The Home Book of Verse — Volume 2

Samuel Daniel [1562-1619]

From "Idea"
To The Reader Of These Sonnets

Into these Loves, who but for Passion looks,
At this first sight, here let him lay them by,
And seek elsewhere in turning other books,
Which better may his labor satisfy.
No far-fetched sigh shall ever wound my breast;
Love from mine eye a tear shall never wring;
Nor in "Ah me's!" my whining sonnets dressed!
A libertine, fantasticly I sing!
My verse is the true image of my mind,
Ever in motion, still desiring change;
And as thus, to variety inclined,
So in all humors sportively I range!
My Muse is rightly of the English strain,
That cannot long one fashion entertain.

   IV
Bright Star of Beauty! on whose eyelids sit
A thousand nymph-like and enamored Graces,
The Goddesses of Memory and Wit,
Which there in order take their several places;
In whose dear bosom, sweet delicious Love
Lays down his quiver, which he once did bear,
Since he that blessed paradise did prove;
And leaves his mother's lap, to sport him there.
Let others strive to entertain with words!
My soul is of a braver mettle made:
I hold that vile, which vulgar wit affords,
In me's that faith which Time cannot invade!
Let what I praise be still made good by you!
Be you most worthy, whilst I am most true!

   XX
An evil Spirit (your Beauty) haunts me still,
Wherewith, alas, I have been long possessed;
Which ceaseth not to attempt me to each ill,
Nor give me once, but one poor minute's rest.
In me it speaks, whether I sleep or wake;
And when by means to drive it out I try,
With greater torments then it me doth take,
And tortures me in most extremity.
Before my face, it lays down my despairs,
And hastes me on unto a sudden death;
Now tempting me, to drown myself in tears,
And then in sighing to give up my breath.
Thus am I still provoked to every evil,
By this good-wicked Spirit, sweet Angel-Devil.

   XXXVII
Dear! why should you command me to my rest,
When now the night doth summon all to sleep?
Methinks this time becometh lovers best!
Night was ordained together friends to keep.
How happy are all other living things,
Which, through the day, disjoined by several flight,
The quiet evening yet together brings,
And each returns unto his Love at night!
O thou that art so courteous else to all,
Why shouldst thou, Night, abuse me only thus!
That every creature to his kind doth call,
And yet 'tis thou dost only sever us?
Well could I wish it would be ever day,
If, when night comes, you bid me go away!

   XL
My heart the Anvil where my thoughts do beat;
My words the Hammers fashioning my Desire;
My breast the Forge including all the heat,
Love is the Fuel which maintains the fire.
My sighs the Bellows which the flame increaseth,
Filling mine ears with noise and nightly groaning.
Toiling with pain, my labor never ceaseth;
In grievous Passions, my woes still bemoaning.
My eyes with tears against the fire striving,
Whose scorching glede my heart to cinders turneth:
But with those drops, the flame again reviving
Still more and more it to my torment burneth.
With Sisyphus thus do I roll the stone,
And turn the wheel with damned Ixion.

   XLII
How many paltry, foolish, painted things,
That now in coaches trouble every street,
Shall be forgotten, whom no poet sings,
Ere they be well wrapped in their winding-sheet?
Where I to thee eternity shall give,
When nothing else remaineth of these days,
And queens hereafter shall be glad to live
Upon the alms of thy superfluous praise;
Virgins and matrons reading these my rhymes,
Shall be so much delighted with thy story,
That they shall grieve they lived not in these times,
To have seen thee, their sex's only glory:
So shalt thou fly above the vulgar throng,
Still to survive in my immortal song.

   LXI
Since there's no help, come, let us kiss and part!
Nay, I have done.  You get no more of me!
And I am glad, yea, glad with all my heart,
That thus so cleanly I myself can free.
Shake hands for ever!  Cancel all our vows!
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.
Now at the last gasp of Love's latest breath,
When, his pulse failing, Passion speechless lies,
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes:
Now, if thou wouldst, when all have given him over,
From death to life thou might'st him yet recover!

Michael Drayton [1563-1631]

SONNETS
From "Diana"

   IX
My Lady's presence makes the Roses red,
Because to see her lips they blush for shame.
The Lily's leaves, for envy pale became;
And her white hands in them this envy bred.
The Marigold the leaves abroad doth spread,
Because the sun's and her power is the same.
The Violet of purple color came,
Dyed in the blood she made my heart to shed.
In brief, all flowers from her their virtue take;
From her sweet breath, their sweet smells do proceed;
The living heat which her eyebeams doth make
Warmeth the ground, and quickeneth the seed.
The rain, wherewith she watereth the flowers,
Falls from mine eyes, which she dissolves in showers.

   LXII
To live in hell, and heaven to behold;
To welcome life, and die a living death;
To sweat with heat, and yet be freezing cold;
To grasp at stars, and lie the earth beneath;
To tread a maze that never shall have end;
To burn in sighs, and starve in daily tears;
To climb a hill, and never to descend;
Giants to kill, and quake at childish fears;
To pine for food, and watch the Hesperian tree;
To thirst for drink, and nectar still to draw;
To live accurst, whom men hold blest to be;
And weep those wrongs which never creature saw;
If this be love, if love in these be founded,
My heart is love, for these in it are grounded.

Henry Constable (?) [1562-1613]

   XVIII
Shall I compare thee to a Summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And Summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance or nature's changing course untrimmed:
But thy eternal Summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wanderest in his shade,
When in eternal lines to time thou growest:
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

   XXIII
As an unperfect actor on the stage,
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength's abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love's rite,
And in mine own love's strength seem to decay,
O'ercharged with burden of mine own love's might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast;
Who plead for love, and look for recompense,
More than that tongue that more hath more expressed.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love's fine wit.

   XXIX
When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee: and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate:
For thy sweet love remembered such wealth brings
That then I scorn to change my state with kings.

   XXX
When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time's waste:
Then can I drown an eye, unused to flow,
For precious friends hid in death's dateless night,
And weep afresh love's long-since cancelled woe,
And moan the expense of many a vanished sight:
Then can I grieve at grievances foregone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before:
But if the while I think on thee, dear friend,
All losses are restored, and sorrows end.

   XXXII
If thou survive my well-contented day
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceased lover,
Compare them with the bettering of the time,
And though they be outstripped by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought:
"Had my friend's Muse grown with this growing age,
A dearer birth than this his love had brought,
To march in ranks of better equipage:
But since he died, and poets better prove,
Theirs for their style I'll read, his for his love."

   XXXIII
Full many a glorious morning have I seen
Flatter the mountain-tops with sovereign eye,
Kissing with golden lace the meadows green,
Gilding pale streams with heavenly alchemy.
Anon permit the basest clouds to ride
With ugly rack on his celestial face,
And from the forlorn world his visage hide,
Stealing unseen to west with this disgrace:
Even so my sun one early morn did shine
With all-triumphant splendor on my brow;
But out, alack! he was but one hour mine,
The region cloud hath masked him from me now.
Yet him for this my love no whit disdaineth;
Suns of the world may stain when heaven's sun staineth.

   LX
Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light,
Crawls to maturity, wherewith being crowned,
Crooked eclipses 'gainst his glory fight,
And Time that gave, doth now his gift confound.
Time doth transfix the flourish set on youth,
And delves the parallels in beauty's brow;
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow:
And yet, to times in hope, my verse shall stand
Praising thy worth, despite his cruel hand.

   LXXI
No longer mourn for me when I am dead,
Than you shall hear the surly, sullen bell
Give warning to the world that I am fled
From this vile world, with vilest worms to dwell:
Nay, if you read this line, remember not
The hand that writ it; for I love you so,
That I in your sweet thoughts would be forgot,
If thinking on me then should make you woe.
O, if (I say) you look upon this verse,
When I perhaps compounded am with clay,
Do not so much as my poor name rehearse,
But let your love even with my life decay;
Lest the wise world should look into your moan,
And mock you with me after I am gone.

   LXXIII
That time of year thou may'st in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou see'st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv'st, which makes thy love more strong
To love that well which thou must leave ere long.

   CIV
To me, fair friend, you never can be old;
For as you were when first your eye I eyed,
Such seems your beauty still.  Three Winters cold
Have from the forests shook three Summers' pride;
Three beauteous Springs to yellow Autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah! yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty's Summer dead.

   CVI
When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead, and lovely knights;
Then in the blazon of sweet beauty's best
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have expressed
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all, you prefiguring;
And, for they looked but with divining eyes,
They had not skill enough your worth to sing:
For we, which now behold these present days,
Have eyes to wonder, but lack tongues to praise.

   CIX
O, never say that I was false of heart
Though absence seemed my flame to qualify:
As easy might I from myself depart
As from my soul, which in thy breast doth lie;
That is my home of love; if I have ranged,
Like him that travels, I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe, though in my nature reigned
All frailties that besiege all kinds of blood,
That it could so preposterously be stained
To leave for nothing all thy sum of good!
For nothing this wide universe I call,
Save thou, my rose: in it thou art my all.

   CXVI
Let me not to the marriage of true minds
Admit impediments.  Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixed mark
That looks on tempests, and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom:
If this be error, and upon me proved,
I never writ, nor no man ever loved.

   CXXX
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak,—yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go,—
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.

   CXLVI
Poor soul, the centre of my sinful earth,
Pressed by these rebel powers that thee array,
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge?  Is this thy body's end?
Then, soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:
So shalt thou feed on Death, that feeds on men;
And Death once dead, there's no more dying then.

William Shakespeare [1564-1616]

Alexis, here she stayed; among these pines,
Sweet hermitress, she did alone repair;
Here did she spread the treasure of her hair,
More rich than that brought from the Colchian mines.
She set her by these musked eglantines,
The happy place the print seems yet to bear;
Her voice did sweeten here thy sugared lines,
To which winds, trees, beasts, birds, did lend their ear.
Me here she first perceived, and here a morn
Of bright carnations did o'erspread her face;
Here did she sigh, here first my hopes were born,
And I first got a pledge of promised grace:
But, ah! what served it to be happy so,
Since passed pleasures double but new woe?

William Drummond [1585-1649]

Were I as base as is the lowly plain,
And you, my love, as high as heaven above,
Yet should the thoughts of me, your humble swain,
Ascend to heaven in honor of my love.
Were I as high as heaven above the plain,
And you, my love, as humble and as low
As are the deepest bottoms of the main,
Wheresoe'er you were, with you my love should go.
Were you the earth, dear love, and I the skies,
My love should shine on you, like to the sun,
And look upon you with ten thousand eyes,
Till heaven waxed blind and till the world were done.
Wheresoe'er I am,—below, or else above you,—
Wheresoe'er you are, my heart shall truly love you.

Joshua Sylvester [1563-1618]

Look how the pale Queen of the silent night
Doth cause the ocean to attend upon her,
And he, as long as she is in his sight,
With his full tide is ready her to honor:
But when the silver wagon of the Moon
Is mounted up so high he cannot follow,
The sea calls home his crystal waves to moan,
And with low ebb doth manifest his sorrow.
So you that are the sovereign of my heart,
Have all my joys attending on your will,
My joys low-ebbing when you do depart,
When you return, their tide my heart doth fill.
So as you come, and as you do depart,
Joys ebb and flow within my tender heart.

Charles Best [fl. 1602]

Mary! I want a lyre with other strings,
Such aid from Heaven as some have feigned they drew,
An eloquence scarce given to mortals, new
And undebased by praise of meaner things;
That, ere through age or woe I shed my wings,
I may record thy worth with honor due,
In verse as musical as thou art true,
And that immortalizes whom it sings:
But thou hast little need.  There is a Book
By seraphs writ with beams of heavenly light,
On which the eyes of God not rarely look,
A chronicle of actions just and bright:
There all thy deeds, my faithful Mary, shine;
And, since thou own'st that praise, I spare thee mine.

William Cowper [1731-1800]

Why art thou silent?  Is thy love a plant
Of such weak fibre that the treacherous air
Of absence withers what was once so fair?
Is there no debt to pay, no boon to grant?
Yet have my thoughts for thee been vigilant,
Bound to thy service with unceasing care—
The mind's least generous wish a mendicant
For naught but what thy happiness could spare.
Speak!—though this soft warm heart, once free to hold
A thousand tender pleasures, thine and mine,
Be left more desolate, more dreary cold
Than a forsaken bird's-nest filled with snow
'Mid its own bush of leafless eglantine—
Speak, that my torturing doubts their end may know!

William Wordsworth [1770-1850]

SONNETS
From "The House of Life"

   IV
LOVESIGHT
When do I see thee most, beloved one?
When in the light the spirits of mine eyes
Before thy face, their altar, solemnize
The worship of that Love through thee made known?
Or when in the dusk hours, (we two alone,)
Close-kissed and eloquent of still replies
Thy twilight-hidden glimmering visage lies,
And my soul only sees thy soul its own?
O love, my love! if I no more should see
Thyself, nor on the earth the shadow of thee,
Nor image of thine eyes in any spring,—
How then should sound upon Life's darkening slope
The ground-whirl of the perished leaves of Hope,
The wind of Death's imperishable wing?

   V
HEART'S HOPE
By what word's power, the key of paths untrod,
Shall I the difficult deeps of Love explore,
Till parted waves of Song yield up the shore
Even as that sea which Israel crossed dryshod?
For lo! in some poor rhythmic period,
Lady, I fain would tell how evermore
Thy soul I know not from thy body, nor
Thee from myself, neither our love from God.
Yea, in God's name, and Love's, and thine, would I
Draw from one loving heart such evidence
As to all hearts all things shall signify;
Tender as dawn's first lull-fire, and intense
As instantaneous penetrating sense,
In Spring's birth-hour, of other Springs gone by.

   XV
THE BIRTH-BOND
Have you not noted, in some family
Where two were born of a first marriage-bed,
How still they own their gracious bond, though fed
And nursed on the forgotten breast and knee?—
How to their father's children they shall be
In act and thought of one goodwill; but each
Shall for the other have, in silence speech,
And in a word complete community?
Even so, when first I saw you, seemed it, love,
That among souls allied to mine was yet
One nearer kindred than life hinted of.
O born with me somewhere that men forget,
And though in years of sight and sound unmet,
Known for my soul's birth-partner well enough!

   XIX
SILENT NOON
Your hands lie open in the long fresh grass,—
The finger-points look through like rosy blooms:
Your eyes smile peace.  The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.
Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky:—
So this winged hour is dropped to us from above.
Oh! clasp we to our hearts, for deathless dower,
This close-companioned inarticulate hour
When twofold silence was the song of love.

   XXVI
MID-RAPTURE
Thou lovely and beloved, thou my love;
Whose kiss seems still the first; whose summoning eyes,
Even now, as for our love-world's new sunrise,
Shed very dawn; whose voice, attuned above
All modulation of the deep-bowered dove,
Is like a hand laid softly on the soul;
Whose hand is like a sweet voice to control
Those worn tired brows it hath the keeping of:—
What word can answer to thy word,—what gaze
To thine, which now absorbs within its sphere
My worshipping face, till I am mirrored there
Light-circled in a heaven of deep-drawn rays?
What clasp, what kiss mine inmost heart can prove,
O lovely and beloved, O my love?

   XXXI
HER GIFTS
High grace, the dower of queens; and therewithal
Some wood-born wonder's sweet simplicity;
A glance like water brimming with the sky
Or hyacinth-light where forest-shadows fall;
Such thrilling pallor of cheek as doth enthrall
The heart; a mouth whose passionate forms imply
All music and all silence held thereby;
Deep golden locks, her sovereign coronal;
A round reared neck, meet column of Love's shrine
To cling to when the heart takes sanctuary;
Hands which for ever at Love's bidding be,
And soft-stirred feet still answering to his sign:—
These are her gifts, as tongue may tell them o'er.
Breathe low her name, my soul; for that means more.

   XXXIV
THE DARK GLASS
Not I myself know all my love for thee:
How should I reach so far, who cannot weigh
To-morrow's dower by gage of yesterday?
Shall birth and death, and all dark names that be
As doors and windows bared to some loud sea,
Lash deaf mine ears and blind my face with spray;
And shall my sense pierce love,—the last relay
And ultimate outpost of eternity?
Lo! what am I to Love, the lord of all?
One murmuring shell he gathers from the sand,—
One little heart-flame sheltered in his hand.
Yet through thine eyes he grants me clearest call
And veriest touch of powers primordial
That any hour-girt life may understand.

   XLIX
WILLOWWOOD
I sat with Love upon a woodside well,
Leaning across the water, I and he;
Nor ever did he speak nor looked at me,
But touched his lute wherein was audible
The certain secret thing he had to tell:
Only our mirrored eyes met silently
In the low wave; and that sound came to be
The passionate voice I knew; and my tears fell.
And at their fall, his eyes beneath grew hers;
And with his foot and with his wing-feathers
He swept the spring that watered my heart's drouth.
Then the dark ripples spread to waving hair,
And as I stooped, her own lips rising there
Bubbled with brimming kisses at my mouth.

   LXXVIII
BODY'S BEAUTY
Or Adam's first wife, Lilith, it is told
(The witch he loved before the gift of Eve,)
That, ere the snake's, her sweet tongue could deceive,
And her enchanted hair was the first gold.
And still she sits, young while the earth is old,
And, subtly of herself contemplative,
Draws men to watch the bright web she can weave,
Till heart and body and life are in its hold.
The rose and poppy are her flowers: for where
Is he not found, O Lilith! whom shed scent
And soft-shed kisses and soft sleep shall snare?
Lo! as that youth's eyes burned at thine, so went
Thy spell through him, and left his straight neck bent,
And round his heart one strangling golden hair.

Dante Gabriel Rossetti [1828-1882]

MEETING
They made the chamber sweet with flowers and leaves,
And the bed sweet with flowers on which I lay;
While my soul, love-bound, loitered on its way.
I did not hear the birds about the eaves,
Nor hear the reapers talk among the sheaves:
Only my soul kept watch from day to day,
My thirsty soul kept watch for one away:—
Perhaps he loves, I thought, remembers, grieves.
At length there came the step upon the stair,
Upon the lock the old familiar hand:
Then first my spirit seemed to scent the air
Of Paradise; then first the tardy sand
Of time ran golden; and I felt my hair
Put on a glory, and my soul expand.

THE FIRST DAY
I wish I could remember the first day,
First hour, first moment of your meeting me,
If bright or dim the season, it might be
Summer or Winter for aught I can say;
So unrecorded did it slip away,
So blind was I to see and to foresee,
So dull to mark the budding of my tree
That would not blossom yet for many a May.
If only I could recollect it, such
A day of days!  I let it come and go
As traceless as a thaw of bygone snow;
It seemed to mean so little, meant so much;
If only now I could recall that touch,
First touch of hand in hand—Did one but know!

REMEMBER
Remember me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go, yet turning stay.
Remember me when no more, day by day,
You tell me of our future that you planned:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad.

REST
O earth, lie heavily upon her eyes;
Seal her sweet eyes weary of watching, Earth;
Lie close around her; leave no room for mirth
With its harsh laughter, nor for sound of sighs.
She hath no questions, she hath no replies,
Hushed in and curtained with a blessed dearth
Of all that irked her from the hour of birth;
With stillness that is almost Paradise.
Darkness more clear than noonday holdeth her,
Silence more musical than any song;
Even her very heart has ceased to stir:
Until the morning of Eternity
Her rest shall not begin nor end, but be;
And when she wakes she will not think it long.

Christina Georgina Rossetti [1830-1894]

God made my lady lovely to behold;—
Above the painter's dream he set her face,
And wrought her body in divinest grace;
He touched the brown hair with a sense of gold,
And in the perfect form He did enfold
What was alone as perfect, the sweet heart;
Knowledge most rare to her He did impart,
And filled with love and worship all her days.
And then God thought Him how it would be well
To give her music, and to Love He said,
"Bring thou some minstrel now that he may tell
How fair and sweet a thing My hands have made."
Then at Love's call I came, bowed down my head,
And at His will my lyre grew audible.

Philip Bourke Marston [1850-1887]

Because the shadows deepened verily,—
Because the end of all seemed near, forsooth,—
Her gracious spirit, ever quick to ruth,
Had pity on her bond-slave, even on me.
She came in with the twilight noiselessly,
Fair as a rose, immaculate as Truth;
She leaned above my wrecked and wasted youth;
I felt her presence, which I could not see.
"God keep you, my poor friend," I heard her say;
And then she kissed my dry, hot lips and eyes.
Kiss thou the next kiss, quiet Death, I pray;
Be instant on this hour, and so surprise
My spirit while the vision seems to stay;
Take thou the heart with the heart's Paradise.

Philip Bourke Marston [1850-1887]

On! leave the past to bury its own dead.
The past is naught to us, the present all.
What need of last year's leaves to strew Love's bed?
What need of ghosts to grace a festival?
I would not, if I could, those days recall,
Those days not ours.  For us the feast is spread,
The lamps are lit, and music plays withal.
Then let us love and leave the rest unsaid.
This island is our home.  Around it roar
Great gulfs and oceans, channels, straits and seas.
What matter in what wreck we reached the shore,
So we both reached it?  We can mock at these.
Oh leave the past, if past indeed there be;
I would not know it; I would know but thee.

Wilfrid Scawen Blunt [1840-1922]

I do not care for kisses.  'Tis a debt
We paid for the first privilege of love.
These are the rains of April which have wet
Our fallow hearts and forced their germs to move.
Now the green corn has sprouted.  Each new day
Brings better pleasures, a more dear surprise,
The blade, the ear, the harvest—and our way
Leads through a region wealthy grown and wise.
We now compare our fortunes.  Each his store
Displays to kindred eyes of garnered grain,
Two happy farmers, learned in love's lore,
Who weigh and touch and argue and complain—
Dear endless argument!  Yet sometimes we
Even as we argue kiss.  There! Let it be.

Wilfrid Scawen Blunt [1840-1922]

Were but my spirit loosed upon the air,—
By some High Power who could Life's chains unbind,
Set free to seek what most it longs to find,—
To no proud Court of Kings would I repair:
I would but climb, once more, a narrow stair,
When day was wearing late, and dusk was kind;
And one should greet me to my failings blind,
Content so I but shared his twilight there.
Nay! well I know he waits not as of old,—
I could not find him in the old-time place,—
I must pursue him, made by sorrow bold,
Through worlds unknown, in strange celestial race,
Whose mystic round no traveller has told,
From star to star, until I see his face.

Louise Chandler Moulton [1835-1908]

I must not think of thee; and, tired yet strong,
I shun the thought that lurks in all delight—
The thought of thee—and in the blue heaven's height,
And in the dearest passage of a song.
Oh, just beyond the fairest thoughts that throng
This breast the thought of thee waits, hidden yet bright
But it must never, never come in sight;
I must stop short of thee the whole day long.
But when sleep comes to close each difficult day,
When night gives pause to the long watch I keep,
And all my bonds I needs must loose apart,
Must doff my will as raiment laid away,—
With the first dream that comes with the first sleep
I run, I run, I am gathered to thy heart.

Alice Meynell [1850-1922]

My love for thee doth march like armed men,
Against a queenly city they would take.
Along the army's front its banners shake;
Across the mountain and the sun-smit plain
It steadfast sweeps as sweeps the steadfast rain;
And now the trumpet makes the still air quake,
And now the thundering cannon doth awake
Echo on echo, echoing loud again.
But, lo! the conquest higher than bard e'er sung:
Instead of answering cannon, proud surrender!
Joyful the iron gates are open flung
And, for the conqueror, welcome gay and tender!
O, bright the invader's path with tribute flowers,
While comrade flags flame forth on wall and towers!

Richard Watson Gilder [1844-1909]

I know not if I love her overmuch;
But this I know, that when unto her face
She lifts her hand, which rests there, still, a space,
Then slowly falls—'tis I who feel that touch.
And when she sudden shakes her head, with such
A look, I soon her secret meaning trace.
So when she runs I think 'tis I who race.
Like a poor cripple who has lost his crutch
I am if she is gone; and when she goes,
I know not why, for that is a strange art—
As if myself should from myself depart.
I know not if I love her more than those
Who long her light have known; but for the rose
She covers in her hair, I'd give my heart.

I like her gentle hand that sometimes strays,
To find the place, through the same book with mine;
I like her feet; and O, those eyes divine!
And when we say farewell, perhaps she stays
Love-lingering—then hurries on her ways,
As if she thought, "To end my pain and thine."
I like her voice better than new-made wine;
I like the mandolin whereon she plays.
And I like, too, the cloak I saw her wear,
And the red scarf that her white neck doth cover,
And well I like the door that she comes through;
I like the ribbon that doth bind her hair—
But then, in truth, I am that lady's lover,
And every new day there is something new.

Richard Watson Gilder [1844-1909]

STANZAS
From "Modern Love"

   I
By this he knew she wept with waking eyes:
That, at his hand's light quiver by her head,
The strange low sobs that shook their common bed
Were called into her with a sharp surprise,
And strangled mute, like little gaping snakes,
Dreadfully venomous to him.  She lay
Stone-still, and the long darkness flowed away
With muffled pulses.  Then as midnight makes
Her giant heart of Memory and Tears
Drink the pale drug of silence, and so beat
Sleep's heavy measure, they from head to feet
Were moveless, looking through their dead black years,
By vain regret scrawled over the blank wall.
Like sculptured effigies they might be seen
Upon their marriage-tomb, the sword between;
Each wishing for the sword that severs all.

   II
It ended, and the morrow brought the task.
Her eyes were guilty gates, that let him in
By shutting all too zealous for their sin:
Each sucked a secret, and each wore a mask.
But, oh, the bitter taste her beauty had!
He sickened as at breath of poison-flowers:
A languid humor stole among the hours,
And if their smiles encountered, he went mad,
And raged deep inward, till the light was brown
Before his vision, and the world forgot,
Looked wicked as some old dull murder-spot.
A star with lurid beams, she seemed to crown
The pit of infamy: and then again
He fainted on his vengefulness, and strove
To ape the magnanimity of love,
And smote himself, a shuddering heap of pain.

   III
This was the woman; what now of the man?
But pass him.  If he comes beneath a heel,
He shall be crushed until he cannot feel,
Or, being callous, haply till he can.
But he is nothing:—nothing?  Only mark
The rich light striking out from her on him!
Ha! what a sense it is when her eyes swim
Across the man she singles, leaving dark
All else!  Lord God, who mad'st the thing so fair,
See that I am drawn to her, even now!
It cannot be such harm on her cool brow
To plant a kiss?  Yet if I meet him there!
But she is mine!  Ah, no! I know too well
I claim a star whose light is overcast:
I claim a phantom-woman in the Past.
The hour has struck, though I heard not the bell!

   XIV
What soul would bargain for a cure that brings
Contempt the nobler agony to kill?
Rather let me bear on the bitter ill,
And strike this rusty bosom with new stings!
It seems there is another veering fit,
Since on a gold-haired lady's eyeballs pure,
I looked with little prospect of a cure,
The while her mouth's red bow loosed shafts of wit.
Just heaven! can it be true that jealousy
Has decked the woman thus? and does her head
Swim somewhat for possessions forfeited?
Madam, you teach me many things that be.
I open an old book, and there I find,
That "Women still may love whom they deceive."
Such love I prize not, madam: by your leave,
The game you play at is not to my mind.

   XVI
In our old shipwrecked days there was an hour
When in the firelight steadily aglow,
Joined slackly, we beheld the red chasm grow
Among the clicking coals.  Our library-bower
That eve was left to us: and hushed we sat
As lovers to whom Time is whispering.
From sudden-opened doors we heard them sing:
The nodding elders mixed good wine with chat.
Well knew we that Life's greatest treasure lay
With us, and of it was our talk.  "Ah, yes!
Love dies!" I said: I never thought it less.
She yearned to me that sentence to unsay.
Then when the fire domed blackening, I found
Her cheek was salt against my kiss, and swift
Up the sharp scale of sobs her breast did lift:—
Now am I haunted by that taste! that sound!

   XXVI
Love ere he bleeds, an eagle in high skies,
Has earth beneath his wings: from reddened eve
He views the rosy dawn.  In vain they weave
The fatal web below while far he flies.
But when the arrow strikes him, there's a change.
He moves but in the track of his spent pain,
Whose red drops are the links of a harsh chain,
Binding him to the ground, with narrow range.
A subtle serpent then has Love become.
I had the eagle in my bosom erst:
Henceforward with the serpent I am cursed.
I can interpret where the mouth is dumb.
Speak, and I see the side-lie of a truth.
Perchance my heart may pardon you this deed:
But be no coward:—you that made Love bleed,
You must bear all the venom of his tooth!

   XLI
How many a thing which we cast to the ground,
When others pick it up becomes a gem!
We grasp at all the wealth it is to them;
And by reflected light its worth is found.
Yet for us still 'tis nothing! and that zeal
Of false appreciation quickly fades.
This truth is little known to human shades,
How rare from their own instinct 'tis to feel!
They waste the soul with spurious desire,
That is not the ripe flame upon the bough.
We two have taken up a lifeless vow
To rob a living passion: dust for fire!
Madam is grave, and eyes the clock that tells
Approaching midnight.  We have struck despair
Into two hearts.  O, look we like a pair
Who for fresh nuptials joyfully yield all else?

   XLIII
Mark where the pressing wind shoots javelin-like,
Its skeleton shadow on the broad-backed wave!
Here is a fitting spot to dig Love's grave;
Here where the ponderous breakers plunge and strike,
And dart their hissing tongues high up the sand:
In hearing of the ocean, and in sight
Of those ribbed wind-streaks running into white.
If I the death of Love had deeply planned,
I never could have made it half so sure,
As by the unblest kisses which upbraid
The full-waked sense; or failing that, degrade?
'Tis morning: but no morning can restore
What we have forfeited.  I see no sin:
The wrong is mixed.  In tragic life, God wot,
No villain need be!  Passions spin the plot:
We are betrayed by what is false within.

   XLIX
He found her by the ocean's moaning verge,
Nor any wicked change in her discerned;
And she believed his old love had returned,
Which was her exultation, and her scourge.
She took his hand, and walked with him, and seemed
The wife he sought, though shadow-like and dry.
She had one terror, lest her heart should sigh,
And tell her loudly she no longer dreamed.
She dared not say, "This is my breast: look in."
But there's a strength to help the desperate weak.
That night he learned how silence best can speak
The awful things when Pity pleads for Sin.
About the middle of the night her call
Was heard, and he came wondering to the bed.
"Now kiss me, dear! it may be, now!" she said,
Lethe had passed those lips, and he knew all.

   L
Thus piteously Love closed what he begat:
The union of this ever-diverse pair!
These two were rapid falcons in a snare,
Condemned to do the flitting of the bat.
Lovers beneath the singing sky of May,
They wandered once; clear as the dew on flowers:
But they fed not on the advancing hours:
Their hearts held cravings for the buried day.
Then each applied to each that fatal knife,
Deep questioning, which probes to endless dole.
Ah, what a dusty answer gets the soul
When hot for certainties in this our life!—
In tragic hints here see what evermore
Moves dark as yonder midnight ocean's force,
Thundering like ramping hosts of warrior horse,
To throw that faint thin line upon the shore!