THE SMITHSONIAN INSTITUTION PRESS

The Invention
Of the Sewing Machine

Grace Rogers Cooper

CURATOR OF TEXTILES

Museum of History and Technology

SMITHSONIAN INSTITUTION · WASHINGTON, · D.C. 1968

Publications of the United States National Museum

The scholarly and scientific publications of the United States National Museum include two series, Proceedings of the United States National Museum and United States National Museum Bulletin.

In these series, the Museum publishes original articles and monographs dealing with the collections and work of its constituent museums—The Museum of Natural History and the Museum of History and Technology—setting forth newly acquired facts in the fields of anthropology, biology, history, geology, and technology. Copies of each publication are distributed to libraries, to cultural and scientific organizations, and to specialists and others interested in the different subjects.

The Proceedings, begun in 1878, are intended for the publication, in separate form, of shorter papers from the Museum of Natural History. These are gathered in volumes, octavo in size, with the publication date of each paper recorded in the table of contents of the volume.

In the Bulletin series, the first of which was issued in 1875, appear longer, separate publications consisting of monographs (occasionally in several parts) and volumes in which are collected works on related subjects. Bulletins are either octavo or quarto in size, depending on the needs of the presentation. Since 1902 papers relating to the botanical collections of the Museum of Natural History have been published in the Bulletin series under the heading Contributions from the United States National Herbarium and, since 1959, in Bulletins titled “Contributions from the Museum of History and Technology,” have been gathered shorter papers relating to the collections and research of that Museum.

This work forms volume 254 of the Bulletin series.

Frank A. Taylor
Director, United States National Museum

For sale by Superintendent of Documents, U.S. Government Printing Office
Washington, D.C. 20402—Price $2.75

Contents

Preface

It had no instrument panel with push-button controls. It was not operated electronically or jet-propelled. But to many 19th-century people the sewing machine was probably as awe-inspiring as a space capsule is to their 20th-century descendants. It was expensive, but, considering the work it could do and the time it could save, the cost was more than justified. The sewing machine became the first widely advertised consumer appliance, pioneered installment buying and patent pooling, and revolutionized the ready-made clothing industry. It also weathered the protests of those who feared the new machine was a threat to their livelihood.

The practical sewing machine is not the result of one man’s genius, but rather the culmination of a century of thought, work, trials, failures, and partial successes of a long list of inventors. History is too quick to credit one or two men for an important invention and to forget the work that preceded and prodded each man to contribute his share. It is no discredit to Howe to state that he did not invent the sewing machine. Howe’s work with the sewing machine was important, and he did patent certain improvements, but his work was one step along the way. It is for the reader to decide whether it was the turning point.

Since the sewing machine has been considered by some as one of the most important inventions of 19th-century America, of equal importance to this story of the invention is the history of the sewing machine’s development into a practical, popular commodity. Since many new companies blossomed overnight to manufacture this very salable item, a catalog list of more than one hundred and fifty of these 19th-century companies is included in this study. Still, the list is probably incomplete. Many of the companies remained in business a very short time or kept their activities a secret to avoid payment of royalties to patent holders. Evidence of these companies is difficult to find. It is hoped that additional information will come to light as a result of this initial attempt to list and date known companies. The dating of individual machines based on their serial numbers is also a difficult task. Individual company records of this type have not survived; however, using the commercial machines in the patent collection, for which we know one limiting date—the date the machine was deposited at the patent office—and using the records that have survived, an estimated date based on the serial number can be established for many of the better known machines.

Chapter One

Early Efforts

To 1800

For thousands of years, the only means of stitching two pieces of fabric together had been with a common needle and a length of thread. The thread might be of silk, flax, wool, sinew, or other fibrous material. The needle, whether of bone, silver, bronze, steel, or some other metal, was always the same in design—a thin shaft with a point at one end and a hole or eye for receiving the thread at the other end. Simple as it was, the common needle (fig. 2) with its thread-carrying eye had been an ingenious improvement over the sharp bone, stick, or other object used to pierce a hole through which a lacing then had to be passed.[1] In addition to utilitarian stitching for such things as the making of garments and household furnishings, the needle was also used for decorative stitching, commonly called embroidery. And it was for this purpose that the needle, the seemingly perfect tool that defied improvement, was first altered for ease of stitching and to increase production.

One of the forms that the needle took in the process of adaptation was that of the fine steel hook. Called an aguja in Spain, the hook was used in making a type of lace known as punto de aguja. During the 17th century after the introduction of chainstitch embroideries from India, this hook was used to produce chainstitch designs on a net ground.[2] The stitch and the fine hook to make it were especially adaptable to this work. By the 18th century the hook had been reduced to needle size and inserted into a handle, and was used to chainstitch-embroider woven fabrics.[3] In France the hook was called a crochet and was sharpened to a point for easy entry into the fabric (fig. 3). For stitching, the fabric was held taut on a drum-shaped frame. The hooked needle pierced the fabric, caught the thread from below the surface and pulled a loop to the top. The needle reentered the fabric a stitch-length from the first entry and caught the thread again, pulling a second loop through the first to which it became enchained. This method of embroidery permitted for the first time the use of a continuous length of thread. At this time the chainstitch was used exclusively for decorative embroidery, and from the French name for drum—the shape of the frame that held the fabric—the worked fabric came to be called tambour embroidery. The crochet[4] or small hooked needle soon became known as a tambour needle.

In 1755 a new type of needle was invented for producing embroidery stitches. This needle had to pass completely through the fabric two times (a through-and-through motion) for every stitch. The inventor was Charles F. Weisenthal, a German mechanic living in London who was granted British patent 701 for a two-pointed needle (fig. 4). The invention was described in the patent as follows:

It might be argued that Weisenthal had invented the eye-pointed needle, since he was the first inventor to put a point at the end of the needle having the eye. But, since his specifically stated use required the needle to have two points and to be passed completely through the fabric, Weisenthal had no intention of utilizing the very important advantage that the eye-pointed needle provided, that of not requiring the passage of the needle through the fabric as in hand sewing.

While no records can be found to establish that Weisenthal’s patent was put to any commercial use during the inventor’s lifetime, the two-pointed needle with eye at midpoint appeared in several 19th-century sewing-machine inventions.

The earliest of the known mechanical sewing devices produced a chain or tambour stitch, but by an entirely different principle than that used with either needle just described. Although the idea was incorporated into a patent, the machine was entirely overlooked for almost a century as the patent itself was classed under wearing apparel. It was entitled “An Entire New Method of Making and Completing Shoes, Boots, Splatterdashes, Clogs, and Other Articles, by Means of Tools and Machines also Invented by Me for that Purpose, and of Certain Compositions of the Nature of Japan or Varnish, which will be very advantageous in many useful Applications.” This portentously titled British patent 1,764 was issued to an English cabinetmaker, Thomas Saint, on July 17, 1790. Along with accounts of several processes for making various varnish compositions, the patent contains descriptions of three separate machines; the second of these was for “stitching, quilting, or sewing.” Though far from practical, the machine incorporated several features common to a modern sewing machine. It had a horizontal cloth plate or table, an overhanging arm carrying a straight needle, and a continuous supply of thread from a spool. The motion was derived from the rotation of a hand crank on a shaft, which activated cams that produced all the actions of the machine.

One cam operated the forked needle (fig. 5) that pushed the thread through a hole made by a preceding thrust of the awl. The thread was caught by a looper and detained so that it then became enchained in the next loop of thread. The patent described thread tighteners above and below the work and an adjustment to vary the stitches for different kinds of material. Other than the British patent records, no contemporary reference to Saint’s machine has ever been found. The stitching-machine contents of this patent was happened on by accident in 1873.[5] Using the patent description, a Newton Wilson of London attempted to build a model of Saint’s machine in 1874.[6] Wilson found, however, that it was necessary to modify the construction before the machine would stitch at all.

This raised the question whether Saint had built even one machine. Nevertheless, the germ of an idea was there, and had the inventor followed through the sewing machine might have been classed an 18th-century rather than a 19th-century contribution.

On February 14, 1804, a French patent was issued to Thomas Stone and James Henderson for a “new mechanical principle designed to replace handwork in joining the edges of all kinds of flexible material, and particularly applicable to the manufacture of clothing.”[7] The machine used a common needle and made an overcast stitch in the same manner as hand sewing. A pair of jaws or pincers, imitating the action of the fingers, alternately seized and released the needle on each side of the fabric. The pincers were attached to a pair of arms arranged to be moved backward and forward by “any suitable mechanism.”[8] This machine was capable of making curved or angular as well as straight seams, but it was limited to carrying a short length of thread, necessitating frequent rethreading. The machine may have had some limited use, but it was not commercially successful.

On May 30 of the same year John Duncan, a Glasgow manufacturer, was granted British patent 2,769 for “a new and improved method of tambouring, or raising flowers, figures or other ornaments upon muslins, lawns and other cottons, cloths, or stuffs.” This machine made the chainstitch, using not one but many hooked needles that operated simultaneously. The needles, attached to a bar or carrier, were pushed through the vertically held fabric from the upper right side, which in this case was also the outer side. After passing through it, they were supplied with thread from spools by means of peculiarly formed hooks or thread carriers. The thread was twisted around the needle above the hook, so as to be caught by it, and drawn through to the outer surface. The shaft of the needle was grooved on the hook side and fitted with a slider. This slider closed upon the retraction of the needle from the fabric, holding the thread in place and preventing the hook from catching. The fabric was stretched between two rollers set in an upright frame capable of sliding vertically in a second frame arranged to have longitudinal motion. The combination of these two motions was sufficient to produce any required design. The principle developed by Duncan was used on embroidery machines, in a modified form, for many years. Of several early attempts, his was the first to realize any form of success.

Another early machine reported to have used the eye-pointed needle to form the chainstitch was invented about 1810 by Balthasar Krems,[9] a hosiery worker of Mayen, Germany. One knitted article produced there was a peaked cap, and Krems’ machine was devised to stitch the turned edges of the cap,[10] which was suspended from wire pins on a moving wheel. The needle of the machine was attached to a horizontal shaft and carried the thread through the fabric. The loop of thread was retained by a hook-shaped pin to become enchained with the next loop at the reentry of the needle. Local history reports that this device may have been used as early as 1800, but the inventor did not patent his machine and apparently made no attempt to commercialize it. No contemporary references to the machine could be found, and use of the machine may have died with the inventor in 1813.

About the same time, Josef Madersperger, a tailor in Vienna, Austria, invented a sewing machine, which was illustrated (fig. 7) and described in a 15-page pamphlet published about 1816.[11] On May 12, 1817, a Vienna newspaper wrote of the Madersperger machine: “The approbation which his machine received everywhere has induced his Royal Imperial Majesty, in the year 1814, to give to the inventor an exclusive privilege [patent] which has already been mentioned before in these papers.”[12] Madersperger’s 1814 machine stitched straight or curving lines. His second machine stitched small semicircles, as shown in the illustration, and also small circles, egg-shaped figures, and angles of various degrees. The machine, acclaimed by the art experts, must therefore have been intended for embroidery stitching. From the contemporary descriptions and the illustration, the machine is judged to have made a couched stitch—one thread was laid on the surface of the fabric and stitched in place with a short thread carried by a two-pointed needle of the type invented by Weisenthal. Two fabrics could have been stitched together, but not in the manner required for tailoring. The machine must have had many deficiencies in the tension adjustment, feed, and related mechanical operations, for despite the published wishes for success the inventor did not put the machine into practical operation.[13] Years later Madersperger again attempted to invent a sewing machine using a different stitch (see p. 13).

A story persists that about 1818-1819 a machine that formed a backstitch, identical to the one used in hand sewing, was invented in Monkton, Vermont. The earliest record of this machine that this author has found was in the second or 1867 edition of Eighty Years of Progress of the United States; the machine is not mentioned in the earlier edition. The writer of the article on sewing machines states that John Knowles invented and constructed a sewing machine, which used a single thread and a two-pointed needle with the eye in the middle to form the backstitch. This information must have come to light after the first edition was published, but from where and by whom is not known. Other sources state that two men, Adams and Dodge, produced this machine in Monkton.[14] While still others credit the Reverend John Adam Dodge, assisted by a mechanic by the name of John Knowles, with the same invention in the same location.[15] Vermont historical societies have been unable to identify the men named or to verify the story of the invention.[16] The importance of the credibility of this story, if proved, rests in the fact that it represents the first effort in the United States to produce a mechanical stitching device.

1820-1845

American records of this period are incomplete as a result of the Patent Office fire of 1836, in which most of the specific descriptions of patents issued to that date were destroyed. Patentees were asked to provide another description of their patents so that these might be copied, but comparatively few responded and only a small percentage was restored. Thus, although the printed index of patents[17] lists Henry Lye as patenting a machine for “sewing leather, and so forth” on March 10, 1826, no description of the machine has ever been located. Many patents whose original claim was for only a mechanical awl to pierce holes in leather or a clamp to hold leather for hand stitching were claimed as sewing devices once a practical machine had evolved. But no evidence has ever been found that any of these machines performed the actual stitching operation.

The first man known to have put a mechanical sewing device into commercial operation was Barthelemy Thimonnier,[18] a French tailor. After several years of fruitless effort he invented a machine for which he received a French patent in 1830.[19] The machine (fig. 8) made a chainstitch by means of a barbed or hooked needle. The vertically held needle worked from an overhanging arm. The needle thrust through the fabric laid on the horizontal table, caught a thread from the thread carrier and looper beneath the table, and brought a loop to the surface of the fabric. When the process was repeated the second loop became enchained in the first. The needle was moved downward by the depression of a cord-connected foot treadle and was raised by the action of a spring. The fabric was fed through the stitching mechanism manually, and a regular rate of speed had to be maintained by the operator in order to produce stitches of equal length. A type of retractable thimble or presser foot was used to hold the fabric down as required.

The needle, and the entire machine, was basically an attempt to mechanize tambour embroidery, with which the inventor was quite familiar. Although this work, which served as the machine’s inspiration, was always used for decorative embroidery, Thimonnier saw the possibilities of using the stitch for utilitarian purposes. By 1841 he had 80 machines stitching army clothing in a Paris shop. But a mob of tailors, fearing that the invention would rob them of a livelihood, broke into the shop and destroyed the machines. Thimonnier fled Paris, penniless. Four years later he had obtained new financial help, improved his machine to produce 200 stitches a minute, and organized the first French sewing-machine company.[20] The Revolution of 1848, however, brought this enterprise to an early end. Before new support could be found other inventors had appeared with better machines, and Thimonnier’s was passed by. In addition to the two French patents Thimonnier also received a British patent with his associate Jean Marie Magnin in 1848 and one in the United States in 1850. He achieved no financial gain from either of these and died a poor man.

While Thimonnier was developing his chainstitch machine in France, Walter Hunt,[21] perhaps best described as a Yankee mechanical genius, was working on a different kind of sewing machine in the United States. Sometime between 1832 and 1834 he produced at his shop in New York a machine that made a lockstitch.[22] This stitch was the direct result of the mechanical method devised to produce the stitching and represented the first occasion an inventor had not attempted to reproduce a hand stitch. The lockstitch required two threads, one passing through a loop in the and both interlocking in the heart of the seam. At the time Hunt did not consider the sewing machine any more promising than several other inventions that he had in mind, and, after demonstrating that the machine would sew, he sold his interest in it for a small sum and did not bother to patent it.

A description—one of few ever published—and sketch of a rebuilt Hunt machine (fig. 9) appeared in an article in the Sewing Machine News in 1881.[23] The important element in the Hunt invention was an eye-pointed needle working in combination with a shuttle carrying a second thread. Future inventors were thus no longer hampered by the erroneous idea that the sewing machine must imitate the human hands and fingers. Though Hunt’s machine stitched short, straight seams with speed and accuracy, it could not sew curved or angular work. Its stitching was not continuous, but had to be reset at the end of a short run. The validity of Hunt’s claim as the inventor of the lockstitch and the prescribed method of making it was argued many times, especially during the Elias Howe patent suits of the 1850s. The decision against Hunt was not a question of invention,[24] but one of right to ownership or control. Hunt did little to promote his sewing machine and sold it together with the right to patent to George A. Arrowsmith.

For over fifteen years, from the mid-1830s to the early 1850s, the machine dropped out of sight. When the sewing-machine litigation developed in the 1850s, the I. M. Singer company searched out the Hunt machine, had the inventor rebuild one,[25] and attempted to use this to break the Howe patent. The plan did not work. The Honorable Charles Mason, Patent Commissioner, reported:

Hunt’s machine was an invention of the 1830s, but only because of the patent litigation was it ever heard of again.

During the time that a potentially successful sewing machine was being invented and forgotten in America, Josef Madersperger of Austria made a second attempt to solve the mechanical stitching problem. In 1839 he received a second patent on a machine entirely different from his 1814 effort. It was similar to Hunt’s in that it used an eye-pointed needle and passed a thread through the loop of the needle-thread—the thread carried by the needle—to lock the stitch. Madersperger’s machine was a multiple-needle quilting machine. The threaded needles penetrated the fabric from below and were retracted, leaving the loops on the surface. A thread was drawn through the loops to produce what the inventor termed a chain. The first two stitches were twisted before insertion into the next two, producing a type of twisted lockstitch. The mechanism for feeding the cloth was faulty, however, and the inventor himself stated in the specifications that much remained to perfect and simplify it before its general application. (This machine was illustrated [fig. 10] in the Sewing Machine Times, October 25, 1907, and mistakenly referred to as the 1814 model.) Madersperger realized no financial gain from either venture and died in a poorhouse in 1850.

The first efforts of the 1840s reflected the work of the earlier years. In England, Edward Newton and Thomas Archbold invented and patented a machine on May 4, 1841, for tambouring or ornamenting the backs of gloves. Their machine used a hook on the upper surface to catch the loop of thread, but an eye-pointed needle from underneath was used to carry the thread up through the fabric. The machine was designed to use three needles for three rows of chainstitching, if required. Although the machine was capable of stitching two fabrics together, it was never contemplated as a sewing machine in the present use of the term. Their British patent 8,948 stated it was for “improvements in producing ornamental or tambour work in the manufacture of gloves.”

The earliest American patent specifically recorded as a sewing machine was U.S. patent 2,466, issued to John J. Greenough on February 21, 1842. His machine was a short-thread model that made both the running stitch and the backstitch. It used the two-pointed needle, with eye at mid-length, which was passed back and forth through the material by means of a pair of pincers on each side of the seam. The pincers opened and closed automatically. The material to be sewn was held in clamps which moved it forward between the pincers to form a running stitch or moved it alternately backward and forward to produce a backstitch. The clamps were attached to a rack that automatically fed the material at a predetermined rate according to the length of stitch required. Since the machine was designed for leather or other hard material, the needle was preceded by an awl, which pierced a hole. The machine had a weight to draw out the thread and a stop-motion to stop the machinery when a thread broke or became too short. The needle was threaded with a short length of thread and required frequent refilling. Only straight seams could be stitched. The feed was continuous to the length of the rack bar; then it had to be reset. The motions were all obtained from the revolution of a crank. It is not believed that any machines, other than the patent model (fig. 11), were ever made. Little is known of Greenough other than his name.