Be ye in love with April-tide?
I' faith, in love am I!
For now 'tis sun, and now 'tis shower,
And now 'tis frost and now 'tis flower,
And now 'tis Laura laughing-eyed,
And now 'tis Laura shy!
I' faith, in love am I!
For now 'tis sun, and now 'tis shower,
And now 'tis frost and now 'tis flower,
And now 'tis Laura laughing-eyed,
And now 'tis Laura shy!
Ye doubtful days, O slower glide!
Still smile and frown, O sky!
Some beauty unforeseen I trace
In every change of Laura's face;—
Be ye in love with April-tide?
I' faith, in love am I!
Still smile and frown, O sky!
Some beauty unforeseen I trace
In every change of Laura's face;—
Be ye in love with April-tide?
I' faith, in love am I!
Clinton Scollard [1860-1932]
UNITY
Heart of my heart, the world is young:
Love lies hidden in every rose!
Every song that the skylark sung
Once, we thought, must come to a close:
Now we know the spirit of song,
Song that is merged in the chant of the whole,
Hand in hand as we wander along,
What should we doubt of the years that roll?
Love lies hidden in every rose!
Every song that the skylark sung
Once, we thought, must come to a close:
Now we know the spirit of song,
Song that is merged in the chant of the whole,
Hand in hand as we wander along,
What should we doubt of the years that roll?
Heart of my heart, we can not die!
Love triumphant in flower and tree,
Every life that laughs at the sky
Tells us nothing can cease to be;
One, we are one with a song to-day,
One with the clover that scents the wold,
One with the Unknown, far away,
One with the stars, when earth grows old.
Love triumphant in flower and tree,
Every life that laughs at the sky
Tells us nothing can cease to be;
One, we are one with a song to-day,
One with the clover that scents the wold,
One with the Unknown, far away,
One with the stars, when earth grows old.
Heart of my heart, we are one with the wind,
One with the clouds that are whirled o'er the lea,
One in many, O broken and blind,
One as the waves are at one with the sea!
Ay! when life seems scattered apart,
Darkens, ends as a tale that is told,
One, we are one, O heart of my heart,
One, still one, while the world grows old.
One with the clouds that are whirled o'er the lea,
One in many, O broken and blind,
One as the waves are at one with the sea!
Ay! when life seems scattered apart,
Darkens, ends as a tale that is told,
One, we are one, O heart of my heart,
One, still one, while the world grows old.
Alfred Noyes [1880-
THE QUEEN
He loves not well whose love is bold!
I would not have thee come too nigh:
The sun's gold would not seem pure gold
Unless the sun were in the sky:
To take him thence and chain him near
Would make his glory disappear.
I would not have thee come too nigh:
The sun's gold would not seem pure gold
Unless the sun were in the sky:
To take him thence and chain him near
Would make his glory disappear.
He keeps his state,—keep thou in thine,
And shine upon me from afar!
So shall I bask in light divine,
That falls from love's own guiding star;
So shall thy eminence be high,
And so my passion shall not die;
And shine upon me from afar!
So shall I bask in light divine,
That falls from love's own guiding star;
So shall thy eminence be high,
And so my passion shall not die;
But all my life shall reach its hands
Of lofty longing toward thy face,
And be as one who, speechless, stands
In rapture at some perfect grace!
My love, my hope, my all shall be
To look to heaven and look to thee!
Of lofty longing toward thy face,
And be as one who, speechless, stands
In rapture at some perfect grace!
My love, my hope, my all shall be
To look to heaven and look to thee!
Thy eyes shall be the heavenly lights,
Thy voice the gentle summer breeze,—
What time it sways, on moonlit nights,
The murmuring tops of leafy trees;
And I shall touch thy beauteous form
In June's red roses, rich and warm.
Thy voice the gentle summer breeze,—
What time it sways, on moonlit nights,
The murmuring tops of leafy trees;
And I shall touch thy beauteous form
In June's red roses, rich and warm.
But thou thyself shall come not down
From that pure region far above;
But keep thy throne and wear thy crown,
Queen of my heart and queen of love!
A monarch in thy realm complete,
And I a monarch—at thy feet!
From that pure region far above;
But keep thy throne and wear thy crown,
Queen of my heart and queen of love!
A monarch in thy realm complete,
And I a monarch—at thy feet!
William Winter [1836-1917]
A LOVER'S ENVY
I envy every flower that blows
Beside the pathway where she goes,
And every bird that sings to her,
And every breeze that brings to her
The fragrance of the rose.
Beside the pathway where she goes,
And every bird that sings to her,
And every breeze that brings to her
The fragrance of the rose.
I envy every poet's rhyme
That moves her heart at eventime,
And every tree that wears for her
Its brightest bloom, and bears for her
The fruitage of its prime.
That moves her heart at eventime,
And every tree that wears for her
Its brightest bloom, and bears for her
The fruitage of its prime.
I envy every Southern night
That paves her path with moonbeams white,
And silvers all the leaves for her,
And in their shadow weaves for her
A dream of dear delight.
That paves her path with moonbeams white,
And silvers all the leaves for her,
And in their shadow weaves for her
A dream of dear delight.
I envy none whose love requires
Of her a gift, a task that tires:
I only long to live to her,
I only ask to give to her
All that her heart desires.
Of her a gift, a task that tires:
I only long to live to her,
I only ask to give to her
All that her heart desires.
Henry Van Dyke [1852-1933]
STAR SONG
When sunset flows into golden glows
And the breath of the night is new,
Love, find afar eve's eager star—
That is my thought of you.
And the breath of the night is new,
Love, find afar eve's eager star—
That is my thought of you.
O tear-wet eye that scans the sky
Your lonely lattice through:
Choose any one, from sun to sun—
That is my thought of you.
Your lonely lattice through:
Choose any one, from sun to sun—
That is my thought of you.
And when you wake at the morning's break
To rival rose and dew,
The star that stays till the leaping rays—
That is my thought of you.
To rival rose and dew,
The star that stays till the leaping rays—
That is my thought of you.
Ay, though by day they seem away
Beyond or cloud or blue,
From dawn to night unquenched their light—
As are my thoughts of you.
Beyond or cloud or blue,
From dawn to night unquenched their light—
As are my thoughts of you.
Robert Underwood Johnson [1853-
"MY HEART SHALL BE THY GARDEN"
My heart shall be thy garden. Come, my own,
Into thy garden; thine be happy hours
Among my fairest thoughts, my tallest flowers,
From root to crowning petal, thine alone.
Thine is the place from where the seeds are sown
Up to the sky inclosed, with all its showers.
But ah, the birds, the birds! Who shall build bowers
To keep these thine? O friend, the birds have flown.
Into thy garden; thine be happy hours
Among my fairest thoughts, my tallest flowers,
From root to crowning petal, thine alone.
Thine is the place from where the seeds are sown
Up to the sky inclosed, with all its showers.
But ah, the birds, the birds! Who shall build bowers
To keep these thine? O friend, the birds have flown.
For as these come and go, and quit our pine
To follow the sweet season, or, new-corners,
Sing one song only from our alder-trees,
My heart has thoughts, which, though thine eyes hold mine.
Flit to the silent world and other summers,
With wings that dip beyond the silver seas.
To follow the sweet season, or, new-corners,
Sing one song only from our alder-trees,
My heart has thoughts, which, though thine eyes hold mine.
Flit to the silent world and other summers,
With wings that dip beyond the silver seas.
Alice Meynell [1853-1922]
AT NIGHT
Home, home from the horizon far and clear,
Hither the soft wings sweep;
Flocks of the memories of the day draw near
The dovecote doors of sleep.
Hither the soft wings sweep;
Flocks of the memories of the day draw near
The dovecote doors of sleep.
Oh which are they that come through sweetest light
Of all these homing birds?
Which with the straightest and the swiftest flight?
Your words to me, your words!
Of all these homing birds?
Which with the straightest and the swiftest flight?
Your words to me, your words!
Alice Meynell [1850-1922]
SONG
Song is so old,
Love is so new—
Let me be still
And kneel to you.
Love is so new—
Let me be still
And kneel to you.
Let me be still
And breathe no word,
Save what my warm blood
Sings unheard.
And breathe no word,
Save what my warm blood
Sings unheard.
Let my warm blood
Sing low of you—
Song is so fair,
Love is so new!
Sing low of you—
Song is so fair,
Love is so new!
Hermann Hagedorn [1882-
"ALL LAST NIGHT"
All last night I had quiet
In a fragrant dream and warm:
She had become my Sabbath,
And round my neck, her arm.
In a fragrant dream and warm:
She had become my Sabbath,
And round my neck, her arm.
I knew the warmth in my dreaming;
The fragrance, I suppose,
Was her hair about me,
Or else she wore a rose.
The fragrance, I suppose,
Was her hair about me,
Or else she wore a rose.
Her hair, I think; for likest
Woodruffe 'twas, when Spring
Loitering down wet woodways
Treads it sauntering.
Woodruffe 'twas, when Spring
Loitering down wet woodways
Treads it sauntering.
No light, nor any speaking;
Fragrant only and warm.
Enough to know my lodging,
The white Sabbath of her arm.
Fragrant only and warm.
Enough to know my lodging,
The white Sabbath of her arm.
Lascelles Abercrombie [1881-
THE LAST WORD
When I have folded up this tent
And laid the soiled thing by,
I shall go forth 'neath different stars,
Under an unknown sky.
And laid the soiled thing by,
I shall go forth 'neath different stars,
Under an unknown sky.
And yet whatever house I find
Beneath the grass or snow
Will ne'er be tenantless of love
Or lack the face I know.
Beneath the grass or snow
Will ne'er be tenantless of love
Or lack the face I know.
O lips—wild roses wet with rain!
Blown hair of drifted brown!
O passionate eyes! O panting heart—
When in that colder town
Blown hair of drifted brown!
O passionate eyes! O panting heart—
When in that colder town
I lie, the one inhabitant,
My hands across my breast,
How warm through all eternity
The summer of my rest!
My hands across my breast,
How warm through all eternity
The summer of my rest!
To each frail root beneath the ground
That thrusts its flower above,
I shall impart a fiercer sap—
I who have known your love!
That thrusts its flower above,
I shall impart a fiercer sap—
I who have known your love!
And growing things will lean to me
To learn what love hath won,
Till I shall whisper to the dust
That secret of the Sun.
To learn what love hath won,
Till I shall whisper to the dust
That secret of the Sun.
Yea, though my spirit never wake
To hear the voice I knew,
Even an endless sleep would be
Stirred by the dreams of You!
To hear the voice I knew,
Even an endless sleep would be
Stirred by the dreams of You!
Frederic Lawrence Knowles [1869-1905]
"HEART OF MY HEART"
Heart of my heart, my life, my light!
If you were lost what should I do?
I dare not let you from my sight
Lest Death should fall in love with you.
If you were lost what should I do?
I dare not let you from my sight
Lest Death should fall in love with you.
Such countless terrors lie in wait!
The gods know well how dear you are!
What if they left me desolate
And plucked and set you for their star!
The gods know well how dear you are!
What if they left me desolate
And plucked and set you for their star!
Then hold me close, the gods are strong,
And perfect joy so rare a flower
No man may hope to keep it long—
And I may lose you any hour.
And perfect joy so rare a flower
No man may hope to keep it long—
And I may lose you any hour.
Then kiss me close, my star, my flower!
So shall the future grant me this:
That there was not a single hour
We might have kissed, and did not kiss!
So shall the future grant me this:
That there was not a single hour
We might have kissed, and did not kiss!
Unknown
MY LADDIE
Oh, my laddie, my laddie,
I lo'e your very plaidie,
I lo'e your very bonnet
Wi' the silver buckle on it,
I lo'e your collie Harry,
I lo'e the kent ye carry;
But oh! it's past my power to tell
How much, how much I lo'e yoursel!
I lo'e your very plaidie,
I lo'e your very bonnet
Wi' the silver buckle on it,
I lo'e your collie Harry,
I lo'e the kent ye carry;
But oh! it's past my power to tell
How much, how much I lo'e yoursel!
Oh, my dearie, my dearie,
I could luik an' never weary
At your een sae blue an' iaughin',
That a heart o' stane wad saften,
While your mouth sae proud an' curly
Gars my heart gang tirlie-wirlie;
But oh! yoursel, your very sel,
I lo'e ten thousand times as well!
I could luik an' never weary
At your een sae blue an' iaughin',
That a heart o' stane wad saften,
While your mouth sae proud an' curly
Gars my heart gang tirlie-wirlie;
But oh! yoursel, your very sel,
I lo'e ten thousand times as well!
Oh! my darlin', my darlin',
Let's flit whaur flits the starlin',
Let's loll upo' the heather
A' this bonny, bonny weather;
Ye shall fauld me in your plaidie,
My luve, my luve, my laddie;
An' close, an' close into your ear
I'll tell ye how I lo'e ye, dear.
Let's flit whaur flits the starlin',
Let's loll upo' the heather
A' this bonny, bonny weather;
Ye shall fauld me in your plaidie,
My luve, my luve, my laddie;
An' close, an' close into your ear
I'll tell ye how I lo'e ye, dear.
Amelie Rives [1863-
THE SHADED POOL
A laughing knot of village maids
Goes gaily tripping to the brook,
For water-nymphs they mean to be,
And seek some still, secluded nook.
Here Laura goes, my own delight,
And Colin's love, the madcap Jane,
And half a score of goddesses
Trip over daisies in the plain:
Already now they loose their hair
And peep from out the tangled gold,
Or speed the flying foot to reach
The brook that's only summer-cold;
The lovely locks stream out behind
The shepherdesses on the wing,
And Laura's is the wealth I love,
And Laura's is the gold I sing.
Goes gaily tripping to the brook,
For water-nymphs they mean to be,
And seek some still, secluded nook.
Here Laura goes, my own delight,
And Colin's love, the madcap Jane,
And half a score of goddesses
Trip over daisies in the plain:
Already now they loose their hair
And peep from out the tangled gold,
Or speed the flying foot to reach
The brook that's only summer-cold;
The lovely locks stream out behind
The shepherdesses on the wing,
And Laura's is the wealth I love,
And Laura's is the gold I sing.
A-row upon the bank they pant,
And all unlace the country shoe;
Their fingers tug the garter-knots
To loose the hose of varied hue.
The flashing knee at last appears,
The lower curves of youth and grace,
Whereat the girls intently scan
The mazy thickets of the place.
But who's to see except the thrush
Upon the wild crab-apple tree?
Within his branchy haunt he sits—
A very Peeping Tom is he!
Now music bubbles in his throat,
And now he pipes the scene in song—
The virgins slipping from their robes,
The cheated stockings lean and long,
The swift-descending petticoat,
The breasts that heave because they ran,
The rounded arms, the brilliant limbs,
The pretty necklaces of tan.
Did ever amorous God in Greece,
In search of some young mouth to kiss,
By any river chance upon
A sylvan scene as bright as this?
But though each maid is pure and fair,
For one alone my heart I bring,
And Laura's is the shape I love,
And Laura's is the snow I sing.
And all unlace the country shoe;
Their fingers tug the garter-knots
To loose the hose of varied hue.
The flashing knee at last appears,
The lower curves of youth and grace,
Whereat the girls intently scan
The mazy thickets of the place.
But who's to see except the thrush
Upon the wild crab-apple tree?
Within his branchy haunt he sits—
A very Peeping Tom is he!
Now music bubbles in his throat,
And now he pipes the scene in song—
The virgins slipping from their robes,
The cheated stockings lean and long,
The swift-descending petticoat,
The breasts that heave because they ran,
The rounded arms, the brilliant limbs,
The pretty necklaces of tan.
Did ever amorous God in Greece,
In search of some young mouth to kiss,
By any river chance upon
A sylvan scene as bright as this?
But though each maid is pure and fair,
For one alone my heart I bring,
And Laura's is the shape I love,
And Laura's is the snow I sing.
And now upon the brook's green brink,
A milk-white bevy, lo, they stand,
Half shy, half frightened, reaching back
The beauty of a poising hand!
How musical their little screams
When ripples kiss their shrinking feet!
And then the brook embraces all
Till gold and white and water meet!
Within the streamlet's soft cool arms
Delight and love and gracefulness
Sport till a flock of tiny waves
Swamps all the beds of floating cress;
And on his shining face are seen
Great yellow lilies drifting down
Beyond the ringing apple-tree,
Beyond the empty homespun gown.
Did ever Orpheus with his lute,
When making melody of old,
E'er find a stream in Attica
So ripely full of pink and gold?
A milk-white bevy, lo, they stand,
Half shy, half frightened, reaching back
The beauty of a poising hand!
How musical their little screams
When ripples kiss their shrinking feet!
And then the brook embraces all
Till gold and white and water meet!
Within the streamlet's soft cool arms
Delight and love and gracefulness
Sport till a flock of tiny waves
Swamps all the beds of floating cress;
And on his shining face are seen
Great yellow lilies drifting down
Beyond the ringing apple-tree,
Beyond the empty homespun gown.
Did ever Orpheus with his lute,
When making melody of old,
E'er find a stream in Attica
So ripely full of pink and gold?
At last they climb the sloping bank
And shake upon the thirsty soil
A treasury of diamond-drops
Not gained by aught of grimy toil.
Again the garters clasp the hose,
Again the velvet knee is hid,
Again the breathless babble tells
What Colin said, what Colin did.
In grace upon the grass they lie
And spread their tresses to the sun,
And rival, musical as they,
The blackbird's alto shake and run.
Did ever Love, on hunting bent,
Come idly humming through the hay,
And, to his sudden joyfulness,
Find fairer game at close of day?
Though every maid's a lily-rose,
And meet to sway a sceptred king,
Yet Laura's is the face I love,
And Laura's are the lips I sing.
And shake upon the thirsty soil
A treasury of diamond-drops
Not gained by aught of grimy toil.
Again the garters clasp the hose,
Again the velvet knee is hid,
Again the breathless babble tells
What Colin said, what Colin did.
In grace upon the grass they lie
And spread their tresses to the sun,
And rival, musical as they,
The blackbird's alto shake and run.
Did ever Love, on hunting bent,
Come idly humming through the hay,
And, to his sudden joyfulness,
Find fairer game at close of day?
Though every maid's a lily-rose,
And meet to sway a sceptred king,
Yet Laura's is the face I love,
And Laura's are the lips I sing.
Norman Gale [1862-
GOOD-NIGHT
Good-night. Good-night. Ah, good the night
That wraps thee in its silver light.
Good-night. No night is good for me
That does not hold a thought of thee.
Good-night.
That wraps thee in its silver light.
Good-night. No night is good for me
That does not hold a thought of thee.
Good-night.
Good-night. Be every night as sweet
As that which made our love complete,
Till that last night when death shall be
One brief "Good-night," for thee and me.
Good-night.
As that which made our love complete,
Till that last night when death shall be
One brief "Good-night," for thee and me.
Good-night.
S. Weir Mitchell [1829-1914]
THE MYSTIC
By seven vineyards on one hill
We walked. The native wine
In clusters grew beside us two,
For your lips and for mine,
We walked. The native wine
In clusters grew beside us two,
For your lips and for mine,
When, "Hark!" you said,—"Was that a bell
Or a bubbling spring we heard?"
But I was wise and closed my eyes
And listened to a bird;
Or a bubbling spring we heard?"
But I was wise and closed my eyes
And listened to a bird;
For as summer leaves are bent and shake
With singers passing through,
So moves in me continually
The winged breath of you.
With singers passing through,
So moves in me continually
The winged breath of you.
You tasted from a single vine
And took from that your fill—
But I inclined to every kind,
All seven on one hill.
And took from that your fill—
But I inclined to every kind,
All seven on one hill.
Witter Bynner [1881-
"I AM THE WIND"
I am the wind that wavers,
You are the certain land;
I am the shadow that passes
Over the sand.
You are the certain land;
I am the shadow that passes
Over the sand.
I am the leaf that quivers,
You the unshaken tree;
You are the stars that are steadfast,
I am the sea.
You the unshaken tree;
You are the stars that are steadfast,
I am the sea.
You are the light eternal,
Like a torch I shall die...
You are the surge of deep music,
I—but a cry!
Like a torch I shall die...
You are the surge of deep music,
I—but a cry!
Zoe Akins [1886-
"I LOVE MY LIFE, BUT NOT TOO WELL"
I love my life, but not too well
To give it to thee like a flower,
So it may pleasure thee to dwell
Deep in its perfume but an hour.
I love my life, but not too well.
To give it to thee like a flower,
So it may pleasure thee to dwell
Deep in its perfume but an hour.
I love my life, but not too well.
I love my life, but not too well
To sing it note by note away,
So to thy soul the song may tell
The beauty of the desolate day.
I love my life, but not too well.
To sing it note by note away,
So to thy soul the song may tell
The beauty of the desolate day.
I love my life, but not too well.
I love my life, but not too well
To cast it like a cloak on thine,
Against the storms that sound and swell
Between thy lonely heart and mine.
I love my life, but not too well.
To cast it like a cloak on thine,
Against the storms that sound and swell
Between thy lonely heart and mine.
I love my life, but not too well.
Harriet Monroe [1860-1936]
"THIS IS MY LOVE FOR YOU"
I have brought the wine
And the folded raiment fine,
Pilgrim staff and shoe—
This is my love for you.
And the folded raiment fine,
Pilgrim staff and shoe—
This is my love for you.
I will smooth your bed,
Lay away your coverlid,
Sing the whole day through.
This is my love for you.
Lay away your coverlid,
Sing the whole day through.
This is my love for you.
Mayhap in the night,
When the dark beats back the light,
I shall struggle too...
This is my love for you.
When the dark beats back the light,
I shall struggle too...
This is my love for you.
In your dream, once more,
Will a star lead to my door?
To stars and dreams be true
This is my love for you...
Will a star lead to my door?
To stars and dreams be true
This is my love for you...
Grace Fallow Norton [1876-
MY LADY'S LIPS
LIPS AND EYES
From "Blurt, Master Constable"
Love for such a cherry lip
Would be glad to pawn his arrows;
Venus here to take a sip
Would sell her doves and team of sparrows.
But they shall not so;
Hey nonny, nonny no!
None but I this lip must owe;
Hey nonny, nonny no!
Would be glad to pawn his arrows;
Venus here to take a sip
Would sell her doves and team of sparrows.
But they shall not so;
Hey nonny, nonny no!
None but I this lip must owe;
Hey nonny, nonny no!
Did Jove see this wanton eye,
Ganymede must wait no longer;
Phoebe here one night did lie,
Would change her face and look much younger.
But they shall not so;
Hey nonny, nonny no!
None but I this lip must owe;
Hey nonny, nonny no!
Ganymede must wait no longer;
Phoebe here one night did lie,
Would change her face and look much younger.
But they shall not so;
Hey nonny, nonny no!
None but I this lip must owe;
Hey nonny, nonny no!
Thomas Middleton [1570?-1627]
THE KISS
From "Cynthia's Revels"
O that joy so soon should waste!
Or so sweet a bliss
As a kiss
Might not for ever last!
So sugared, so melting, so soft, so delicious,
The dew that lies on roses,
When the morn herself discloses,
Is not so precious.
O, rather than I would it smother,
Were I to taste such another,
It should be my wishing
That I might die with kissing.
Or so sweet a bliss
As a kiss
Might not for ever last!
So sugared, so melting, so soft, so delicious,
The dew that lies on roses,
When the morn herself discloses,
Is not so precious.
O, rather than I would it smother,
Were I to taste such another,
It should be my wishing
That I might die with kissing.
Ben Jonson [1573?-1637]
"TAKE, O TAKE THOSE LIPS AWAY"
Take, O take those lips away,
That so sweetly were forsworn,
And those eyes, the break of day,
Lights that do mislead the morn;
But my kisses bring again,
Seals of love, but sealed in vain.
That so sweetly were forsworn,
And those eyes, the break of day,
Lights that do mislead the morn;
But my kisses bring again,
Seals of love, but sealed in vain.
Hide, O hide those hills of snow,
Which thy frozen bosom bears,
On whose tops the pinks that grow
Are of those that April wears!
But first set my poor heart free,
Bound in those icy chains by thee.
Which thy frozen bosom bears,
On whose tops the pinks that grow
Are of those that April wears!
But first set my poor heart free,
Bound in those icy chains by thee.
The first stanza from " Measure for Measure," by
William Shakespeare [1564-1616]
The second stanza from "The Bloody Brothers," by
John Fletcher [1579-1625]
William Shakespeare [1564-1616]
The second stanza from "The Bloody Brothers," by
John Fletcher [1579-1625]
A STOLEN KISS
Now gentle sleep hath closed up those eyes
Which, waking, kept my boldest thoughts in awe;
And free access unto that sweet lip lies,
From which I long the rosy breath to draw.
Methinks no wrong it were, if I should steal
From those two melting rubies one poor kiss;
None sees the theft that would the thief reveal,
Nor rob I her of aught that she can miss;
Nay, should I twenty kisses take away,
There would be little sign I had done so;
Why then should I this robbery delay?
O, she may wake, and therewith angry grow!
Well if she do, I'll back restore that one,
And twenty hundred thousand more for loan.
Which, waking, kept my boldest thoughts in awe;
And free access unto that sweet lip lies,
From which I long the rosy breath to draw.
Methinks no wrong it were, if I should steal
From those two melting rubies one poor kiss;
None sees the theft that would the thief reveal,
Nor rob I her of aught that she can miss;
Nay, should I twenty kisses take away,
There would be little sign I had done so;
Why then should I this robbery delay?
O, she may wake, and therewith angry grow!
Well if she do, I'll back restore that one,
And twenty hundred thousand more for loan.
George Wither [1588-1667]
SONG
My Love bound me with a kiss
That I should no longer stay;
When I felt so sweet a bliss
I had less power to part away:
Alas! that women do not know
Kisses make men loath to go.
That I should no longer stay;
When I felt so sweet a bliss
I had less power to part away:
Alas! that women do not know
Kisses make men loath to go.
Yes, she knows it but too well,
For I heard when Venus' dove
In her ear did softly tell
That kisses were the seals of love:
O muse not then though it be so,
Kisses make men loath to go.
For I heard when Venus' dove
In her ear did softly tell
That kisses were the seals of love:
O muse not then though it be so,
Kisses make men loath to go.
Wherefore did she thus inflame
My desires, heat my blood,
Instantly to quench the same
And starve whom she had given food?
Ay, ay, the common sense can show,
Kisses make men loath to go.
My desires, heat my blood,
Instantly to quench the same
And starve whom she had given food?
Ay, ay, the common sense can show,
Kisses make men loath to go.
Had she bid me go at first
I would ne'er have grieved my heart
Hope delayed had been the worst;
But ah to kiss and then to part!
How deep it struck, speak, gods! you know
Kisses make men loath to go.
I would ne'er have grieved my heart
Hope delayed had been the worst;
But ah to kiss and then to part!
How deep it struck, speak, gods! you know
Kisses make men loath to go.
Unknown
TO ELECTRA
I dare not ask a kiss,
I dare not beg a smile,
Lest having that, or this,
I might grow proud the while.
I dare not beg a smile,
Lest having that, or this,
I might grow proud the while.
No, no, the utmost share
Of my desire shall be
Only to kiss that air
That lately kissed thee.
Of my desire shall be
Only to kiss that air
That lately kissed thee.
Robert Herrick [1591-1674]
"COME, CHLOE, AND GIVE ME SWEET KISSES"
Come, Chloe, and give me sweet kisses,
For sweeter sure never girl gave;
But why in the midst of my blisses,
Do you ask me how many I'd have?
I'm not to be stinted in pleasure,
Then, prithee, my charmer, be kind,
For whilst I love thee above measure,
To numbers I'll ne'er be confined.
For sweeter sure never girl gave;
But why in the midst of my blisses,
Do you ask me how many I'd have?
I'm not to be stinted in pleasure,
Then, prithee, my charmer, be kind,
For whilst I love thee above measure,
To numbers I'll ne'er be confined.
Count the bees that on Hybla are playing,
Count the flowers that enamel its fields,
Count the flocks that on Tempe are straying,
Or the grain that rich Sicily yields,
Go number the stars in the heaven,
Count how many sands on the shore,
When so many kisses you've given,
I still shall be craving for more.
Count the flowers that enamel its fields,
Count the flocks that on Tempe are straying,
Or the grain that rich Sicily yields,
Go number the stars in the heaven,
Count how many sands on the shore,
When so many kisses you've given,
I still shall be craving for more.
To a heart full of love, let me hold thee,
To a heart that, dear Chloe, is thine;
In my arms I'll for ever enfold thee,
And twist round thy limbs like a vine.
What joy can be greater than this is?
My life on thy lips shall be spent!
But the wretch that can number his kisses,
With few will be ever content.
To a heart that, dear Chloe, is thine;
In my arms I'll for ever enfold thee,
And twist round thy limbs like a vine.
What joy can be greater than this is?
My life on thy lips shall be spent!
But the wretch that can number his kisses,
With few will be ever content.
Charles Hanbury Williams [1708-1759]
A RIDDLE
I am just two and two, I am warm, I am cold,
And the parent of numbers that cannot be told,
I am lawful, unlawful—a duty, a fault—
I am often sold dear, good for nothing when bought;
An extraordinary boon, and a matter of course,
And yielded with pleasure when taken by force.
And the parent of numbers that cannot be told,
I am lawful, unlawful—a duty, a fault—
I am often sold dear, good for nothing when bought;
An extraordinary boon, and a matter of course,
And yielded with pleasure when taken by force.
William Cowper [1731-1800]
TO A KISS
Soft child of love, thou balmy bliss,
Inform me, O delicious kiss,
Why thou so suddenly art gone,
Lost in the moment thou art won?
Inform me, O delicious kiss,
Why thou so suddenly art gone,
Lost in the moment thou art won?
Yet go! For wherefore should I sigh?
On Delia's lips, with raptured eye,
On Delia's blushing lips I see
A thousand full as sweet as thee.
On Delia's lips, with raptured eye,
On Delia's blushing lips I see
A thousand full as sweet as thee.
John Wolcot [1738-1819]
SONG
Often I have heard it said
That her lips are ruby-red.
Little heed I what they say,
I have seen as red as they.
Ere she smiled on other men,
Real rubies were they then.
That her lips are ruby-red.
Little heed I what they say,
I have seen as red as they.
Ere she smiled on other men,
Real rubies were they then.
When she kissed me once in play,
Rubies were less bright than they,
And less bright than those which shone
In the palace of the Sun.
Will they be as bright again?
Not if kissed by other men.
Rubies were less bright than they,
And less bright than those which shone
In the palace of the Sun.
Will they be as bright again?
Not if kissed by other men.
Walter Savage Landor [1775-1864]
THE FIRST KISS OF LOVE
Away with your fictions of flimsy romance,
Those tissues of falsehood which folly has wove!
Give me the mild beam of the soul-breathing glance,
Or the rapture which dwells on the first kiss of love.
Those tissues of falsehood which folly has wove!
Give me the mild beam of the soul-breathing glance,
Or the rapture which dwells on the first kiss of love.
Ye rhymers, whose bosoms with phantasy glow,
Whose pastoral passions are made for the grove;
From what blest inspiration your sonnets would flow,
Could you ever have tasted the first kiss of love!
Whose pastoral passions are made for the grove;
From what blest inspiration your sonnets would flow,
Could you ever have tasted the first kiss of love!
If Apollo should e'er his assistance refuse,
Or the Nine be disposed from your service to rove,
Invoke them no more, bid adieu to the muse,
And try the effect of the first kiss of love.
Or the Nine be disposed from your service to rove,
Invoke them no more, bid adieu to the muse,
And try the effect of the first kiss of love.
I hate you, ye cold compositions of art!
Though prudes may condemn me, and bigots reprove,
I court the effusions that spring from the heart,
Which throbs with delight to the first kiss of love.
Though prudes may condemn me, and bigots reprove,
I court the effusions that spring from the heart,
Which throbs with delight to the first kiss of love.
Your shepherds, your flocks, those fantastical themes,
Perhaps may amuse, yet they never can move:
Arcadia displays but a region of dreams;
What are visions like these to the first kiss of love?
Perhaps may amuse, yet they never can move:
Arcadia displays but a region of dreams;
What are visions like these to the first kiss of love?
Oh! cease to affirm that man, since his birth,
From Adam till now, has with wretchedness strove;
Some portion of Paradise still is on earth,
And Eden revives in the first kiss of love.
From Adam till now, has with wretchedness strove;
Some portion of Paradise still is on earth,
And Eden revives in the first kiss of love.
When age chills the blood, when our pleasures are past—
For years fleet away with the wings of the dove—
The dearest remembrance will still be the last,
Our sweetest memorial the first kiss of love.
For years fleet away with the wings of the dove—
The dearest remembrance will still be the last,
Our sweetest memorial the first kiss of love.
George Gordon Byron [1788-1824]
"JENNY KISSED ME"
Jenny kissed me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I'm weary, say I'm sad,
Say that health and wealth have missed me,
Say I'm growing old, but add,
Jenny kissed me.
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I'm weary, say I'm sad,
Say that health and wealth have missed me,
Say I'm growing old, but add,
Jenny kissed me.
Leigh Hunt [1784-1859]
"I FEAR THY KISSES, GENTLE MAIDEN"
I fear thy kisses, gentle maiden;
Thou needest not fear mine;
My spirit is too deeply laden
Ever to burthen thine.
Thou needest not fear mine;
My spirit is too deeply laden
Ever to burthen thine.
I fear thy mien, thy tones, thy motion;
Thou needest not fear mine;
Innocent is the heart's devotion
With which I worship thine.
Thou needest not fear mine;
Innocent is the heart's devotion
With which I worship thine.
Percy Bysshe Shelley [1792-1822]
LOVE'S PHILOSOPHY
The fountains mingle with the river,
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one another's being mingle;—
Why not I with thine?
And the rivers with the ocean,
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one another's being mingle;—
Why not I with thine?
See the mountains kiss high heaven,
And the waves clasp one another;
No sister flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea;
What are all these kissings worth,
If thou kiss not me?
And the waves clasp one another;
No sister flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea;
What are all these kissings worth,
If thou kiss not me?
Percy Bysshe Shelley [1792-1822]
SONG
From "In a Gondola"
The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.
The bee's kiss, now!
Kiss me as if you entered gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.
Kiss me as if you entered gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.
Robert Browning [1812-1889]
SUMMUM BONUM
All the breath and the bloom of the year in the bag of one bee:
All the wonder and wealth of the mine in the heart of one gem:
In the core of one pearl all the shade and the shine of the sea:
Breath and bloom, shade and shine,—wonder, wealth,
and—how far above them—
Truth, that's brighter than gem,
Trust, that's purer than pearl,—
Brightest truth, purest trust in the universe—all were for me
In the kiss of one girl.
All the wonder and wealth of the mine in the heart of one gem:
In the core of one pearl all the shade and the shine of the sea:
Breath and bloom, shade and shine,—wonder, wealth,
and—how far above them—
Truth, that's brighter than gem,
Trust, that's purer than pearl,—
Brightest truth, purest trust in the universe—all were for me
In the kiss of one girl.
Robert Browning [1812-1889]
THE FIRST KISS
If only in dreams may man be fully blest,
Is heaven a dream? Is she I clasped a dream?
Or stood she here even now where dewdrops gleam
And miles of furze shine golden down the West?
I seem to clasp her still—still on my breast
Her bosom beats,—I see the blue eyes beam:—
I think she kissed these lips, for now they seem
Scarce mine: so hallowed of the lips they pressed!
Yon thicket's breath—can that be eglantine?
Those birds—can they be morning's choristers?
Can this be earth? Can these be banks of furze?
Like burning bushes fired of God they shine!
I seem to know them, though this body of mine
Passed into spirit at the touch of hers!
Is heaven a dream? Is she I clasped a dream?
Or stood she here even now where dewdrops gleam
And miles of furze shine golden down the West?
I seem to clasp her still—still on my breast
Her bosom beats,—I see the blue eyes beam:—
I think she kissed these lips, for now they seem
Scarce mine: so hallowed of the lips they pressed!
Yon thicket's breath—can that be eglantine?
Those birds—can they be morning's choristers?
Can this be earth? Can these be banks of furze?
Like burning bushes fired of God they shine!
I seem to know them, though this body of mine
Passed into spirit at the touch of hers!
Theodore Watts-Dunton [1836-1914]
TO MY LOVE
Kiss me softly and speak to me low;
Malice has ever a vigilant ear;
What if Malice were lurking near?
Kiss me, dear!
Kiss me softly and speak to me low.
Malice has ever a vigilant ear;
What if Malice were lurking near?
Kiss me, dear!
Kiss me softly and speak to me low.
Kiss me softly and speak to me low;
Envy, too, has a watchful ear;
What if Envy should chance to hear?
Kiss me, dear!
Kiss me softly and speak to me low,
Envy, too, has a watchful ear;
What if Envy should chance to hear?
Kiss me, dear!
Kiss me softly and speak to me low,
Kiss me softly and speak to me low;
Trust me, darling, the time is near
When lovers may love with never a fear;
Kiss me, dear!
Kiss me softly and speak to me low.
Trust me, darling, the time is near
When lovers may love with never a fear;
Kiss me, dear!
Kiss me softly and speak to me low.
John Godfrey Saxe [1816-1887]
TO LESBIA
Give me kisses! Do not stay,
Counting in that careful way.
All the coins your lips can print
Never will exhaust the mint.
Kiss me, then,
Every moment—and again!
Counting in that careful way.
All the coins your lips can print
Never will exhaust the mint.
Kiss me, then,
Every moment—and again!
Give me kisses! Do not stop,
Measuring nectar by the drop.
Though to millions they amount,
They will never drain the fount.
Kiss me, then,
Every moment—and again!
Measuring nectar by the drop.
Though to millions they amount,
They will never drain the fount.
Kiss me, then,
Every moment—and again!
Give me kisses! All is waste
Save the luxury we taste;
And for kissing,—kisses live
Only when we take or give.
Kiss me, then,
Every moment—and again!
Save the luxury we taste;
And for kissing,—kisses live
Only when we take or give.
Kiss me, then,
Every moment—and again!
Give me kisses! Though their worth
Far exceeds the gems of earth,
Never pearls so rich and pure
Cost so little, I am sure.
Kiss me, then,
Every moment—and again!
Far exceeds the gems of earth,
Never pearls so rich and pure
Cost so little, I am sure.
Kiss me, then,
Every moment—and again!
Give me kisses! Nay, 'tis true
I am just as rich as you;
And for every kiss I owe,
I can pay you back, you know,
Kiss me, then,
Every moment—and again!
I am just as rich as you;
And for every kiss I owe,
I can pay you back, you know,
Kiss me, then,
Every moment—and again!
John Godfrey Saxe [1816-1887]
MAKE BELIEVE
Kiss me, though you make believe;
Kiss me, though I almost know
You are kissing to deceive:
Let the tide one moment flow
Backward ere it rise and break,
Only for poor pity's sake!
Kiss me, though I almost know
You are kissing to deceive:
Let the tide one moment flow
Backward ere it rise and break,
Only for poor pity's sake!
Give me of your flowers one leaf,
Give me of your smiles one smile,
Backward roll this tide of grief
Just a moment, though, the while,
I should feel and almost know
You are trifling with my woe.
Give me of your smiles one smile,
Backward roll this tide of grief
Just a moment, though, the while,
I should feel and almost know
You are trifling with my woe.
Whisper to me sweet and low;
Tell me how you sit and weave
Dreams about me, though I know
It is only make believe!
Just a moment, though 'tis plain
You are jesting with my pain.
Tell me how you sit and weave
Dreams about me, though I know
It is only make believe!
Just a moment, though 'tis plain
You are jesting with my pain.
Alice Cary [1820-1871]
KISSING'S NO SIN
Some say that kissing's a sin;
But I think it's nane ava,
For kissing has wonn'd in this warld
Since ever that there was twa.
But I think it's nane ava,
For kissing has wonn'd in this warld
Since ever that there was twa.
O, if it wasna lawfu'
Lawyers wadna allow it;
If it wasna holy,
Ministers wadna do it.
Lawyers wadna allow it;
If it wasna holy,
Ministers wadna do it.
If it wasna modest,
Maidens wadna tak' it;
If it wasna plenty,
Puir folk wadna get it.
Maidens wadna tak' it;
If it wasna plenty,
Puir folk wadna get it.
Unknown
TO ANNE
How many kisses do I ask?
Now you set me to my task.
First, sweet Anne, will you tell me
How many waves are in the sea?
How many stars are in the sky?
How many lovers you make sigh?
How many sands are on the shore?
I shall want just one kiss more.
Now you set me to my task.
First, sweet Anne, will you tell me
How many waves are in the sea?
How many stars are in the sky?
How many lovers you make sigh?
How many sands are on the shore?
I shall want just one kiss more.
William Stirling-Maxwell [1818-1878]
SONG
There is many a love in the land, my love,
But never a love like this is;
Then kill me dead with your love, my love,
And cover me up with kisses.
But never a love like this is;
Then kill me dead with your love, my love,
And cover me up with kisses.
So kill me dead and cover me deep
Where never a soul discovers;
Deep in your heart to sleep, to sleep,
In the darlingest tomb of lovers.
Where never a soul discovers;
Deep in your heart to sleep, to sleep,
In the darlingest tomb of lovers.
Joaquin Miller [1839-1913]
PHILLIS AND CORYDON
Phillis took a red rose from the tangles of her hair,—
Time, the Golden Age; the place, Arcadia, anywhere,—
Time, the Golden Age; the place, Arcadia, anywhere,—