And yet the soul of man upon thy wings
Forever soars in aspiration; thou
His emblem of the new career that springs
When death's arrest bids all his spirit bow.
He seeks his hope in thee
Of immortality.
Symbol of life, me with such faith endow!
Forever soars in aspiration; thou
His emblem of the new career that springs
When death's arrest bids all his spirit bow.
He seeks his hope in thee
Of immortality.
Symbol of life, me with such faith endow!
Thomas Wentworth Higginson [1823-1911]
THE BUTTERFLY
I hold you at last in my hand,
Exquisite child of the air.
Can I ever understand
How you grew to be so fair?
Exquisite child of the air.
Can I ever understand
How you grew to be so fair?
You came to my linden tree
To taste its delicious sweet,
I sitting here in the shadow and shine
Playing around its feet.
To taste its delicious sweet,
I sitting here in the shadow and shine
Playing around its feet.
Now I hold you fast in my hand,
You marvelous butterfly,
Till you help me to understand
The eternal mystery.
You marvelous butterfly,
Till you help me to understand
The eternal mystery.
From that creeping thing in the dust
To this shining bliss in the blue!
God give me courage to trust
I can break my chrysalis too!
To this shining bliss in the blue!
God give me courage to trust
I can break my chrysalis too!
Alice Freeman Palmer [1855-1902]
FIREFLIES
I saw, one sultry night above a swamp,
The darkness throbbing with their golden pomp!
And long my dazzled sight did they entrance
With the weird chaos of their dizzy dance!
Quicker than yellow leaves, when gales despoil,
Quivered the brilliance of their mute turmoil,
Within whose light was intricately blent
Perpetual rise, perpetual descent.
As though their scintillant flickerings had met
In the vague meshes of some airy net!
And now mysteriously I seemed to guess,
While watching their tumultuous loveliness,
What fervor of deep passion strangely thrives
In the warm richness of these tropic lives,
Whose wings can never tremble but they show
These hearts of living fire that beat below!
The darkness throbbing with their golden pomp!
And long my dazzled sight did they entrance
With the weird chaos of their dizzy dance!
Quicker than yellow leaves, when gales despoil,
Quivered the brilliance of their mute turmoil,
Within whose light was intricately blent
Perpetual rise, perpetual descent.
As though their scintillant flickerings had met
In the vague meshes of some airy net!
And now mysteriously I seemed to guess,
While watching their tumultuous loveliness,
What fervor of deep passion strangely thrives
In the warm richness of these tropic lives,
Whose wings can never tremble but they show
These hearts of living fire that beat below!
Edgar Fawcett [1847-1904]
THE BLOOD HORSE
Gamarra is a dainty steed,
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within!
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light.
Strong, black, and of a noble breed,
Full of fire, and full of bone,
With all his line of fathers known;
Fine his nose, his nostrils thin,
But blown abroad by the pride within!
His mane is like a river flowing,
And his eyes like embers glowing
In the darkness of the night,
And his pace as swift as light.
Look,—how 'round his straining throat
Grace and shifting beauty float!
Sinewy strength is in his reins,
And the red blood gallops through his veins;
Richer, redder, never ran
Through the boasting heart of man.
He can trace his lineage higher
Than the Bourbon dare aspire,—
Douglas, Guzman, or the Guelph,
Or O'Brien's blood itself!
Grace and shifting beauty float!
Sinewy strength is in his reins,
And the red blood gallops through his veins;
Richer, redder, never ran
Through the boasting heart of man.
He can trace his lineage higher
Than the Bourbon dare aspire,—
Douglas, Guzman, or the Guelph,
Or O'Brien's blood itself!
He, who hath no peer, was born,
Here, upon a red March morn;
But his famous fathers dead
Were Arabs all, and Arab bred,
And the last of that great line
Trod like one of a race divine!
And yet,—he was but friend to one
Who fed him at the set of sun,
By some lone fountain fringed with green:
With him, a roving Bedouin,
He lived, (none else would he obey
Through all the hot Arabian day),
And died untamed upon the sands
Where Balkh amidst the desert stands.
Here, upon a red March morn;
But his famous fathers dead
Were Arabs all, and Arab bred,
And the last of that great line
Trod like one of a race divine!
And yet,—he was but friend to one
Who fed him at the set of sun,
By some lone fountain fringed with green:
With him, a roving Bedouin,
He lived, (none else would he obey
Through all the hot Arabian day),
And died untamed upon the sands
Where Balkh amidst the desert stands.
Bryan Waller Procter [1787-1874]
BIRDS
Sure maybe ye've heard the storm-thrush
Whistlin' bould in March,
Before there's a primrose peepin' out,
Or a wee red cone on the larch;
Whistlin' the sun to come out o' the cloud,
An' the wind to come over the sea,
But for all he can whistle so clear an' loud,
He's never the bird for me.
Whistlin' bould in March,
Before there's a primrose peepin' out,
Or a wee red cone on the larch;
Whistlin' the sun to come out o' the cloud,
An' the wind to come over the sea,
But for all he can whistle so clear an' loud,
He's never the bird for me.
Sure maybe ye've seen the song-thrush
After an April rain
Slip from in-undher the drippin' leaves,
Wishful to sing again;
An' low wi' love when he's near the nest,
An' loud from the top o' the tree,
But for all he can flutter the heart in your breast,
He's never the bird for me.
After an April rain
Slip from in-undher the drippin' leaves,
Wishful to sing again;
An' low wi' love when he's near the nest,
An' loud from the top o' the tree,
But for all he can flutter the heart in your breast,
He's never the bird for me.
Sure maybe ye've heard the cushadoo
Callin' his mate in May,
When one sweet thought is the whole of his life,
An' he tells it the one sweet way.
But my heart is sore at the cushadoo
Filled wid his own soft glee,
Over an' over his "me an' you!"
He's never the bird for me.
Callin' his mate in May,
When one sweet thought is the whole of his life,
An' he tells it the one sweet way.
But my heart is sore at the cushadoo
Filled wid his own soft glee,
Over an' over his "me an' you!"
He's never the bird for me.
Sure maybe ye've heard the red-breast
Singin' his lone on a thorn,
Mindin' himself o' the dear days lost,
Brave wid his heart forlorn.
The time is in dark November,
An' no spring hopes has he:
"Remember," he sings, "remember!"
Ay, thon's the wee bird for me.
Singin' his lone on a thorn,
Mindin' himself o' the dear days lost,
Brave wid his heart forlorn.
The time is in dark November,
An' no spring hopes has he:
"Remember," he sings, "remember!"
Ay, thon's the wee bird for me.
Moira O'Neill [18—
BIRDS
Birds are singing round my window,
Tunes the sweetest ever heard,
And I hang my cage there daily,
But I never catch a bird.
Tunes the sweetest ever heard,
And I hang my cage there daily,
But I never catch a bird.
So with thoughts my brain is peopled,
And they sing there all day long:
But they will not fold their pinions
In the little cage of Song!
And they sing there all day long:
But they will not fold their pinions
In the little cage of Song!
Richard Henry Stoddard [1825-1903]
SEA-BIRDS
O lonesome sea-gull, floating far
Over the ocean's icy waste,
Aimless and wide thy wanderings are,
Forever vainly seeking rest:—
Where is thy mate, and where thy nest?
Over the ocean's icy waste,
Aimless and wide thy wanderings are,
Forever vainly seeking rest:—
Where is thy mate, and where thy nest?
'Twixt wintry sea and wintry sky,
Cleaving the keen air with thy breast,
Thou sailest slowly, solemnly;
No fetter on thy wing is pressed:—
Where is thy mate, and where thy nest?
Cleaving the keen air with thy breast,
Thou sailest slowly, solemnly;
No fetter on thy wing is pressed:—
Where is thy mate, and where thy nest?
O restless, homeless human soul,
Following for aye thy nameless quest,
The gulls float, and the billows roll;
Thou watchest still, and questionest:—
Where is thy mate, and where thy nest?
Following for aye thy nameless quest,
The gulls float, and the billows roll;
Thou watchest still, and questionest:—
Where is thy mate, and where thy nest?
Elizabeth Akers [1832-1911]
THE LITTLE BEACH-BIRD
Thou little bird, thou dweller by the sea,
Why takest thou its melancholy voice,
And with that boding cry
Why o'er the waves dost fly?
O, rather, bird, with me
Through the fair land rejoice!
Why takest thou its melancholy voice,
And with that boding cry
Why o'er the waves dost fly?
O, rather, bird, with me
Through the fair land rejoice!
Thy flitting form comes ghostly dim and pale,
As driven by a beating storm at sea;
Thy cry is weak and scared,
As if thy mates had shared
The doom of us. Thy wail,—
What doth it bring to me?
As driven by a beating storm at sea;
Thy cry is weak and scared,
As if thy mates had shared
The doom of us. Thy wail,—
What doth it bring to me?
Thou call'st along the sand, and haunt'st the surge,
Restless, and sad; as if, in strange accord
With the motion and the roar
Of waves that drive to shore,
One spirit did ye urge—
The Mystery—the Word.
Restless, and sad; as if, in strange accord
With the motion and the roar
Of waves that drive to shore,
One spirit did ye urge—
The Mystery—the Word.
Of thousands, thou, both sepulchre and pall,
Old Ocean! A requiem o'er the dead,
From out thy gloomy cells,
A tale of mourning tells,—
Tells of man's woe and fall,
His sinless glory fled.
Old Ocean! A requiem o'er the dead,
From out thy gloomy cells,
A tale of mourning tells,—
Tells of man's woe and fall,
His sinless glory fled.
Then turn thee, little bird, and take thy flight
Where the complaining sea shall sadness bring
Thy spirit nevermore.
Come, quit with me the shore,
For gladness and the light,
Where birds of summer sing.
Where the complaining sea shall sadness bring
Thy spirit nevermore.
Come, quit with me the shore,
For gladness and the light,
Where birds of summer sing.
Richard Henry Dana [1787-1879]
THE BLACKBIRD
How sweet the harmonies of afternoon:
The Blackbird sings along the sunny breeze
His ancient song of leaves, and summer boon;
Rich breath of hayfields streams through whispering trees;
And birds of morning trim their bustling wings,
And listen fondly—while the Blackbird sings.
The Blackbird sings along the sunny breeze
His ancient song of leaves, and summer boon;
Rich breath of hayfields streams through whispering trees;
And birds of morning trim their bustling wings,
And listen fondly—while the Blackbird sings.
How soft the lovelight of the West reposes
On this green valley's cheery solitude,
On the trim cottage with its screen of roses,
On the gray belfry with its ivy hood,
And murmuring mill-race, and the wheel that flings
Its bubbling freshness—while the Blackbird sings.
On this green valley's cheery solitude,
On the trim cottage with its screen of roses,
On the gray belfry with its ivy hood,
And murmuring mill-race, and the wheel that flings
Its bubbling freshness—while the Blackbird sings.
The very dial on the village church
Seems as 'twere dreaming in a dozy rest;
The scribbled benches underneath the porch
Bask in the kindly welcome of the West;
But the broad casements of the old Three Kings
Blaze like a furnace—while the Blackbird sings.
Seems as 'twere dreaming in a dozy rest;
The scribbled benches underneath the porch
Bask in the kindly welcome of the West;
But the broad casements of the old Three Kings
Blaze like a furnace—while the Blackbird sings.
And there beneath the immemorial elm
Three rosy revellers round a table sit,
And through gray clouds give laws unto the realm,
Curse good and great, but worship their own wit.
And roar of fights, and fairs, and junketings,
Corn, colts, and curs—the while the Blackbird sings.
Three rosy revellers round a table sit,
And through gray clouds give laws unto the realm,
Curse good and great, but worship their own wit.
And roar of fights, and fairs, and junketings,
Corn, colts, and curs—the while the Blackbird sings.
Before her home, in her accustomed seat,
The tidy Grandam spins beneath the shade
Of the old honeysuckle, at her feet
The dreaming pug, and purring tabby laid;
To her low chair a little maiden clings,
And spells in silence—while the Blackbird sings.
The tidy Grandam spins beneath the shade
Of the old honeysuckle, at her feet
The dreaming pug, and purring tabby laid;
To her low chair a little maiden clings,
And spells in silence—while the Blackbird sings.
Sometimes the shadow of a lazy cloud
Breathes o'er the hamlet with its gardens green.
While the far fields with sunlight overflowed
Like golden shores of Fairyland are seen;
Again, the sunshine on the shadow springs,
And fires the thicket where the Blackbird sings.
Breathes o'er the hamlet with its gardens green.
While the far fields with sunlight overflowed
Like golden shores of Fairyland are seen;
Again, the sunshine on the shadow springs,
And fires the thicket where the Blackbird sings.
The woods, the lawn, the peaked Manorhouse,
With its peach-covered walls, and rookery loud,
The trim, quaint garden alleys, screened with boughs.
The lion-headed gates, so grim and proud,
The mossy fountain with its murmurings,
Lie in warm sunshine—while the Blackbird sings.
With its peach-covered walls, and rookery loud,
The trim, quaint garden alleys, screened with boughs.
The lion-headed gates, so grim and proud,
The mossy fountain with its murmurings,
Lie in warm sunshine—while the Blackbird sings.
The ring of silver voices, and the sheen
Of festal garments—and my Lady streams
With her gay court across the garden green;
Some laugh, and dance, some whisper their love-dreams;
And one calls for a little page; he strings
Her lute beside her—while the Blackbird sings.
Of festal garments—and my Lady streams
With her gay court across the garden green;
Some laugh, and dance, some whisper their love-dreams;
And one calls for a little page; he strings
Her lute beside her—while the Blackbird sings.
A little while—and lo! the charm is heard,
A youth, whose life has been all Summer, steals
Forth from the noisy guests around the board,
Creeps by her softly; at her footstool kneels;
And, when she pauses, murmurs tender things
Into her fond ear—while the Blackbird sings.
A youth, whose life has been all Summer, steals
Forth from the noisy guests around the board,
Creeps by her softly; at her footstool kneels;
And, when she pauses, murmurs tender things
Into her fond ear—while the Blackbird sings.
The smoke-wreaths from the chimneys curl up higher,
And dizzy things of eve begin to float
Upon the light; the breeze begins to tire;
Half way to sunset with a drowsy note
The ancient clock from out the valley swings;
The Grandam nods—and still the Blackbird sings.
And dizzy things of eve begin to float
Upon the light; the breeze begins to tire;
Half way to sunset with a drowsy note
The ancient clock from out the valley swings;
The Grandam nods—and still the Blackbird sings.
Far shouts and laughter from the farmstead peal,
Where the great stack is piling in the sun;
Through narrow gates o'erladen wagons reel,
And barking curs into the tumult run;
While the inconstant wind bears off, and brings
The merry tempest—and the Blackbird sings.
Where the great stack is piling in the sun;
Through narrow gates o'erladen wagons reel,
And barking curs into the tumult run;
While the inconstant wind bears off, and brings
The merry tempest—and the Blackbird sings.
On the high wold the last look of the sun
Burns, like a beacon, over dale and stream;
The shouts have ceased, the laughter and the fun;
The Grandam sleeps, and peaceful be her dream;
Only a hammer on an anvil rings;
The day is dying—still the Blackbird sings.
Burns, like a beacon, over dale and stream;
The shouts have ceased, the laughter and the fun;
The Grandam sleeps, and peaceful be her dream;
Only a hammer on an anvil rings;
The day is dying—still the Blackbird sings.
Now the good Vicar passes from his gate
Serene, with long white hair; and in his eye
Burns the clear spirit that hath conquered Fate,
And felt the wings of immortality;
His heart is thronged with great imaginings,
And tender mercies—while the Blackbird sings.
Serene, with long white hair; and in his eye
Burns the clear spirit that hath conquered Fate,
And felt the wings of immortality;
His heart is thronged with great imaginings,
And tender mercies—while the Blackbird sings.
Down by the brook he bends his steps, and through
A lowly wicket; and at last he stands
Awful beside the bed of one who grew
From boyhood with him—who, with lifted hands
And eyes, seems listening to far welcomings,
And sweeter music than the Blackbird sings.
A lowly wicket; and at last he stands
Awful beside the bed of one who grew
From boyhood with him—who, with lifted hands
And eyes, seems listening to far welcomings,
And sweeter music than the Blackbird sings.
Two golden stars, like tokens from the Blest,
Strike on his dim orbs from the setting sun;
His sinking hands seem pointing to the West;
He smiles as though he said—"Thy will be done":
His eyes, they see not those illuminings;
His ears, they hear not what the Blackbird sings.
Strike on his dim orbs from the setting sun;
His sinking hands seem pointing to the West;
He smiles as though he said—"Thy will be done":
His eyes, they see not those illuminings;
His ears, they hear not what the Blackbird sings.
Frederick Tennyson [1807-1898]
THE BLACKBIRD
When smoke stood up from Ludlow
And mist blew off from Teme,
And blithe afield to ploughing
Against the morning beam
I strode beside my team,
And mist blew off from Teme,
And blithe afield to ploughing
Against the morning beam
I strode beside my team,
The blackbird in the coppice
Looked out to see me stride,
And hearkened as I whistled
The trampling team beside,
And fluted and replied:
Looked out to see me stride,
And hearkened as I whistled
The trampling team beside,
And fluted and replied:
"Lie down, lie down, young yeoman;
What use to rise and rise?
Rise man a thousand mornings
Yet down at last he lies,
And then the man is wise."
What use to rise and rise?
Rise man a thousand mornings
Yet down at last he lies,
And then the man is wise."
I heard the tune he sang me,
And spied his yellow bill;
I picked a stone and aimed it
And threw it with a will:
Then the bird was still.
And spied his yellow bill;
I picked a stone and aimed it
And threw it with a will:
Then the bird was still.
Then my soul within me
Took up the blackbird's strain,
And still beside the horses
Along the dewy lane
It sang the song again:
Took up the blackbird's strain,
And still beside the horses
Along the dewy lane
It sang the song again:
"Lie down, lie down, young yeoman;
The sun moves always west;
The road one treads to labor
Will lead one home to rest,
And that will be the best."
The sun moves always west;
The road one treads to labor
Will lead one home to rest,
And that will be the best."
Alfred Edward Housman [1859-1936]
THE BLACKBIRD
The nightingale has a lyre of gold;
The lark's is a clarion call,
And the blackbird plays but a box-wood flute,
But I love him best of all.
The lark's is a clarion call,
And the blackbird plays but a box-wood flute,
But I love him best of all.
For his song is all of the joy of life,
And we in the mad, spring weather,
We too have listened till he sang
Our hearts and lips together.
And we in the mad, spring weather,
We too have listened till he sang
Our hearts and lips together.
William Ernest Henley [1849-1903]
THE BLACKBIRD
Ov all the birds upon the wing
Between the zunny showers o' spring,-
Vor all the lark, a-swingen high,
Mid zing below a cloudless sky,
An' sparrows, clust'ren roun' the bough,
Mid chatter to the men at plough,—
The blackbird, whisslen in among
The boughs, do zing the gayest zong.
Between the zunny showers o' spring,-
Vor all the lark, a-swingen high,
Mid zing below a cloudless sky,
An' sparrows, clust'ren roun' the bough,
Mid chatter to the men at plough,—
The blackbird, whisslen in among
The boughs, do zing the gayest zong.
Vor we do hear the blackbird zing
His sweetest ditties in the spring,
When nippen win's noo mwore do blow
Vrom northern skies, wi' sleet or snow,
But dreve light doust along between
The leane-zide hedges, thick an' green;
An' zoo the blackbird in among
The boughs do zing the gayest zong.
His sweetest ditties in the spring,
When nippen win's noo mwore do blow
Vrom northern skies, wi' sleet or snow,
But dreve light doust along between
The leane-zide hedges, thick an' green;
An' zoo the blackbird in among
The boughs do zing the gayest zong.
'Tis blithe, wi' newly-opened eyes,
To zee the mornen's ruddy skies;
Or, out a-haulen frith or lops
Vrom new-pleshed hedge or new-velled copse,
To rest at noon in primrwose beds
Below the white-barked woak-trees' heads;
But there's noo time, the whole day long,
Lik' evenen wi' the blackbird's zong.
To zee the mornen's ruddy skies;
Or, out a-haulen frith or lops
Vrom new-pleshed hedge or new-velled copse,
To rest at noon in primrwose beds
Below the white-barked woak-trees' heads;
But there's noo time, the whole day long,
Lik' evenen wi' the blackbird's zong.
Vor when my work is all a-done
Avore the zetten o' the zun,
Then blushen Jeane do walk along
The hedge to meet me in the drong,
An' stay till all is dim an' dark
Bezides the ashen tree's white bark;
An' all bezides the blackbird's shrill
An' runnen evenen-whissle's still.
Avore the zetten o' the zun,
Then blushen Jeane do walk along
The hedge to meet me in the drong,
An' stay till all is dim an' dark
Bezides the ashen tree's white bark;
An' all bezides the blackbird's shrill
An' runnen evenen-whissle's still.
An' there in bwoyhood I did rove
Wi' pryen eyes along the drove
To vind the nest the blackbird meade
O' grass-stalks in the high bough's sheade;
Or climb aloft, wi' clingen knees,
Vor crows' aggs up in swayen trees,
While frightened blackbirds down below
Did chatter o' their little foe.
An' zoo there's noo pleace lik' the drong,
Where I do hear the blackbird's zong.
Wi' pryen eyes along the drove
To vind the nest the blackbird meade
O' grass-stalks in the high bough's sheade;
Or climb aloft, wi' clingen knees,
Vor crows' aggs up in swayen trees,
While frightened blackbirds down below
Did chatter o' their little foe.
An' zoo there's noo pleace lik' the drong,
Where I do hear the blackbird's zong.
William Barnes [1801-1886]
ROBERT OF LINCOLN
Merrily swinging on brier and weed
Near to the nest of his little dame,
Over the mountain-side or mead,
Robert of Lincoln is telling his name:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Snug and safe is that nest of ours,
Hidden among the summer flowers.
Chee, chee, chee.
Near to the nest of his little dame,
Over the mountain-side or mead,
Robert of Lincoln is telling his name:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Snug and safe is that nest of ours,
Hidden among the summer flowers.
Chee, chee, chee.
Robert of Lincoln is gayly dressed,
Wearing a bright black wedding-coat;
White are his shoulders and white his crest.
Hear him call in his merry note:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Look, what a nice new coat is mine,
Sure there was never a bird so fine.
Chee, chee, chee.
Wearing a bright black wedding-coat;
White are his shoulders and white his crest.
Hear him call in his merry note:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Look, what a nice new coat is mine,
Sure there was never a bird so fine.
Chee, chee, chee.
Robert of Lincoln's Quaker wife,
Pretty and quiet, with plain brown wings,
Passing at home a patient life,
Broods in the grass while her husband sings:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Brood, kind creature; you need not fear
Thieves and robbers while I am here.
Chee, chee, chee.
Pretty and quiet, with plain brown wings,
Passing at home a patient life,
Broods in the grass while her husband sings:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Brood, kind creature; you need not fear
Thieves and robbers while I am here.
Chee, chee, chee.
Modest and shy as a nun is she;
One weak chirp is her only note.
Braggart and prince of braggarts is he,
Pouring boasts from his little throat:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Never was I afraid of man;
Catch me, cowardly knaves, if you can!
Chee, chee, chee.
One weak chirp is her only note.
Braggart and prince of braggarts is he,
Pouring boasts from his little throat:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Never was I afraid of man;
Catch me, cowardly knaves, if you can!
Chee, chee, chee.
Six white eggs on a bed of hay,
Flecked with purple, a pretty sight!
There as the mother sits all day,
Robert is singing with all his might:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Nice good wife, that never goes out,
Keeping house while I frolic about.
Chee, chee, chee.
Flecked with purple, a pretty sight!
There as the mother sits all day,
Robert is singing with all his might:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Nice good wife, that never goes out,
Keeping house while I frolic about.
Chee, chee, chee.
Soon as the little ones chip the shell,
Six wide mouths are open for food;
Robert of Lincoln bestirs him well,
Gathering seeds for the hungry brood.
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
This new life is likely to be
Hard for a gay young fellow like me.
Chee, chee, chee.
Six wide mouths are open for food;
Robert of Lincoln bestirs him well,
Gathering seeds for the hungry brood.
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
This new life is likely to be
Hard for a gay young fellow like me.
Chee, chee, chee.
Robert of Lincoln at length is made
Sober with work, and silent with care;
Off is his holiday garment laid.
Half forgotten that merry air:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Nobody knows but my mate and I
Where our nest and our nestlings lie.
Chee, chee, chee.
Sober with work, and silent with care;
Off is his holiday garment laid.
Half forgotten that merry air:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
Nobody knows but my mate and I
Where our nest and our nestlings lie.
Chee, chee, chee.
Summer wanes; the children are grown;
Fun and frolic no more he knows;
Robert of Lincoln's a humdrum crone;
Off he flies, and we sing as he goes:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
When you can pipe that merry old strain,
Robert of Lincoln, come back again.
Chee, chee, chee.
Fun and frolic no more he knows;
Robert of Lincoln's a humdrum crone;
Off he flies, and we sing as he goes:
Bob-o'-link, bob-o'-link,
Spink, spank, spink;
When you can pipe that merry old strain,
Robert of Lincoln, come back again.
Chee, chee, chee.
William Cullen Bryant [1794-1878]
THE O'LINCON FAMILY
A flock of merry singing-birds were sporting in the grove;
Some were warbling cheerily, and some were making love:
There were Bobolincon, Wadolincon, Winterseeble, Conquedle,—
A livelier set was never led by tabor, pipe, or fiddle,—
Crying, "Phew, shew, Waldolincon, see, see, Bobolincon,
Down among the tickletops, hiding in the buttercups!
I know a saucy chap, I see his shining cap
Bobbing in the clover there—see, see, see!"
Some were warbling cheerily, and some were making love:
There were Bobolincon, Wadolincon, Winterseeble, Conquedle,—
A livelier set was never led by tabor, pipe, or fiddle,—
Crying, "Phew, shew, Waldolincon, see, see, Bobolincon,
Down among the tickletops, hiding in the buttercups!
I know a saucy chap, I see his shining cap
Bobbing in the clover there—see, see, see!"
Up flies Bobolincon, perching on an apple-tree,
Startled by his rival's song, quickened by his raillery,
Soon he spies the rogue afloat, curveting in the air,
And merrily he turns about, and warns him to beware!
"'Tis you that would a-wooing go, down among the rushes O!
But wait a week, till flowers are cheery,—wait a week, and,
ere you marry,
Be sure of a house wherein to tarry!
Wadolink, Whiskodink, Tom Denny, wait, wait, wait!"
Startled by his rival's song, quickened by his raillery,
Soon he spies the rogue afloat, curveting in the air,
And merrily he turns about, and warns him to beware!
"'Tis you that would a-wooing go, down among the rushes O!
But wait a week, till flowers are cheery,—wait a week, and,
ere you marry,
Be sure of a house wherein to tarry!
Wadolink, Whiskodink, Tom Denny, wait, wait, wait!"
Every one's a funny fellow; every one's a little mellow;
Follow, follow, follow, follow, o'er the hill and in the hollow!
Merrily, merrily, there they hie; now they rise and now they fly;
They cross and turn, and in and out, and down in the middle
and wheel about,—
With a "Phew, shew, Wadolincon! listen to me, Bobolincon!—
Happy's the wooing that's speedily doing, that's speedily doing,
That's merry and over with the bloom of the clover!
Bobolincon, Wadolincon, Winterseeble, follow, follow, follow me!"
Follow, follow, follow, follow, o'er the hill and in the hollow!
Merrily, merrily, there they hie; now they rise and now they fly;
They cross and turn, and in and out, and down in the middle
and wheel about,—
With a "Phew, shew, Wadolincon! listen to me, Bobolincon!—
Happy's the wooing that's speedily doing, that's speedily doing,
That's merry and over with the bloom of the clover!
Bobolincon, Wadolincon, Winterseeble, follow, follow, follow me!"
Wilson Flagg [1805-1884]
THE BOBOLINK
Bobolink! that in the meadow,
Or beneath the orchard's shadow,
Keepest up a constant rattle
Joyous as my children's prattle,
Welcome to the north again!
Welcome to mine ear thy strain,
Welcome to mine eye the sight
Of thy buff, thy black and white.
Or beneath the orchard's shadow,
Keepest up a constant rattle
Joyous as my children's prattle,
Welcome to the north again!
Welcome to mine ear thy strain,
Welcome to mine eye the sight
Of thy buff, thy black and white.
Brighter plumes may greet the sun
By the banks of Amazon;
Sweeter tones may weave the spell
Of enchanting Philomel;
But the tropic bird would fail,
And the English nightingale,
If we should compare their worth
With thine endless, gushing mirth.
By the banks of Amazon;
Sweeter tones may weave the spell
Of enchanting Philomel;
But the tropic bird would fail,
And the English nightingale,
If we should compare their worth
With thine endless, gushing mirth.
When the ides of May are past,
June and Summer nearing fast,
While from depths of blue above
Comes the mighty breath of love.
Calling out each bud and flower
With resistless, secret power,
Waking hope and fond desire,
Kindling the erotic fire,
Filling youths' and maidens' dreams
With mysterious, pleasing themes;
Then, amid the sunlight clear
Floating in the fragrant air,
Thou dost fill each heart with pleasure
By thy glad ecstatic measure.
June and Summer nearing fast,
While from depths of blue above
Comes the mighty breath of love.
Calling out each bud and flower
With resistless, secret power,
Waking hope and fond desire,
Kindling the erotic fire,
Filling youths' and maidens' dreams
With mysterious, pleasing themes;
Then, amid the sunlight clear
Floating in the fragrant air,
Thou dost fill each heart with pleasure
By thy glad ecstatic measure.
A single note, so sweet and low,
Like a full heart's overflow,
Forms the prelude; but the strain
Gives no such tone again,
For the wild and saucy song
Leaps and skips the notes among,
With such quick and sportive play,
Ne'er was madder, merrier lay.
Like a full heart's overflow,
Forms the prelude; but the strain
Gives no such tone again,
For the wild and saucy song
Leaps and skips the notes among,
With such quick and sportive play,
Ne'er was madder, merrier lay.
Gayest songster of the Spring!
Thy melodies before me bring
Visions of some dream-built land,
Where, by constant zephyrs fanned,
I might walk the livelong day,
Embosomed in perpetual May.
Nor care nor fear thy bosom knows;
For thee a tempest never blows;
But when our northern Summer's o'er,
By Delaware's or Schuylkil's shore
The wild rice lifts its airy head,
And royal feasts for thee are spread.
And when the Winter threatens there,
Thy tireless wings yet own no fear.
But bear thee to more southern coasts,
Far beyond the reach of frosts.
Thy melodies before me bring
Visions of some dream-built land,
Where, by constant zephyrs fanned,
I might walk the livelong day,
Embosomed in perpetual May.
Nor care nor fear thy bosom knows;
For thee a tempest never blows;
But when our northern Summer's o'er,
By Delaware's or Schuylkil's shore
The wild rice lifts its airy head,
And royal feasts for thee are spread.
And when the Winter threatens there,
Thy tireless wings yet own no fear.
But bear thee to more southern coasts,
Far beyond the reach of frosts.
Bobolink! still may thy gladness
Take from me all taint of sadness;
Fill my soul with trust unshaken
In that Being who has taken
Care for every living thing,
In Summer, Winter, Fall, and Spring.
Take from me all taint of sadness;
Fill my soul with trust unshaken
In that Being who has taken
Care for every living thing,
In Summer, Winter, Fall, and Spring.
Thomas Hill [1818-1891]
MY CATBIRD
A Capriccio
Nightingale I never heard,
Nor skylark, poet's bird;
But there is an aether-winger
So surpasses every singer,
(Though unknown to lyric fame,)
That at morning, or at nooning,
When I hear his pipe a-tuning,
Down I fling Keats, Shelley, Wordsworth,—
What are all their songs of birds worth?
All their soaring
Souls' outpouring?
When my Mimus Carolinensis,
(That's his Latin name,)
When my warbler wild commences
Song's hilarious rhapsody,
Just to please himself and me!
Primo Cantante!
Scherzo! Andante!
Piano, pianissimo!
Presto, prestissimo!
Hark! are there nine birds or ninety and nine?
And now a miraculous gurgling gushes
Like nectar from Hebe's Olympian bottle,
The laughter of tune from a rapturous throttle!
Such melody must be a hermit-thrush's!
But that other caroler, nearer,
Outrivaling rivalry with clearer
Sweetness incredibly fine!
Is it oriole, redbird, or bluebird,
Or some strange, un-Auduboned new bird?
All one, sir, both this bird and that bird,
The whole flight are all the same catbird!
The whole visible and invisible choir you see
On one lithe twig of yon green tree.
Flitting, feathery Blondel!
Listen to his rondel!
To his lay romantical!
To his sacred canticle!
Hear him lilting,
See him tilting
His saucy head and tail, and fluttering
While uttering
All the difficult operas under the sun
Just for fun;
Or in tipsy revelry,
Or at love devilry,
Or, disdaining his divine gift and art,
Like an inimitable poet
Who captivates the world's heart
And don't know it.
Hear him lilt!
See him tilt!
Then suddenly he stops,
Peers about, flirts, hops,
As if looking where he might gather up
The wasted ecstasy just spilt
From the quivering cup
Of his bliss overrun.
Then, as in mockery of all
The tuneful spells that e'er did fall
From vocal pipe, or evermore shall rise,
He snarls, and mews, and flies.
Nor skylark, poet's bird;
But there is an aether-winger
So surpasses every singer,
(Though unknown to lyric fame,)
That at morning, or at nooning,
When I hear his pipe a-tuning,
Down I fling Keats, Shelley, Wordsworth,—
What are all their songs of birds worth?
All their soaring
Souls' outpouring?
When my Mimus Carolinensis,
(That's his Latin name,)
When my warbler wild commences
Song's hilarious rhapsody,
Just to please himself and me!
Primo Cantante!
Scherzo! Andante!
Piano, pianissimo!
Presto, prestissimo!
Hark! are there nine birds or ninety and nine?
And now a miraculous gurgling gushes
Like nectar from Hebe's Olympian bottle,
The laughter of tune from a rapturous throttle!
Such melody must be a hermit-thrush's!
But that other caroler, nearer,
Outrivaling rivalry with clearer
Sweetness incredibly fine!
Is it oriole, redbird, or bluebird,
Or some strange, un-Auduboned new bird?
All one, sir, both this bird and that bird,
The whole flight are all the same catbird!
The whole visible and invisible choir you see
On one lithe twig of yon green tree.
Flitting, feathery Blondel!
Listen to his rondel!
To his lay romantical!
To his sacred canticle!
Hear him lilting,
See him tilting
His saucy head and tail, and fluttering
While uttering
All the difficult operas under the sun
Just for fun;
Or in tipsy revelry,
Or at love devilry,
Or, disdaining his divine gift and art,
Like an inimitable poet
Who captivates the world's heart
And don't know it.
Hear him lilt!
See him tilt!
Then suddenly he stops,
Peers about, flirts, hops,
As if looking where he might gather up
The wasted ecstasy just spilt
From the quivering cup
Of his bliss overrun.
Then, as in mockery of all
The tuneful spells that e'er did fall
From vocal pipe, or evermore shall rise,
He snarls, and mews, and flies.
William Henry Venable [1836-1920]
THE HERALD CRANE
Oh! say you so, bold sailor
In the sun-lit deeps of sky!
Dost thou so soon the seed-time tell
In thy imperial cry,
As circling in yon shoreless sea
Thine unseen form goes drifting by?
In the sun-lit deeps of sky!
Dost thou so soon the seed-time tell
In thy imperial cry,
As circling in yon shoreless sea
Thine unseen form goes drifting by?
I cannot trace in the noon-day glare
Thy regal flight, O crane!
From the leaping might of the fiery light
Mine eyes recoil in pain,
But on mine ear, thine echoing cry
Falls like a bugle strain.
Thy regal flight, O crane!
From the leaping might of the fiery light
Mine eyes recoil in pain,
But on mine ear, thine echoing cry
Falls like a bugle strain.
The mellow soil glows beneath my feet,
Where lies the buried grain;
The warm light floods the length and breadth
Of the vast, dim, shimmering plain,
Throbbing with heat and the nameless thrill
Of the birth-time's restless pain.
Where lies the buried grain;
The warm light floods the length and breadth
Of the vast, dim, shimmering plain,
Throbbing with heat and the nameless thrill
Of the birth-time's restless pain.
On weary wing, plebeian geese
Push on their arrowy line
Straight into the north, or snowy brant
In dazzling sunshine, gloom and shine;
But thou, O crane, save for thy sovereign cry,
At thy majestic height
On proud, extended wings sweep'st on
In lonely, easeful flight.
Push on their arrowy line
Straight into the north, or snowy brant
In dazzling sunshine, gloom and shine;
But thou, O crane, save for thy sovereign cry,
At thy majestic height
On proud, extended wings sweep'st on
In lonely, easeful flight.
Then cry, thou martial-throated herald!
Cry to the sun, and sweep
And swing along thy mateless, tireless course
Above the clouds that sleep
Afloat on lazy air—cry on! Send down
Thy trumpet note—it seems
The voice of hope and dauntless will,
And breaks the spell of dreams.
Cry to the sun, and sweep
And swing along thy mateless, tireless course
Above the clouds that sleep
Afloat on lazy air—cry on! Send down
Thy trumpet note—it seems
The voice of hope and dauntless will,
And breaks the spell of dreams.
Hamlin Garland [1860-
THE CROW
With rakish eye and plenished crop,
Oblivious of the farmer's gun,
Upon the naked ash-tree top
The Crow sits basking in the sun.
Oblivious of the farmer's gun,
Upon the naked ash-tree top
The Crow sits basking in the sun.
An old ungodly rogue, I wot!
For, perched in black against the blue,
His feathers, torn with beak and shot,
Let woeful glints of April through.
For, perched in black against the blue,
His feathers, torn with beak and shot,
Let woeful glints of April through.
The year's new grass, and, golden-eyed,
The daisies sparkle underneath,
And chestnut-trees on either side
Have opened every ruddy sheath.
The daisies sparkle underneath,
And chestnut-trees on either side
Have opened every ruddy sheath.
But doubtful still of frost and snow,
The ash alone stands stark and bare,
And on its topmost twig the Crow
Takes the glad morning's sun and air.
The ash alone stands stark and bare,
And on its topmost twig the Crow
Takes the glad morning's sun and air.
William Canton [1845-
TO THE CUCKOO
Hail, beauteous stranger of the grove!
Thou messenger of Spring!
Now Heaven repairs thy rural seat,
And woods thy welcome ring.
Thou messenger of Spring!
Now Heaven repairs thy rural seat,
And woods thy welcome ring.
What time the daisy decks the green,
Thy certain voice we hear:
Hast thou a star to guide thy path,
Or mark the rolling year?
Thy certain voice we hear:
Hast thou a star to guide thy path,
Or mark the rolling year?
Delightful visitant! with thee
I hail the time of flowers,
And hear the sound of music sweet
From birds among the bowers.
I hail the time of flowers,
And hear the sound of music sweet
From birds among the bowers.
The school-boy, wandering through the wood
To pull the primrose gay,
Starts, the new voice of Spring to hear,
And imitates thy lay.
To pull the primrose gay,
Starts, the new voice of Spring to hear,
And imitates thy lay.
What time the pea puts on the bloom,
Thou fli'st thy vocal vale,
An annual guest in other lands,
Another Spring to hail.
Thou fli'st thy vocal vale,
An annual guest in other lands,
Another Spring to hail.
Sweet bird! thy bower is ever green,
Thy sky is ever clear;
Thou hast no sorrow in thy song,
No Winter in thy year!
Thy sky is ever clear;
Thou hast no sorrow in thy song,
No Winter in thy year!
O could I fly, I'd fly with thee!
We'd make, with joyful wing,
Our annual visit o'er the globe,
Companions of the Spring.
We'd make, with joyful wing,
Our annual visit o'er the globe,
Companions of the Spring.
John Logan [1748-1788]
THE CUCKOO
We heard it calling, clear and low,
That tender April morn; we stood
And listened in the quiet wood,
We heard it, ay, long years ago.
That tender April morn; we stood
And listened in the quiet wood,
We heard it, ay, long years ago.
It came, and with a strange, sweet cry,
A friend, but from a far-off land;
We stood and listened, hand in hand,
And heart to heart, my Love and I.
A friend, but from a far-off land;
We stood and listened, hand in hand,
And heart to heart, my Love and I.
In dreamland then we found our joy,
And so it seemed as 'twere the Bird
That Helen in old times had heard
At noon beneath the oaks of Troy.
And so it seemed as 'twere the Bird
That Helen in old times had heard
At noon beneath the oaks of Troy.
O time far off, and yet so near!
It came to her in that hushed grove,
It warbled while the wooing throve,
It sang the song she loved to hear.
It came to her in that hushed grove,
It warbled while the wooing throve,
It sang the song she loved to hear.
And now I hear its voice again,
And still its message is of peace,
It sings of love that will not cease—
For me it never sings in vain.
And still its message is of peace,
It sings of love that will not cease—
For me it never sings in vain.
Frederick Locker-Lampson [1821-1895]
TO THE CUCKOO
O blithe New-comer! I have heard,
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
I hear thee and rejoice.
O Cuckoo! shall I call thee Bird,
Or but a wandering Voice?
While I am lying on the grass
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.
Thy twofold shout I hear;
From hill to hill it seems to pass,
At once far off, and near.
Though babbling only to the Vale
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Of sunshine and of flowers,
Thou bringest unto me a tale
Of visionary hours.
Thrice welcome, darling of the Spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery;
The same whom in my school-boy days
I listened to; that Cry
Which made me look a thousand ways,
In bush, and tree, and sky.
I listened to; that Cry
Which made me look a thousand ways,
In bush, and tree, and sky.
To seek thee did I often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
Through woods and on the green;
And thou wert still a hope, a love;
Still longed for, never seen.
And I can listen to thee yet;
Can lie upon the plain
And listen, till I do beget
That golden time again.
Can lie upon the plain
And listen, till I do beget
That golden time again.
O blessed Bird! the earth we pace
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
Again appears to be
An unsubstantial, faery place;
That is fit home for Thee!
William Wordsworth [1770-1850]
THE EAGLE
A Fragment
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.
Close to the sun in lonely lands,
Ringed with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
He watches from his mountain walls,
And like a thunderbolt he falls.
Alfred Tennyson [1809-1892]
THE HAWKBIT
How sweetly on the autumn scene,
When haws are red amid the green,
The hawkbit shines with face of cheer,
The favorite of the faltering year!
When haws are red amid the green,
The hawkbit shines with face of cheer,
The favorite of the faltering year!
When days grow short and nights grow cold,
How fairly gleams its eye of gold
On pastured field and grassy hill,
Along the roadside and the rill!
How fairly gleams its eye of gold
On pastured field and grassy hill,
Along the roadside and the rill!
It seems the spirit of a flower,
This offspring of the autumn hour,
Wandering back to earth to bring
Some kindly afterthought of spring.
This offspring of the autumn hour,
Wandering back to earth to bring
Some kindly afterthought of spring.
A dandelion's ghost might so
Amid Elysian meadows blow,
Become more fragile and more fine
Breathing the atmosphere divine.
Amid Elysian meadows blow,
Become more fragile and more fine
Breathing the atmosphere divine.
Charles G. D. Roberts [1860-
THE HERON
O melancholy bird, a winter's day
Thou standest by the margin of the pool,
And, taught by God, dost thy whole being school
To Patience, which all evil can allay.
God has appointed thee the Fish thy prey;
And given thyself a lesson to the Fool
Unthrifty, to submit to moral rule,
And his unthinking course by thee to weigh.
There need not schools, nor the Professor's chair,
Though these be good, true wisdom to impart;
He, who has not enough for these to spare
Of time, or gold, may yet amend his heart,
And teach his soul, by brooks and rivers fair:
Nature is always wise in every part.
Thou standest by the margin of the pool,
And, taught by God, dost thy whole being school
To Patience, which all evil can allay.
God has appointed thee the Fish thy prey;
And given thyself a lesson to the Fool
Unthrifty, to submit to moral rule,
And his unthinking course by thee to weigh.
There need not schools, nor the Professor's chair,
Though these be good, true wisdom to impart;
He, who has not enough for these to spare
Of time, or gold, may yet amend his heart,
And teach his soul, by brooks and rivers fair:
Nature is always wise in every part.
Edward Hovell-Thurlow [1781-1829]
THE JACKDAW
There is a bird, who by his coat,
And by the hoarseness of his note,
Might be supposed a crow;
A great frequenter of the church,
Where bishop-like he finds a perch,
And dormitory too.
And by the hoarseness of his note,
Might be supposed a crow;
A great frequenter of the church,
Where bishop-like he finds a perch,
And dormitory too.
Above the steeple shines a plate,
That turns and turns, to indicate
From what point blows the weather;
Look up—your brains begin to swim,
'Tis in the clouds—that pleases him,
He chooses it the rather.
That turns and turns, to indicate
From what point blows the weather;
Look up—your brains begin to swim,
'Tis in the clouds—that pleases him,
He chooses it the rather.
Fond of the speculative height,
Thither he wings his airy flight,
And thence securely sees
The bustle and the raree-show,
That occupy mankind below,
Secure and at his ease.
Thither he wings his airy flight,
And thence securely sees
The bustle and the raree-show,
That occupy mankind below,
Secure and at his ease.
You think, no doubt, he sits and muses
On future broken bones and bruises,
If he should chance to fall.
No: not a single thought like that
Employs his philosophic pate,
Or troubles it at all.
On future broken bones and bruises,
If he should chance to fall.
No: not a single thought like that
Employs his philosophic pate,
Or troubles it at all.
He sees that this great roundabout,
The world, with all its medley rout,
Church, army, physic, law,
Its customs, and its businesses
Is no concern at all of his,
And says—what says he?—"Caw."
The world, with all its medley rout,
Church, army, physic, law,
Its customs, and its businesses
Is no concern at all of his,
And says—what says he?—"Caw."
Thrice happy bird! I too have seen
Much of the vanities of men;
And, sick of having seen 'em,
Would cheerfully these limbs resign
For such a pair of wings as thine,
And such a head between 'em.
Much of the vanities of men;
And, sick of having seen 'em,
Would cheerfully these limbs resign
For such a pair of wings as thine,
And such a head between 'em.
From the Latin of Vincent Bourne,
by William Cowper [1731-1800]
by William Cowper [1731-1800]
THE GREEN LINNET
Beneath these fruit-tree boughs that shed
Their snow-white blossoms on my head,
With brightest sunshine round me spread
Of Spring's unclouded weather,
In this sequestered nook how sweet
To sit upon my orchard-seat!
And flowers and birds once more to greet,
My last year's friends together.
Their snow-white blossoms on my head,
With brightest sunshine round me spread
Of Spring's unclouded weather,
In this sequestered nook how sweet
To sit upon my orchard-seat!
And flowers and birds once more to greet,
My last year's friends together.
One have I marked, the happiest guest
In all this covert of the blest:
Hail to Thee, far above the rest
In joy of voice and pinion!
Thou, Linnet! in thy green array
Presiding Spirit here to-day
Dost lead the revels of the May,
And this is thy dominion.
In all this covert of the blest:
Hail to Thee, far above the rest
In joy of voice and pinion!
Thou, Linnet! in thy green array
Presiding Spirit here to-day
Dost lead the revels of the May,
And this is thy dominion.
While birds, and butterflies, and flowers
Make all one band of paramours,
Thou, ranging up and down the bowers,
Art sole in thy employment;
A Life, a Presence like the air,
Scattering thy gladness without care,
Too blest with any one to pair,
Thyself thy own enjoyment.
Make all one band of paramours,
Thou, ranging up and down the bowers,
Art sole in thy employment;
A Life, a Presence like the air,
Scattering thy gladness without care,
Too blest with any one to pair,
Thyself thy own enjoyment.
Amid yon tuft of hazel trees,
That twinkle to the gusty breeze,
Behold him perched in ecstasies,
Yet seeming still to hover;
There! where the flutter of his wings
Upon his back and body flings
Shadows and sunny glimmerings,
That cover him all over.
That twinkle to the gusty breeze,
Behold him perched in ecstasies,
Yet seeming still to hover;
There! where the flutter of his wings
Upon his back and body flings
Shadows and sunny glimmerings,
That cover him all over.
My dazzled sight he oft deceives—
A Brother of the dancing leaves;
Then flits, and from the cottage-eaves
Pours forth his song in gushes,
As if by that exulting strain
He mocked and treated with disdain
The voiceless Form he chose to feign
While fluttering in the bushes.
A Brother of the dancing leaves;
Then flits, and from the cottage-eaves
Pours forth his song in gushes,
As if by that exulting strain
He mocked and treated with disdain
The voiceless Form he chose to feign
While fluttering in the bushes.
William Wordsworth [1770-1850]
TO THE MAN-OF-WAR-BIRD
Thou who hast slept all night upon the storm,
Waking renewed on thy prodigious pinions,
(Burst the wild storm? above it thou ascended'st,
And rested on the sky, thy slave that cradled thee,)
Now a blue point, far, far in heaven floating,
As to the light emerging here on deck I watch thee,
(Myself a speck, a point on the world's floating vast.)
Waking renewed on thy prodigious pinions,
(Burst the wild storm? above it thou ascended'st,
And rested on the sky, thy slave that cradled thee,)
Now a blue point, far, far in heaven floating,
As to the light emerging here on deck I watch thee,
(Myself a speck, a point on the world's floating vast.)
Far, far at sea,
After the night's fierce drifts have strewn the shore with wrecks,
With re-appearing day as now so happy and serene,
The rosy and elastic dawn, the flashing sun,
The limpid spread of air cerulean,
Thou also re-appearest.
After the night's fierce drifts have strewn the shore with wrecks,
With re-appearing day as now so happy and serene,
The rosy and elastic dawn, the flashing sun,
The limpid spread of air cerulean,
Thou also re-appearest.
Thou born to match the gale, (thou art all wings,)
To cope with heaven and earth and sea and hurricane,
Thou ship of air that never furl'st thy sails,
Days, even weeks untired and onward, through spaces, realms gyrating,
At dusk that look'st on Senegal, at morn America,
That sport'st amid the lightning-flash and thunder-cloud,
In them, in thy experiences, hadst thou my soul,
What joys! what joys were thine!
To cope with heaven and earth and sea and hurricane,
Thou ship of air that never furl'st thy sails,
Days, even weeks untired and onward, through spaces, realms gyrating,
At dusk that look'st on Senegal, at morn America,
That sport'st amid the lightning-flash and thunder-cloud,
In them, in thy experiences, hadst thou my soul,
What joys! what joys were thine!
Walt Whitman [1819-1892]