pu'ing them a' doun;
Warlds whommlin' up and doun, bleezing wi' a flare,—
See how he loups as they glimmer in the air!
He sees little sodgers pu'ing them a' doun;
Warlds whommlin' up and doun, bleezing wi' a flare,—
See how he loups as they glimmer in the air!
For a' sae sage he looks, what can the laddie ken?
He's thinking upon naething, like mony mighty men:
A wee thing mak's us think, a sma' thing mak's us stare,—
There are mair folk than him bigging castles in the air.
He's thinking upon naething, like mony mighty men:
A wee thing mak's us think, a sma' thing mak's us stare,—
There are mair folk than him bigging castles in the air.
Sic a night in winter may weel mak' him cauld:
His chin upon his buffy hand will soon mak' him auld;
His brow is brent sae braid—O pray that daddy Care
Wad let the wean alane wi' his castles in the air!
His chin upon his buffy hand will soon mak' him auld;
His brow is brent sae braid—O pray that daddy Care
Wad let the wean alane wi' his castles in the air!
He'll glower at the fire, and he'll keek at the light;
But mony sparkling stars are swallowed up by Night:
Aulder e'en than his are glamored by a glare,—
Hearts are broken, heads are turned, wi' castles in the air.
But mony sparkling stars are swallowed up by Night:
Aulder e'en than his are glamored by a glare,—
Hearts are broken, heads are turned, wi' castles in the air.
James Ballantine [1808-1877]
UNDER MY WINDOW
Under my window, under my window,
All in the Midsummer weather,
Three little girls with fluttering curls
Flit to and fro together:—
There's Bell with her bonnet of satin sheen,
And Maud with her mantle of silver-green,
And Kate with her scarlet feather.
All in the Midsummer weather,
Three little girls with fluttering curls
Flit to and fro together:—
There's Bell with her bonnet of satin sheen,
And Maud with her mantle of silver-green,
And Kate with her scarlet feather.
Under my window, under my window,
Leaning stealthily over,
Merry and clear, the voice I hear
Of each glad-hearted rover.
Ah! sly little Kate, she steals my roses;
And Maud and Bell twine wreaths and posies,
As merry as bees in clover.
Leaning stealthily over,
Merry and clear, the voice I hear
Of each glad-hearted rover.
Ah! sly little Kate, she steals my roses;
And Maud and Bell twine wreaths and posies,
As merry as bees in clover.
Under my window, under my window,
In the blue Midsummer weather,
Stealing slow, on a hushed tiptoe,
I catch them all together:—
Bell with her bonnet of satin sheen,
And Maud with her mantle of silver-green,
And Kate with her scarlet feather.
In the blue Midsummer weather,
Stealing slow, on a hushed tiptoe,
I catch them all together:—
Bell with her bonnet of satin sheen,
And Maud with her mantle of silver-green,
And Kate with her scarlet feather.
Under my window, under my window,
And off through the orchard closes;
While Maud she flouts, and Bell she pouts,
They scamper and drop their posies;
But dear little Kate takes naught amiss,
And leaps in my arms with a loving kiss,
And I give her all my roses.
And off through the orchard closes;
While Maud she flouts, and Bell she pouts,
They scamper and drop their posies;
But dear little Kate takes naught amiss,
And leaps in my arms with a loving kiss,
And I give her all my roses.
Thomas Westwood [1814?-1888]
LITTLE BELL
He prayeth well who loveth well
Both man and bird and beast.
The Ancient Mariner
He prayeth well who loveth well
Both man and bird and beast.
The Ancient Mariner
Piped the blackbird on the beechwood spray
"Pretty maid, slow wandering this way,
What's your name?" quoth he—
"What's your name? Oh stop and straight unfold,
Pretty maid with showery curls of gold,"—
"Little Bell," said she.
"Pretty maid, slow wandering this way,
What's your name?" quoth he—
"What's your name? Oh stop and straight unfold,
Pretty maid with showery curls of gold,"—
"Little Bell," said she.
Little Bell sat down beneath the rocks—
Tossed aside her gleaming golden locks—
"Bonny bird," quoth she,
"Sing me your best song before I go."
"Here's the very finest song I know,
Little Bell," said he.
Tossed aside her gleaming golden locks—
"Bonny bird," quoth she,
"Sing me your best song before I go."
"Here's the very finest song I know,
Little Bell," said he.
And the blackbird piped; you never heard
Half so gay a song from any bird—
Full of quips and wiles,
Now so round and rich, now soft and slow.
All for love of that sweet face below,
Dimpled o'er with smiles.
Half so gay a song from any bird—
Full of quips and wiles,
Now so round and rich, now soft and slow.
All for love of that sweet face below,
Dimpled o'er with smiles.
And the while the bonny bird did pour
His full heart out freely o'er and o'er
'Neath the morning skies.
In the little childish heart below
All the sweetness seemed to grow and grow,
And shine forth in happy overflow
From the blue, bright eyes.
His full heart out freely o'er and o'er
'Neath the morning skies.
In the little childish heart below
All the sweetness seemed to grow and grow,
And shine forth in happy overflow
From the blue, bright eyes.
Down the dell she tripped and through the glade,
Peeped the squirrel from the hazel shade,
And from out the tree
Swung, and leaped, and frolicked, void of fear,—
While bold blackbird piped that all might hear—
"Little Bell," piped he.
Peeped the squirrel from the hazel shade,
And from out the tree
Swung, and leaped, and frolicked, void of fear,—
While bold blackbird piped that all might hear—
"Little Bell," piped he.
Little Bell sat down amid the fern—
"Squirrel, to your task return—
Bring me nuts," quoth she.
Up, away the frisky squirrel hies—
Golden wood-lights glancing in his eyes—
And adown the tree,
Great ripe nuts, kissed brown by July sun,
In the little lap dropped one by one—
Hark, how blackbird pipes to see the fun!
"Happy Bell," pipes he.
"Squirrel, to your task return—
Bring me nuts," quoth she.
Up, away the frisky squirrel hies—
Golden wood-lights glancing in his eyes—
And adown the tree,
Great ripe nuts, kissed brown by July sun,
In the little lap dropped one by one—
Hark, how blackbird pipes to see the fun!
"Happy Bell," pipes he.
Little Bell looked up and down the glade—
"Squirrel, squirrel, if you're not afraid,
Come and share with me!"
Down came squirrel eager for his fare—
Down came bonny blackbird I declare;
Little Bell gave each his honest share—
Ah the merry three!
And the while these frolic playmates twain
Piped and frisked from bough to bough again,
'Neath the morning skies,
In the little childish heart below
All the sweetness seemed to grow and grow,
And shine out in happy overflow
From her blue, bright eyes.
"Squirrel, squirrel, if you're not afraid,
Come and share with me!"
Down came squirrel eager for his fare—
Down came bonny blackbird I declare;
Little Bell gave each his honest share—
Ah the merry three!
And the while these frolic playmates twain
Piped and frisked from bough to bough again,
'Neath the morning skies,
In the little childish heart below
All the sweetness seemed to grow and grow,
And shine out in happy overflow
From her blue, bright eyes.
By her snow-white cot at close of day,
Knelt sweet Bell, with folded palms to pray—
Very calm and clear
Rose the praying voice to where, unseen,
In blue heaven, an angel shape serene
Paused awhile to hear—
"What good child is this," the angel said,
"That, with happy heart, beside her bed
Prays so lovingly?"
Low and soft, oh! very low and soft,
Crooned the blackbird in the orchard croft,
"Bell, dear Bell!" crooned he.
Knelt sweet Bell, with folded palms to pray—
Very calm and clear
Rose the praying voice to where, unseen,
In blue heaven, an angel shape serene
Paused awhile to hear—
"What good child is this," the angel said,
"That, with happy heart, beside her bed
Prays so lovingly?"
Low and soft, oh! very low and soft,
Crooned the blackbird in the orchard croft,
"Bell, dear Bell!" crooned he.
"Whom God's creatures love," the angel fair
Murmured, "God doth bless with angels' care;
Child, thy bed shall be
Folded safe from harm—Love deep and kind
Shall watch around and leave good gifts behind,
Little Bell, for thee!"
Murmured, "God doth bless with angels' care;
Child, thy bed shall be
Folded safe from harm—Love deep and kind
Shall watch around and leave good gifts behind,
Little Bell, for thee!"
Thomas Westwood [1814?-1888]
THE BAREFOOT BOY
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy,—
I was once a barefoot boy!
Prince thou art,—the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye,—
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy,—
I was once a barefoot boy!
Prince thou art,—the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye,—
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy,—
Blessings on the barefoot boy!
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy,—
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
John Greenleaf Whittier [1807-1892]
THE HERITAGE
Thee rich man's son inherits lands,
And piles of brick and stone, and gold,
And he inherits soft white hands,
And tender flesh that fears the cold,
Nor dares to wear a garment old;
A heritage, it seems to me,
One scarce would wish to hold in fee.
And piles of brick and stone, and gold,
And he inherits soft white hands,
And tender flesh that fears the cold,
Nor dares to wear a garment old;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The rich man's son inherits cares;
The bank may break, the factory burn,
A breath may burst his bubble shares,
And soft white hands could hardly earn
A living that would serve his turn;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The bank may break, the factory burn,
A breath may burst his bubble shares,
And soft white hands could hardly earn
A living that would serve his turn;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The rich man's son inherits wants,
His stomach craves for dainty fare;
With sated heart, he hears the pants
Of toiling hinds with brown arms bare,
And wearies in his easy-chair;
A heritage, it seems to me,
One scarce would wish to hold in fee.
His stomach craves for dainty fare;
With sated heart, he hears the pants
Of toiling hinds with brown arms bare,
And wearies in his easy-chair;
A heritage, it seems to me,
One scarce would wish to hold in fee.
What doth the poor man's son inherit?
Stout muscles and a sinewy heart,
A hardy frame, a hardier spirit,
King of two hands, he does his part
In every useful toil and art;
A heritage, it seems to me,
A king might wish to hold in fee.
Stout muscles and a sinewy heart,
A hardy frame, a hardier spirit,
King of two hands, he does his part
In every useful toil and art;
A heritage, it seems to me,
A king might wish to hold in fee.
What doth the poor man's son inherit?
Wishes o'erjoyed with humble things,
A rank adjudged by toil-won merit,
Content that from employment springs,
A heart that in his labor sings;
A heritage, it seems to me,
A king might wish to hold in fee.
Wishes o'erjoyed with humble things,
A rank adjudged by toil-won merit,
Content that from employment springs,
A heart that in his labor sings;
A heritage, it seems to me,
A king might wish to hold in fee.
What doth the poor man's son inherit?
A patience learned of being poor,
Courage, if sorrow come, to bear it,
A fellow-feeling that is sure
To make the outcast bless his door;
A heritage, it seems to me,
A king might wish to hold in fee.
A patience learned of being poor,
Courage, if sorrow come, to bear it,
A fellow-feeling that is sure
To make the outcast bless his door;
A heritage, it seems to me,
A king might wish to hold in fee.
O rich man's son! there is a toil
That with all others level stands;
Large charity doth never soil,
But only whiten, soft white hands;
This is the best crop from thy lands,
A heritage, it seems to me,
Worth being rich to hold in fee.
That with all others level stands;
Large charity doth never soil,
But only whiten, soft white hands;
This is the best crop from thy lands,
A heritage, it seems to me,
Worth being rich to hold in fee.
O poor man's son! scorn not thy state;
There is worse weariness than thine,
In merely being rich and great;
Toil only gives the soul to shine,
And makes rest fragrant and benign;
A heritage, it seems to me,
Worth being poor to hold in fee.
There is worse weariness than thine,
In merely being rich and great;
Toil only gives the soul to shine,
And makes rest fragrant and benign;
A heritage, it seems to me,
Worth being poor to hold in fee.
Both, heirs to some six feet of sod,
Are equal in the earth at last;
Both, children of the same dear God,
Prove title to your heirship vast
By record of a well-filled past;
A heritage, it seems to me,
Well worth a life to hold in fee.
Are equal in the earth at last;
Both, children of the same dear God,
Prove title to your heirship vast
By record of a well-filled past;
A heritage, it seems to me,
Well worth a life to hold in fee.
James Russell Lowell [1819-1891]
LETTY'S GLOBE
Or Some Irregularities In A First Lesson In Geography
When Letty had scarce passed her third glad year,
And her young artless words began to flow,
One day we gave the child a colored sphere
Of the wide Earth, that she might mark and know,
By tint and outline, all its sea and land.
She patted all the world; old Empires peeped
Between her baby fingers; her soft hand
Was welcome at all frontiers. How she leaped,
And laughed and prattled in her world-wide bliss!
But when we turned her sweet unlearned eye
On our own Isle, she raised a joyous cry,—
"O yes! I see it, Letty's home is there!"
And while she hid all England with a kiss,
Bright over Europe fell her golden hair.
And her young artless words began to flow,
One day we gave the child a colored sphere
Of the wide Earth, that she might mark and know,
By tint and outline, all its sea and land.
She patted all the world; old Empires peeped
Between her baby fingers; her soft hand
Was welcome at all frontiers. How she leaped,
And laughed and prattled in her world-wide bliss!
But when we turned her sweet unlearned eye
On our own Isle, she raised a joyous cry,—
"O yes! I see it, Letty's home is there!"
And while she hid all England with a kiss,
Bright over Europe fell her golden hair.
Charles Tennyson Turner [1808-1879]
DOVE'S NEST
"Sylvia, hush!" I said, "come here,
Come see a fairy-tale, my dear!
Tales told are good, tales seen are best!"
The dove was brooding on the nest
In the lowest crotch of the apple tree.
I lifted her up so quietly,
That when she could have touched the bird
The soft gray creature had not stirred.
It looked at us with a wild dark eye.
But, "Birdie, fly!" was Sylvia's cry,
Impatient Sylvia, "Birdie, fly."
Ah, well: but when I touched the nest,
The child recoiled upon my breast.
Was ever such a startling thing?
Sudden silver and purple wing,
The dove was out, away, across,
Struggling heart-break on the grass.
And there in the cup within the tree
Two milk-white eggs were ours to see.
Was ever thing so pretty? Alack,
"Birdie!" Sylvia cried, "come back!"
Come see a fairy-tale, my dear!
Tales told are good, tales seen are best!"
The dove was brooding on the nest
In the lowest crotch of the apple tree.
I lifted her up so quietly,
That when she could have touched the bird
The soft gray creature had not stirred.
It looked at us with a wild dark eye.
But, "Birdie, fly!" was Sylvia's cry,
Impatient Sylvia, "Birdie, fly."
Ah, well: but when I touched the nest,
The child recoiled upon my breast.
Was ever such a startling thing?
Sudden silver and purple wing,
The dove was out, away, across,
Struggling heart-break on the grass.
And there in the cup within the tree
Two milk-white eggs were ours to see.
Was ever thing so pretty? Alack,
"Birdie!" Sylvia cried, "come back!"
Joseph Russell Taylor [1868-1933]
THE ORACLE
I lay upon the summer grass.
A gold-haired, sunny child came by,
And looked at me, as loath to pass,
With questions in her lingering eye.
A gold-haired, sunny child came by,
And looked at me, as loath to pass,
With questions in her lingering eye.
She stopped and wavered, then drew near,
(Ah! the pale gold around her head!)
And o'er my shoulder stopped to peer.
"Why do you read?" she said.
(Ah! the pale gold around her head!)
And o'er my shoulder stopped to peer.
"Why do you read?" she said.
"I read a poet of old time,
Who sang through all his living hours—
Beauty of earth—the streams, the flowers—
And stars, more lovely than his rhyme.
Who sang through all his living hours—
Beauty of earth—the streams, the flowers—
And stars, more lovely than his rhyme.
"And now I read him, since men go,
Forgetful of these sweetest things;
Since he and I love brooks that flow,
And dawns, and bees, and flash of wings!"
Forgetful of these sweetest things;
Since he and I love brooks that flow,
And dawns, and bees, and flash of wings!"
She stared at me with laughing look,
Then clasped her hands upon my knees:
"How strange to read it in a book!
I could have told you all of these!"
Then clasped her hands upon my knees:
"How strange to read it in a book!
I could have told you all of these!"
Arthur Davison Ficke [1883-
TO A LITTLE GIRL
You taught me ways of gracefulness and fashions of address,
The mode of plucking pansies and the art of sowing cress,
And how to handle puppies, with propitiatory pats
For mother dogs, and little acts of courtesy to cats.
The mode of plucking pansies and the art of sowing cress,
And how to handle puppies, with propitiatory pats
For mother dogs, and little acts of courtesy to cats.
O connoisseur of pebbles, colored leaves and trickling rills,
Whom seasons fit as do the sheaths that wrap the daffodils,
Whose eyes' divine expectancy foretells some starry goal,
You taught me here docility—and how to save my soul.
Whom seasons fit as do the sheaths that wrap the daffodils,
Whose eyes' divine expectancy foretells some starry goal,
You taught me here docility—and how to save my soul.
Helen Parry Eden [18
TO A LITTLE GIRL
Her eyes are like forget-me-nots,
So loving, kind and true;
Her lips are like a pink sea-shell
Just as the sun shines through;
Her hair is like the waving grain
In summer's golden light;
And, best of all, her little soul
Is, like a lily, white.
So loving, kind and true;
Her lips are like a pink sea-shell
Just as the sun shines through;
Her hair is like the waving grain
In summer's golden light;
And, best of all, her little soul
Is, like a lily, white.
Gustav Kobbe [1857-1918]
A PARENTAL ODE TO MY SON
Aged Three Years And Five Months
Thou happy, happy elf!
(But stop,—first let me kiss away that tear!)
Thou tiny image of myself!
(My love, he's poking peas into his ear!)
Thou merry, laughing sprite,
With spirits feather-light,
Untouched by sorrow, and unsoiled by sin,—
(My dear, the child is swallowing a pin!)
(But stop,—first let me kiss away that tear!)
Thou tiny image of myself!
(My love, he's poking peas into his ear!)
Thou merry, laughing sprite,
With spirits feather-light,
Untouched by sorrow, and unsoiled by sin,—
(My dear, the child is swallowing a pin!)
Thou little tricksy Puck!
With antic toys so funnily bestuck,
Light as the singing bird that wings the air,—
(The door! the door! he'll tumble down the stair!)
Thou darling of thy sire!
(Why, Jane, he'll set his pinafore afire!)
Thou imp of mirth and joy!
In Love's dear chain so strong and bright a link,
Thou idol of thy parents,—(Drat the boy!
There goes my ink!)
With antic toys so funnily bestuck,
Light as the singing bird that wings the air,—
(The door! the door! he'll tumble down the stair!)
Thou darling of thy sire!
(Why, Jane, he'll set his pinafore afire!)
Thou imp of mirth and joy!
In Love's dear chain so strong and bright a link,
Thou idol of thy parents,—(Drat the boy!
There goes my ink!)
Thou cherub,—but of earth;
Fit playfellow for Fays, by moonlight pale,
In harmless sport and mirth,
(That dog will bite him, if he pulls its tail!)
Thou human humming-bee, extracting honey
From every blossom in the world that blows,
Singing in youth's Elysium ever sunny.—
(Another tumble! That's his precious nose!)
Fit playfellow for Fays, by moonlight pale,
In harmless sport and mirth,
(That dog will bite him, if he pulls its tail!)
Thou human humming-bee, extracting honey
From every blossom in the world that blows,
Singing in youth's Elysium ever sunny.—
(Another tumble! That's his precious nose!)
Thy father's pride and hope!
(He'll break the mirror with that skipping-rope!)
With pure heart newly stamped from nature's mint,
(Where did he learn that squint?)
Thou young domestic dove!
(He'll have that jug off with another shove!)
Dear nursling of the hymeneal nest!
(Are these torn clothes his best?)
Little epitome of man!
(He'll climb upon the table, that's his plan!)
Touched with the beauteous tints of dawning life,—
(He's got a knife!)
(He'll break the mirror with that skipping-rope!)
With pure heart newly stamped from nature's mint,
(Where did he learn that squint?)
Thou young domestic dove!
(He'll have that jug off with another shove!)
Dear nursling of the hymeneal nest!
(Are these torn clothes his best?)
Little epitome of man!
(He'll climb upon the table, that's his plan!)
Touched with the beauteous tints of dawning life,—
(He's got a knife!)
Thou enviable being!
No storms, no clouds, in thy blue sky foreseeing,
Play on, play on,
My elfin John!
Toss the light ball, bestride the stick,—
(I knew so many cakes would make him sick!)
With fancies, buoyant as the thistle-down,
Prompting the face grotesque, and antic brisk,
With many a lamb-like frisk!
(He's got the scissors, snipping at your gown!)
No storms, no clouds, in thy blue sky foreseeing,
Play on, play on,
My elfin John!
Toss the light ball, bestride the stick,—
(I knew so many cakes would make him sick!)
With fancies, buoyant as the thistle-down,
Prompting the face grotesque, and antic brisk,
With many a lamb-like frisk!
(He's got the scissors, snipping at your gown!)
Thou pretty opening rose!
(Go to your mother, child, and wipe your nose!)
Balmy and breathing music like the South,—
(He really brings my heart into my mouth!)
Fresh as the morn, and brilliant as its star,—
(I wish that window had an iron bar!)
Bold as the hawk, yet gentle as the dove;—
(I'll tell you what, my love,
I cannot write unless he's sent above.)
(Go to your mother, child, and wipe your nose!)
Balmy and breathing music like the South,—
(He really brings my heart into my mouth!)
Fresh as the morn, and brilliant as its star,—
(I wish that window had an iron bar!)
Bold as the hawk, yet gentle as the dove;—
(I'll tell you what, my love,
I cannot write unless he's sent above.)
Thomas Hood [1799-1845]
A NEW POET
I write. He sits beside my chair,
And scribbles, too, in hushed delight,
He dips his pen in charmed air:
What is it he pretends to write?
And scribbles, too, in hushed delight,
He dips his pen in charmed air:
What is it he pretends to write?
He toils and toils; the paper gives
No clue to aught he thinks. What then?
His little heart is glad; he lives
The poems that he cannot pen.
No clue to aught he thinks. What then?
His little heart is glad; he lives
The poems that he cannot pen.
Strange fancies throng that baby brain.
What grave, sweet looks! What earnest eyes!
He stops—reflects—and now again
His unrecording pen he plies.
What grave, sweet looks! What earnest eyes!
He stops—reflects—and now again
His unrecording pen he plies.
It seems a satire on myself,—
These dreamy nothings scrawled in air,
This thought, this work! Oh tricksy elf,
Wouldst drive thy father to despair?
These dreamy nothings scrawled in air,
This thought, this work! Oh tricksy elf,
Wouldst drive thy father to despair?
Despair! Ah, no; the heart, the mind
Persists in hoping,—schemes and strives
That there may linger with our kind
Some memory of our little lives.
Persists in hoping,—schemes and strives
That there may linger with our kind
Some memory of our little lives.
Beneath his rock in the early world
Smiling the naked hunter lay,
And sketched on horn the spear he hurled,
The urus which he made his prey.
Smiling the naked hunter lay,
And sketched on horn the spear he hurled,
The urus which he made his prey.
Like him I strive in hope my rhymes
May keep my name a little while,—
O child, who knows how many times
We two have made the angels smile!
May keep my name a little while,—
O child, who knows how many times
We two have made the angels smile!
William Canton [1845-
TO LAURA W—, TWO YEARS OLD
Bright be the skies that cover thee,
Child of the sunny brow,—
Bright as the dream flung over thee
By all that meets thee now,—
Thy heart is beating joyously,
Thy voice is like a bird's,
And sweetly breaks the melody
Of thy imperfect words.
I know no fount that gushes out
As gladly as thy tiny shout.
Child of the sunny brow,—
Bright as the dream flung over thee
By all that meets thee now,—
Thy heart is beating joyously,
Thy voice is like a bird's,
And sweetly breaks the melody
Of thy imperfect words.
I know no fount that gushes out
As gladly as thy tiny shout.
I would that thou might'st ever be
As beautiful as now,
That time might ever leave as free
Thy yet unwritten brow.
I would life were all poetry
To gentle measure set,
That naught but chastened melody
Might stain thine eye of jet,
Nor one discordant note be spoken,
Till God the cunning harp hath broken.
As beautiful as now,
That time might ever leave as free
Thy yet unwritten brow.
I would life were all poetry
To gentle measure set,
That naught but chastened melody
Might stain thine eye of jet,
Nor one discordant note be spoken,
Till God the cunning harp hath broken.
I would—but deeper things than these
With woman's lot are wove:
Wrought of intensest sympathies,
And nerved by purest love;
By the strong spirit's discipline,
By the fierce wrong forgiven,
By all that wrings the heart of sin,
Is woman won to heaven.
"Her lot is on thee," lovely child—
God keep thy spirit undefiled!
With woman's lot are wove:
Wrought of intensest sympathies,
And nerved by purest love;
By the strong spirit's discipline,
By the fierce wrong forgiven,
By all that wrings the heart of sin,
Is woman won to heaven.
"Her lot is on thee," lovely child—
God keep thy spirit undefiled!
I fear thy gentle loveliness,
Thy witching tone and air,
Thine eye's beseeching earnestness
May be to thee a snare.
The silver stars may purely shine,
The waters taintless flow:
But they who kneel at woman's shrine
Breathe on it as they bow.
Peace may fling back the gift again,
But the crushed flower will leave a stain.
Thy witching tone and air,
Thine eye's beseeching earnestness
May be to thee a snare.
The silver stars may purely shine,
The waters taintless flow:
But they who kneel at woman's shrine
Breathe on it as they bow.
Peace may fling back the gift again,
But the crushed flower will leave a stain.
What shall preserve thee, beautiful child?
Keep thee as thou art now?
Bring thee, a spirit undefiled,
At God's pure throne to bow?
The world is but a broken reed,
And life grows early dim—
Who shall be near thee in thy need,
To lead thee up to Him?
He who himself was "undefiled?"
With Him we trust thee, beautiful child!
Keep thee as thou art now?
Bring thee, a spirit undefiled,
At God's pure throne to bow?
The world is but a broken reed,
And life grows early dim—
Who shall be near thee in thy need,
To lead thee up to Him?
He who himself was "undefiled?"
With Him we trust thee, beautiful child!
Nathaniel Parker Willis [1806-1867]
TO ROSE
Rose, when I remember you,
Little lady, scarcely two,
I am suddenly aware
Of the angels in the air.
All your softly gracious ways
Make an island in my days
Where my thoughts fly back to be
Sheltered from too strong a sea.
All your luminous delight
Shines before me in the night
When I grope for sleep and find
Only shadows in my mind.
Little lady, scarcely two,
I am suddenly aware
Of the angels in the air.
All your softly gracious ways
Make an island in my days
Where my thoughts fly back to be
Sheltered from too strong a sea.
All your luminous delight
Shines before me in the night
When I grope for sleep and find
Only shadows in my mind.
Rose, when I remember you,
White and glowing, pink and new,
With so swift a sense of fun
Although life has just begun;
With so sure a pride of place
In your very infant face,
I should like to make a prayer
To the angels in the air:
"If an angel ever brings
Me a baby in her wings,
Please be certain that it grows
Very, very much like Rose."
White and glowing, pink and new,
With so swift a sense of fun
Although life has just begun;
With so sure a pride of place
In your very infant face,
I should like to make a prayer
To the angels in the air:
"If an angel ever brings
Me a baby in her wings,
Please be certain that it grows
Very, very much like Rose."
Sara Teasdale [1884-1933]
TO CHARLOTTE PULTENEY
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please;
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song,
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandoned to thy will,
Yet imagining no ill,
Yet too innocent to blush;
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy pretty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest:—
This thy present happy lot,
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please;
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song,
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandoned to thy will,
Yet imagining no ill,
Yet too innocent to blush;
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy pretty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest:—
This thy present happy lot,
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
Ambrose Philips [1675?-1749]
THE PICTURE OF LITTLE T. C. IN A PROSPECT OF FLOWERS
See with what simplicity
This nymph begins her golden days!
In the green grass she loves to lie,
And there with her fair aspect tames
The wilder flowers, and gives them names;
But only with the roses plays,
And them does tell
What color best becomes them, and what smell.
This nymph begins her golden days!
In the green grass she loves to lie,
And there with her fair aspect tames
The wilder flowers, and gives them names;
But only with the roses plays,
And them does tell
What color best becomes them, and what smell.
Who can foretell for what high cause
This darling of the gods was born?
Yet this is she whose chaster laws
The wanton Love shall one day fear,
And, under her command severe,
See his bow broke, and ensigns torn.
Happy who can
Appease this virtuous enemy of man!
This darling of the gods was born?
Yet this is she whose chaster laws
The wanton Love shall one day fear,
And, under her command severe,
See his bow broke, and ensigns torn.
Happy who can
Appease this virtuous enemy of man!
O then let me in time compound
And parley with those conquering eyes,
Ere they have tried their force to wound,
Ere with their glancing wheels they drive
In triumph over hearts that strive,
And them that yield but more despise:
Let me be laid
Where I may see the glories from some shade.
And parley with those conquering eyes,
Ere they have tried their force to wound,
Ere with their glancing wheels they drive
In triumph over hearts that strive,
And them that yield but more despise:
Let me be laid
Where I may see the glories from some shade.
Meantime, whilst every verdant thing
Itself does at thy beauty charm,
Reform the errors of the Spring;
Make that the tulips may have share
Of sweetness, seeing they are fair,
And roses of their thorns disarm
But most procure
That violets may a longer age endure.
Itself does at thy beauty charm,
Reform the errors of the Spring;
Make that the tulips may have share
Of sweetness, seeing they are fair,
And roses of their thorns disarm
But most procure
That violets may a longer age endure.
But O young beauty of the woods,
Whom Nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Do quickly make the example yours;
And, ere we see,
Nip, in the blossom, all our hopes and thee.
Whom Nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Do quickly make the example yours;
And, ere we see,
Nip, in the blossom, all our hopes and thee.
Andrew Marvell [1621-1678]
TO HARTLEY COLERIDGE
Six Years Old
O thou! whose fancies from afar are brought:
Who of thy words dost make a mock apparel,
And fittest to unutterable thought
The breeze-like motion and the self-born carol;
Thou fairy voyager! that dost float
In such clear water, that thy boat
May rather seem
To brood on air than on an earthly stream;
Suspended in a stream as clear as sky,
Where earth and heaven do make one imagery:
O blessed vision! happy child!
Thou art so exquisitely wild,
I think of thee with many fears
For what may be thy lot in future years.
I thought of times when Pain might be thy guest,
Lord of thy house and hospitality;
And Grief, uneasy lover! never rest
But when she sate within the touch of thee.
O too industrious folly!
O vain and causeless melancholy!
Nature will either end thee quite;
Or, lengthening out thy season of delight,
Preserve for thee, by individual right,
A young lamb's heart among the full-grown flocks.
What hast thou to do with sorrow,
Or the injuries of to-morrow?
Thou art a dew-drop, which the morn brings forth,
Ill-fitted to sustain unkindly shocks,
Or to be trailed along the soiling earth;
A gem that glitters while it lives,
And no forewarning gives;
But, at the touch of wrong, without a strife,
Slips in a moment out of life.
Who of thy words dost make a mock apparel,
And fittest to unutterable thought
The breeze-like motion and the self-born carol;
Thou fairy voyager! that dost float
In such clear water, that thy boat
May rather seem
To brood on air than on an earthly stream;
Suspended in a stream as clear as sky,
Where earth and heaven do make one imagery:
O blessed vision! happy child!
Thou art so exquisitely wild,
I think of thee with many fears
For what may be thy lot in future years.
I thought of times when Pain might be thy guest,
Lord of thy house and hospitality;
And Grief, uneasy lover! never rest
But when she sate within the touch of thee.
O too industrious folly!
O vain and causeless melancholy!
Nature will either end thee quite;
Or, lengthening out thy season of delight,
Preserve for thee, by individual right,
A young lamb's heart among the full-grown flocks.
What hast thou to do with sorrow,
Or the injuries of to-morrow?
Thou art a dew-drop, which the morn brings forth,
Ill-fitted to sustain unkindly shocks,
Or to be trailed along the soiling earth;
A gem that glitters while it lives,
And no forewarning gives;
But, at the touch of wrong, without a strife,
Slips in a moment out of life.
William Wordsworth [1770-1850]
TO A CHILD OF QUALITY
Five Years Old, 1704, The Author Then Forty
Lords, knights, and squires, the numerous band
That wear the fair Miss Mary's fetters,
Were summoned by her high command
To show their passions by their letters.
That wear the fair Miss Mary's fetters,
Were summoned by her high command
To show their passions by their letters.
My pen amongst the rest I took,
Lest those bright eyes, that cannot read,
Should dart their kindling fires, and look
The power they have to be obeyed.
Lest those bright eyes, that cannot read,
Should dart their kindling fires, and look
The power they have to be obeyed.
Nor quality, nor reputation,
Forbids me yet my flame to tell;
Dear Five-years-old befriends my passion,
And I may write till she can spell.
Forbids me yet my flame to tell;
Dear Five-years-old befriends my passion,
And I may write till she can spell.
For, while she makes her silkworms' beds
With all the tender things I swear;
Whilst all the house my passion reads,
In papers round her baby's hair;
With all the tender things I swear;
Whilst all the house my passion reads,
In papers round her baby's hair;
She may receive and own my flame;
For, though the strictest prudes should know it,
She'll pass for a most virtuous dame,
And I for an unhappy poet.
For, though the strictest prudes should know it,
She'll pass for a most virtuous dame,
And I for an unhappy poet.
Then too, alas! when she shall tear
The rhymes some younger rival sends,
She'll give me leave to write, I fear,
And we shall still continue friends.
The rhymes some younger rival sends,
She'll give me leave to write, I fear,
And we shall still continue friends.
For, as our different ages move,
'Tis so ordained (would Fate but mend it!),
That I shall be past making love
When she begins to comprehend it.
'Tis so ordained (would Fate but mend it!),
That I shall be past making love
When she begins to comprehend it.
Matthew Prior [1664-1721]
EX ORE INFANTIUM
Little Jesus, wast Thou shy
Once, and just so small as I?
And what did it feel like to be
Out of Heaven, and just like me?
Didst Thou sometimes think of there,
And ask where all the angels were?
I should think that I would cry
For my house all made of sky;
I would look about the air,
And wonder where my angels were;
And at waking 'twould distress me—
Not an angel there to dress me!
Once, and just so small as I?
And what did it feel like to be
Out of Heaven, and just like me?
Didst Thou sometimes think of there,
And ask where all the angels were?
I should think that I would cry
For my house all made of sky;
I would look about the air,
And wonder where my angels were;
And at waking 'twould distress me—
Not an angel there to dress me!
Hadst Thou ever any toys,
Like us little girls and boys?
And didst Thou play in Heaven with all
The angels, that were not too tall,
With stars for marbles? Did the things
Play Can you see me? through their wings?
Like us little girls and boys?
And didst Thou play in Heaven with all
The angels, that were not too tall,
With stars for marbles? Did the things
Play Can you see me? through their wings?
Didst Thou kneel at night to pray,
And didst Thou join Thy hands, this way?
And did they tire sometimes, being young,
And make the prayer seem very long?
And dost Thou like it best, that we
Should join our hands to pray to Thee?
I used to think, before I knew,
The prayer not said unless we do.
And did Thy Mother at the night
Kiss Thee, and fold the clothes in right?
And didst Thou feel quite good in bed,
Kissed, and sweet, and Thy prayers said?
And didst Thou join Thy hands, this way?
And did they tire sometimes, being young,
And make the prayer seem very long?
And dost Thou like it best, that we
Should join our hands to pray to Thee?
I used to think, before I knew,
The prayer not said unless we do.
And did Thy Mother at the night
Kiss Thee, and fold the clothes in right?
And didst Thou feel quite good in bed,
Kissed, and sweet, and Thy prayers said?
Thou canst not have forgotten all
That it feels like to be small:
And Thou know'st I cannot pray
To Thee in my father's way—
When Thou wast so little, say,
Could'st Thou talk Thy Father's way?—
So, a little Child, come down
And hear a child's tongue like Thy own;
That it feels like to be small:
And Thou know'st I cannot pray
To Thee in my father's way—
When Thou wast so little, say,
Could'st Thou talk Thy Father's way?—
So, a little Child, come down
And hear a child's tongue like Thy own;
Take me by the hand and walk,
And listen to my baby-talk.
To Thy Father show my prayer
(He will look, Thou art so fair),
And say: "O Father, I, Thy Son,
Bring the prayer of a little one."
And listen to my baby-talk.
To Thy Father show my prayer
(He will look, Thou art so fair),
And say: "O Father, I, Thy Son,
Bring the prayer of a little one."
And He will smile, that children's tongue
Has not changed since Thou wast young!
Has not changed since Thou wast young!
Francis Thompson [1859-1907]
OBITUARY
Finding Francesca full of tears, I said,
"Tell me thy trouble." "Oh, my dog is dead!
Murdered by poison!—no one knows for what!—
Was ever dog born capable of that?"
"Child,"—I began to say, but checked my thought,—
"A better dog can easily be bought."
For no—what animal could him replace?
Those loving eyes! That fond, confiding face!
Those dear, dumb touches! Therefore I was dumb.
From word of mine could any comfort come?
A bitter sorrow 'tis to lose a brute
Friend, dog or horse, for grief must then be mute,—
So many smile to see the rivers shed
Of tears for one poor, speechless creature dead.
When parents die there's many a word to say—
Kind words, consoling—one can always pray;
When children die 'tis natural to tell
Their mother, "Certainly, with them 'tis well!"
But for a dog, 'twas all the life he had,
Since death is end of dogs, or good or bad.
This was his world; he was contented here;
Imagined nothing better, naught more dear,
Than his young mistress; sought no brighter sphere;
Having no sin, asked not to be forgiven;
Ne'er guessed at God nor ever dreamed of heaven.
Now he has passed away, so much of love
Goes from our life, without one hope above!
When a dog dies there's nothing to be said
But—kiss me, darling!—dear old Smiler's dead.
"Tell me thy trouble." "Oh, my dog is dead!
Murdered by poison!—no one knows for what!—
Was ever dog born capable of that?"
"Child,"—I began to say, but checked my thought,—
"A better dog can easily be bought."
For no—what animal could him replace?
Those loving eyes! That fond, confiding face!
Those dear, dumb touches! Therefore I was dumb.
From word of mine could any comfort come?
A bitter sorrow 'tis to lose a brute
Friend, dog or horse, for grief must then be mute,—
So many smile to see the rivers shed
Of tears for one poor, speechless creature dead.
When parents die there's many a word to say—
Kind words, consoling—one can always pray;
When children die 'tis natural to tell
Their mother, "Certainly, with them 'tis well!"
But for a dog, 'twas all the life he had,
Since death is end of dogs, or good or bad.
This was his world; he was contented here;
Imagined nothing better, naught more dear,
Than his young mistress; sought no brighter sphere;
Having no sin, asked not to be forgiven;
Ne'er guessed at God nor ever dreamed of heaven.
Now he has passed away, so much of love
Goes from our life, without one hope above!
When a dog dies there's nothing to be said
But—kiss me, darling!—dear old Smiler's dead.
Thomas William Parsons [1819-1892]
THE CHILD'S HERITAGE
On, there are those, a sordid clan,
With pride in gaud and faith in gold,
Who prize the sacred soul of man
For what his hands have sold.
With pride in gaud and faith in gold,
Who prize the sacred soul of man
For what his hands have sold.
And these shall deem thee humbly bred:
They shall not hear, they shall not see
The kings among the lordly dead
Who walk and talk with thee!
They shall not hear, they shall not see
The kings among the lordly dead
Who walk and talk with thee!
A tattered cloak may be thy dole,
And thine the roof that Jesus had:
The broidered garment of the soul
Shall keep thee purple-clad!
And thine the roof that Jesus had:
The broidered garment of the soul
Shall keep thee purple-clad!
The blood of men hath dyed its brede,
And it was wrought by holy seers
With sombre dream and golden deed,
And pearled with women's tears.
And it was wrought by holy seers
With sombre dream and golden deed,
And pearled with women's tears.