The Home Book of Verse — Volume 3

When May bedecks the naked trees
With tassels and embroideries,
And many blue-eyed violets beam
Along the edges of the stream,
I hear a voice that seems to say,
Now near at hand, now far away,
"Witchery—witchery—witchery."

An incantation so serene,
So innocent, befits the scene:
There's magic in that small bird's note—
See, there he flits—the Yellow-throat;
A living sunbeam, tipped with wings,
A spark of light that shines and sings
"Witchery—witchery—witchery."

You prophet with a pleasant name,
If out of Mary-land you came,
You know the way that thither goes
Where Mary's lovely garden grows:
Fly swiftly back to her, I pray,
And try, to call her down this way,
"Witchery—witchery—witchery!"

Tell her to leave her cockle-shells,
And all her little silver bells
That blossom into melody,
And all her maids less fair than she.
She does not need these pretty things,
For everywhere she comes, she brings
"Witchery—witchery—witchery!"

The woods are greening overhead,
And flowers adorn each mossy bed;
The waters babble as they run—
One thing is lacking, only one:
If Mary were but here to-day,
I would believe your charming lay,
"Witchery—witchery—witchery!"

Along the shady road I look—
Who's coming now across the brook?
A woodland maid, all robed in white—
The leaves dance round her with delight,
The stream laughs out beneath her feet—
Sing, merry bird, the charm's complete,
"Witchery—witchery—witchery!"

Henry Van Dyke [1852-1933]

Silence instead of thy sweet song, my bird,
Which through the darkness of my winter days
Warbling of summer sunshine still was heard;
Mute is thy song, and vacant is thy place.

The spring comes back again, the fields rejoice,
Carols of gladness ring from every tree;
But I shall hear thy wild triumphant voice
No more: my summer song has died with thee.

What didst thou sing of, O my summer bird?
The broad, bright, brimming river, whose swift sweep
And whirling eddies by the home are heard,
Rushing, resistless, to the calling deep.

What didst thou sing of, thou melodious sprite?
Pine forests, with smooth russet carpets spread,
Where e'en at noonday dimly falls the light,
Through gloomy blue-green branches overhead.

What didst thou sing of, O thou jubilant soul?
Ever-fresh flowers and never-leafless trees,
Bending great ivory cups to the control
Of the soft swaying, orange scented breeze.

What didst thou sing of, thou embodied glee?
The wide wild marshes with their clashing reeds
And topaz-tinted channels, where the sea
Daily its tides of briny freshness leads.

What didst thou sing of, O thou winged voice?
Dark, bronze-leaved oaks, with silver mosses crowned,
Where thy free kindred live, love, and rejoice,
With wreaths of golden jasmine curtained round.

These didst thou sing of, spirit of delight!
From thy own radiant sky, thou quivering spark!
These thy sweet southern dreams of warmth and light,
Through the grim northern winter drear and dark.

Frances Anne Kemble [1809-1893]

O nightingale! thou surely art
A creature of a "fiery heart":—
These notes of thine—they pierce and pierce;
Tumultuous harmony and fierce!
Thou sing'st as if the God of wine
Had helped thee to a Valentine;
A song in mockery and despite
Of shades, and dews, and silent night;
And steady bliss, and all the loves
Now sleeping in these peaceful groves.

I heard a Stock-dove sing or say
His homely tale, this very day;
His voice was buried among trees,
Yet to be come at by the breeze:
He did not cease, but cooed—and cooed;
And somewhat pensively he wooed:
He sang of love, with quiet blending,
Slow to begin, and never ending;
Of serious faith, and inward glee;
That was the Song—the Song for me!

William Wordsworth [1770-1850]

As it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring;
Everything did banish moan
Save the Nightingale alone:
She, poor bird, as all forlorn
Leaned her breast up-till a thorn,
And there sung the doleful'st ditty,
That to hear it was great pity.
Fie, fie, fie! now would she cry;
Tereu, Tereu! by and by;
That to hear her so complain
Scarce I could from tears refrain;
For her griefs so lively shown
Made me think upon mine own.
Ah! thought I, thou mourn'st in vain,
None takes pity on thy pain:
Senseless trees they cannot hear thee,
Ruthless beasts they will not cheer thee:
King Pandion he is dead,
All thy friends are lapped in lead;
All thy fellow birds do sing
Careless of thy sorrowing:
Even so, poor bird, like thee,
None alive will pity me.

Richard Barnfield [1574-1627]

Hark! ah, the nightingale—
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumph! hark!—what pain!

O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewildered brain
That wild, unquenched, deep-sunken, old-world pain—
Say, will it never heal?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy racked heart and brain
Afford no balm?

Dost thou to-night behold,
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild?
Dost thou again peruse
With hot cheeks and seared eyes
The too clear web, and thy dumb sister's shame?
Dost thou once more assay
Thy flight, and feel come over thee,
Poor fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale?
Listen, Eugenia—
How thick the bursts come crowding through the leaves!
Again—thou hearest?
Eternal passion!
Eternal pain!

Matthew Arnold [1822-1888]

The yellow moon is a dancing phantom
Down secret ways of the flowing shade;
And the waveless stream has a murmuring whisper
Where the alders wave.

Not a breath, not a sigh, save the slow stream's whisper:
Only the moon is a dancing blade
That leads a host of the Crescent warriors
To a phantom raid.

Out of the Lands of Faerie a summons,
A long, strange cry that thrills through the glade:—
The gray-green glooms of the elm are stirring,
Newly afraid.

Last heard, white music, under the olives
Where once Theocritus sang and played—
Thy Thracian song is the old new wonder,
O moon-white maid!

William Sharp [1855-1905]

Dear chorister, who from those shadows sends,
Ere that the blushing morn dare show her light,
Such sad lamenting strains, that night attends,
Become all ear, stars stay to hear thy plight:
If one whose grief even reach of thought transcends,
Who ne'er, not in a dream, did taste delight,
May thee importune who like care pretends,
And seems to joy in woe, in woe's despite;
Tell me (so may thou fortune milder try,
And long, long sing) for what thou thus complains,
Since, winter gone, the sun in dappled sky
Now smiles on meadows, mountains, woods, and plains?
The bird, as if my questions did her move,
With trembling wings sobbed forth, I love!  I love!"

William Drummond [1585-1649]

To-night retired, the queen of heaven
With young Endymion stays;
And now to Hesper it is given
Awhile to rule the vacant sky,
Till she shall to her lamp supply
A stream of brighter rays....

Propitious send thy golden ray,
Thou purest light above:
Let no false flame seduce to stray
Where gulf or steep lie hid for harm;
But lead where music's healing charm
May soothe afflicted love.

To them, by many a grateful song
In happier seasons vowed,
These lawns, Olympia's haunt, belong:
Oft by yon silver stream we walked,
Or fixed, while Philomela talked,
Beneath yon copses stood.

Nor seldom, where the beechen boughs
That roofless tower invade,
We came, while her enchanting Muse
The radiant moon above us held:
Till, by a clamorous owl compelled,
She fled the solemn shade.

But hark!  I hear her liquid tone!
Now, Hesper, guide my feet
Down the red marl with moss o'ergrown,
Through yon wild thicket next the plain,
Whose hawthorns choke the winding lane
Which leads to her retreat.

See the green space: on either hand
Enlarged it spreads around:
See, in the midst she takes her stand,
Where one old oak his awful shade
Extends o'er half the level mead,
Enclosed in woods profound.

Hark! how through many a melting note
She now prolongs her lays:
How sweetly down the void they float!
The breeze their magic path attends;
The stars shine out; the forest bends;
The wakeful heifers gaze.

Whoe'er thou art whom chance may bring
To this sequestered spot,
If then the plaintive Siren sing,
O softly tread beneath her bower
And think of Heaven's disposing power,
Of man's uncertain lot.

O think, o'er all this mortal stage
What mournful scenes arise:
What ruin waits on kingly rage;
How often virtue dwells with woe;
How many griefs from knowledge flow;
How swiftly pleasure flies!

O sacred bird! let me at eve,
Thus wandering all alone,
Thy tender counsel oft receive,
Bear witness to thy pensive airs,
And pity Nature's common cares,
Till I forget my own.

Mark Akenside [1721-1770]

O nightingale that on yon bloomy spray
Warblest at eve, when all the woods are still,
Thou with fresh hope the lover's heart dost fill,
While the jolly hours lead on propitious May.
Thy liquid notes that close the eye of day,
First heard before the shallow cuckoo's bill,
Portend success in love.  O, if Jove's will
Have linked that amorous power to thy soft lay,
Now timely sing, ere the rude bird of hate
Foretell my hopeless doom, in some grove nigh;
As thou from year to year hast sung too late
For my relief, yet hadst no reason why.
Whether the Muse or Love call thee his mate,
Both them I serve, and of their train am I.

John Milton [1608-1674]

The Nightingale, as soon as April bringeth
Unto her rested sense a perfect waking,
While late-bare Earth, proud of new clothing, springeth,
Sings out her woes, a thorn her song-book making;
And mournfully bewailing,
Her throat in tunes expresseth
What grief her breast oppresseth,
For Tereus' force on her chaste will prevailing.

O Philomela fair, O take some gladness
That here is juster cause of plaintful sadness!
Thine earth now springs, mine fadeth;
Thy thorn without, my thorn my heart invadeth.

Alas! she hath no other cause of anguish
But Tereus' love, on her by strong hand wroken;
Wherein she suffering, all her spirits languish,
Full womanlike, complains her will was broken,
But I, who, daily craving,
Cannot have to content me,
Have more cause to lament me,
Since wanting is more woe than too much having.

O Philomela fair, O take some gladness
That here is juster cause of plaintful sadness!
Thine earth now springs, mine fadeth;
Thy thorn without, my thorn my heart invadeth.

Philip Sidney [1554-1586]

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thy happiness,—
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

O for a draught of vintage, that hath been
Cooled a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret,
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and specter-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Clustered around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast-fading violets covered up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Called him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charmed magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?

John Keats [1795-1821]

'Tis sweet to hear the merry lark,
That bids a blithe good-morrow;
But sweeter to hark, in the twinkling dark,
To the soothing song of sorrow.
Oh nightingale!  What doth she ail?
And is she sad or jolly?
For ne'er on earth was sound of mirth
So like to melancholy.

The merry lark, he soars on high,
No worldly thought o'ertakes him;
He sings aloud to the clear blue sky,
And the daylight that awakes him.
As sweet a lay, as loud, as gay,
The nightingale is trilling;
With feeling bliss, no less than his,
Her little heart is thrilling.

Yet ever and anon, a sigh
Peers through her lavish mirth;
For the lark's bold song is of the sky,
And hers is of the earth.
By night and day, she tunes her lay,
To drive away all sorrow;
For bliss, alas! to-night must pass,
And woe may come to-morrow.

Hartley Coleridge [1796-1840]

The robin sings of willow-buds,
Of snowflakes on the green;
The bluebird sings of Mayflowers,
The crackling leaves between;
The veery has a thousand tales
To tell to girl and boy;
But the oriole, the oriole,
Sings, "Joy! joy! joy!"

The pewee calls his little mate,
Sweet Phoebe, gone astray,
The warbler sings,
"What fun, what fun,
To tilt upon the spray!"
The cuckoo has no song, but clucks,
Like any wooden toy;
But the oriole, the oriole,
Sings, "Joy! joy! joy!"

The grosbeak sings the rose's birth,
And paints her on his breast;
The sparrow sings of speckled eggs,
Soft brooded in the nest.
The wood-thrush sings of peace, "Sweet peace,
Sweet peace," without alloy;
But the oriole, the oriole,
Sings "Joy! joy! joy!"

Laura E. Richards [1850-

There is a bird that comes and sings
In a professor's garden-trees;
Upon the English oak he swings,
And tilts and tosses in the breeze.

I know his name, I know his note,
That so with rapture takes my soul;
Like flame the gold beneath his throat,
His glossy cope is black as coal.

O oriole, it is the song
You sang me from the cottonwood,
Too young to feel that I was young,
Too glad to guess if life were good.

And while I hark, before my door,
Adown the dusty Concord Road,
The blue Miami flows once more
As by the cottonwood it flowed.

And on the bank that rises steep,
And pours a thousand tiny rills,
From death and absence laugh and leap
My school-mates to their flutter-mills.

The blackbirds jangle in the tops
Of hoary-antlered sycamores;
The timorous killdee starts and stops
Among the drift-wood on the shores.

Below, the bridge—a noonday fear
Of dust and shadow shot with sun—
Stretches its gloom from pier to pier,
Far unto alien coasts unknown.

And on these alien coasts, above,
Where silver ripples break the stream's
Long blue, from some roof-sheltering grove
A hidden parrot scolds and screams.

Ah, nothing, nothing!  Commonest things:
A touch, a glimpse, a sound, a breath—
It is a song the oriole sings—
And all the rest belongs to death.

But oriole, my oriole,
Were some bright seraph sent from bliss
With songs of heaven to win my soul
From simple memories such as this,

What could he tell to tempt my ear
From you?  What high thing could there be,
So tenderly and sweetly dear
As my lost boyhood is to me?

William Dean Howells [1837-1920]

How falls it, oriole, thou hast come to fly
In tropic splendor through our Northern sky?

At some glad moment was it nature's choice
To dower a scrap of sunset with a voice?

Or did some orange tulip, flaked with black,
In some forgotten garden, ages back,

Yearning toward Heaven until its wish was heard,
Desire unspeakably to be a bird?

Edgar Fawcett [1847-1904]

When cats run home and light is come,
And dew is cold upon the ground,
And the far-off stream is dumb,
And the whirring sail goes round,
And the whirring sail goes round;
Alone and warming his five wits,
The white owl in the belfry sits.

When merry milkmaids click the latch,
And rarely smells the new-mown hay,
And the cock hath sung beneath the thatch
Twice or thrice his roundelay,
Twice or thrice his roundelay;
Alone and warming his five wits,
The white owl in the belfry sits.

Alfred Tennyson [1809-1892]

Sweet Suffolk owl, so trimly dight
With feathers, like a lady bright;
Thou sing'st alone, sitting by night,
"Te whit!  Te whoo!"

Thy note that forth so freely rolls
With shrill command the mouse controls;
And sings a dirge for dying souls.
"Te whit!  Te whoo!"

Thomas Vautor [fl. 1616]

The listening Dryads hushed the woods;
The boughs were thick, and thin and few
The golden ribbons fluttering through;
Their sun-embroidered, leafy hoods
The lindens lifted to the blue:
Only a little forest-brook
The farthest hem of silence shook:
When in the hollow shades I heard,—
Was it a spirit, or a bird?
Or, strayed from Eden, desolate,
Some Peri calling to her mate,
Whom nevermore her mate would cheer?
Pe-ri! pe-ri! peer!"

Through rocky clefts the brooklet fell
With plashy pour, that scarce was sound,
But only quiet less profound,
A stillness fresh and audible:
A yellow leaflet to the ground
Whirled noiselessly: with wing of gloss
A hovering sunbeam brushed the moss,
And, wavering brightly over it,
Sat like a butterfly alit:
The owlet in his open door
Stared roundly: while the breezes bore
The plaint to far-off places drear,—
"Pe-ree! pe-ree! peer!"

To trace it in its green retreat
I sought among the boughs in vain;
And followed still the wandering strain,
So melancholy and so sweet
The dim-eyed violets yearned with pain.
'Twas now a sorrow in the air,
Some nymph's immortalized despair
Haunting the woods and waterfalls;
And now, at long, sad intervals,
Sitting unseen in dusky shade,
His plaintive pipe some fairy played,
With long-drawn cadence thin and clear,—
"Pe-wee! pe-wee! peer!"

Long-drawn and clear its closes were,—
As if the hand of Music through
The somber robe of Silence drew
A thread of golden gossamer:
So pure a flute the fairy blew.
Like beggared princes of the wood,
In silver rags the birches stood;
The hemlocks, lordly counselors,
Were dumb; the sturdy servitors,
In beechen jackets patched and gray,
Seemed waiting spellbound all the day
That low, entrancing note to hear,—
"Pe-wee! pe-wee! peer!"

I quit the search, and sat me down
Beside the brook, irresolute,
And watched a little bird in suit
Of sober olive, soft and brown,
Perched in the maple-branches, mute:
With greenish gold its vest was fringed,
Its tiny cap was ebon-tinged,
With ivory pale its wings were barred,
And its dark eyes were tender-starred.
"Dear bird," I said, "what is thy name?"
And thrice the mournful answer came,
So faint and far, and yet so near,—
"Pe-wee! pe-wee! peer!"

For so I found my forest bird,—
The pewee of the loneliest woods,
Sole singer in these solitudes,
Which never robin's whistle stirred,
Where never bluebird's plume intrudes.
Quick darting through the dewy morn,
The redstart trilled his twittering horn,
And vanished in thick boughs: at even,
Like liquid pearls fresh showered from heaven,
The high notes of the lone wood-thrush
Fall on the forest's holy hush:
But thou all day complainest here,—
"Pe-wee! pe-wee! peer!"

Hast thou, too, in thy little breast,
Strange longings for a happier lot,—
For love, for life, thou know'st not what,—
A yearning, and a vague unrest,
For something still which thou hast not?—
Thou soul of some benighted child
That perished, crying in the wild!
Or lost, forlorn, and wandering maid,
By love allured, by love betrayed,
Whose spirit with her latest sigh
Arose, a little winged cry,
Above her chill and mossy bier!
"Dear me! dear me! dear!"

Ah, no such piercing sorrow mars
The pewee's life of cheerful ease!
He sings, or leaves his song to seize
An insect sporting in the bars
Of mild bright light that gild the trees.
A very poet he!  For him
All pleasant places still and dim:
His heart, a spark of heavenly fire,
Burns with undying, sweet desire:
And so he sings; and so his song,
Though heard not by the hurrying throng,
Is solace to the pensive ear:
Pewee! pewee! peer!

John Townsend Trowbridge [1827-1916]

Sweet Robin, I have heard them say
That thou wert there upon the day
The Christ was crowned in cruel scorn
And bore away one bleeding thorn,—
That so the blush upon thy breast,
In shameful sorrow, was impressed;
And thence thy genial sympathy
With our redeemed humanity.

Sweet Robin, would that I might be
Bathed in my Saviour's blood, like thee;
Bear in my breast, whate'er the loss,
The bleeding blazon of the cross;
Live ever, with thy loving mind,
In fellowship with human-kind;
And take my pattern still from thee,
In gentleness and constancy.

George Washington Doane [1799-1859]

Good-by, good-by to Summer!
For Summer's nearly done;—
The garden smiling faintly,
Cool breezes in the sun;
Our thrushes now are silent,
Our swallows flown away,—
But Robin's here in coat of brown,
And scarlet breast-knot gay.
Robin, Robin Redbreast,
O Robin dear!
Robin sings so sweetly
In the falling of the year.

Bright yellow, red, and orange,
The leaves come down in hosts;
The trees are Indian princes,
But soon they'll turn to ghosts;
The scanty pears and apples
Hang russet on the bough;
It's Autumn, Autumn, Autumn late,
'Twill soon be Winter now.
Robin, Robin Redbreast,
O Robin dear!
And what will this poor Robin do?
For pinching days are near.

The fireside for the cricket,
The wheat-stack for the mouse,
When trembling night-winds whistle
And moan all round the house.
The frosty ways like iron,
The branches plumed with snow,—
Alas! in Winter dead and dark,
Where can poor Robin go?
Robin, Robin Redbreast,
O Robin dear!
And a crumb of bread for Robin,
His little heart to cheer!

William Allingham [1824-1889]

Across the narrow beach we flit,
One little sandpiper and I,
And fast I gather, bit by bit,
The scattered driftwood bleached and dry.
The wild waves reach their hands for it,
The wild wind raves, the tide runs high,
As up and down the beach we flit,—
One little sandpiper and I.

Above our heads the sullen clouds
Scud black and swift across the sky;
Like silent ghosts in misty shrouds
Stand out the white lighthouses high.
Almost as far as eye can reach
I see the close-reefed vessels fly,
As fast we flit along the beach,—
One little sandpiper and I.

I watch him as he skims along,
Uttering his sweet and mournful cry.
He starts not at my fitful song,
Or flash of fluttering drapery.
He has no thought of any wrong;
He scans me with a fearless eye:
Staunch friends are we, well tried and strong,
The little sandpiper and I.

Comrade, where wilt thou be to-night
When the loosed storm breaks furiously?
My driftwood fire will burn so bright!
To what warm shelter canst thou fly?
I do not fear for thee, though wroth
The tempest rushes through the sky:
For are we not God's children both,
Thou, little sandpiper, and I?

Celia Thaxter [1835-1894]

How joyously the young sea-mew
Lay dreaming on the waters blue,
Whereon our little bark had thrown
A little shade, the only one,—
But shadows ever man pursue.

Familiar with the waves and free
As if their own white foam were he,
His heart upon the heart of ocean
Lay learning all its mystic motion,
And throbbing to the throbbing sea.

And such a brightness in his eye,
As if the ocean and the sky
Within him had lit up and nursed
A soul God gave him not at first
To comprehend their majesty.

We were not cruel, yet did sunder
His white wing from the blue waves under,
And bound it, while his fearless eyes
Shone up to ours in calm surprise,
As deeming us some ocean wonder!

We bore our ocean bird unto
A grassy place, where he might view
The flowers that curtsey to the bees,
The waving of the tall green trees,
The falling of the silver dew.

But flowers of earth were pale to him
Who had seen the rainbow fishes swim;
And when earth's dew around him lay
He thought of ocean's winged spray,
And his eye waxed sad and dim.

The green trees round him only made
A prison with their darksome shade;
And dropped his wing, and mourned he
For his own boundless glittering sea—
Albeit he knew not they could fade.

Then One her gladsome face did bring,
Her gentle voice's murmuring,
In ocean's stead his heart to move
And teach him what was human love:
He thought it a strange, mournful thing.

He lay down in his grief to die
(First looking to the sea-like sky
That hath no waves!), because, alas!
Our human touch did on him pass,
And, with our touch, our agony.

Elizabeth Barrett Browning [1806-1861]

Up with me! up with me into the clouds!
For thy song, Lark, is strong;
Up with me, up with me into the clouds!
Singing, singing,
With clouds and sky about thee ringing,
Lift me, guide me till I find
That spot which seems so to thy mind!

I have walked through wildernesses dreary
And to-day my heart is weary;
Had I now the wings of a Fairy,
Up to thee would I fly.
There is madness about thee, and joy divine
In that song of thine;
Lift me, guide me high and high
To thy banqueting-Place in the sky.

Joyous as morning
Thou art laughing and scorning;
Thou hast a nest for thy love and thy rest.
And, though little troubled with sloth,
Drunken Lark! thou would'st be loth
To be such a traveler as I.
Happy, happy Liver,
With a soul as strong as a mountain river
Pouring out praise to the Almighty Giver,
Joy and jollity be with us both!

Alas! my journey, rugged and uneven,
Through prickly moors or dusty ways must wind;
But hearing thee, or others of thy kind,
As full of gladness and as free of heaven,
I, with my fate contented, will plod on,
And hope for higher raptures, when life's day is done.

William Wordsworth [1770-1850]

Ethereal minstrel! pilgrim of the sky!
Dost thou despise the earth where cares abound?
Or, while the wings aspire, are heart and eye
Both with thy nest upon the dewy ground?
Thy nest which thou canst drop into at will,
Those quivering wings composed, that music still!

To the last point of vision, and beyond,
Mount, daring warbler!—that love-prompted strain
—'Twixt thee and thine a never-failing bond—
Thrills not the less the bosom of the plain:
Yet might'st thou seem, proud privilege! to sing
All independent of the leafy spring.

Leave to the nightingale her shady wood;
A privacy of glorious light is thine,
Whence thou dost pour upon the world a flood
Of harmony, with instinct more divine:
Type of the wise, who soar, but never roam—
True to the kindred points of Heaven and Home!

William Wordsworth [1770-1850]

Bird of the wilderness,
Blithesome and cumberless,
Sweet be thy matin o'er moorland and lea!
Emblem of happiness,
Blest is thy dwelling-place—
O to abide in the desert with thee!

Wild is thy lay and loud,
Far in the downy cloud,
Love gives it energy, love gave it birth.
Where, on thy dewy wing,
Where art thou journeying?
Thy lay is in heaven, thy love is on earth.

O'er fell and fountain sheen,
O'er moor and mountain green,
O'er the red streamer that heralds the day,
Over the cloudlet dim,
Over the rainbow's rim,
Musical cherub, soar, singing, away!

Then, when the gloaming comes,
Low in the heather blooms
Sweet will thy welcome and bed of love be!
Emblem of happiness,
Blest is thy dwelling-place—
O to abide in the desert with thee!

James Hogg [1770-1835]

How the blithe Lark runs up the golden stair
That leans through cloudy gates from Heaven to Earth,
And all alone in the empyreal air
Fills it with jubilant sweet songs of mirth;
How far he seems, how far
With the light upon his wings,
Is it a bird, or star
That shines, and sings?

What matter if the days be dark and frore,
That sunbeam tells of other days to be,
And singing in the light that floods him o'er
In joy he overtakes Futurity;
Under cloud-arches vast
He peeps, and sees behind
Great Summer coming fast
Adown the wind!

And now he dives into a rainbow's rivers,
In streams of gold and purple he is drowned,
Shrilly the arrows of his song he shivers,
As though the stormy drops were turned to sound;
And now he issues through,
He scales a cloudy tower,
Faintly, like falling dew,
His fast notes shower.

Let every wind be hushed, that I may hear
The wondrous things he tells the World below,
Things that we dream of he is watching near,
Hopes that we never dreamed he would bestow;
Alas! the storm hath rolled
Back the gold gates again,
Or surely he had told
All Heaven to men!