The Home Book of Verse — Volume 3

Edith M. Thomas [1854-1925]

Was it worth while to paint so fair
Thy every leaf—to vein with faultless art
Each petal, taking the boon light and air
Of summer so to heart?

To bring thy beauty unto perfect flower,
Then, like a passing fragrance or a smile,
Vanish away, beyond recovery's power—
Was it, frail bloom, worth while?

Thy silence answers: "Life was mine!
And I, who pass without regret or grief,
Have cared the more to make my moment fine,
Because it was so brief.

"In its first radiance I have seen
The sun!—why tarry then till comes the night?
I go my way, content that I have been
Part of the morning light!"

Florence Earle Coates [1850-1927]

By scattered rocks and turbid waters shifting,
By furrowed glade and dell,
To feverish men thy calm, sweet face uplifting,
Thou stayest them to tell

The delicate thought that cannot find expression,
For ruder speech too fair,
That, like thy petals, trembles in possession,
And scatters on the air.

The miner pauses in his rugged labor,
And, leaning on his spade,
Laughingly calls unto his comrade-neighbor
To see thy charms displayed.

But in his eyes a mist unwonted rises,
And for a moment clear
Some sweet home face his foolish thought surprises
And passes in a tear,—

Some boyish vision of his Eastern village,
Of uneventful toil,
Where golden harvests followed quiet tillage
Above a peaceful soil.

One moment only, for the pick, uplifting,
Through root and fibre cleaves,
And on the muddy current slowly drifting
Are swept thy bruised leaves.

And yet, O poet, in thy homely fashion,
Thy work thou dost fulfil,
For on the turbid current of his passion
Thy face is shining still!

Bret Harte [1839-1902]

Ask me why I send you here
This sweet Infanta of the year?
Ask me why I send to you
This Primrose, thus bepearled with dew?
I will whisper to your ears:—
The sweets of love are mixed with tears.

Ask me why this flower does show
So yellow-green, and sickly too?
Ask me why the stalk is weak
And bending, yet it doth not break?
I will answer:—These discover
What fainting hopes are in a lover.

Robert Herrick [1591-1674]

Why do ye weep, sweet babes?  Can tears
Speak grief in you,
Who were but born
Just as the modest morn
Teemed her refreshing dew?
Alas, you have not known that shower
That mars a flower,
Nor felt the unkind
Breath of a blasting wind,
Nor are ye worn with years,
Or warped, as we,
Who think it strange to see
Such pretty flowers, like to orphans young,
To speak by tears, before ye have a tongue.

Speak, whimpering younglings, and make known
The reason why
Ye droop and weep;
Is it for want of sleep,
Or childish lullaby?
Or that ye have not seen as yet
The violet?
Or brought a kiss
From that Sweet-heart, to this?
—No, no, this sorrow shown
By your tears shed,
Would have this lecture read,
That things of greatest, so of meanest worth,
Conceived with grief are, and with tears brought forth.

Robert Herrick [1591-1674]

Mild offspring of a dark and sullen sire!
Whose modest form, so delicately fine,
Was nursed in whirling storms
And cradled in the winds;

Thee, when young Spring first questioned Winter's sway,
And dared the sturdy blusterer to the fight,
Thee on this bank he threw
To mark his victory.

In this low vale, the promise of the year,
Serene, thou openest to the nipping gale,
Unnoticed and alone,
Thy tender elegance.

So Virtue blooms, brought forth amid the storms
Of chill adversity; in some lone walk
Of life she rears her head,
Obscure and unobserved;

While every bleaching breeze that on her blows
Chastens her spotless purity of breast,
And hardens her to bear
Serene the ills of life.

Henry Kirke White [1785-1806]

On Being Asked Whence Is The Flower

In May, when sea-winds pierced our solitudes,
I found the fresh Rhodora in the woods,
Spreading its leafless blooms in a damp nook,
To please the desert and the sluggish brook.
The purple petals, fallen in the pool,
Made the black water with their beauty gay;
Here might the red-bird come his plumes to cool,
And court the flower that cheapens his array.
Rhodora! if the sages ask thee why
This charm is wasted on the earth and sky,
Tell them, dear, that if eyes were made for seeing,
Then Beauty is its own excuse for being:
Why thou wert there, O rival of the rose!
I never thought to ask, I never knew:
But, in my simple ignorance, suppose
The self-same Power that brought me there brought you.

Ralph Waldo Emerson [1803-1882]

A rose, as fair as ever saw the North,
Grew in a little garden all alone;
A sweeter flower did Nature ne'er put forth,
Nor fairer garden yet was never known:
The maidens danced about it morn and noon,
And learned bards of it their ditties made;
The nimble fairies by the pale-faced moon
Watered the root and kissed her pretty shade.
But well-a-day!—the gardener careless grew;
The maids and fairies both were kept away,
And in a drought the caterpillars threw
Themselves upon the bud and every spray.
God shield the stock!  If heaven send no supplies,
The fairest blossom of the garden dies.

William Browne [1591-1643]

On long, serene midsummer days
Of ripening fruit and yellow grain,
How sweetly, by dim woodland ways,
In tangled hedge or leafy lane,
Fair wild-rose thickets, you unfold
Those pale pink stars with hearts of gold!

Your sleek patrician sisters dwell
On lawns where gleams the shrub's trim bosk,
In terraced gardens, tended well,
Near pebbled walk and quaint kiosk.
In costliest urns their colors rest;
They beam on beauty's fragrant breast!

But you in lowly calm abide,
Scarce heeded save by breeze or bee;
You know what splendor, pomp and pride
Full oft your brilliant sisters see;
What sorrow too, and bitter fears;
What mad farewells and hopeless tears.

How some are kept in old, dear books,
That once in bridal wreaths were worn;
How some are kissed, with tender looks,
And later tossed aside with scorn;
How some their taintless petals lay
On icy foreheads, pale as they!

So, while these truths you vaguely guess,
A-bloom in many a lonesome spot,
Shy roadside roses, may you bless
The fate that rules your modest lot,
Like rustic maids that meekly stand
Below the ladies of their land!

Edgar Fawcett [1847-1904]

Ah! there's the lily, marble pale,
The bonny broom, the cistus frail;
The rich sweet pea, the iris blue,
The larkspur with its peacock hue;
All these are fair, yet hold I will
That the Rose of May is fairer still.

'Tis grand 'neath palace walls to grow,
To blaze where lords and ladies go;
To hang o'er marble founts, and shine
In modern gardens, trim and fine;
But the Rose of May is only seen
Where the great of other days have been.

The house is mouldering stone by stone,
The garden-walks are overgrown;
The flowers are low, the weeds are high,
The fountain-stream is choked and dry,
The dial-stone with moss is green,
Where'er the Rose of May is seen.

The Rose of May its pride displayed
Along the old stone balustrade;
And ancient ladies, quaintly dight,
In its pink blossoms took delight;
And on the steps would make a stand
To scent its fragrance—fan in hand.

Long have been dead those ladies gay;
Their very heirs have passed away;
And their old portraits, prim and tall,
Are mouldering in the mouldering hall;
The terrace and the balustrade
Lie broken, weedy and decayed.

But blithe and tall the Rose of May
Shoots upward through the ruin gray;
With scented flower, and leaf pale green,
Such rose as it hath never been,
Left, like a noble deed, to grace
The memory of an ancient race.

Mary Howitt [1799-1888]

Blown in the morning, thou shalt fade ere noon.
What boots a life which in such haste forsakes thee?
Thou'rt wondrous frolic, being to die so soon,
And passing proud a little color makes thee.
If thee thy brittle beauty so deceives,
Know then the thing that swells thee is thy bane;
For the same beauty cloth, in bloody leaves,
The sentence of thy early death contain.
Some clown's coarse lungs will poison thy sweet flower,
If by the careless plough thou shalt be torn;
And many Herods lie in wait each hour
To murder thee as soon as thou art born—
Nay, force thy bud to blow—their tyrant breath
Anticipating life, to hasten death!

Richard Fanshawe [1608-1666]

When April rains make flowers bloom
And Johnny-jump-ups come to light,
And clouds of color and perfume
Float from the orchards pink and white,
I see my shamrock in the rain,
An emerald spray with raindrops set,
Like jewels on Spring's coronet,
So fair, and yet it breathes of pain.

The shamrock on an older shore
Sprang from a rich and sacred soil
Where saint and hero lived of yore,
And where their sons in sorrow toil;
And here, transplanted, it to me
Seems weeping for the soil it left:
The diamonds that all others see
Are tears drawn from its heart bereft.

When April rain makes flowers grow,
And sparkles on their tiny buds
That in June nights will over-blow
And fill the world with scented floods,
The lonely shamrock in our land—
So fine among the clover leaves—
For the old springtime often grieves,—
I feel its tears upon my hand.

Maurice Francis Egan [1852-1924]

Welcome, maids of honor,
You do bring
In the Spring,
And wait upon her.

She has virgins many,
Fresh and fair;
Yet you are
More sweet than any.

You're the maiden posies,
And, so graced,
To be placed
'Fore damask roses.

Yet, though thus respected,
By and by
Ye do lie,
Poor girls, neglected.

Robert Herrick [1591-1674]

O faint, delicious, spring-time violet!
Thine odor, like a key,
Turns noiselessly in memory's wards to let
A thought of sorrow free.

The breath of distant fields upon my brow
Blows through that open door
The sound of wind-borne bells, more sweet and low,
And sadder than of yore.

It comes afar, from that beloved place,
And that beloved hour,
When life hung ripening in love's golden grace,
Like grapes above a bower.

A spring goes singing through its reedy grass;
The lark sings o'er my head,
Drowned in the sky—O, pass, ye visions, pass!
I would that I were dead!—

Why hast thou opened that forbidden door,
From which I ever flee?
O vanished Joy!  O Love, that art no more,
Let my vexed spirit be!

O violet! thy odor through my brain
Hath searched, and stung to grief
This sunny day, as if a curse did stain
Thy velvet leaf.

William Wetmore Story [1819-1895]

In this secluded shrine,
O miracle of grace,
No mortal eye but mine
Hath looked upon thy face.

No shadow but mine own
Hath screened thee from the sight
Of Heaven, whose love alone
Hath led me to thy light.

Whereof—as shade to shade
Is wedded in the sun—
A moment's glance hath made
Our souls forever one.

John Banister Tabb [1845-1909]

The violet in the wood, that's sweet to-day,
Is longer sweet than roses of red June;
Set me sweet violets along my way,
And bid the red rose flower, but not too soon.
Ah violet, ah rose, why not the two?
Why bloom not all fair flowers the whole year through?
Why not the two, young violet, ripe rose?
Why dies one sweetness when another blows?

Augusta Webster [1837-1894]

Teach me the secret of thy loveliness,
That, being made wise, I may aspire to be
As beautiful in thought, and so express
Immortal truths to earth's mortality;
Though to my soul ability be less
Than 'tis to thee, O sweet anemone.

Teach me the secret of thy innocence,
That in simplicity I may grow wise,
Asking from Art no other recompense
Than the approval of her own just eyes;
So may I rise to some fair eminence,
Though less than thine, O cousin of the skies.

Teach me these things, through whose high knowledge, I,—
When Death hath poured oblivion through my veins,
And brought me home, as all are brought, to lie
In that vast house, common to serfs and thanes,—
I shall not die, I shall not utterly die,
For beauty born of beauty—that remains.

Madison Cawein [1865-1914]

Fair pledges of a fruitful tree,
Why do ye fall so fast?
Your date is not so past
But you may stay yet here awhile
To blush and gently smile,
And go at last.

What! were ye born to be
An hour or half's delight,
And so to bid good-night?
'Twas pity Nature brought you forth
Merely to show your worth
And lose you quite.

But you are lovely leaves, where we
May read how soon things have
Their end, though ne'er so brave:
And after they have shown their pride
Like you awhile, they glide
Into the grave.

Robert Herrick [1591-1674]

'Tis the last rose of summer,
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rose-bud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter
Thy leaves o'er the bed
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
O who would inhabit
This bleak world alone?

Thomas Moore [1779-1852]

The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sere.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit's tread;
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.

Where are the flowers, the fair young flowers, that lately sprang and stood
In brighter light and softer airs, a beauteous sisterhood?
Alas! they all are in their graves, the gentle race of flowers
Are lying in their lowly beds, with the fair and good of ours.
The rain is falling where they lie, but the cold November rain
Calls not from out the gloomy earth the lovely ones again.

The wind-flower and the violet, they perished long ago,
And the brier-rose and the orchis died amid the summer glow;
But on the hill the golden-rod, and the aster in the wood,
And the yellow sun-flower by the brook, in autumn beauty stood,
Till fell the frost from the clear cold heaven, as falls the plague on men,
And the brightness of their smile was gone, from upland, glade, and glen.

And now, when comes the calm mild day, as still such days will come,
To call the squirrel and the bee from out their winter home;
When the sound of dropping nuts is heard, though all the trees are still,
And twinkle in the smoky light the waters of the rill,
The south wind searches for the flowers whose fragrance late he bore,
And sighs to find them in the wood and by the stream no more.

And then I think of one who in her youthful beauty died,
The fair meek blossom that grew up and faded by my side.
In the cold moist earth we laid her, when the forest cast the leaf,
And we wept that one so lovely should have a life so brief:
Yet not unmeet it was that one like that young friend of ours,
So gentle and so beautiful, should perish with the flowers.

William Cullen Bryant [1794-1878]

Once on a time I used to dream
Strange spirits moved about my way,
And I might catch a vagrant gleam,
A glint of pixy or of fay;
Their lives were mingled with my own,
So far they roamed, so near they drew;
And when I from a child had grown,
I woke—and found my dream was true.

For one is clad in coat of fur,
And one is decked with feathers gay;
Another, wiser, will prefer
A sober suit of Quaker gray:
This one's your servant from his birth,
And that a Princess you must please,
And this one loves to wake your mirth,
And that one likes to share your ease.

O gracious creatures, tiny souls!
You seem so near, so far away,
Yet while the cloudland round us rolls,
We love you better every day.

Margaret Benson [18—

On Turning Up Her Nest With The Plow, November, 1785

Wee, sleekit, cow'rin', tim'rous beastie,
O, what a panic's in thy breastie!
Thou need na start awa' sae hasty,
Wi' bickering brattle!
I wad be laith to rin an' chase thee,
Wi' murd'ring pattle!

I'm truly sorry man's dominion
Has broken Nature's social union,
An' justifies that ill opinion,
Which makes thee startle
At me, thy poor, earth-born companion,
An' fellow-mortal!

I doubt na, whiles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen icker in a thrave
'S a sma' request;
I'll get a blessin' wi' the laive,
And never miss't!

Thy wee bit housie, too, in ruin!
Its silly wa's the win's are strewin'!
An' naething, now, to big a new ane,
O' faggage green!
An' bleak December's winds ensuin',
Baith snell an' keen!

Thou saw the fields laid bare an' waste,
An' weary winter comin' fast,
An' cozie here, beneath the blast,
Thou thought to dwell,—
Till, crash! the cruel coulter passed
Out through thy cell.

That wee bit heap o' leaves an' stibble
Has cost thee mony a weary nibble!
Now thou's turned out, for a' thy trouble,
But house or hald,
To thole the winter's sleety dribble,
An' cranreuch cauld!

But, Mousie, thou art no thy lane,
In proving foresight may be vain:—
The best-laid schemes o' mice an' men,
Gang aft a-gley,
An' lea'e us naught but grief an' pain,
For promised joy!

Still thou art blest, compared wi' me!
The present only toucheth thee:
But, och! I backward cast my e'e
On prospects drear!
An' forward, though I canna see,
I guess an' fear!

Robert Burns [1759-1796]

Happy insect, what can be
In happiness compared to thee?
Fed with nourishment divine,
The dewy morning's gentle wine!
Nature waits upon thee still,
And thy verdant cup does fill;
'Tis filled wherever thou dost tread,
Nature's self's thy Ganymede.
Thou dost drink, and dance, and sing,
Happier than the happiest king!
All the fields which thou dost see,
All the plants belong to thee;
All the summer hours produce,
Fertile made with early juice.
Man for thee does sow and plow,
Farmer he, and landlord thou!
Thou dost innocently enjoy;
Nor does thy luxury destroy.
The shepherd gladly heareth thee,
More harmonious than he.
Thee country hinds with gladness hear,
Prophet of the ripened year!
Thee Phoebus loves, and does inspire
Phoebus is himself thy sire.
To thee, of all things upon earth,
Life is no longer than thy mirth.
Happy insect! happy thou,
Dost neither age nor winter know;
But when thou'st drunk, and danced, and sung
Thy fill, the flowery leaves among,
(Voluptuous and wise withal,
Epicurean animal!)
Sated with thy summer feast,
Thou retir'st to endless rest.

After Anacreon, by Abraham Cowley [1618-1667]

The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees, a voice will run
From hedge to hedge about the new-mown mead:
That is the Grasshopper's—he takes the lead
In summer luxury,—he has never done
With his delights, for when tired out with fun,
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket's song, in warmth increasing ever,
And seems to one in drowsiness half-lost,
The Grasshopper's among the grassy hills.

John Keats [1795-1821]

Green little vaulter in the sunny grass,
Catching your heart up at the feel of June;
Sole voice that's heard amidst the lazy noon,
When even the bees lag at the summoning brass;
And you, warm little housekeeper, who class
With those who think the candles come too soon,
Loving the fire, and with your tricksome tune
Nick the glad silent moments as they pass;
O sweet and tiny cousins, that belong
One to the fields, the other to the hearth,
Both have your sunshine; both, though small, are strong
At your clear hearts; and both seem given to earth
To sing in thoughtful ears their natural song—
In-doors and out, summer and winter, Mirth.

Leigh Hunt [1784-1859]

Little inmate, full of mirth,
Chirping on my kitchen hearth,
Wheresoe'er be thine abode
Always harbinger of good,
Pay me for thy warm retreat
With a song more soft and sweet;
In return thou shalt receive
Such a strain as I can give.

Thus thy praise shall be expressed,
Inoffensive, welcome guest!
While the rat is on the scout,
And the mouse with curious snout,
With what vermin else infest
Every dish, and spoil the best;
Frisking thus before the fire,
Thou hast all thy heart's desire.

Though in voice and shape they be
Formed as if akin to thee,
Thou surpassest, happier far,
Happiest grasshoppers that are;
Theirs is but a summer's song,
Thine endures the winter long,
Unimpaired, and shrill, and clear,
Melody throughout the year.

Neither night nor dawn of day
Puts a period to thy play:
Sing then—and extend thy span
Far beyond the date of man;
Wretched man, whose years are spent
In repining discontent,
Lives not, aged though he be,
Half a span, compared with thee.

From the Latin of Vincent Bourne,
by William Cowper [1731-1800]

Voice of summer, keen and shrill,
Chirping round my winter fire,
Of thy song I never tire,
Weary others as they will,
For thy song with summer's filled—
Filled with sunshine, filled with June;
Firelight echo of that noon
Heard in fields when all is stilled
In the golden light of May,
Bringing scents of new-mown hay,
Bees, and birds, and flowers away,
Prithee, haunt my fireside still,
Voice of summer, keen and shrill.

William Cox Bennett [1820-1895]

I love to hear thine earnest voice,
Wherever thou art hid,
Thou testy little dogmatist,
Thou pretty Katydid!
Thou mindest me of gentlefolks,—
Old gentlefolks are they,—
Thou say'st an undisputed thing
In such a solemn way.

Thou art a female, Katydid!
I know it by the trill
That quivers through thy piercing notes,
So petulant and shrill;
I think there is a knot of you
Beneath the hollow tree,—
A knot of spinster Katydids,—
Do Katydids drink tea?

Oh, tell me where did Katy live,
And what did Katy do?
And was she very fair and young,
And yet so wicked, too?
Did Katy love a naughty man,
Or kiss more cheeks than one?
I warrant Katy did no more
Than many a Kate has done.

Dear me!  I'll tell you all about
My fuss with little Jane,
And Ann, with whom I used to walk
So often down the lane,
And all that tore their locks of black,
Or wet their eyes of blue,—
Pray tell me, sweetest Katydid,
What did poor Katy do?

Ah no! the living oak shall crash,
That stood for ages still,
The rock shall rend its mossy base
And thunder down the hill,
Before the little Katydid
Shall add one word, to tell
The mystic story of the maid
Whose name she knows so well.

Peace to the ever-murmuring race!
And when the latest one
Shall fold in death her feeble wings
Beneath the autumn sun,
Then shall she raise her fainting voice,
And lift her drooping lid,
And then the child of future years
Shall hear what Katy did.

Oliver Wendell Holmes [1809-1894]

To grass, or leaf, or fruit, or wall,
The snail sticks close, nor fears to fall,
As if he grew there, house and all
Together.

Within that house secure he hides,
When danger imminent betides,
Of storm, or other harm besides
Of weather.

Give but his horns the slightest touch,
His self-collecting power is such,
He shrinks into his house with much
Displeasure.

Where'er he dwells, he dwells alone,
Except himself, has chattels none,
Well satisfied to be his own
Whole treasure.

Thus, hermit-like, his life he leads,
Nor partner of his banquet needs,
And if he meets one, only feeds
The faster.

Who seeks him must be worse than blind
(He and his house are so combined),
If, finding it, he fails to find
Its master.

From the Latin of Vincent Bourne,
by William Cowper [1731-1800]

The frugal snail, with forecast of repose,
Carries his house with him where'er he goes;
Peeps out,—and if there comes a shower of rain,
Retreats to his small domicile amain.
Touch but a tip of him, a horn,—'tis well,—
He curls up in his sanctuary shell.
He's his own landlord, his own tenant; stay
Long as he will, he dreads no Quarter Day.
Himself he boards and lodges; both invites
And feasts himself; sleeps with himself o' nights.
He spares the upholsterer trouble to procure
Chattels; himself is his own furniture,
And his sole riches.  Whereso'er he roam,—
Knock when you will,—he's sure to be at home.

From the Latin of Vincent Bourne,
by Charles Lamb [1775-1834]

Burly, dozing humble-bee,
Where thou art is clime for me.
Let them sail for Porto Rique,
Far-off heats through seas to seek;
I will follow thee alone,
Thou animated torrid-zone!
Zigzag steerer, desert cheerer,
Let me chase thy waving lines;
Keep me nearer, me thy hearer,
Singing over shrubs and vines.

Insect lover of the sun,
Joy of thy dominion!
Sailor of the atmosphere;
Swimmer through the waves of air;
Voyager of light and noon;
Epicurean of June;
Wait, I prithee, till I come
Within earshot of thy hum,—
All without is martyrdom.

When the south wind, in May days,
With a net of shining haze
Silvers the horizon wall,
And with softness touching all,
Tints the human countenance
With a color of romance,
And infusing subtle heats,
Turns the sod to violets,
Thou, in sunny solitudes,
Rover of the underwoods,
The green silence dost displace
With thy mellow, breezy bass.

Hot midsummer's petted crone,
Sweet to me thy drowsy tone
Tells of countless sunny hours,
Long days, and solid banks of flowers;
Of gulfs of sweetness without bound
In Indian wildernesses found;
Of Syrian peace, immortal leisure,
Firmest cheer, and birdlike pleasure.

Aught unsavory or unclean
Hath my insect never seen;
But violets and bilberry bells,
Maple-sap and daffodels,
Grass with green flag half-mast high,
Succory to match the sky,
Columbine with horn of honey,
Scented fern, and agrimony,
Clover, catchfly, adder's tongue
And brier-roses, dwelt among;
All beside was unknown waste,
All was picture as he passed.

Wiser far than human seer,
Yellow-breeched philosopher!
Seeing only what is fair,
Sipping only what is sweet,
Thou dost mock at fate and care,
Leave the chaff, and take the wheat.
When the fierce northwestern blast
Cools sea and land so far and fast,
Thou already slumberest deep;
Woe and want thou canst outsleep;
Want and woe, which torture us,
Thy sleep makes ridiculous.

Ralph Waldo Emerson [1803-1882]

I've watched you now a full half-hour,
Self-poised upon that yellow flower;
And, little Butterfly! indeed
I know not if you sleep or feed.
How motionless! not frozen seas
More motionless! and then
What joy awaits you, when the breeze
Has found you out among the trees,
And calls you forth again!

This plot of orchard-ground is ours;
My trees they are, my Sister's flowers;
Here rest your wings when they are weary;
Here lodge as in a sanctuary!
Come often to us, fear no wrong;
Sit near us on the bough!
We'll talk of sunshine and of song,
And summer days, when we are young;
Sweet childish days, that were as long
As twenty days are now.

William Wordsworth [1770-1850]

Thou spark of life that wavest wings of gold,
Thou songless wanderer mid the songful birds,
With Nature's secrets in thy tints unrolled
Through gorgeous cipher, past the reach of words,
Yet dear to every child
In glad pursuit beguiled,
Living his unspoiled days mid flowers and flocks and herds!

Thou winged blossom, liberated thing,
What secret tie binds thee to other flowers,
Still held within the garden's fostering?
Will they too soar with the completed hours,
Take flight, and be like thee
Irrevocably free,
Hovering at will o'er their parental bowers?

Or is thy luster drawn from heavenly hues,—
A sumptuous drifting fragment of the sky,
Caught when the sunset its last glance imbues
With sudden splendor, and the tree-tops high
Grasp that swift blazonry,
Then lend those tints to thee,
On thee to float a few short hours, and die?

Birds have their nests; they rear their eager young,
And flit on errands all the livelong day;
Each fieldmouse keeps the homestead whence it sprung;
But thou art Nature's freeman,—free to stray
Unfettered through the wood,
Seeking thine airy food,
The sweetness spiced on every blossomed spray.

The garden one wide banquet spreads for thee,
O daintiest reveller of the joyous earth!
One drop of honey gives satiety;
A second draught would drug thee past all mirth.
Thy feast no orgy shows;
Thy calm eyes never close,
Thou soberest sprite to which the sun gives birth.