TOUJOURS AMOUR
Prithee tell me, Dimple-Chin,
At what age does Love begin?
Your blue eyes have scarcely seen
Summers three, my fairy queen,
But a miracle of sweets,
Soft approaches, sly retreats,
Show the little archer there,
Hidden in your pretty hair;
When didst learn a heart to win?
Prithee tell me, Dimple-Chin!
At what age does Love begin?
Your blue eyes have scarcely seen
Summers three, my fairy queen,
But a miracle of sweets,
Soft approaches, sly retreats,
Show the little archer there,
Hidden in your pretty hair;
When didst learn a heart to win?
Prithee tell me, Dimple-Chin!
"Oh!" the rosy lips reply,
"I can't tell you if I try.
'Tis so long I can't remember:
Ask some younger lass than I!"
"I can't tell you if I try.
'Tis so long I can't remember:
Ask some younger lass than I!"
Tell, O tell me, Grizzled-Face,
Do your heart and head keep pace?
When does hoary Love expire,
When do frosts put out the fire?
Can its embers burn below
All that chill December snow?
Care you still soft hands to press,
Bonny heads to smooth and bless?
When does Love give up the chase?
Tell, O tell me, Grizzled-Face!
Do your heart and head keep pace?
When does hoary Love expire,
When do frosts put out the fire?
Can its embers burn below
All that chill December snow?
Care you still soft hands to press,
Bonny heads to smooth and bless?
When does Love give up the chase?
Tell, O tell me, Grizzled-Face!
"Ah!" the wise old lips reply,
"Youth may pass and strength may die;
But of Love I can't foretoken:
Ask some older sage than I!"
"Youth may pass and strength may die;
But of Love I can't foretoken:
Ask some older sage than I!"
Edmund Clarence Stedman [1833-1908]
THE DOORSTEP
The conference-meeting through at last,
We boys around the vestry waited
To see the girls come tripping past,
Like snow-birds willing to be mated.
We boys around the vestry waited
To see the girls come tripping past,
Like snow-birds willing to be mated.
Not braver he that leaps the wall
By level musket-flashes bitten,
Than I, that stepped before them all
Who longed to see me get the mitten.
By level musket-flashes bitten,
Than I, that stepped before them all
Who longed to see me get the mitten.
But no! she blushed and took my arm:
We let the old folks have the highway,
And started toward the Maple Farm
Along a kind of lovers' by-way.
We let the old folks have the highway,
And started toward the Maple Farm
Along a kind of lovers' by-way.
I can't remember what we said,—
'Twas nothing worth a song or story;
Yet that rude path by which we sped
Seemed all transformed and in a glory.
'Twas nothing worth a song or story;
Yet that rude path by which we sped
Seemed all transformed and in a glory.
The snow was crisp beneath our feet,
The moon was full, the fields were gleaming;
By hood and tippet sheltered sweet,
Her face with youth and health was beaming.
The moon was full, the fields were gleaming;
By hood and tippet sheltered sweet,
Her face with youth and health was beaming.
The little hand outside her muff
(O sculptor! if you could but mold it)
So lightly touched my jacket-cuff,
To keep it warm I had to hold it.
(O sculptor! if you could but mold it)
So lightly touched my jacket-cuff,
To keep it warm I had to hold it.
To have her with me there alone,—
'Twas love and fear and triumph blended;
At last we reached the foot-worn stone
Where that delicious journey ended.
'Twas love and fear and triumph blended;
At last we reached the foot-worn stone
Where that delicious journey ended.
The old folks, too, were almost home:
Her dimpled hand the latches fingered,
We heard the voices nearer come,
Yet on the doorstep still we lingered.
Her dimpled hand the latches fingered,
We heard the voices nearer come,
Yet on the doorstep still we lingered.
She shook her ringlets from her hood,
And with a "Thank you, Ned!" dissembled;
But yet I knew she understood
With what a daring wish I trembled.
And with a "Thank you, Ned!" dissembled;
But yet I knew she understood
With what a daring wish I trembled.
A cloud passed kindly overhead,
The moon was slyly peeping through it,
Yet hid its face, as if it said—
"Come, now or never! do it! do it!"
The moon was slyly peeping through it,
Yet hid its face, as if it said—
"Come, now or never! do it! do it!"
My lips till then had only known
The kiss of mother and of sister,—
But somehow, full upon her own
Sweet, rosy, darling mouth,—I kissed her!
The kiss of mother and of sister,—
But somehow, full upon her own
Sweet, rosy, darling mouth,—I kissed her!
Perhaps 'twas boyish love: yet still,
O listless woman! weary lover!
To feel once more that fresh, wild thrill
I'd give—but who can live youth over?
O listless woman! weary lover!
To feel once more that fresh, wild thrill
I'd give—but who can live youth over?
Edmund Clarence Stedman [1833-1908]
THE WHITE FLAG
I sent my love two roses,—one
As white as driven snow,
And one a blushing royal red,
A flaming Jacqueminot.
As white as driven snow,
And one a blushing royal red,
A flaming Jacqueminot.
I meant to touch and test my fate;
That night I should divine,
The moment I should see my love,
If her true heart were mine.
That night I should divine,
The moment I should see my love,
If her true heart were mine.
For if she holds me dear, I said,
She'll wear my blushing rose;
If not, she'll wear my cold Lamarque,
As white as winter's snows.
She'll wear my blushing rose;
If not, she'll wear my cold Lamarque,
As white as winter's snows.
My heart sank when I met her: sure
I had been overbold,
For on her breast my pale rose lay
In virgin whiteness cold.
I had been overbold,
For on her breast my pale rose lay
In virgin whiteness cold.
Yet with low words she greeted me,
With smiles divinely tender;
Upon her cheek the red rose dawned,—
The white rose meant surrender.
With smiles divinely tender;
Upon her cheek the red rose dawned,—
The white rose meant surrender.
John Hay [1838-1905]
A SONG OF THE FOUR SEASONS
When Spring comes laughing
By vale and hill,
By wind-flower walking
And daffodil,—
Sing stars of morning,
Sing morning skies,
Sing blue of speedwell,—
And my Love's eyes.
By vale and hill,
By wind-flower walking
And daffodil,—
Sing stars of morning,
Sing morning skies,
Sing blue of speedwell,—
And my Love's eyes.
When comes the Summer,
Full-leaved and strong,
And gay birds gossip
The orchard long,—
Sing hid, sweet honey
That no bee sips;
Sing red, red roses,—
And my Love's lips.
Full-leaved and strong,
And gay birds gossip
The orchard long,—
Sing hid, sweet honey
That no bee sips;
Sing red, red roses,—
And my Love's lips.
When Autumn scatters
The leaves again,
And piled sheaves bury
The broad-wheeled wain,—
Sing flutes of harvest
Where men rejoice;
Sing rounds of reapers,—
And my Love's voice.
The leaves again,
And piled sheaves bury
The broad-wheeled wain,—
Sing flutes of harvest
Where men rejoice;
Sing rounds of reapers,—
And my Love's voice.
But when comes Winter
With hail and storm,
And red fire roaring
And ingle warm,—
Sing first sad going
Of friends that part;
Then sing glad meeting,—
And my Love's heart.
With hail and storm,
And red fire roaring
And ingle warm,—
Sing first sad going
Of friends that part;
Then sing glad meeting,—
And my Love's heart.
Austin Dobson [1840-1921]
THE LOVE-KNOT
Tying her bonnet under her chin,
She tied her raven ringlets in;
But not alone in the silken snare
Did she catch her lovely floating hair,
For, tying her bonnet under her chin,
She tied a young man's heart within.
She tied her raven ringlets in;
But not alone in the silken snare
Did she catch her lovely floating hair,
For, tying her bonnet under her chin,
She tied a young man's heart within.
They were strolling together up the hill,
Where the wind came blowing merry and chill;
And it blew the curls, a frolicsome race,
All over the happy peach-colored face.
Till, scolding and laughing, she tied them in,
Under her beautiful, dimpled chin.
Where the wind came blowing merry and chill;
And it blew the curls, a frolicsome race,
All over the happy peach-colored face.
Till, scolding and laughing, she tied them in,
Under her beautiful, dimpled chin.
And it blew a color, bright as the bloom
Of the pinkest fuchsia's tossing plume,
All over the cheeks of the prettiest girl
That ever imprisoned a romping curl,
Or, in tying her bonnet under her chin,
Tied a young man's heart within.
Of the pinkest fuchsia's tossing plume,
All over the cheeks of the prettiest girl
That ever imprisoned a romping curl,
Or, in tying her bonnet under her chin,
Tied a young man's heart within.
Steeper and steeper grew the hill,
Madder, merrier, chillier still
The western wind blew down, and played
The wildest tricks with the little maid,
As, tying her bonnet under her chin,
She tied a young man's heart within.
Madder, merrier, chillier still
The western wind blew down, and played
The wildest tricks with the little maid,
As, tying her bonnet under her chin,
She tied a young man's heart within.
O western wind, do you think it was fair
To play such tricks with her floating hair?
To gladly, gleefully, do your best
To blow her against the young man's breast,
Where he as gladly folded her in,
And kissed her mouth and her dimpled chin?
To play such tricks with her floating hair?
To gladly, gleefully, do your best
To blow her against the young man's breast,
Where he as gladly folded her in,
And kissed her mouth and her dimpled chin?
Ah! Ellery Vane, you little thought,
An hour ago, when you besought
This country lass to walk with you,
After the sun had dried the dew,
What terrible danger you'd be in,
As she tied her bonnet under her chin!
An hour ago, when you besought
This country lass to walk with you,
After the sun had dried the dew,
What terrible danger you'd be in,
As she tied her bonnet under her chin!
Nora Perry [1832-1896]
RIDING DOWN
Oh, did you see him riding down,
And riding down, while all the town
Came out to see, came out to see,
And all the bells rang mad with glee?
And riding down, while all the town
Came out to see, came out to see,
And all the bells rang mad with glee?
Oh, did you hear those bells ring out,
The bells ring out, the people shout,
And did you hear that cheer on cheer
That over all the bells rang clear?
The bells ring out, the people shout,
And did you hear that cheer on cheer
That over all the bells rang clear?
And did you see the waving flags,
The fluttering flags, the tattered flags,
Red, white, and blue, shot through and through;
Baptized with battle's deadly dew?
The fluttering flags, the tattered flags,
Red, white, and blue, shot through and through;
Baptized with battle's deadly dew?
And did you hear the drums' gay beat,
The drums' gay beat, the bugles sweet,
The cymbals' clash, the cannons' crash,
That rent the sky with sound and flash?
The drums' gay beat, the bugles sweet,
The cymbals' clash, the cannons' crash,
That rent the sky with sound and flash?
And did you see me waiting there,
Just waiting there, and watching there.
One little lass, amid the mass
That pressed to see the hero pass?
Just waiting there, and watching there.
One little lass, amid the mass
That pressed to see the hero pass?
And did you see him smiling down,
And smiling down, as riding down
With slowest pace, with stately grace,
He caught the vision of a face,—
And smiling down, as riding down
With slowest pace, with stately grace,
He caught the vision of a face,—
My face uplifted red and white,
Turned red and white with sheer delight,
To meet the eyes, the smiling eyes,
Outflashing in their swift surprise?
Turned red and white with sheer delight,
To meet the eyes, the smiling eyes,
Outflashing in their swift surprise?
Oh, did you see how swift it came,
How swift it came like sudden flame,
That smile to me, to only me.
The little lass who blushed to see?
How swift it came like sudden flame,
That smile to me, to only me.
The little lass who blushed to see?
And at the windows all along,
Oh, all along, a lovely throng
Of faces fair, beyond compare,
Beamed out upon him riding there!
Oh, all along, a lovely throng
Of faces fair, beyond compare,
Beamed out upon him riding there!
Each face was like a radiant gem,
A sparkling gem, and yet for them
No swift smile came like sudden flame,
No arrowy glance took certain aim.
A sparkling gem, and yet for them
No swift smile came like sudden flame,
No arrowy glance took certain aim.
He turned away from all their grace,
From all that grace of perfect face,
He turned to me, to only me,
The little lass who blushed to see!
From all that grace of perfect face,
He turned to me, to only me,
The little lass who blushed to see!
Nora Perry [1832-1896]
"FORGETTIN"
The night when last I saw my lad
His eyes were bright an' wet.
He took my two hands in his own,
"'Tis well," says he, "we're met.
Asthore machree! the likes o' me
I bid ye now forget."
His eyes were bright an' wet.
He took my two hands in his own,
"'Tis well," says he, "we're met.
Asthore machree! the likes o' me
I bid ye now forget."
Ah, sure the same's a thriflin' thing,
'Tis more I'd do for him!
I mind the night I promised well,
Away on Ballindim.—
An' every little while or so
I thry forgettin' Jim.
'Tis more I'd do for him!
I mind the night I promised well,
Away on Ballindim.—
An' every little while or so
I thry forgettin' Jim.
It shouldn't take that long to do,
An' him not very tall:
'Tis quare the way I'll hear his voice,
A boy that's out o' call,—
An' whiles I'll see him stand as plain
As e'er a six-fut wall.
An' him not very tall:
'Tis quare the way I'll hear his voice,
A boy that's out o' call,—
An' whiles I'll see him stand as plain
As e'er a six-fut wall.
Och, never fear, my jewel!
I'd forget ye now this minute,
If I only had a notion
O' the way I should begin it;
But first an' last it isn't known
The heap o' throuble's in it.
I'd forget ye now this minute,
If I only had a notion
O' the way I should begin it;
But first an' last it isn't known
The heap o' throuble's in it.
Meself began the night ye went
An' hasn't done it yet;
I'm nearly fit to give it up,
For where's the use to fret?—
An' the memory's fairly spoilt on me
Wid mindin' to forget.
An' hasn't done it yet;
I'm nearly fit to give it up,
For where's the use to fret?—
An' the memory's fairly spoilt on me
Wid mindin' to forget.
Moira O'Neill [18
"ACROSS THE FIELDS TO ANNE"
How often in the summer-tide,
His graver business set aside,
Has stripling Will, the thoughtful-eyed,
As to the pipe of Pan,
Stepped blithesomely with lover's pride
Across the fields to Anne.
His graver business set aside,
Has stripling Will, the thoughtful-eyed,
As to the pipe of Pan,
Stepped blithesomely with lover's pride
Across the fields to Anne.
It must have been a merry mile,
This summer stroll by hedge and stile,
With sweet foreknowledge all the while
How sure the pathway ran
To dear delights of kiss and smile,
Across the fields to Anne.
This summer stroll by hedge and stile,
With sweet foreknowledge all the while
How sure the pathway ran
To dear delights of kiss and smile,
Across the fields to Anne.
The silly sheep that graze to-day,
I wot, they let him go his way,
Nor once looked up, as who would say:
"It is a seemly man."
For many lads went wooing aye
Across the fields to Anne.
I wot, they let him go his way,
Nor once looked up, as who would say:
"It is a seemly man."
For many lads went wooing aye
Across the fields to Anne.
The oaks, they have a wiser look;
Mayhap they whispered to the brook:
"The world by him shall yet be shook,
It is in nature's plan;
Though now he fleets like any rook
Across the fields to Anne."
Mayhap they whispered to the brook:
"The world by him shall yet be shook,
It is in nature's plan;
Though now he fleets like any rook
Across the fields to Anne."
And I am sure, that on some hour
Coquetting soft 'twixt sun and shower,
He stooped and broke a daisy-flower
With heart of tiny span,
And bore it as a lover's dower
Across the fields to Anne.
Coquetting soft 'twixt sun and shower,
He stooped and broke a daisy-flower
With heart of tiny span,
And bore it as a lover's dower
Across the fields to Anne.
While from her cottage garden-bed
She plucked a jasmin's goodlihede,
To scent his jerkin's brown instead;
Now since that love began,
What luckier swain than he who sped
Across the fields to Anne?
She plucked a jasmin's goodlihede,
To scent his jerkin's brown instead;
Now since that love began,
What luckier swain than he who sped
Across the fields to Anne?
The winding path whereon I pace,
The hedgerows green, the summer's grace,
Are still before me face to face;
Methinks I almost can
Turn port and join the singing race
Across the fields to Anne.
The hedgerows green, the summer's grace,
Are still before me face to face;
Methinks I almost can
Turn port and join the singing race
Across the fields to Anne.
Richard Burton [1861-
PAMELA IN TOWN
The fair Pamela came to town,
To London town, in early summer;
And up and down and round about
The beaux discussed the bright newcomer,
With "Gadzooks, sir," and "Ma'am, my duty,"
And "Odds my life, but 'tis a Beauty!"
To London town, in early summer;
And up and down and round about
The beaux discussed the bright newcomer,
With "Gadzooks, sir," and "Ma'am, my duty,"
And "Odds my life, but 'tis a Beauty!"
To Ranelagh went Mistress Pam,
Sweet Mistress Pam so fair and merry,
With cheeks of cream and roses blent,
With voice of lark and lip of cherry.
Then all the beaux vowed 'twas their duty
To win and wear this country Beauty.
Sweet Mistress Pam so fair and merry,
With cheeks of cream and roses blent,
With voice of lark and lip of cherry.
Then all the beaux vowed 'twas their duty
To win and wear this country Beauty.
And first Frank Lovelace tried his wit,
With whispers bold and eyes still bolder;
The warmer grew his saucy flame,
Cold grew the charming fair and colder.
'Twas "icy bosom"—"cruel beauty"—
"To love, sweet Mistress, 'tis a duty."
With whispers bold and eyes still bolder;
The warmer grew his saucy flame,
Cold grew the charming fair and colder.
'Twas "icy bosom"—"cruel beauty"—
"To love, sweet Mistress, 'tis a duty."
Then Jack Carew his arts essayed,
With honeyed sighs and feigned weeping.
Good lack! his billets bound the curls
That pretty Pam she wore a-sleeping.
Next day these curls had richer beauty,
So well Jack's fervor did its duty.
With honeyed sighs and feigned weeping.
Good lack! his billets bound the curls
That pretty Pam she wore a-sleeping.
Next day these curls had richer beauty,
So well Jack's fervor did its duty.
Then Cousin Will came up to view
The way Pamela ruled the fashion;
He watched the gallants crowd about,
And flew into a rustic passion,—
Left "Squire, his mark," on divers faces,
And pinked Carew beneath his laces.
The way Pamela ruled the fashion;
He watched the gallants crowd about,
And flew into a rustic passion,—
Left "Squire, his mark," on divers faces,
And pinked Carew beneath his laces.
Alack! one night at Ranelagh
The pretty Sly-boots fell a-blushing;
And all the mettled bloods looked round
To see what caused that telltale flushing.
Up stepped a grizzled Poet Fellow
To dance with Pam a saltarello.
The pretty Sly-boots fell a-blushing;
And all the mettled bloods looked round
To see what caused that telltale flushing.
Up stepped a grizzled Poet Fellow
To dance with Pam a saltarello.
Then Jack and Frank and Will resolved,
With hand on sword and cutting glances,
That they would lead that Graybeard forth
To livelier tunes and other dances.
But who that saw Pam's eyes a-shining
With love and joy would see her pining!
With hand on sword and cutting glances,
That they would lead that Graybeard forth
To livelier tunes and other dances.
But who that saw Pam's eyes a-shining
With love and joy would see her pining!
And—oons! Their wrath cooled as they looked,—
That Poet stared as fierce as any!
He was a mighty proper man,
With blade on hip and inches many;
The beaux all vowed it was their duty
To toast some newer, softer Beauty.
That Poet stared as fierce as any!
He was a mighty proper man,
With blade on hip and inches many;
The beaux all vowed it was their duty
To toast some newer, softer Beauty.
Sweet Pam she bridled, blushed and smiled—
The wild thing loved and could but show it!
Mayhap some day you'll see in town
Pamela and her grizzled Poet.
Forsooth he taught the rogue her duty,
And won her faith, her love, her beauty.
The wild thing loved and could but show it!
Mayhap some day you'll see in town
Pamela and her grizzled Poet.
Forsooth he taught the rogue her duty,
And won her faith, her love, her beauty.
Ellen Mackay Hutchinson Cortissoz [?-1933]
YES?
Is it true, then, my girl, that you mean it—
The word spoken yesterday night?
Does that hour seem so sweet now between it
And this has come day's sober light?
Have you woke from a moment of rapture
To remember, regret, and repent,
And to hate, perchance, him who has trapped your
Unthinking consent?
The word spoken yesterday night?
Does that hour seem so sweet now between it
And this has come day's sober light?
Have you woke from a moment of rapture
To remember, regret, and repent,
And to hate, perchance, him who has trapped your
Unthinking consent?
Who was he, last evening—this fellow
Whose audacity lent him a charm?
Have you promised to wed Pulchinello?
For life taking Figaro's arm?
Will you have the Court fool of the papers,
The clown in the journalists' ring,
Who earns his scant bread by his capers,
To be your heart's king?
Whose audacity lent him a charm?
Have you promised to wed Pulchinello?
For life taking Figaro's arm?
Will you have the Court fool of the papers,
The clown in the journalists' ring,
Who earns his scant bread by his capers,
To be your heart's king?
When we met quite by chance at the theatre
And I saw you home under the moon,
I'd no thought, love, that mischief would be at her
Tricks with my tongue quite so soon;
That I should forget fate and fortune
Make a difference 'twixt Sevres and delf—
That I'd have the calm nerve to importune
You, sweet, for yourself.
And I saw you home under the moon,
I'd no thought, love, that mischief would be at her
Tricks with my tongue quite so soon;
That I should forget fate and fortune
Make a difference 'twixt Sevres and delf—
That I'd have the calm nerve to importune
You, sweet, for yourself.
It's appalling, by Jove, the audacious
Effrontery of that request!
But you—you grew suddenly gracious,
And hid your sweet face on my breast.
Why you did it I cannot conjecture;
I surprised you, poor child, I dare say,
Or perhaps—does the moonlight affect your
Head often that way?
Effrontery of that request!
But you—you grew suddenly gracious,
And hid your sweet face on my breast.
Why you did it I cannot conjecture;
I surprised you, poor child, I dare say,
Or perhaps—does the moonlight affect your
Head often that way?
...........
You're released! With some wooer replace me
More worthy to be your life's light;
From the tablet of memory efface me,
If you don't mean your Yes of last night.
But—unless you are anxious to see me a
Wreck of the pipe and the cup
In my birthplace and graveyard, Bohemia—
Love, don't give me up!
More worthy to be your life's light;
From the tablet of memory efface me,
If you don't mean your Yes of last night.
But—unless you are anxious to see me a
Wreck of the pipe and the cup
In my birthplace and graveyard, Bohemia—
Love, don't give me up!
Henry Cuyler Bunner [1855-1896]
THE PRIME OF LIFE
Just as I thought I was growing old,
Ready to sit in my easy chair,
To watch the world with a heart grown cold,
And smile at a folly I would not share,
Ready to sit in my easy chair,
To watch the world with a heart grown cold,
And smile at a folly I would not share,
Rose came by with a smile for me,
And I am thinking that forty year
Isn't the age that it seems to be,
When two pretty brown eyes are near.
And I am thinking that forty year
Isn't the age that it seems to be,
When two pretty brown eyes are near.
Bless me! of life it is just the prime,
A fact that I hope she will understand;
And forty year is a perfect rhyme
To dark brown eyes and a pretty hand.
A fact that I hope she will understand;
And forty year is a perfect rhyme
To dark brown eyes and a pretty hand.
These gray hairs are by chance, you see—
Boys are sometimes gray, I am told:
Rose came by with a smile for me,
Just as I thought I was getting old.
Boys are sometimes gray, I am told:
Rose came by with a smile for me,
Just as I thought I was getting old.
Walter Learned [1847-1915]
THOUGHTS ON THE COMMANDMENTS
"Love your neighbor as yourself,"—
So the parson preaches:
That's one half the Decalogue,—
So the prayer-book teaches.
Half my duty I can do
With but little labor,
For with all my heart and soul
I do love my neighbor.
So the parson preaches:
That's one half the Decalogue,—
So the prayer-book teaches.
Half my duty I can do
With but little labor,
For with all my heart and soul
I do love my neighbor.
Mighty little credit, that,
To my self-denial,
Not to love her, though, might be
Something of a trial.
Why, the rosy light, that peeps
Through the glass above her,
Lingers round her lips,—you see
E'en the sunbeams love her.
To my self-denial,
Not to love her, though, might be
Something of a trial.
Why, the rosy light, that peeps
Through the glass above her,
Lingers round her lips,—you see
E'en the sunbeams love her.
So to make my merit more,
I'll go beyond the letter:—
Love my neighbor as myself?
Yes, and ten times better.
For she's sweeter than the breath
Of the Spring, that passes
Through the fragrant, budding woods,
O'er the meadow-grasses.
I'll go beyond the letter:—
Love my neighbor as myself?
Yes, and ten times better.
For she's sweeter than the breath
Of the Spring, that passes
Through the fragrant, budding woods,
O'er the meadow-grasses.
And I've preached the word I know,
For it was my duty
To convert the stubborn heart
Of the little beauty.
Once again success has crowned
Missionary labor,
For her sweet eyes own that she
Also loves her neighbor.
For it was my duty
To convert the stubborn heart
Of the little beauty.
Once again success has crowned
Missionary labor,
For her sweet eyes own that she
Also loves her neighbor.
George Augustus Baker [1849-1906]
THE IRONY OF LOVE
"SIGH NO MORE, LADIES"
From "Much Ado About Nothing"
Sigh no more, ladies, sigh no more,
Men were deceivers ever;
One foot in sea, and one on shore;
To one thing constant never.
Then sigh not so,
But let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Men were deceivers ever;
One foot in sea, and one on shore;
To one thing constant never.
Then sigh not so,
But let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Sing no more ditties, sing no moe
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leavy.
Then sigh not so,
But let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leavy.
Then sigh not so,
But let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
William Shakespeare [1564-1616]
A RENUNCIATION
If women could be fair, and yet not fond,
Or that their love were firm, not fickle still,
I would not marvel that they make men bond
By service long to purchase their good will;
But when I see how frail those creatures are,
I muse that men forget themselves so far.
Or that their love were firm, not fickle still,
I would not marvel that they make men bond
By service long to purchase their good will;
But when I see how frail those creatures are,
I muse that men forget themselves so far.
To mark the choice they make, and how they change,
How oft from Phoebus they do flee to Pan;
Unsettled still, like haggards wild they range,
These gentle birds that fly from man to man;
Who would not scorn and shake them from the fist,
And let them fly, fair fools, which way they list?
How oft from Phoebus they do flee to Pan;
Unsettled still, like haggards wild they range,
These gentle birds that fly from man to man;
Who would not scorn and shake them from the fist,
And let them fly, fair fools, which way they list?
Yet for disport we fawn and flatter both,
To pass the time when nothing else can please,
And train them to our lure with subtle oath,
Till, weary of their wiles, ourselves we ease;
And then we say when we their fancy try,
To play with fools, O what a fool was I!
To pass the time when nothing else can please,
And train them to our lure with subtle oath,
Till, weary of their wiles, ourselves we ease;
And then we say when we their fancy try,
To play with fools, O what a fool was I!
Edward Vere [1550-1604]
A SONG
Ye happy swains, whose hearts are free
From Love's imperial chain,
Take warning, and be taught by me,
To avoid the enchanting pain;
Fatal the wolves to trembling flocks,
Fierce winds to blossoms prove,
To careless seamen, hidden rocks,
To human quiet, love.
From Love's imperial chain,
Take warning, and be taught by me,
To avoid the enchanting pain;
Fatal the wolves to trembling flocks,
Fierce winds to blossoms prove,
To careless seamen, hidden rocks,
To human quiet, love.
Fly the fair sex, if bliss you prize;
The snake's beneath the flower:
Who ever gazed on beauteous eyes,
That tasted quiet more?
How faithless is the lovers' joy!
How constant is their care
The kind with falsehood to destroy,
The cruel, with despair.
The snake's beneath the flower:
Who ever gazed on beauteous eyes,
That tasted quiet more?
How faithless is the lovers' joy!
How constant is their care
The kind with falsehood to destroy,
The cruel, with despair.
George Etherege [1635?-1691]
TO HIS FORSAKEN MISTRESS
I do confess thou'rt smooth and fair,
And I might have gone near to love thee,
Had I not found the slightest prayer
That lips could speak, had power to move thee:
But I can let thee now alone
As worthy to be loved by none.
And I might have gone near to love thee,
Had I not found the slightest prayer
That lips could speak, had power to move thee:
But I can let thee now alone
As worthy to be loved by none.
I do confess thou'rt sweet; yet find
Thee such an unthrift of thy sweets,
Thy favors are but like the wind
That kisseth everything it meets:
And since thou canst with more than one,
Thou'rt worthy to be kissed by none.
Thee such an unthrift of thy sweets,
Thy favors are but like the wind
That kisseth everything it meets:
And since thou canst with more than one,
Thou'rt worthy to be kissed by none.
The morning rose that untouched stands
Armed with her briers, how sweet her smell!
But plucked and strained through ruder hands,
Her sweets no longer with her dwell:
But scent and beauty both are gone,
And leaves fall from her, one by one.
Armed with her briers, how sweet her smell!
But plucked and strained through ruder hands,
Her sweets no longer with her dwell:
But scent and beauty both are gone,
And leaves fall from her, one by one.
Such fate ere long will thee betide
When thou hast handled been awhile,
With sere flowers to be thrown aside;
And I shall sigh, while some will smile,
To see thy love to every one
Hath brought thee to be loved by none.
When thou hast handled been awhile,
With sere flowers to be thrown aside;
And I shall sigh, while some will smile,
To see thy love to every one
Hath brought thee to be loved by none.
Robert Ayton [1570-1638]
TO AN INCONSTANT
I loved thee once; I'll love no more,—
Thine be the grief as is the blame;
Thou art not what thou wast before,
What reason I should be the same?
He that can love unloved again,
Hath better store of love than brain:
God send me love my debts to pay,
While unthrifts fool their love away!
Thine be the grief as is the blame;
Thou art not what thou wast before,
What reason I should be the same?
He that can love unloved again,
Hath better store of love than brain:
God send me love my debts to pay,
While unthrifts fool their love away!
Nothing could have my love o'erthrown,
If thou hadst still continued mine;
Yea, if thou hadst remained thy own,
I might perchance have yet been thine.
But thou thy freedom didst recall,
That it thou might elsewhere enthrall:
And then how could I but disdain
A captive's captive to remain?
If thou hadst still continued mine;
Yea, if thou hadst remained thy own,
I might perchance have yet been thine.
But thou thy freedom didst recall,
That it thou might elsewhere enthrall:
And then how could I but disdain
A captive's captive to remain?
When new desires had conquered thee,
And changed the object of thy will,
It had been lethargy in me,
Not constancy, to love thee still.
Yea, it had been a sin to go
And prostitute affection so,
Since we are taught no prayers to say
To such as must to others pray.
And changed the object of thy will,
It had been lethargy in me,
Not constancy, to love thee still.
Yea, it had been a sin to go
And prostitute affection so,
Since we are taught no prayers to say
To such as must to others pray.
Yet do thou glory in thy choice,—
Thy choice of his good fortune boast;
I'll neither grieve nor yet rejoice,
To see him gain what I have lost:
The height of my disdain shall be,
To laugh at him, to blush for thee;
To love thee still, but go no more
A-begging at a beggar's door.
Thy choice of his good fortune boast;
I'll neither grieve nor yet rejoice,
To see him gain what I have lost:
The height of my disdain shall be,
To laugh at him, to blush for thee;
To love thee still, but go no more
A-begging at a beggar's door.
Robert Ayton [1570-1638]
ADVICE TO A GIRL
Never love unless you can
Bear with all the faults of man!
Men sometimes will jealous be,
Though but little cause they see,
And hang the head, as discontent,
And speak what straight they will repent.
Bear with all the faults of man!
Men sometimes will jealous be,
Though but little cause they see,
And hang the head, as discontent,
And speak what straight they will repent.
Men, that but one Saint adore,
Make a show of love to more;
Beauty must be scorned in none,
Though but truly served in one:
For what is courtship but disguise?
True hearts may have dissembling eyes.
Make a show of love to more;
Beauty must be scorned in none,
Though but truly served in one:
For what is courtship but disguise?
True hearts may have dissembling eyes.
Men, when their affairs require,
Must awhile themselves retire;
Sometimes hunt, and sometimes hawk,
And not ever sit and talk:—
If these and such-like you can bear,
Then like, and love, and never fear!
Must awhile themselves retire;
Sometimes hunt, and sometimes hawk,
And not ever sit and talk:—
If these and such-like you can bear,
Then like, and love, and never fear!
Thomas Campion [?—1619]
SONG
That Women Are But Men's Shadows
From "The Forest"
From "The Forest"
Follow a shadow, it still flies you;
Seem to fly it, it will pursue:
So court a mistress, she denies you;
Let her alone, she will court you.
Say, are not women truly, then,
Styled but the shadows of us men?
Seem to fly it, it will pursue:
So court a mistress, she denies you;
Let her alone, she will court you.
Say, are not women truly, then,
Styled but the shadows of us men?
At morn and even, shades are longest;
At noon they are or short or none:
So men at weakest, they are strongest,
But grant us perfect, they're not known.
Say, are not women truly then,
Styled but the shadows of us men?
At noon they are or short or none:
So men at weakest, they are strongest,
But grant us perfect, they're not known.
Say, are not women truly then,
Styled but the shadows of us men?
Ben Johnson [1573?-1637]
TRUE BEAUTY
May I find a woman fair
And her mind as clear as air!
If her beauty go alone,
'Tis to me as if 'twere none.
And her mind as clear as air!
If her beauty go alone,
'Tis to me as if 'twere none.
May I find a woman rich,
And not of too high a pitch!
If that pride should cause disdain,
Tell me, Lover, where's thy gain?
And not of too high a pitch!
If that pride should cause disdain,
Tell me, Lover, where's thy gain?
May I find a woman wise,
And her falsehood not disguise!
Hath she wit as she hath will,
Double-armed she is to ill.
And her falsehood not disguise!
Hath she wit as she hath will,
Double-armed she is to ill.
May I find a woman kind,
And not wavering like the wind!
How should I call that love mine
When 'tis his, and his, and thine?
And not wavering like the wind!
How should I call that love mine
When 'tis his, and his, and thine?
May I find a woman true!
There is beauty's fairest hue:
There is beauty, love, and wit.
Happy he can compass it!
There is beauty's fairest hue:
There is beauty, love, and wit.
Happy he can compass it!
Francis Beaumont [1584-1616]
THE INDIFFERENT
Never more will I protest
To love a woman but in jest:
For as they cannot be true,
So to give each man his due,
When the wooing fit is past,
Their affection cannot last.
To love a woman but in jest:
For as they cannot be true,
So to give each man his due,
When the wooing fit is past,
Their affection cannot last.
Therefore if I chance to meet
With a mistress fair and sweet,
She my service shall obtain,
Loving her for love again:
Thus much liberty I crave
Not to be a constant slave.
With a mistress fair and sweet,
She my service shall obtain,
Loving her for love again:
Thus much liberty I crave
Not to be a constant slave.
But when we have tried each other,
If she better like another,
Let her quickly change for me;
Then to change am I as free.
He or she that loves too long
Sell their freedom for a song.
If she better like another,
Let her quickly change for me;
Then to change am I as free.
He or she that loves too long
Sell their freedom for a song.
Francis Beaumont [1584-1616]
THE LOVER'S RESOLUTION
Shall I, wasting in despair,
Die because a woman's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flowery meads in May,
If she think not well of me,
What care I how fair she be?
Die because a woman's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flowery meads in May,
If she think not well of me,
What care I how fair she be?
Shall my silly heart be pined
'Cause I see a woman kind?
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?
'Cause I see a woman kind?
Or a well disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle-dove or pelican,
If she be not so to me,
What care I how kind she be?
Shall a woman's virtues move
Me to perish for her love?
Or her well-deservings known
Make me quite forget my own?
Be she with that goodness blest
Which may merit name of Best,
If she be not such to me,
What care I how good she be?
Me to perish for her love?
Or her well-deservings known
Make me quite forget my own?
Be she with that goodness blest
Which may merit name of Best,
If she be not such to me,
What care I how good she be?
'Cause her fortune seems too high,
Shall I play the fool and die?
She that bears a noble mind,
If not outward helps she find,
Thinks what with them he would do
That without them dares her woo;
And unless that mind I see,
What care I how great she be?
Shall I play the fool and die?
She that bears a noble mind,
If not outward helps she find,
Thinks what with them he would do
That without them dares her woo;
And unless that mind I see,
What care I how great she be?
Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve;
If she slight me when I woo,
I can scorn and let her go;
For if she be not for me,
What care I for whom she be?
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve;
If she slight me when I woo,
I can scorn and let her go;
For if she be not for me,
What care I for whom she be?
George Wither [1588-1667]
HIS FURTHER RESOLUTION
Shall I (like a hermit) dwell
On a rock or in a cell;
Calling home the smallest part
That is missing of my heart,
To bestow it where I may
Meet a rival every day?
If she undervalue me,
What care I how fair she be!
On a rock or in a cell;
Calling home the smallest part
That is missing of my heart,
To bestow it where I may
Meet a rival every day?
If she undervalue me,
What care I how fair she be!
Were her tresses angel-gold;
If a stranger may be bold,
Unrebuked, and unafraid,
To convert them to a braid;
And, with little more ado,
Work them into bracelets, too!
If the mine be grown so free,
What care I how rich it be!
If a stranger may be bold,
Unrebuked, and unafraid,
To convert them to a braid;
And, with little more ado,
Work them into bracelets, too!
If the mine be grown so free,
What care I how rich it be!
Were her hands as rich a prize
As her hair or precious eyes;
If she lay them out to take
Kisses for good manners' sake!
And let every lover slip
From her hand unto her lip!
If she seem not chaste to me,
What care I how chaste she be!
As her hair or precious eyes;
If she lay them out to take
Kisses for good manners' sake!
And let every lover slip
From her hand unto her lip!
If she seem not chaste to me,
What care I how chaste she be!
No! She must be perfect snow
In effect as well as show!
Warming but as snowballs do;
Not like fire by burning, too!
But when she by change hath got
To her heart a second lot;
Then if others share with me,
Farewell her! whate'er she be!
In effect as well as show!
Warming but as snowballs do;
Not like fire by burning, too!
But when she by change hath got
To her heart a second lot;
Then if others share with me,
Farewell her! whate'er she be!
Unknown
SONG
From "Britannia's Pastorals"
Shall I tell you whom I love?
Hearken then awhile to me;
And if such a woman move
As I now shall versify,
Be assured 'tis she or none,
That I love, and love alone.
Hearken then awhile to me;
And if such a woman move
As I now shall versify,
Be assured 'tis she or none,
That I love, and love alone.
Nature did her so much right
As she scorns the help of art;
In as many virtues dight
As e'er yet embraced a heart:
So much good so truly tried,
Some for less were deified.
As she scorns the help of art;
In as many virtues dight
As e'er yet embraced a heart:
So much good so truly tried,
Some for less were deified.
Wit she hath, without desire
To make known how much she hath;
And her anger flames no higher
Than may fitly sweeten wrath.
Full of pity as may be,
Though perhaps not so to me.
To make known how much she hath;
And her anger flames no higher
Than may fitly sweeten wrath.
Full of pity as may be,
Though perhaps not so to me.
Reason masters every sense,
And her virtues grace her birth;
Lovely as all excellence,
Modest in her most of mirth,
Likelihood enough to prove
Only worth could kindle love.
And her virtues grace her birth;
Lovely as all excellence,
Modest in her most of mirth,
Likelihood enough to prove
Only worth could kindle love.
Such she is: and if you know
Such a one as I have sung;
Be she brown, or fair, or so
That she be but somewhat young;
Be assured 'tis she, or none,
That I love, and love alone.
Such a one as I have sung;
Be she brown, or fair, or so
That she be but somewhat young;
Be assured 'tis she, or none,
That I love, and love alone.
William Browne [1591-1643?]
TO DIANEME
Sweet, be not proud of those two eyes,
Which, star-like, sparkle in their skies;
Nor be you proud that you can see
All hearts your captives, yours yet free;
Be you not proud of that rich hair,
Which wantons with the love-sick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone
When all your world of beauty's gone.
Which, star-like, sparkle in their skies;
Nor be you proud that you can see
All hearts your captives, yours yet free;
Be you not proud of that rich hair,
Which wantons with the love-sick air;
Whenas that ruby which you wear,
Sunk from the tip of your soft ear,
Will last to be a precious stone
When all your world of beauty's gone.
Robert Herrick [1591-1674]
INGRATEFUL BEAUTY THREATENED
Know, Celia, since thou art so proud,
'Twas I that gave thee thy renown.
Thou hadst in the forgotten crowd
Of common beauties lived unknown,
Had not my verse extolled thy name,
And with it imped the wings of Fame.
'Twas I that gave thee thy renown.
Thou hadst in the forgotten crowd
Of common beauties lived unknown,
Had not my verse extolled thy name,
And with it imped the wings of Fame.
That killing power is none of thine;
I gave it to thy voice and eyes;
Thy sweets, thy graces, all are mine;
Thou art my star, shin'st in my skies;
Then dart not from thy borrowed sphere
Lightning on him that fixed thee there.
I gave it to thy voice and eyes;
Thy sweets, thy graces, all are mine;
Thou art my star, shin'st in my skies;
Then dart not from thy borrowed sphere
Lightning on him that fixed thee there.
Tempt me with such affrights no more,
Lest what I made I uncreate;
Let fools thy mystic form adore,
I know thee in thy mortal state.
Wise poets, that wrapped Truth in tales,
Knew her themselves through all her veils.
Lest what I made I uncreate;
Let fools thy mystic form adore,
I know thee in thy mortal state.
Wise poets, that wrapped Truth in tales,
Knew her themselves through all her veils.
Thomas Carew [1598?-1639?]
DISDAIN RETURNED
He that loves a rosy cheek,
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires:
As old Time makes these decay,
So his flames must waste away.
Or a coral lip admires,
Or from star-like eyes doth seek
Fuel to maintain his fires:
As old Time makes these decay,
So his flames must waste away.
But a smooth and steadfast mind,
Gentle thoughts, and calm desires,
Hearts with equal love combined,
Kindle never-dying fires:—
Where these are not, I despise
Lovely cheeks, or lips, or eyes.
Gentle thoughts, and calm desires,
Hearts with equal love combined,
Kindle never-dying fires:—
Where these are not, I despise
Lovely cheeks, or lips, or eyes.
No tears, Celia, now shall win
My resolved heart to return;
I have searched thy soul within,
And find naught but pride and scorn;
I have learned thy arts, and now
Can disdain as much as thou.
My resolved heart to return;
I have searched thy soul within,
And find naught but pride and scorn;
I have learned thy arts, and now
Can disdain as much as thou.
Some power, in my revenge, convey
That love to her I cast away.
That love to her I cast away.
Thomas Carew [1598?-1639?]
"LOVE WHO WILL, FOR I'LL LOVE NONE"
Love who will, for I'll love none,
There's fools enough beside me:
Yet if each woman have not one,
Come to me where I hide me,
And if she can the place attain,
For once I'll be her fool again.
There's fools enough beside me:
Yet if each woman have not one,
Come to me where I hide me,
And if she can the place attain,
For once I'll be her fool again.
It is an easy place to find,
And women sure should know it;
Yet thither serves not every wind,
Nor many men can show it:
It is the storehouse, where doth lie
All woman's truth and constancy.
And women sure should know it;
Yet thither serves not every wind,
Nor many men can show it:
It is the storehouse, where doth lie
All woman's truth and constancy.
If the journey be so long,
No woman will adventer;
But dreading her weak vessel's wrong,
The voyage will not enter:
Then may she sigh and lie alone,
In love with all, yet loved of none.
No woman will adventer;
But dreading her weak vessel's wrong,
The voyage will not enter:
Then may she sigh and lie alone,
In love with all, yet loved of none.
William Browne [1591-1643]
VALERIUS ON WOMEN
She that denies me I would have;
Who craves me I despise:
Venus hath power to rule mine heart,
But not to please mine eyes.
Who craves me I despise:
Venus hath power to rule mine heart,
But not to please mine eyes.
Temptations offered I still scorn;
Denied, I cling them still;
I'll neither glut mine appetite,
Nor seek to starve my will.
Denied, I cling them still;
I'll neither glut mine appetite,
Nor seek to starve my will.
Diana, double-clothed, offends;
So Venus, naked quite:
The last begets a surfeit, and
The other no delight.
So Venus, naked quite:
The last begets a surfeit, and
The other no delight.
That crafty girl shall please me best,
That no, for yea, can say;
And every wanton willing kiss
Can season with a nay.
That no, for yea, can say;
And every wanton willing kiss
Can season with a nay.
Thomas Heywood [?-1650?]
DISPRAISE OF LOVE, AND LOVERS' FOLLIES
If love be life, I long to die,
Live they that list for me;
And he that gains the most thereby,
A fool at least shall be.
But he that feels the sorest fits,
'Scapes with no less than loss of wits.
Unhappy life they gain,
Which love do entertain.
Live they that list for me;
And he that gains the most thereby,
A fool at least shall be.
But he that feels the sorest fits,
'Scapes with no less than loss of wits.
Unhappy life they gain,
Which love do entertain.