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The Home Book of Verse — Volume 2 cover

The Home Book of Verse — Volume 2

Chapter 165: CONSTANCY
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About This Book

This collection features a diverse array of poems centered on the theme of love, exploring its various facets, emotions, and expressions. The anthology includes works from multiple poets, presenting romantic sentiments, reflections on desire, and musings on the nature of love. The poems range from joyous celebrations of affection to contemplative pieces on longing and heartache. Each selection captures the complexity of love through lyrical language and vivid imagery, inviting readers to reflect on their own experiences with this universal emotion.

O fly! make haste! see, see, she falls
Into a pretty slumber!
Sing round about her rosy bed
That waking she may wonder:
Say to her, 'tis her lover true
That sendeth love to you, to you!
And when you hear her kind reply,
Return with pleasant warblings.
Thomas Heywood [?—1650?]





"HOW CAN THE HEART FORGET HER"

At her fair hands how have I grace entreated
With prayers oft repeated!
Yet still my love is thwarted:
Heart, let her go, for she'll not be converted—
Say, shall she go?
O no, no, no, no, no!
She is most fair, though she be marble-hearted.
How often have my sighs declared my anguish,
Wherein I daily languish!
Yet still she doth procure it:
Heart, let her go, for I cannot endure it—
Say, shall she go?
O no, no, no, no, no!
She gave the wound, and she alone must cure it.
But shall I still a true affection owe her,
Which prayers, sighs, tears do show her,
And shall she still disdain me?
Heart, let her go, if they no grace can gain me—
Say, shall she go?
O no, no, no, no, no!
She made me hers, and hers she will retain me.
But if the love that hath and still doth burn me
No love at length return me,
Out of my thoughts I'll set her:
Heart, let her go, O heart I pray thee, let her!
Say, shall she go?
O no, no, no, no, no!
Fixed in the heart, how can the heart forget her?
Francis Davison [fl. 1602]





TO ROSES IN THE BOSOM OF CASTARA

Ye blushing virgins happy are
In the chaste nunnery of her breasts—
For he'd profane so chaste a fair,
Whoe'er should call them Cupid's nests.
Transplanted thus how bright ye grow!
How rich a perfume do ye yield!
In some close garden cowslips so
Are sweeter than in the open field.
In those white cloisters live secure
From the rude blasts of wanton breath!—
Each hour more innocent and pure,
Till you shall wither into death.
Then that which living gave you room,
Your glorious sepulcher shall be.
There wants no marble for a tomb
Whose breast hath marble been to me.
William Habington [1605-1654]





TO FLAVIA

'Tis not your beauty can engage
My wary heart;
The sun, in all his pride and rage,
Has not that art;
And yet he shines as bright as you,
If brightness could our souls subdue.
'Tis not the pretty things you say,
Nor those you write,
Which can make Thyrsis' heart your prey:
For that delight,
The graces of a well-taught mind,
In some of our own sex we find.
No, Flavia, 'tis your love I fear;
Love's surest darts,
Those which so seldom fail him, are
Headed with hearts:
Their very shadows make us yield;
Dissemble well, and win the field!
Edmund Waller [1606-1687]





"LOVE NOT ME FOR COMELY GRACE"

Love not me for comely grace,
For my pleasing eye or face;
Nor for any outward part,
No, nor for a constant heart:
For these may fail or turn to ill,
So thou and I shall sever.
Keep, therefore, a true woman's eye,
And love me still, but know not why;
So hast thou the same reason still
To doat upon me ever.
Unknown





"WHEN, DEAREST, I BUT THINK OF THEE"

When, dearest, I but think of thee,
Methinks all things that lovely be
Are present, and my soul delighted:
For beauties that from worth arise
Are, like the grace of deities,
Still present with us, though unsighted.
Thus while I sit and sigh the day
With all his borrowed lights away,
Till night's black wings do overtake me,
Thinking on thee, thy beauties then,
As sudden lights do sleepy men,
So they by their bright rays awake me.
Thus absence dies, and dying proves
No absence can subsist with loves
That do partake of fair perfection:
Since in the darkest night they may
By their quick motion find a way
To see each other by reflection.
The waving sea can with each flood
Bathe some high promont that hath stood
Far from the main up in the river:
O think not then but love can do
As much! for that's an ocean too,
Which flows not every day, but ever!
John Suckling [1609-1642]
or Owen Felltham [1602?-1668]





A DOUBT OF MARTYRDOM

O for some honest lover's ghost,
Some kind unbodied post
Sent from the shades below!
I strangely long to know
Whether the noble chaplets wear
Those that their mistress' scorn did bear
Or those that were used kindly.
For whatsoe'er they tell us here
To make those sufferings dear,
'Twill there, I fear, be found
That to the being crowned
To have loved alone will not suffice,
Unless we also have been wise
And have our loves enjoyed.
What posture can we think him in
That, here unloved, again
Departs, and's thither gone
Where each sits by his own?
Or how can that Elysium be
Where I my mistress still must see
Circled in other's arms?
For there the judges all are just,
And Sophonisba must
Be his whom she held dear,
Not his who loved her here.
The sweet Philoclea, since she died,
Lies by her Pirocles his side,
Not by Amphialus.
Some bays, perchance, or myrtle bough
For difference crowns the brow
Of those kind souls that were
The noble martyrs here:
And if that be the only odds
(As who can tell?), ye kinder gods,
Give me the woman here!
John Suckling [1609-1642]





TO CHLOE

Who For His Sake Wished Herself Younger
Chloe, why wish you that your years
Would backwards run till they meet mine,
That perfect likeness, which endears
Things unto things, might us combine?
Our ages so in date agree,
That twins do differ more than we.
There are two births; the one when light
First strikes the new awakened sense;
The other when two souls unite,
And we must count our life from thence:
When you loved me and I loved you
Then both of us were born anew.
Love then to us new souls did give
And in those souls did plant new powers;
Since when another life we live,
The breath we breathe is his, not ours:
Love makes those young whom age doth chill,
And whom he finds young keeps young still.
Love, like that angel that shall call
Our bodies from the silent grave,
Unto one age doth raise us all;
None too much, none too little have;
Nay, that the difference may be none,
He makes two, not alike, but one.
And now since you and I are such,
Tell me what's yours, and what is mine?
Our eyes, our ears, our taste, smell, touch,
Do, like our souls, in one combine;
So, by this, I as well may be
Too old for you, as you for me.
William Cartwright [1611-1643]





"I'll NEVER LOVE THEE MORE"

My dear and only Love, I pray
This little world of thee
Be governed by no other sway
Than purest monarchy;
For if confusion have a part,
Which virtuous souls abhor,
And hold a synod in thy heart,
I'll never love thee more.
Like Alexander I will reign,
And I will reign alone;
My thoughts did evermore disdain
A rival on my throne.
He either fears his fate too much,
Or his deserts are small,
That dares not put it to the touch
To gain or lose it all.
But I must rule and govern still,
And always give the law,
And have each subject at my will
And all to stand in awe.
But 'gainst my batteries if I find
Thou kick, or vex me sore,
As that thou set me up a blind,
I'll never love thee more!
Or in the empire of thy heart,
Where I should solely be,
If others do pretend a part
And dare to vie with me,
Or if committees thou erect,
And go on such a score,
I'll laugh and sing at thy neglect,
And never love thee more.
But if thou wilt be faithful, then,
And constant of thy word,
I'll make thee glorious by my pen
And famous by my sword;
I'll serve thee in such noble ways
Were never heard before;
I'll crown and deck thee all with bays,
And love thee evermore.
James Graham [1612-1650]





TO ALTHEA, FROM PRISON

When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at the grates;
When I lie tangled in her hair
And fettered to her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups run swiftly round
With no allaying Thames,
Our careless heads with roses bound,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free—
Fishes that tipple in the deep
Know no such liberty.
When, like committed linnets, I
With shriller throat shall sing
The sweetness, mercy, majesty,
And glories of my King;
When I shall voice aloud how good
He is, how great should be,
Enlarged winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage;
If I have freedom in my love
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
Richard Lovelace [1618-1658]





WHY I LOVE HER

'Tis not her birth, her friends, nor yet her treasure,
Nor do I covet her for sensual pleasure,
Nor for that old morality
Do I love her, 'cause she loves me.
Sure he that loves his lady 'cause she's fair,
Delights his eye, so loves himself, not her.
Something there is moves me to love, and I
Do know I love, but know not how, nor why.
Alexander Brome [1620-1666]





TO HIS COY MISTRESS

Had we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down and think which way
To walk and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find: I by the tide
Of Humber would complain.  I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow;
An hundred years should go to praise
Thine eyes and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, Lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity,
And your quaint honor turn to dust,
And into ashes all my lust:
The grave's a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapt power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
Andrew Marvell [1621-1678]





A DEPOSITION FROM BEAUTY

Though when I loved thee thou wert fair,
Thou art no longer so;
These glories all the pride they wear
Unto opinion owe.
Beauties, like stars, in borrowed luster shine;
And 'twas my love that gave thee thine.
The flames that dwelt within thine eye
Do now with mine expire;
Thy brightest graces fade and die
At once with my desire.
Love's fires thus mutual influence return;
Thine cease to shine, when mine to burn.
Then, proud Celinda, hope no more
To be implored or wooed,
Since by thy scorn thou dost restore
Thy wealth my love bestowed:
And thy despised disdain too late shall find
That none are fair but who are kind.
Thomas Stanley [1625-1678]





"LOVE IN THY YOUTH, FAIR MAID"

Love in thy youth, fair maid, be wise,
Old Time will make thee colder,
And though each morning new arise,
Yet we each day grow older.
Thou as heaven art fair and young,
Thine eyes like twin stars shining;
But ere another day be sprung,
All these will be declining;
Then winter comes with all his fears,
And all thy sweets shall borrow;
Too late then wilt thou shower thy tears,
And I, too late, shall sorrow.
Unknown





TO CELIA

When, Celia, must my old day set,
And my young morning rise
In beams of joy so bright as yet
Ne'er blessed a lover's eyes?
My state is more advanced than when
I first attempted thee:
I sued to be a servant then,
But now to be made free.
I've served my time faithful and true,
Expecting to be placed
In happy freedom, as my due,
To all the joys thou hast:
Ill husbandry in love is such
A scandal to love's power,
We ought not to misspend so much
As one poor short-lived hour.
Yet think not, sweet, I'm weary grown,
That I pretend such haste;
Since none to surfeit e'er was known
Before he had a taste:
My infant love could humbly wait
When, young, it scarce knew how
To plead; but grown to man's estate,
He is impatient now.
Charles Cotton [1630-1687]





TO CELIA

Not, Celia, that I juster am
Or better than the rest!
For I would change each hour, like them,
Were not my heart at rest.
But I am tied to very thee
By every thought I have;
Thy face I only care to see,
Thy heart I only crave.
All that in woman is adored
In thy dear self I find—
For the whole sex can but afford
The handsome and the kind.
Why then should I seek further store,
And still make love anew?
When change itself can give no more,
'Tis easy to be true!
Charles Sedley [1639-1701]





A SONG

My dear mistress has a heart
Soft as those kind looks she gave me;
When with love's restless art,
And her eyes, she did enslave me.
But her constancy's so weak,
She's so wild and apt to wander,
That my jealous heart would break
Should we live one day asunder.
Melting joys about her move,
Killing pleasures, wounding blisses;
She can dress her eyes in love,
And her lips can arm with kisses.
Angels listen when she speaks;
She's my delight, all mankind's wonder;
But my jealous heart would break
Should we live one day asunder.
John Wilmot [1647-1680]





LOVE AND LIFE

All my past life is mine no more;
The flying hours are gone,
Like transitory dreams given o'er,
Whose images are kept in store
By memory alone.
The time that is to come is not;
How can it then be mine?
The present moment's all my lot;
And that, as fast as it is got,
Phillis, is only thine.
Then talk not of inconstancy,
False hearts, and broken vows;
If I by miracle can be
This live-long minute true to thee,
'Tis all that Heaven allows.
John Wilmot [1647-1680]





CONSTANCY

I cannot change as others do,
Though you unjustly scorn;
Since that poor swain that sighs for you
For you alone was born.
No, Phillis, no; your heart to move
A surer way I'll try;
And, to revenge my slighted love,
Will still live on, will still live on and die.
When, killed with grief, Amyntas lies,
And you to mind shall call
The sighs that now unpitied rise,
The tears that vainly fall—
That welcome hour that ends this smart,
Will then begin your pain;
For such a faithful tender heart
Can never break, can never break in vain.
John Wilmot [1647-1680]





SONG

Too late, alas! I must confess,
You need not arts to move me;
Such charms by nature you possess,
'Twere madness not to love ye.
Then spare a heart you may surprise,
And give my tongue the glory
To boast, though my unfaithful eyes
Betray a tender story.
John Wilmot [1647-1680]





SONG

Come, Celia, let's agree at last
To love and live in quiet;
Let's tie the knot so very fast
That time shall ne'er untie it.
Love's dearest joys they never prove,
Who free from quarrels live;
'Tis sure a god like part of love
Each other to forgive.
When least I seemed concerned I took
No pleasure, nor had rest;
And when I feigned an angry look,
Alas!  I loved you best.
Say but the same to me, you'll find
How blest will be our fate;
Sure to be grateful, to be kind,
Can never be too late.
John Sheffield [1648-1721]





THE ENCHANTMENT

I did but look and love awhile,
'Twas but for one half-hour;
Then to resist I had no will,
And now I have no power.
To sigh and wish is all my ease;
Sighs which do heat impart
Enough to melt the coldest ice,
Yet cannot warm your heart.
O would your pity give my heart
One corner of your breast,
'Twould learn of yours the winning art,
And quickly steal the rest.
Thomas Otway [1652-1685]





SONG

Only tell her that I love:
Leave the rest to her and Fate:
Some kind planet from above
May perhaps her pity move:
Lovers on their stars must wait.—
Only tell her that I love!
Why, O why should I despair!
Mercy's pictured in her eye:
If she once vouchsafe to hear,
Welcome Hope and farewell Fear!
She's too good to let me die.—
Why, O why should I despair?
John Cutts [1661-1707]





"FALSE THOUGH SHE BE"

False though she be to me and love,
I'll ne'er pursue revenge;
For still the charmer I approve,
Though I deplore her change.
In hours of bliss we oft have met:
They could not always last;
And though the present I regret,
I'm grateful for the past.
William Congreve [1670-1729]





TO SILVIA

From "The Cautious Lovers"
Silvia, let us from the crowd retire,
For what to you and me
(Who but each other do desire)
Is all that here we see?
Apart we'll live, though not alone;
For who alone can call
Those who in deserts live with one
If in that one they've all?
The world a vast meander is,
Where hearts confusedly stray;
Where few do hit, whilst thousands miss,
The happy mutual way.
Anne Finch [?—1720]





"WHY, LOVELY CHARMER"

Why, lovely charmer, tell me why,
So very kind, and yet so shy?
Why does that cold, forbidding air
Give damps of sorrow and despair?
Or why that smile my soul subdue,
And kindle up my flames anew?
In vain you strive with all your art,
By turns to fire and freeze my heart;
When I behold a face so fair,
So sweet a look, so soft an air,
My ravished soul is charmed all o'er,
I cannot love thee less or more.
Unknown





AGAINST INDIFFERENCE

More love or more disdain I crave;
Sweet, be not still indifferent:
O send me quickly to my grave,
Or else afford me more content!
Or love or hate me more or less,
For love abhors all lukewarmness.
Give me a tempest if 'twill drive
Me to the place where I would be;
Or if you'll have me still alive,
Confess you will be kind to me.
Give hopes of bliss or dig my grave:
More love or more disdain I crave.
Charles Webbe [c. 1678]





A SONG TO AMORET

If I were dead, and, in my place,
Some fresher youth designed
To warm thee, with new fires; and grace
Those arms I left behind:
Were he as faithful as the Sun,
That's wedded to the Sphere;
His blood as chaste and temperate run,
As April's mildest tear;
Or were he rich; and, with his heap
And spacious share of earth,
Could make divine affection cheap,
And court his golden birth;
For all these arts, I'd not believe
(No! though he should be thine!),
The mighty Amorist could give
So rich a heart as mine!
Fortune and beauty thou might'st find,
And greater men than I;
But my true resolved mind
They never shall come nigh.
For I not for an hour did love,
Or for a day desire,
But with my soul had from above
This endless holy fire.
Henry Vaughan [1622-1695]





THE LASS OF RICHMOND HILL

On Richmond Hill there lives a lass
More bright than May-day morn,
Whose charms all other maids surpass,—
A rose without a thorn.
This lass so neat, with smiles so sweet,
Has won my right good-will;
I'd crowns resign to call her mine,
Sweet lass of Richmond Hill.
Ye zephyrs gay, that fan the air,
And wanton through the grove,
O, whisper to my charming fair,
I die for her I love.
How happy will the shepherd be
Who calls this nymph his own!
O, may her choice be fixed on me!
Mine's fixed on her alone.
James Upton [1670-1749]





SONG

From "Sunday Up the River"
Let my voice ring out and over the earth,
Through all the grief and strife,
With a golden joy in a silver mirth:
Thank God for life!
Let my voice swell out through the great abyss
To the azure dome above,
With a chord of faith in the harp of bliss:
Thank God for Love!
Let my voice thrill out beneath and above,
The whole world through:
O my Love and Life, O my Life and Love,
Thank God for you!
James Thomson [1834-1882]





GIFTS

From "Sunday Up the River"
Give a man a horse he can ride,
Give a man a boat he can sail;
And his rank and wealth, his strength and health,
On sea nor shore shall fail.
Give a man a pipe he can smoke,
Give a man a book he can read:
And his home is bright with a calm delight,
Though the room be poor indeed.
Give a man a girl he can love,
As I, O my love, love thee;
And his heart is great with the pulse of Fate,
At home, on land, on sea.
James Thomson [1834-1882]





AMYNTA

My sheep I neglected, I broke my sheep-crook,
And all the gay haunts of my youth I forsook;
No more for Amynta fresh garlands I wove;
For ambition, I said would soon cure me of love.
Oh, what had my youth with ambition to do?
Why left I Amynta?  Why broke I my vow?
Oh, give me my sheep, and my sheep-hook restore,
And I'll wander from love and Amynta no more.
Through regions remote in vain do I rove,
And bid the wide ocean secure me from love!
O fool! to imagine that aught could subdue
A love so well founded, a passion so true!
Alas! 'tis too late at thy fate to repine;
Poor shepherd, Amynta can never be thine:
Thy tears are all fruitless, thy wishes are vain,
The moments neglected return not again.
Gilbert Elliot [1722-1777]





"O NANCY! WILT THOU GO WITH ME"

O Nancy, wilt thou go with me,
Nor sigh to leave the flaunting town:
Can silent glens have charms for thee,
The lowly cot, the russet gown?
No longer dressed in silken sheen,
No longer decked with jewels rare,
Say, canst thou quit each courtly scene
Where thou wert fairest of the fair?
O Nancy! when thou'rt far away,
Wilt thou not cast a wish behind?
Say, canst thou face the parching ray,
Nor shrink before the wintry wind?
O! can that soft and gentle mien
Extremes of hardship learn to bear,
Nor, sad, regret each courtly scene
Where thou wert fairest of the fair?
O Nancy! canst thou love so true,
Through perils keen with me to go,
Or when thy swain mishap shall rue,
To share with him the pang of woe?
Say, should disease or pain befall,
Wilt thou assume the nurse's care;
Nor wistful those gay scenes recall
Where thou wert fairest of the fair?
And when at last thy love shall die,
Wilt thou receive his parting breath?
Wilt thou repress each struggling sigh,
And cheer with smiles the bed of death?
And wilt thou o'er his breathless clay
Strew flowers and drop the tender tear?
Nor then regret those scenes so gay
Where thou wert fairest of the fair?
Thomas Percy [1729-1811]





CAVALIER'S SONG

If doughty deeds my lady please,
Right soon I'll mount my steed;
And strong his arm and fast his seat,
That bears frae me the meed.
I'll wear thy colors in my cap,
Thy picture in my heart;
And he that bends not to thine eye
Shall rue it to his smart!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake nae care I'll take,
Though ne'er another trow me.
If gay attire delight thine eye
I'll dight me in array;
I'll tend thy chamber door all night,
And squire thee all the day.
If sweetest sounds can win thine ear,
These sounds I'll strive to catch;
Thy voice I'll steal to woo thysel',
That voice that nane can match.
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake nae care I'll take
Though ne'er another trow me.
But if fond love thy heart can gain,
I never broke a vow;
Nae maiden lays her skaith to me,
I never loved but you.
For you alone I ride the ring,
For you I wear the blue;
For you alone I strive to sing,
O tell me how to woo!
Then tell me how to woo thee, Love;
O tell me how to woo thee!
For thy dear sake nae care I'll take
Though ne'er another trow me.
Robert Cunninghame-Graham [?—1797?]





"MY HEART IS A LUTE"

Alas, that my heart is a lute,
Whereon you have learned to play!
For a many years it was mute,
Until one summer's day
You took it, and touched it, and made it thrill,
And it thrills and throbs, and quivers still!
I had known you, dear, so long!
Yet my heart did not tell me why
It should burst one morn into song,
And wake to new life with a cry,
Like a babe that sees the light of the sun,
And for whom this great world has just begun.
Your lute is enshrined, cased in,
Kept close with love's magic key,
So no hand but yours can win
And wake it to minstrelsy;
Yet leave it not silent too long, nor alone,
Lest the strings should break, and the music be done.
Anne Barnard [1750-1825]





SONG

From "The Duenna"
Had I a heart for falsehood framed,
I ne'er could injure you;
For though your tongue no promise claimed,
Your charms would make me true:
Then, lady, dread not here deceit,
Nor fear to suffer wrong,
For friends in all the aged you'll meet,
And lovers in the young.
But when they find that you have blessed
Another with your heart,
They'll bid aspiring passion rest,
And act a brother's part:
Then, lady, dread not here deceit
Nor fear to suffer wrong;
For friends in all the aged you'll meet,
And brothers in the young.
Richard Brinsley Sheridan [1751-1816]





MEETING

My Damon was the first to wake
The gentle flame that cannot die;
My Damon is the last to take
The faithful bosom's softest sigh:
The life between is nothing worth,
O cast it from thy thought away!
Think of the day that gave it birth,
And this its sweet returning day.
Buried be all that has been done,
Or say that naught is done amiss;
For who the dangerous path can shun
In such bewildering world as this?
But love can every fault forgive,
Or with a tender look reprove;
And now let naught in memory live
But that we meet, and that we love.
George Crabbe [1754-1832]





"O WERE MY LOVE YON LILAC FAIR"

O were my Love yon lilac fair,
Wi' purple blossoms to the spring,
And I a bird to shelter there,
When wearied on my little wing;
How I wad mourn when it was torn
By autumn wild and winter rude!
But I wad sing on wanton wing
When youthfu' May its bloom renewed.
O gin my Love were yon red rose
That grows upon the castle wa',
And I mysel a drap o' dew,
Into her bonnie breast to fa';
O there, beyond expression blest,
I'd feast on beauty a' the night;
Sealed on her silk-saft faulds to rest,
Till fleyed awa' by Phoebus' light.
Robert Burns [1759-1796]





"BONNIE WEE THING"

Bonnie wee thing! cannie wee thing!
Lovely wee thing! wert thou mine,
I wad wear thee in my bosom,
Lest my jewel I should tine.
Wishfully I look, and languish
In that bonnie face o' thine;
And my heart it stounds wi' anguish,
Lest my wee thing be na mine.
Wit and grace, and love and beauty,
In ae constellation shine;
To adore thee is my duty,
Goddess o' this soul o' mine!
Bonnie wee thing, cannie wee thing,
Lovely wee thing, wert thou mine,
I wad wear thee in my bosom,
Lest my jewel I should tine.
Robert Burns [1759-1796]





ROSE AYLMER