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The Home Book of Verse — Volume 2 cover

The Home Book of Verse — Volume 2

Chapter 700: THRENODY
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About This Book

This collection features a diverse array of poems centered on the theme of love, exploring its various facets, emotions, and expressions. The anthology includes works from multiple poets, presenting romantic sentiments, reflections on desire, and musings on the nature of love. The poems range from joyous celebrations of affection to contemplative pieces on longing and heartache. Each selection captures the complexity of love through lyrical language and vivid imagery, inviting readers to reflect on their own experiences with this universal emotion.

He promised me a milk-white steed,
To bear me to his father's bowers;
He promised me a little page,
To squire me to his father's towers;
He promised me a wedding-ring,—
The wedding-day was fixed to-morrow;
Now he is wedded to his grave,
Alas! his watery grave, in Yarrow.
Sweet were his words when last we met:
My passion I as freely told him:
Clasped in his arms, I little thought
That I should never more behold him!
Scarce was he gone, I saw his ghost;
It vanished with a shriek of sorrow;
Thrice did the water-wraith ascend,
And gave a doleful groan through Yarrow.
His mother from the window looked,
With all the longing of a mother;
His little sister weeping walked
The greenwood path to meet her brother.
They sought him east, they sought him west,
They sought him all the forest thorough;
They only saw the cloud of night,
They only heard the roar of Yarrow!
No longer from thy window look,—
Thou hast no son, thou tender mother!
No longer walk, thou little maid;
Alas! thou hast no more a brother.
No longer seek him east or west,
And search no more the forest thorough;
For, wandering in the night so dark,
He fell a lifeless corse in Yarrow.
The tear shall never leave my cheek,
No other youth shall be my marrow:
I'll seek thy body in the stream,
And then with thee I'll sleep in Yarrow.
The tear did never leave her cheek,
No other youth became her marrow;
She found his body in the stream,
And now with him she sleeps in Yarrow.
John Logan [1748-1788]





THE CHURCHYARD ON THE SANDS

My love lies in the gates of foam,
The last dear wreck of shore;
The naked sea-marsh binds her home,
The sand her chamber door.
The gray gull flaps the written stones,
The ox-birds chase the tide;
And near that narrow field of bones
Great ships at anchor ride.
Black piers with crust of dripping green,
One foreland, like a hand,
O'er intervals of grass between
Dim lonely dunes of sand.
A church of silent weathered looks,
A breezy reddish tower,
A yard whose mounded resting-nooks
Are tinged with sorrel flower.
In peace the swallow's eggs are laid
Along the belfry walls;
The tempest does not reach her shade,
The rain her silent halls.
But sails are sweet in summer sky,
The lark throws down a lay;
The long salt levels steam and dry,
The cloud-heart melts away.
But patches of the sea-pink shine,
The pied crows poise and come;
The mallow hangs, the bind-weeds twine,
Where her sweet lips are dumb.
The passion of the wave is mute;
No sound or ocean shock;
No music save the trilling flute
That marks the curlew flock.
But yonder when the wind is keen,
And rainy air is clear,
The merchant city's spires are seen,
The toil of men grows near.
Along the coast-way grind the wheels
Of endless carts of coal;
And on the sides of giant keels
The shipyard hammers roll.
The world creeps here upon the shout,
And stirs my heart to pain;
The mist descends and blots it out,
And I am strong again.
Strong and alone, my dove, with thee;
And though mine eyes be wet,
There's nothing in the world to me
So dear as my regret.
I would not change my sorrow sweet
For others' nuptial hours;
I love the daisies at thy feet
More than their orange flowers.
My hand alone shall tend thy tomb
From leaf-bud to leaf-fall,
And wreathe around each season's bloom
Till autumn ruins all.
Let snowdrops early in the year
Droop o'er her silent breast;
And bid the later cowslip rear
The amber of its crest.
Come hither, linnets tufted-red;
Drift by, O wailing tern;
Set pure vale lilies at her head,
At her feet lady-fern.
Grow, samphire, at the tidal brink,
Wave pansies of the shore,
To whisper how alone I think
Of her for evermore.
Bring blue sea-hollies thorny, keen,
Long lavender in flower;
Gray wormwood like a hoary queen,
Stanch mullein like a tower.
O sea-wall, mounded long and low,
Let iron bounds be thine;
Nor let the salt wave overflow
That breast I held divine.
Nor float its sea-weed to her hair,
Nor dim her eyes with sands;
No fluted cockle burrow where
Sleep folds her patient hands.
Though thy crest feel the wild sea's breath,
Though tide-weight tear thy root,
Oh, guard the treasure-house, where death
Has bound my Darling mute.
Though cold her pale lips to reward
With love's own mysteries,
Ah, rob no daisy from her swand,
Rough gale of eastern seas!
Ah, render sere no silken bent
That by her head-stone waves;
Let noon and golden summer blent
Pervade these ocean graves.
And, ah, dear heart, in thy still nest,
Resign this earth of woes,
Forget the ardors of the west,
Neglect the morning glows.
Sleep and forget all things but one,
Heard in each wave of sea,—
How lonely all the years will run
Until I rest by thee.
John Byrne Leicester Warren [1835-1895]





THE MINSTREL'S SONG

From "Aella"
Oh sing unto my roundelay;
Oh drop the briny tear with me;
Dance no more at holiday;
Like a running river be!
My love is dead,
Gone to his death-bed,
All under the willow tree!
Black his hair as the winter night,
White his throat as the summer snow,
Red his cheek as the morning light,
Cold he lies in the grave below.
Sweet his tongue as the throstle's note;
Quick in dance as thought can be;
Deft his tabor, cudgel stout,
Oh, he lies by the willow tree.
Hark! the raven flaps his wing
In the briery dell below;
Hark! the death-owl loud doth sing,
To the night-mares as they go.
See! the white moon shines on high;
Whiter is my true love's shroud;
Whiter than the morning sky,
Whiter than the evening cloud.
Here, upon my true love's grave,
Shall the barren, flowers be laid;
Not one holy saint to save
All the coldness of a maid.
With my hands I'll twist the briers
Round his holy corpse to gre;
Elfin fairy, light your fires,
Here my body still shall be.
Come, with acorn-cup and thorn,
Drain my heartes blood away;
Life and all its good I scorn,
Dance by night, or feast by day.
Water-witches, crowned with reeds,
Bear me to your deadly tide.
I die!  I come! my true love waits!
Thus the damsel spake, and died.
Thomas Chatterton [1752-1770]





HIGHLAND MARY

Ye banks and braes and streams around
The castle o' Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There simmer first unfauld her robes,
And there the langest tarry;
For there I took the last fareweel
O' my sweet Highland Mary.
How sweetly bloomed the gay green birk,
How rich the hawthorn's blossom,
As underneath their fragrant shade
I clasped her to my bosom!
The golden hours on angel's wings
Flew o'er me and my dearie;
For dear to me as light and life
Was my sweet Highland Mary.
Wi' mony a vow and locked embrace
Our parting was fu' tender;
And, pledging aft to meet again,
We tore oursels asunder;
But, O! fell Death's untimely frost,
That nipped my flower sae early!
Now green's the sod, and cauld's the clay,
That wraps my Highland Mary!
O pale, pale now, those rosy lips,
I aft hae kissed sae fondly!
And closed for aye the sparkling glance
That dwelt on me sae kindly;
And moldering now in silent dust
That heart that lo'ed me dearly!
But still within my bosom's core
Shall live my Highland Mary.
Robert Burns [1759-1796]





TO MARY IN HEAVEN

Thou lingering star, with lessening ray,
That lov'st to greet the early morn,
Again thou usher'st in the day
My Mary from my soul was torn.
O Mary! dear departed shade!
Where is thy place of blissful rest?
See'st thou thy lover lowly laid?
Hear'st thou the groans that rend his breast?
That sacred hour can I forget,
Can I forget the hallowed grove,
Where by the winding Ayr we met,
To live one day of parting love!
Eternity will not efface
Those records dear of transports past;
Thy image at our last embrace,—
Ah! little thought we 'twas our last!
Ayr, gurgling, kissed his pebbled shore,
O'erhung with wild woods, thickening green;
The fragrant birch, and hawthorn hoar,
Twined amorous round the raptured scene;
The flowers sprang wanton to be pressed,
The birds sang love on every spray,—
Till soon, too soon, the glowing west
Proclaimed the speed of winged day.
Still o'er these scenes my memory wakes,
And fondly broods with miser care!
Time but the impression stronger makes,
As streams their channels deeper wear.
My Mary! dear departed shade!
Where is thy place of blissful rest?
See'st thou thy lover lowly laid?
Hear'st thou the groans that rend his breast?
Robert Burns [1759-1796]





LUCY

I
Strange fits of passion have I known:
And I will dare to tell,
But in the lover's ear alone,
What once to me befell.
When she I loved looked every day
Fresh as a rose in June,
I to her cottage bent my way,
Beneath an evening moon.
Upon the moon I fixed my eye,
All over the wide lea;
With quickening pace my horse drew nigh
Those paths so dear to me.
And now we reached the orchard-plot;
And, as we climbed the hill,
The sinking moon to Lucy's cot
Came near, and nearer still.
In one of those sweet dreams I slept,
Kind Nature's gentlest boon!
And all the while my eyes I kept
On the descending moon.
My horse moved on; hoof after hoof
He raised, and never stopped:
When down behind the cottage roof,
At once, the bright moon dropped.
What fond and wayward thoughts will slide
Into a lover's head!
"O mercy!" to myself I cried,
"If Lucy should be dead!"
II
She dwelt among the untrodden ways
Beside the springs of Dove,
A Maid whom there were none to praise
And very few to love:
A violet by a mossy stone
Half hidden from the eye!
Fair as a star, when only one
Is shining in the sky.
She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave, and oh,
The difference to me!
III
I traveled among unknown men,
In lands beyond the sea;
Nor, England! did I know till then
What love I bore to thee.
'Tis past, that melancholy dream!
Nor will I quit thy shore
A second time; for still I seem
To love thee more and more.
Among thy mountains did I feel
The joy of my desire;
And she I cherished turned her wheel
Beside an English fire.
Thy mornings showed, thy nights concealed,
The bowers where Lucy played;
And thine too is the last green field
That Lucy's eyes surveyed.
IV
Three years she grew in sun and shower;
Then Nature said, "A lovelier flower
On earth was never sown;
This child I to myself will take;
She shall be mine, and I will make
A lady of my own.
"Myself will to my darling be
Both law and impulse: and with me
The girl, in rock and plain,
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindle or restrain.
"She shall be sportive as the fawn
That wild with glee across the lawn
Or up the mountain springs;
And hers shall be the breathing balm,
And hers the silence and the calm
Of mute insensate things.
"The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
Even in the motions of the storm
Grace that shall mold the maiden's form
By silent sympathy.
"The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round
And beauty born of murmuring sound
Shall pass into her face.
"And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
While she and I together live
Here in this happy dell."
Thus Nature spake—The work was done—
How soon my Lucy's race was run!
She died, and left to me
This heath, this calm and quiet scene;
The memory of what has been,
And never more will be.
V
A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.
No motion has she now, or force;
She neither hears nor sees;
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.
William Wordsworth [1770-1850]





PROUD MAISIE

From "The Heart of Midlothian"
Proud Maisie is in the wood,
Walking so early;
Sweet Robin sits on the bush,
Singing so rarely.
"Tell me, thou bonny bird,
When shall I marry me?"
—"When six braw gentlemen
Kirkward shall carry ye."
Who makes the bridal bed,
Birdie, say truly?"
—"The gray-headed sexton
That delves the grave duly.
"The glow-worm o'er grave and stone
Shall light thee steady;
The owl from the steeple sing
Welcome, proud lady!"
Walter Scott [1771-1832]





SONG

Earl March looked on his dying child,
And, smit with grief to view her—
The youth, he cried, whom I exiled
Shall be restored to woo her.
She's at the window many an hour
His coming to discover;
And he looked up to Ellen's bower
And she looked on her lover—
But ah! so pale, he knew her not,
Though her smile on him was dwelling!
And I am then forgot—forgot?
It broke the heart of Ellen.
In vain he weeps, in vain he sighs,
Her cheek is cold as ashes;
Nor love's own kiss shall wake those eyes
To lift their silken lashes.
Thomas Campbell [1777-1844]





THE MAID'S LAMENT

From "The Examination of Shakespeare"
I loved him not; and yet now he is gone
I feel I am alone.
I checked him while he spoke; yet could he speak,
Alas!  I would not check.
For reasons not to love him once I sought,
And wearied all my thought
To vex myself and him: I now would give
My love, could he but live
Who lately lived for me, and when he found
'Twas vain, in holy ground
He hid his face amid the shades of death.
I waste for him my breath
Who wasted his for me; but mine returns,
And this lorn bosom burns
With stifling heat, heaving it up in sleep,
And waking me to weep
Tears that had melted his soft heart: for years
Wept he as bitter tears.
Merciful God!  Such was his latest prayer,
These may she never share!
Quieter is his breath, his breast more cold,
Than daisies in the mold,
Where children spell, athwart the churchyard gate,
His name and life's brief date.
Pray for him, gentle souls, whoe'er you be,
And, oh! pray too for me!
Walter Savage Landor [1775-1864]





"SHE IS FAR FROM THE LAND"

She is far from the land where her young hero sleeps,
And lovers are round her, sighing:
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.
She sings the wild songs of her dear native plains,
Every note which he loved awaking;—
Ah! little they think, who delight in her strains,
How the heart of the minstrel is breaking.
He had lived for his love, for his country he died,
They were all that to life had entwined him;
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.
Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They'll shine o'er her sleep, like a smile from the West,
From her own loved island of sorrow.
Thomas Moore [1779-1852]





"AT THE MID HOUR OF NIGHT"

At the mid hour of night, when stars are weeping, I fly
To the lone vale we loved, when life shone warm in thine eye;
And I think oft, if spirits can steal from the regions of air
To revisit past scenes of delight, thou wilt come to me there,
And tell me our love is remembered even in the sky.
Then I sing the wild song 'twas once such rapture to hear,
When our voices commingling breathed like one on the ear;
And, as Echo far off through the vale my sad orison rolls,
I think, O my love! 'tis thy voice from the Kingdom of  Souls
Faintly answering still the notes that once were so dear.
Thomas Moore [1779-1852]





ON A PICTURE BY POUSSIN REPRESENTING

SHEPHERDS IN ARCADIA

Ah, happy youths, ah, happy maid,
Snatch present pleasure while ye may;
Laugh, dance, and sing in sunny glade,
Your limbs are light, your hearts are gay;
Ye little think there comes a day
('Twill come to you, it came to me)
When love and life shall pass away:
I, too, once dwelt in Arcady.
Or listless lie by yonder stream,
And muse and watch the ripples play,
Or note their noiseless flow, and deem
That life thus gently glides away—
That love is but a sunny ray
To make our years go smiling by.
I knew that stream, I too could dream,
I, too, once dwelt in Arcady.
Sing, shepherds, sing; sweet lady, listen;
Sing to the music of the rill,
With happy tears her bright eyes glisten,
For, as each pause the echoes fill,
They waft her name from hill to hill—
So listened my lost love to me,
The voice she loved has long been still;
I, too, once dwelt in Arcady.
John Addington Symonds [1840-1893]





THRENODY

There's a grass-grown road from the valley—
A winding road and steep—
That leads to the quiet hill-top,
Where lies your love asleep....
While mine is lying, God knows where,
A hundred fathoms deep.
I saw you kneel at a grave-side—
How still a grave can be,
Wrapped in the tender starlight,
Far from the moaning sea!
But through all dreams and starlight,
The breakers call to me.
Oh, steep is your way to Silence—
But steeper the ways I roam,
For never a road can take me
Beyond the wind and foam,
And never a road can reach him
Who lies so far from home.
Ruth Guthrie Harding [1882-





STRONG AS DEATH

O death, when thou shalt come to me
From out thy dark, where she is now,
Come not with graveyard smell on thee,
Or withered roses on thy brow.
Come not, O Death, with hollow tone,
And soundless step, and clammy hand—
Lo, I am now no less alone
Than in thy desolate, doubtful land;
But with that sweet arid subtle scent
That ever clung about her (such
As with all things she brushed was blent);
And with her quick and tender touch.
With the dim gold that lit her hair,
Crown thyself, Death; let fall thy tread
So light that I may dream her there,
And turn upon my dying bed.
And through my chilling veins shall flame
My love, as though beneath her breath;
And in her voice but call my name,
And I will follow thee, O Death.
Henry Cuyler Bunner [1855-1896]





"I SHALL NOT CRY RETURN"

I shall not cry Return! Return!
Nor weep my years away;
But just as long as sunsets burn,
And dawns make no delay,
I shall be lonesome—I shall miss
Your hand, your voice, your smile, your kiss.
Not often shall I speak your name,
For what would strangers care
That once a sudden tempest came
And swept my gardens bare,
And then you passed, and in your place
Stood Silence with her lifted face.
Not always shall this parting be,
For though I travel slow,
I, too, may claim eternity
And find the way you go;
And so I do my task and wait
The opening of the outer gate.
Ellen M. H. Gates [1835-1920]





"OH! SNATCHED AWAY IN BEAUTY'S BLOOM"

Oh! snatched away in beauty's bloom,
On thee shall press no ponderous tomb;
But on thy turf shall roses rear
Their leaves, the earliest of the year;
And the wild cypress wave in tender gloom:
And oft by yon blue gushing stream
Shall Sorrow lean her drooping head,
And feed deep thought with many a dream,
And lingering pause and lightly tread;
Fond wretch! as if her step disturbed the dead!
Away! we know that tears are vain,
That Death nor heeds nor hears distress:
Will this unteach us to complain?
Or make one mourner weep the less?
And thou,—who tell'st me to forget,
Thy looks are wan, thine eyes are wet.
George Gordon Byron [1788-1824]





TO MARY

If I had thought thou couldst have died,
I might not weep for thee;
But I forgot, when by thy side,
That thou couldst mortal be:
It never through my mind had passed
The time would e'er be o'er,
And I on thee should look my last,
And thou shouldst smile no more!
And still upon that face I look,
And think 'twill smile again;
And still the thought I will not brook,
That I must look in vain.
But when I speak—thou dost not say
What thou ne'er left'st unsaid;
And now I feel, as well I may,
Sweet Mary, thou art dead!
If thou wouldst stay, e'en as thou art,
All cold and all serene,
I still might press thy silent heart,
And where thy smiles have been.
While e'en thy chill, bleak corse I have,
Thou seemest still mine own;
But there I lay thee in thy grave,—
And I am now alone!
I do not think, where'er thou art,
Thou hast forgotten me;
And I, perhaps, may soothe this heart
In thinking, too, of thee;
Yet there was round thee such a dawn
Of light ne'er seen before,
As fancy never could have drawn,
And never can restore!
Charles Wolfe [1791-1823]





MY HEART AND I

Enough! we're tired, my heart and I.
We sit beside the headstone thus,
And wish that name were carved for us.
The moss reprints more tenderly
The hard types of the mason's knife,
As Heaven's sweet life renews earth's life
With which we're tired, my heart and I.
You see we're tired, my heart and I.
We dealt with books, we trusted men,
And in our own blood drenched the pen,
As if such colors could not fly.
We walked too straight for fortune's end,
We loved too true to keep a friend;
At last we're tired, my heart and I.
How tired we feel, my heart and I
We seem of no use in the world;
Our fancies hang gray and uncurled
About men's eyes indifferently;
Our voice which thrilled you so, will let
You sleep; our tears are only wet:
What do we here, my heart and I?
So tired, so tired, my heart and I!
It was not thus in that old time
When Ralph sat with me 'neath the lime
To watch the sunset from the sky.
"Dear love, you're looking tired," he said:
I, smiling at him, shook my head.
'Tis now we're tired, my heart and I.
So tired, so tired, my heart and I!
Though now none takes me on his arm
To fold me close and kiss me warm
Till each quick breath end in a sigh
Of happy languor.  Now, alone,
We lean upon this graveyard stone,
Uncheered, unkissed, my heart and I.
Tired out we are, my heart and I.
Suppose the world brought diadems
To tempt us, crusted with loose gems
Of powers and pleasures?  Let it try.
We scarcely care to look at even
A pretty child, or God's blue heaven,
We feel so tired, my heart and I.
Yet who complains?  My heart and I?
In this abundant earth no doubt
Is little room for things worn out:
Disdain them, break them, throw them by!
And if before the days grew rough
We once were loved, used,—well enough,
I think, we've fared, my heart and I.
Elizabeth Barrett Browning [1806-1861]





ROSALIND'S SCROLL

From "The Poet's Vow"
I left thee last, a child at heart,
A woman scarce in years:
I come to thee, a solemn corpse
Which neither feels nor fears.
I have no breath to use in sighs;
They laid the dead-weights on mine eyes
To seal them safe from tears.
Look on me with thine own calm look:
I meet it calm as thou.
No look of thine can change this smile,
Or break thy sinful vow:
I tell thee that my poor scorned heart
Is of thine earth—thine earth, a part:
It cannot vex thee now.
But out, alas! these words are writ
By a living, loving one,
Adown whose cheeks the proofs of life,
The warm quick tears do run:
Ah, let the unloving corpse control
Thy scorn back from the loving soul
Whose place of rest is won.
I have prayed for thee with bursting sob
When passion's course was free;
I have prayed for thee with silent lips
In the anguish none could see;
They whispered oft, "She sleepeth soft"—
But I only prayed for thee.
Go to!  I pray for thee no more:
The corpse's tongue is still;
Its folded fingers point to heaven,
But point there stiff and chill:
No farther wrong, no farther woe
Hath license from the sin below
Its tranquil heart to thrill.
I charge thee, by the living's prayer,
And the dead's silentness,
To wring from out thy soul a cry
Which God shall hear and bless!
Lest Heaven's own palm droop in my hand,
And pale among the saints I stand,
A saint companionless.
Elizabeth Barrett Browning [1806-1861]





LAMENT OF THE IRISH EMIGRANT

I'm sittin' on the stile, Mary,
Where we sat side by side
On a bright May mornin' long ago,
When first you were my bride.
The corn was springin' fresh and green,
And the lark sang loud and high,
And the red was on your lip, Mary,
And the love-light in your eye.
The place is little changed, Mary,
The day is bright as then,
The lark's loud song is in my ear,
And the corn is green again;
But I miss the soft clasp of your hand,
And your breath, warm on my cheek:
And I still keep list'nin' for the words
You never more will speak.
'Tis but a step down yonder lane,
And the little church stands near—
The church where we were wed, Mary;
I see the spire from here.
But the graveyard lies between, Mary,
And my step might break your rest—
For I've laid you, darling, down to sleep,
With your baby on your breast.
I'm very lonely now, Mary,
For the poor make no new friends;
But, oh! they love the better still
The few our Father sends.
And you were all I had, Mary,
My blessin' and my pride:
There's nothin' left to care for now,
Since my poor Mary died.
Yours was the good, brave heart, Mary,
That still kept hoping on,
When the trust in God had left my soul,
And my arm's young strength was gone;
There was comfort ever on your lip,
And the kind look on your brow—
I bless you, Mary, for that same,
Though you cannot hear me now.
I thank you for the patient smile
When your heart was fit to break,
When the hunger pain was gnawin' there,
And you hid it for my sake;
I bless you for the pleasant word,
When your heart was sad and sore—
Oh! I'm thankful you are gone, Mary,
Where grief can't reach you more!
I'm biddin' you a long farewell,
My Mary—kind and true!
But I'll not forget you, darling,
In the land I'm goin' to:
They say there's bread and work for all,
And the sun shines always there,
But I'll not forget old Ireland,
Were it fifty times as fair!
And often in those grand old woods
I'll sit, and shut my eyes,
And my heart will travel back again
To the place where Mary lies;
And I'll think I see the little stile
Where we sat side by side,
And the springin' corn, and the bright May morn,
When first you were my bride.
Helen Selina Sheridan [1807-1867]





THE KING OF DENMARK'S RIDE

Word was brought to the Danish king
(Hurry!)
That the love of his heart lay suffering,
And pined for the comfort his voice would bring;
(O, ride as though you were flying!)
Better he loves each golden curl
On the brow of that Scandinavian girl
Than his rich crown jewels of ruby and pearl:
And his rose of the isles is dying!
Thirty nobles saddled with speed;
(Hurry!)
Each one mounting a gallant steed
Which he kept for battle and days of need;
(O, ride as though you were flying!)
Spurs were struck in the foaming flank;
Worn-out chargers staggered and sank;
Bridles were slackened, and girths were burst;
But ride as they would, the king rode first,
For his rose of the isles lay dying!
His nobles are beaten, one by one;
(Hurry!)
They have fainted, and faltered, and homeward gone;
His little fair page now follows alone,
For strength and for courage trying!
The king looked back at that faithful child;
Wan was the face that answering smiled;
They passed the drawbridge with clattering din,
Then he dropped; and only the king rode in
Where his rose of the isles lay dying!
The king blew a blast on his bugle horn;
(Silence!)
No answer came; but faint and forlorn
An echo returned on the cold gray morn,
Like the breath of a spirit sighing.
The castle portal stood grimly wide;
None welcomed the king from that weary ride;
For dead, in the light of the dawning day,
The pale sweet form of the welcomer lay,
Who had yearned for his voice while dying!
The panting steed, with a drooping crest,
Stood weary.
The king returned from her chamber of rest,
The thick sobs choking in his breast;
And, that dumb companion eyeing,
The tears gushed forth which he strove to check;
He bowed his head on his charger's neck:
"O steed, that every nerve didst strain,
Dear steed, our ride hath been in vain
To the halls where my love lay dying!"
Caroline Elizabeth Sarah Norton [1808-1870]





THE WATCHER

A rose for a young head,
A ring for a bride,
Joy for the homestead
Clean and wide—
Who's that waiting
In the rain outside?
A heart for an old friend,
A hand for the new:
Love can to earth lend
Heaven's hue—
Who's that standing
In the silver dew?
A smile for the parting,
A tear as they go,
God's sweethearting
Ends just so—
Who's that watching
Where the black winds blow?
He who is waiting
In the rain outside,
He who is standing
Where the dew drops wide,
He who is watching
In the wind must ride
(Though the pale hands cling)
With the rose
And the ring
And the bride,
Must ride
With the red of the rose,
And the gold of the ring,
And the lips and the hair of the bride.
James Stephens [1882-





THE THREE SISTERS

Gone are those three, those sisters rare
With wonder-lips and eyes ashine.
One was wise and one was fair,
And one was mine.
Ye mourners, weave for the sleeping hair
Of only two your ivy vine.
For one was wise and one was fair,
But one was mine.
Arthur Davison Ficke [1883-





BALLAD

He said: "The shadows darken down,
The night is near at hand.
Now who's the friend will follow me
Into the sunless land?
"For I have vassals leal and true,
And I have comrades kind,
And wheresoe'er my soul shall speed,
They will not stay behind."
He sought the brother young and blithe
Who bore his spear and shield:
"In the long chase you've followed me,
And in the battle-field.
"Few vows you make; but true's your heart,
And you with me will win."
He said: "God speed you, brother mine,
But I am next of kin."
He sought the friar, the gray old priest
Who loved his father's board.
The friar he turned him to the east
And reverently adored.
He said: "A godless name you bear,
A godless life you've led,
And whoso wins along with you,
His spirit shall have dread.