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The Investment of Influence: A Study of Social Sympathy and Service

Chapter 20: CHAPTER VIII.
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About This Book

A collection of essays examines how individual character radiates influence and creates an atmosphere that shapes others' lives, arguing that self-culture should be balanced by social sympathy and service. It treats talent as an investment whose returns may benefit society, considers vicarious lives and the moral debt of strength to weakness, and reflects on genius, renown through self-renunciation, and the supremacy of heart over intellect. Several chapters analyze small acts of fidelity, the strategic timing of opportunity, reactive forces in character, and the roles of love and hope in personal and communal growth.

THE SUPREMACY OF HEART OVER BRAIN.

"Out of the heart are the issues of life."—Prov. IV. 23.

"For out of the heart man believeth unto righteousness."—Paul.

"Heart is a word that the Bible is full of. Brain, I believe, is not mentioned in Scripture. Heart, in the sense in which it is currently understood, suggests the warm center of human life or any other life. When we say of a man that he 'has a good deal of heart' we mean that he is 'summery.' When you come near him it is like getting around to the south side of a house in midwinter and letting the sunshine feel of you, and watching the snow slide off the twigs and the tear-drops swell on the points of pendant icicles. Brain counts for a good deal more to-day than heart does. It will win more applause and earn a larger salary. Thought is driven with a curb-bit lest it quicken into a pace and widen out into a swing that transcends the dictates of good form. Exuberance is in bad odor. Appeals to the heart are not thought to be quite in good taste. The current demand is for ideas—not taste. I asked a member of my church the other day whether he thought a certain friend of his who attends a certain church and is exceptionally brainy was really entering into sympathy with religious things. 'Oh, no,' he said, 'he likes to hear preaching because he has an active mind, and the way that things are spread out in front of him.' In the old days of the church a sermon used to convert 3,000 men, now that temperature is down it takes 3,000 sermons to convert one man."—Charles H. Parkhurst.

CHAPTER VII.

THE SUPREMACY OF HEART OVER BRAIN.

To-day there has sprung up a rivalry between brain and heart. Men are coming to idolize intellect. Brilliancy is placed before goodness and intellectual dexterity above fidelity. Intellect walks the earth a crowned king, while affection and sentiment toil as bond slaves. Doubtless our scholars, with the natural bias for their own class, are largely responsible for this worship of intellectuality. When the historian calls the roll of earth's favorite sons he causes these immortals to stand forth an army of great thinkers, including philosophers, scientists, poets, jurists, generals. The great minds are exalted, the great hearts are neglected.

Artists also have united with authors for strengthening this idolatry of intellect. One of the great pictures in the French Academy of Design assembles the immortals of all ages. Having erected a tribunal in the center of the scene, Delaroche places Intellect upon the throne. Also, when the sons of genius are assembled about that glowing center, all are seen to be great thinkers. There stand Democritus, a thinker about invisible atoms; Euclid, a thinker about invisible lines and angles; Newton, a thinker about an invisible force named gravity; La Place, a thinker about the invisible law that sweeps suns and stars forward toward an unseen goal.

The artist also remembers the inventors whose useful thoughts blossom into engines and ships; statesmen whose wise thoughts blossom into codes and constitutions; speakers whose true thoughts blossom into orations, and artists whose beautiful thoughts appear as pictures. At this assembly of the immortals great thinkers touch and jostle. But if the great minds are remembered, no chair is made ready for the great hearts. He who lingers long before this painting will believe that brain is king of the world; that great thinkers are the sole architects of civilization; that science is the only providence for the future; that God himself is simply an infinite brain, an eternal logic engine, cold as steel, weaving endless ideas about life and art, about nature and man.

But the throne of the universe is mercy and not marble; the name of the world-ruler is Great Heart, rather than Crystalline Mind, and God is the Eternal Friend who pulsates out through his world those forms of love called reforms, philanthropies, social bounties and benefactions, even as the ocean pulsates its life-giving tides into every bay and creek and river. The springs of civilization are not in the mind. For the individual and the state, "out of the heart are the issues of life."

What intellect can dream, only the heart realizes! John Cabot's mind did, indeed, blaze a pathway through the New England forest. But with burning hearts and iron will the Pilgrim Fathers loved liberty, law and learning, and soon they broadened the path into a highway for commerce, turned tepees into temples and made the forests a land of vineyards and villages. Mind is the beginning of civilization, but the ends and fruitage thereof are of the heart.

Christopher Wren's intellect wrought out the plan for St. Paul's Cathedral. But all impotent to realize themselves, these plans, lying in the King's council chamber grew yellow with age and thick with dust. One day a great heart stood forth before the people of London, pointing them to an unseen God, "from whom cometh every good and perfect gift," and, plying men with the generosity of God, he asked gifts of gold and silver and houses and lands, that England might erect a temple worthy of him "whom the heaven of heavens could not contain." The mind of a great architect had created a plan and a "blue-print," but eager hearts inspiring earnest hands turned the plan into granite and hung in the air a dome of marble.

Thus all the great achievements for civilization are the achievements of heart. What we call the fine arts are only red-hot ingots of passion cooled off into visible shape. All high music is emotion gushing forth at those faucets named musical notes. As unseen vapors cool into those visible forms named snowflakes, so Gothic enthusiasms cooled off into cathedrals.

Our art critics speak of the eight great paintings of history. Each of these masterpieces does but represent a holy passion flung forth upon a canvas. The reformation also was not achieved by intellect nor scholarship. Erasmus represents pure mind. Yet his intellect was cold as winter sunshine that falls upon a snowdrift and dazzles the eyes with brightness, yet is impotent to unlock the streams, or bore a hole through the snowdrifts, or release the roots from the grip of ice and frost, or cover the land with waving harvests. Powerless as winter sunshine were Erasmus' thoughts. But what the scholar could not do, Luther, the great heart, wrought easily.

Thus all the reforms represent passions and enthusiasms. That citadel called "The Divine Right of Kings" was not overthrown by colleges with books and pamphlets. It was the pulse-beats of the heart of the people that pounded down the Bastille. Ideas of the iniquity of slavery floated through our land for three centuries, yet the slave pen and auction block still cursed our land. At last an enthusiasm for man as man and a great passion for the poor stood behind these ideas of human brotherhood, and as powder stands behind the bullet, flinging forth its weapons, slavery perished before the onslaught of the heart.

The men whose duty it was to follow the line of battle and bury our dead soldiers tell us that in the dying hour the soldier's hand unclasped his weapon and reached for the inner pocket to touch some faded letter; some little keepsake, some likeness of wife or mother. This pathetic fact tells us that soldiers have won their battles not by holding before the mind some abstract thought about the rights of man. The philosopher did, indeed, teach the theory, and the general marked out the line of attack or defense, but it was love of home and God and native land that entered into the soldier and made his arm invincible. Back of the emancipation proclamation stands a great heart named Lincoln. Back of Africa's new life stands a great heart named Livingstone. Back of the Sermon on the Mount stands earth's greatest heart—man's Savior. Christ's truth is enlightening man's ignorance, but his tears, falling upon our earth, are washing away man's sin and woe.

Impotent the intellect without the support of the heart. How thickly are the shores of time strewn with those forms of wreckage called great thoughts. In those far-off days when the overseers of the Egyptian King scourged 80,000 slaves forth to their task of building a pyramid, a great mind discovered the use of steam. Intellect achieved an instrument for lifting blocks of granite into proper place. In that hour thought made possible the freedom of innumerable slaves. But the heart of the tyrant held no love for his bondsmen. The poor seemed of less worth than cattle. Because the King's heart felt no woes to be cured, his hand pushed away the engine. A great thought was there, but not the kindly impulse to use it. Then, full 2,000 years passed over our earth. At last came an era when man's heart journeyed forward with his mind. Then the woes of miners and the world's burden-bearers filled the ears of James Watt with torment, and his sympathetic heart would not let him stay until he had fashioned his redemptive tool.

For generations, also, the thoughts of liberty waited for the heart to re-enforce them and make them practical in institutions. Two thousand years before the era of Cromwell and Hampden, Grecian philosophers wrought out a full statement for the republic and individual liberty. The right of life and liberty and the pursuit of happiness were truths clearly perceived by Plato and Pericles. But the heart loved luxury and soft, silken refinements, and Grecian philosophers in their palaces refused to let their slaves go.

Wide, indeed, the gulf separating our age of kindness from Cicero's age of cruelty! The difference is almost wholly a difference of heart. This age has oratory and wisdom, and so had Cicero's; this age has poetry and art, and so had that; but our age has heart and sympathy, and Cicero's had not. Caesar's mind was the mind of a scholar, but his hands were red with the blood of a half-million men slain in unjust wars. Augustus loved refinement, literature and music. He assembled at his table the scholars of a nation, yet his culture did not forbid the slaying of ten thousand gladiators at his various garden parties.

We admire Pliny's literary style. One evening Pliny returned home from the funeral of the wife of a friend and sat down to write that friend a note of gratitude for having so arranged the gladiatorial spectacle as to make the funeral service pass off quite pleasantly. For that age of intellect was also an age of blood; the era of art and luxury was also an era of cruelty and crime. The intellect lent a shining luster to the era of Augustus, but because it was intellect only it was gilt and not gold. Had the heart re-enforced the intellect with sympathy and justice the age of Augustus might have been an era golden, indeed, and also perpetual.

Great men capitalize the impotency of unsupported intellect. Ten-talent men have often known more than they would do. The children of genius have not always lived up to their moral light. Burns' mind ran swiftly forward, but his will followed afar off. If the poet's forehead was in the clouds, his feet were in the mire. How noble, also, Byron's thoughts, but how mean his life! Goethe uttered the wisdom of a sage, as did Rousseau, yet their deeds were often those we would expect from a slave with a low brow. Even of Shakespeare, it is said in the morning he polished his sonnets, while at midnight he poached game from a neighboring estate. Our era bestows unstinted admiration upon the essays of Lord Bacon. How noble his aphorisms! How petty his envy and avarice! What scholarship was his, and what cunning also! With what splendor of argument does he plead for the advancement of learning and liberty! With what meanness does he take bribes from the rich against the poor! His mind seems like a palace of marble with splendid galleries and library and banqueting hall, yet in this palace the spider spins its web and vermin make the foundations to be a noisome place.

In all ages also the intellect of the common people has discerned truth and light that the will has refused to fulfill. Generations ago society discovered the doctrine of industry and integrity, and yet thousands of individuals still prefer to steal or beg or starve rather than work. For centuries the work of moralists and public instructors has not been so much the making known new truth as the inspiring men to do a truth already known. As of old, so now, the word is nigh man, even in his mouth, for enabling society to lift every social burden, right every social wrong, turn each rookery into a house, make each place wealth, make every home happiness, make every child a scholar, a patriot and a Christian. In Solomon's day wisdom stood in the corner of the streets but man would not regard, and the city perished. Should the heart now join the intellect, man's feet would swiftly find these paths that lead to prosperity and perfect peace.

Fascinating, indeed, the question how feeling and sentiment control conduct and character. Modern machinery has thrown light upon the problems of the soul. The engineer finds that his locomotive will not run itself, but waits for the steam to pound upon the piston. The great ships also are becalmed until the trade winds come to beat upon the sails. Informed by these physical facts, we now see a noble thought or ambition or social ideal is a mechanism that will not work itself, but asks the enthusiastic heart to lend power divine. Some of earth's greatest orators, like Patrick Henry, have been unlearned men, but no orator has ever fallen short of being an enthusiastic man. A generation ago there appeared in Paris one whose voice was counted the most perfect voice in Europe. Musical critics gave unstinted praise to the purity of tone and accuracy of execution. Yet in a few weeks the audiences had dwindled to a handful, and in a few years the singer's name was forgotten. Obscurity overtook the singer because there was no heart behind the voice and so the tones became metallic. Contrariwise, the history of Jenny Lind contains a letter to a friend in Sweden, in which the singer writes: "Oh, that I may live two years longer and be permitted to save enough money to complete my orphans' home!" As the sun's warm beams lend a soft blush to the rose and pulsate the crimson tides through to the uttermost edge of each petal, so a great, loving sympathy, sang and sighed, thrilled and throbbed through the tones of the Swedish singer, and ravished the hearts of the people and made her name immortal.

History portrays many men of giant minds whose intellect could not redeem them from aimlessness and obscurity. Not until some divine enthusiasm descended upon the mind and baptized it with heroic action did these men find themselves. To that young patrician, Saul, journeying to Damascus, came the heavenly vision, and the new impulse of the heart made his cold mind warm, lent wings to his slow feet, made all his days powerful, made his soul the center of an immense activity. This glowing heart of Paul explains for us the fact that he achieved freedom of thought and speech, endured the stones with which he was bruised, the stocks in which he was bound, the mobbings with which he was mutilated; explains also his eloquence, known and unrecorded; explains his faith and fortitude, his heroism in death. And not only has the zeal of the heart made strong men stronger, turned weak men into giants, lent the soldier his conquering courage and lent the scholar a stainless life—to men whose will has been made weak by indulgence, the new love has come to redeem intellect and will from the bondage of habit.

No one who ever heard John B. Gough can forget his marvelous eloquence, his wit and his pathos, his scintillating humor, his inimitable dramatisms. He did not have the polished brilliancy of Everett or the elegant scholarship of Phillips, and yet when these numbered thousands of admirers, Gough numbered his tens of thousands. In his autobiography this man tells us to what sad straits passion had brought him; how he reflected upon the injury he was doing himself and others, only to find that his reflections and resolutions snapped like cobwebs before the onslaught of temptation. One night the young bookbinder drifted into a little meeting and, buttoning his seedy overcoat to conceal his rags, in some way he found himself upon his feet and began to speak. The address that proved a pleasure to others was a revelation to himself. For the first time Gough tasted the joys of moving men and mastering them for good. Within a week that love of public speech and useful service had kindled his mental faculties into a creative glow. The new and higher love of the heart consumed the lower love of the body, just as the sun melts manacles of ice from a man's wrist.

History is full of these transformations wrought by the heart. It was a new enthusiasm that changed Augustine the epicurean into Augustine the church father. It was a new enthusiasm that turned Howard the pleasure-lover into Howard the prison-reformer. It was a glowing heart that lent power to Mazzini and Garibaldi and gave Italy her new hope and liberty. Indeed, the history of each life is the history of its new loves. The enthusiasms are beacon lights that glow in the highway along which the soul journeys forward. When the hero's ships were becalmed Virgil tells us that Aeolus struck the hollow mountain with his staff and straightway, released from their caves, the winds went forth to stir the waves and smite upon the sails and sweep the becalmed ship on toward its harbor. Oh, beautiful story, telling us how Christ touches the heart with his regenerating hand to release the soul's deeper convictions, to sweep man forward to the heavenly haven!

If sentiment working in sound can make music; if working in colors, etc., it can fill galleries with statues and pictures; if sentiment working in literature can produce poems, it should not seem strange that the heart, with its affections, furnishes the key of knowledge and wisdom. The time was when authors were supposed to think out their truths; now we know that the greatest truths are felt out. Matthew Arnold said that mere knowledge is cold as an icicle, but once experienced and touched with noble feelings truth becomes sweetness and light. This author thought that the first requisite for a good writer was a sensitive and sympathetic heart.

Even in Shakespeare the springs of genius were not in the mind. The heart of our greatest poet was so sensitive that he could not see an apple blossom without hoping that no untimely frost would nip it; could not see the clusters turn purple under the autumn sun without hoping that hailstones would not pound off the rich clusters; could not see a youth leave his home to seek his fortune without praying that he would return to his mother laden with rich treasures; could not see a bride go down the aisle of the church without sending up a petition that many years might intervene before death's hand should touch her white brow. Sympathy in the heart so fed the springs of thought in the mind that it was easy for the poet to put himself in another's place. And so, while his pen wrote, his heart felt itself to be the king and also his servant, to be the merchant and also his clerk, to be the general and also his soldier. He saw the assassin drawing near the throne with a dagger beneath his cloak; he went forth with King Lear to shiver beneath the wintry blasts; he rejoiced with Rosalind and wept with Hamlet, and there was no joy or grief or woe or wrong that ever touched a human heart that he did not perfectly feel and, therefore, perfectly describe. For depth of mind begins with depth of heart. The greatest writers are primarily seers and only incidentally thinkers. As of old, so now, for a thousand thinkers there is only one great seer.

Having affirmed the influence of the heart upon the intellect and scholarship, let us hasten to confess that the heart determines the religious belief and creed. It is often said that belief is a matter of pure reason determined wholly by evidence. And doubtless it is true that in approaching mathematical proofs man is to discharge his mind of all color. That two and two are four is true for the poet and the miser, for the peaceable man not less than the litigious. But of the other truths of life it is a fact that with the heart man believes. We approach wheat with scales, we measure silk with a yardstick; we test the painting with taste and imagination, and the symphony with the sense of melody; motives and actions are tested by conscience; we approach the stars with a telescope, while purity of heart is the glass by which we see God. The scales that are useful in the laboratory are utterly valueless in the art gallery. The scientific faculty that fits Spencer for studying nature unfits him for studying art. In his old age Huxley, the scientist, wrote an essay forty pages long to prove that man was more beautiful than woman. Imagine some Tyndall approaching the transfiguration of Raphael to scrape off the colors and test them with acid and alkali for finding out the proportion of blue and crimson and gold. These are the methods that would give the village paint-grinder precedency above genius itself.

In 1837 two boys entered Faneuil hall and heard Wendell Phillips' defense of Lovejoy. One youth was an English visitor who saw the portraits of Otis and Hancock, yet saw them not; heard the words of Phillips, yet heard them not, and because his heart was in London believed not unto patriotism. But the blood of Adams was in the veins of the other youth. He thought of Samuel Adams, who heard the firing at Lexington and exclaimed; "What a glorious morning this is!" He thought of John Adams and his love of liberty. He thought of the old man eloquent, John Quincy Adams, in the Halls of Congress, and as he listened to the burning words of the speaker, tears filled his eyes and pride filled his soul. It was his native land. With his heart he believed unto patriotism.

What the man is determines largely what his intellect thinks about God. When the heart is narrow, harsh, and rigorous its theology is despotic and cruel. When the heart grows kindly, sympathetic and of autumnal richness, it emphasizes the sympathy and love of God. Each man paints his own picture of God. The heart lends the pigments. Souls full of sweetness and light fill the divine portrait with the lineaments of love. For with the heart man believeth unto righteousness.

Happy, indeed, our age, in that the heart is now beginning to color our civilization. Vast, indeed, the influence of library and lecture-hall, of gallery and store and market-place, but the most significant fact of our day is that sympathy is baptizing our industries and institutions with new effort. Intellect has lent the modern youth instruments many and powerful. Inventive thought has lent fire to man's forge, tools for his hands, books for his reading, has lent arts, sciences, institutions. The modern youth stands forth in the aspect of the Roman conqueror to whom the citizens went forth to bestow gifts, one taking his chariot, one leading a steed, the children scattering flowers in the way, young men and maidens taking the hero's name upon their lips. Unfortunately multitudes have declined those high gifts, turning away from the open door of the schoolhouse and college; many young feet have crossed the threshold of the saloon. Having entered our museum or art-gallery, multitudes enter places of evil resort.

Despising the opportunity offered by music or eloquence, by book or newspaper, by trade and profession, many choose sloth and self-indulgence. These needy millions, blinded with sin and ignorance, stand forth as a great opportunity for loving hearts. Sympathy is making beautiful the pathway of knowledge, that young hearts may be allured along the shining way. By a thousand arts and devices young people of refinement and culture are founding centers of light among the poor. The opportunity that William the Silent found in the starving millions of Holland; that Garrison found in the miserable slaves of the South; that Livingstone found in Africa, the modern hero is finding in the tenement-house district. Through sympathy a new hope is entering into all classes of society.

The heart is also coloring industry. This year it is said that more than a score of great industrial institutions in our country have, to the factory, added gymnasium, recreation-hall, schoolroom, library, free musicals and lectures. The intellect has failed to solve the social problems by giving allopathic doses from Poor Richard's Almanac. Impotent also those dreamers who have insisted that society must have socialism—either God's or the devil's. Impotent those who, during the past week, have proposed to cure economic ills by spitting the heads of tyrants upon bayonets. But what force and law cannot do is slowly being done by sympathy and good-will. The heart is taking the rigor out of toil, the drudgery out of service, the cruelty out of laws, harshness out of theology, injustice out of politics. Love has done much. The social gains of the future are to be to the gradual progress of sympathy and love.

Unto man who goes through life working, weeping, laughing, loving, comes the heart believing unto immortality. For reason oft the immortal hope burns low and the stars dim and disappear, but for the heart, never! Scientists tell us matter is indestructible. And the heart nourishes an immortal hope that no doubt can quench, no argument destroy, no misfortune annihilate. Comforting, indeed, for reasons, the arguments of Socrates that life survives death. After the death of his beloved daughter Tullia, Cicero outlined arguments which have consoled the mind of multitudes. But in the hour of darkness and blackness, for a man to put out upon Death's dark sea, upon the argument of Cicero, is like some Columbus committing himself to a single plank in the hope of discovering an unseen continent.

In these dark hours the heart speaks. In the poet's vision, to blind Homer, falling into the bog, torn by the thorns and thickets and lost in the forest and the night, came the young goddess, the daughter of Light and Beauty, to take the sightless poet by the hand and lead him up the heavenly heights. Sometimes intellect seems sightless and wanders lost in the maze. Then comes the heart to lead man along the upward path. For even in its dreams the heart hears the sound of invisible music. Oft before reason's eye the heart unveils the Vision Splendid. The soul is big with immortality. When the heart speaks it is God within making overtures for man to come upward toward home and heaven.

RENOWN THROUGH SELF-RENUNCIATION.

"To live absolutely each man for himself could not be possible if all were to live together. In course of time, in addition to utility, certain more sensitive individuals began to see a charm, a beauty in this consideration for others. Gradually a sort of sanctity attached to it, and nature had once more illustrated her mysterious method of evolving from rough and even savage necessities her lovely shapes and her tender dreams. To assert, then, with some recent critics of Christianity, that that law of brotherly love which is its central teaching is impracticable of application to the needs of society, is simply to deny the very first law by which society exists."—Richard Le Galliene, in "The Religion of a Literary Man."

"It is only with renunciations that life, properly speaking, can be said to begin. . . . In a valiant suffering for others, not in a slothful making others suffer for us, did nobleness ever lie."—Carlyle.

"You talk of self as the motive to exertion. I tell you it is the abnegation of self which has wrought out all that is noble, all that is good, all that is useful, nearly all that is ornamental in the world."—Whyte Melville.

"Jesus said; 'Whosoever will come after Me, let him renounce himself, and take up his cross daily and follow Me.' Perhaps there is no other maxim of Jesus which has such a combined stress of evidence for it and may be taken as so eminently His."—Matthew Arnold.

CHAPTER VIII.

RENOWN THROUGH SELF-RENUNCIATION.

History has crowned self-sacrifice as one of the virtues. In all ages selfishness has been like a flame consuming society, like a sword working waste and ruin, but self-sacrifice has repaired these ravages and achieved for man victories many and great. The church owes so much to the company of martyrs whose blood has crimsoned her every page, the state is so deeply indebted to the patriots who have given their lives for liberty, man has derived such strength from those who have endured the fetter and the fagot rather than belie their convictions, woman has derived such beauty from the example of that Antigone who died rather than desert the body of her dead brother, as that each modern youth beholds self-sacrifice standing forth clothed with immeasurable excellence.

Not large the company of the Immortals whose birthdays society celebrates. Yet when on these high days, through song or story the poet or orator draws back the veil and reveals to the assembled multitude the face of some Garibaldi or Hampden or Lincoln, the beloved one is seen to be clothed with genius and beauty and truth indeed, but also to be crowned with self-sacrifice. Society makes haste to forget him who remembers only himself. As there can be no illiterate sage, no ignorant Shakespeare, so history knows no selfish hero. For the mercenary forehead memory has no wreath. A sentinel with a flaming sword guards the threshold of the temple of fame against those aspirants named Ease, Avarice, Self-indulgence.

"Shall I be remembered by posterity?" asked the dying Garfield. In this eager, tremulous question the renowned and the obscure alike have a pathetic interest. For the deeply reflective mind oblivion is a thought all unendurable. The tool man fashions, the structure he rears, the success he achieves, not less than his marble monument, looks down upon the beholder with a mute appeal for recollection. To each eager aspirant for everlasting remembrance Christ comes whispering his secret of abiding renown. Speaking not as an amateur, but as a master, Christ affirms that he who would save his life must lose it, that he who would be remembered by others must forget himself, that the soldier who flees from danger to save his body shall leave that life upon the battlefield, while he who plunges his banner into the very thick of the fight and is carried off the field upon his shield shall in safety bear his life away. Hard seem the terms; they rebuke ease, they smite self-indulgence, they deny the maxims of the worldly wise. But in accepting Christ's principle and forsaking their palaces that they might be as brothers to beggars, Xavier and Loyola found an exhilaration denied to kings; while each Sir Launfal, in his ease denied the Holy Grail, has in the hour of self-sacrifice discerned the Vision Splendid. To each young patriot and soldier looking eagerly unto the tablets that commemorate the deeds of heroes, to each young scholar aspiring to a place beside the sages, comes this word: Life is through death, and immortal renown through self-renunciation.

This law of self-sacrifice is imbedded in nature. Minot, the embryologist, and Drummond, the scientist, tells us that only by losing its life does the cell save it. The new science exhibits the body as a temple, constructed out of cells, as a building is made of bricks. Just as some St. Peter represents strange marble from Athens, beauteous woods from Cyprus, granite from Italy, porphyry from Egypt, all brought together in a single cathedral, so the human body is a glorious temple built by those architects called living cells. When the scientist searches out the beginning of bird or bud or acorn he comes to a single cell. Under the microscope that cell is seen to be absorbing nutrition through its outer covering. But when the cell has attained a certain size its life is suddenly threatened. The center of the cell is seen to be so far from the surface that it can no longer draw in the nutrition from without. The bulk has outrun the absorbing surface. "The alternative is very sharp," says the scientist, "the cell must divide or die." Only by losing its life and becoming two cells can it save its life.

Later on, when each of the two cells has grown again to the size of the original one, the same peril threatens them and they too must divide or die. And when through this law of saving life by losing it nature has made sure the basis for bud and bird, for beast and man, then the principle of sacrifice goes on to secure beauty of the individual plant or animal and perpetuity for the species. In the center of each grain of wheat there is a golden spot that gives a yellow cast to the fine flour. That spot is called the germ. When the germ sprouts and begins to increase, the white flour taken up as food begins to decrease. As the plant waxes, the surrounding kernel wanes. The life of the higher means the death of the lower. In the orchard also the flower must fall that the fruit may swell. If the young apple grows large, it must begin by pushing off the blossom. But by losing the lower bud, the tree saves the higher fruit.

Centuries ago Herodotus, the Grecian traveler, noted a remarkable custom in Egypt. Each springtime, when the palms flowered, the Egyptians went into the desert, cut off branches from the wild palms and, bringing them back to their gardens, waved them over the flowers of the date trees. What was meant by this ceremony Herodotus did not know. The husbandmen believed that if they neglected it the gods would give them but a scanty crop of dates. It was reserved for the science of our century, through Drummond, to explain the fact that the one palm saved its dates because the other palm lost its fertilizing pollen. Should nature refuse to obey this law of losing life in order to save it, man's world would become one vast Sahara waste, an arctic desolation.

The law of sacrifice is also industrial law. Great is the power of wealth. It buys comfort, it purchases travel, it secures instruments of culture for reason and taste, it is almoner of bounty for sympathy and kindness. Flowing through man's life, it seems like unto some Nile flowing through Egypt with soft, irrigating flow, bearing man's burdens upon its currents, giving food to bird and beast. But the story of each Peter Cooper, each Peabody, each Amos Lawrence, is the story of the ease of life lost to-day that the strength of life may be saved to-morrow. Each young merchant loved luxury and beauty, but in the interests of thrift he denied the eye its hunger, the taste its satisfaction. When pride asked for dress and show, the youth rebuked his vanity. When companions scoffed at the young merchant as a niggard he subdued his sensitiveness and inured himself to rigid economy. When increasing wealth began to lend influence, and society urged him to give his evenings to gayety, the young merchant denied the social instinct and gave his long winter evenings to broadening his knowledge and culture. Having lost the lower good, at last the time came when the American merchant and philanthropist had saved for himself universal fame. Having lost ease and self-indulgence during the first half of his life, he saved the higher ease and comfort for the second period of his career.

Similarly of the young men in Parliament who to-day have charge of the destinies of the English empire, it may be said that they have saved their lives, because the fathers lost theirs. One hundred years ago these fathers made exiles of themselves in the interests of their sons and daughters. The East India merchant exiled himself into the tropic land where heat and malaria made his skin as yellow as the gold he gained. Others braved the perils of the African forests, dared the dangers of Australian deserts, endured the rigor of the arctic cold. Losing the lower and present happiness, they saved the higher ease and comfort for their sons. The self-denial of yesterday brought the influence of to-day. Upon this principle God has organized the industrial world. Man must take his choice between ease and wealth, either may be his but not both.

Sacrifice is also the secret of beauty, culture and character. Selfishness eats sweetness from the singer's voice as rust eats the edge of a sword. St. Cecilia refused to lend the divine touch to lips steeped in pleasure. He who sings for love of gold finds his voice becoming metallic. In art, also, Hitchcock has said: "When the brush grows voluptuous it falls like an angel from heaven." Fra Angelico refuses an invitation to the Pitti palace, choosing rather his crust and pallet in the cell of the monastery. The artist gave his mornings to the poor, his evenings to his canvas. But when the painter had worn his life away in kindly deeds, men found that the light divine had been transferred to the painter's canvas. Eloquence also loves sincere lips. The history of oratory includes few great scenes—Demosthenes' plea for Athenian liberty that resulted in his death, Luther's single challenge to the hosts of Pope and Emperor, Wendell Phillips' at Faneuil Hall, Lincoln's at Gettysburg. All these risked life for a cause, and were baptized with eloquence, their words being tipped with fire, their minds hurling thunderbolts.

Sacrifice also is the secret of beauty. After a little time the life of pleasure and selfishness will make the sweetest fact opaque and repellent, while self-sacrificing thoughts are cosmetics that at last make the plainest face to be beautiful. In the calm of scholarship men have given up the thought that culture consists of an exquisite refinement in manners and dress, in language and equipage. The poet laureate makes Maud the type of polished perfection. She is "icily regular, splendidly null," for culture is more of the heart than of the mind. But as eloquence means that an orator has so mastered the laws of posture, and gesture and thought and speech that they are utterly forgotten, and have become second nature, so knowledge becomes culture, and physical perfection becomes beauty, only when it is unconscious.

In the moral realm also, the gains for the soul begin with loss. In the hour of temptation he who sacrifices the higher duty to the lower pleasure will find that ease has shorn away the strength of Samson.

Victor Hugo has pictured a man committing suicide through poverty, and deserting the duty and dwelling where God has placed him. But waking in the next world, the man perceives a letter on the way to himself announcing a large inheritance which would have been his had he but been patient. Therefore the great novelist affirms that God makes such a man begin over again, only under harder conditions, the existence that here he has willfully shattered. What a tragedy is his who, to save the present good, will lose the higher life. Whittier expressed the fear that Daniel Webster saved his life only to lose it. In his works the poet recalls the time when for genius of statesmanship and weight of mentality Webster's like was not upon our earth. But in an evil hour the statesman saw that the presidency was a prize that could be gained by giving the fugitive slave law as a sop to the South. In that hour his character suffered grievous injury. In the attempt to save men's votes he lost men's higher respect. In deepest sorrow his admirers, abroad and at home, cried out: "O, Lucifer, thou son of the morning, how art thou fallen!"

The law of sacrifice is also the law of progress and civilization. When history exhibits as dead the nations that have been pleasure-seekers it declares that the state that saveth its life shall lose it. In our own land the bankruptcy and gloom that have for years overshadowed the South speak eloquently of a national gain that is a loss. One hundred years ago the North freed its slaves. Later, when the constitution was adopted, many statesmen believed that slavery was losing its hold in the South. Jefferson said: "When I think that God is just I tremble for my country." In that hour the statesman prophesied that slavery would soon melt away like the vanishing snow of April. But when Whitney invented his gin and the raising of cotton became very lucrative slavery took on new life. It was Lord Brougham who first said that when slavery brought in 100 percent, while it was seen to be immoral, not all the navies of the world could stop it. Later, when it brought in 300 percent, it became a peculiar institution, patterned after the system of the patriarchs. But when it brought in 300 percent master and slave became a Christian relation, and slavery was baptized with quotations from the Old Testament.

But avarice could not forever blind men's eyes to scenes of sorrow, nor stop their ears to sounds of woe. When the horrors of the slave-market and the infamies of the cotton-field filled all the land with shame reformers arose, declaring that the attempt to compress and confine liberty would end in explosion. In that hour Northern men made tentative overtures looking to the purchase of all slaves. But slavery, Delilah-like, made the southern leaders drunk with the cup of sorcery. They scorned the proposition. In the light of subsequent events we see that in saving her institution the South lost it, and with it her wealth, while in losing her slaves the North gained her wealth. Under free labor the North doubled its population, its manufactories, its riches and waxed mighty. Under slave-labor the South dwindled in wealth and became only the empty shell of a state. The spark fired at Fort Sumter kindled a conflagration that swept through the sunny South like a devastating fire and revealed its inner poverty. When four years had passed by the farmhouses and factories were ruins, the village was a heap, the town a desolation. Graveyards were as populous as cities, each village had its company of cripples, the cry of the orphan and the widow filled all the land.

When Charles Darwin returned from his voyage around the world, he sent a generous contribution to the London Missionary Society. The great scientist had discovered that in lessening her wealth through missions England had saved her treasure through commerce. Traveling in foreign lands, Darwin noticed that the Christian teachers in schools that now touch 3,000,000 of young men and women in India, were really commercial agents for England's trade. In awakening the minds of the darkened millions the teacher had created a demand for books, newspapers and printing-presses. In awakening the sense of self-respect the teacher had created a demand for English clothing and the product of English looms. Also the influence of each home, with its comforts and conveniences, created a demand for English tools and improvements of labor. Summing up his observation, Lord Havelock said that each thousand dollars England had spent upon her missions had brought a return of a hundred thousand dollars through her commerce. Hitherto the interior of China has been closed to English merchants. To that dark land, therefore, England has sent 200 teachers whose homes are centers of light and inspiration. When two-score years have passed English fleets will be taxed to the utmost to carry to China, as now to India, her fabrics of cotton and wool, her presses, looms, sewing-machines, her pictures, her libraries. In giving of her wealth to found these destitute schools England will save it a hundred-fold and find new markets among 300,000,000 people.

Sacrifice is also the secret of influence. Long ago Cicero noted that tales of heroes and eloquence and self-sacrifice cast a charm and spell upon the people. When men sacrifice ease, wealth, rank, life itself, the delight of the beholders knows no bounds. If we call the roll of the sons of greatness and influence we shall see that they are also the sons of self-sacrifice. The Grecian hero who lost his life that he might save his influence is typical of all the great leaders. Phocion was a patriot and martyr whose single error in judgment brought down a catastrophe upon his beloved Athens. When the fierce mob surrounded his house and prepared to beat down his doors, friends offered Phocion escape and shelter, but the hero went calmly forth to meet his death. When the day of execution arrived the cup of poison was handed to the other leaders first. The jailer was careful to see to it that before he reached Phocion he had only a few drops of hemlock left in his cup, but the hero drew out his purse and bade a youth run swiftly to buy more poison, saying to the onlookers: "Athens makes her patriots pay, even for dying." Losing his life, Phocion, found immortal influence.

The history of Holland's greatness is the history of one who saved liberty by losing his own life. William the Silent was a prince in station and in wealth, yet for Holland's sake made himself a beggar and an outlaw. He feared God, indeed, but not the batteries of Alva and Philip. His career reads like one who with naked fists captured a blazing cannon. Falling at last by the dagger of a hired assassin, he exclaimed: "I commit my poor people to God and myself to God's great captain, Christ." When he died little children cried in the streets. He lost his life, said his biographer, but saved his fame. And what shall we more say of Italy's hero, who wore his fiery fagots like a crown of gold; of Germany's hero, who lost his priestly rites, but gained the hearts of all mankind; of England's hero, whose very ashes were cast by enemies upon the River Severn, as if to float his influence out o'er all the world, of India's hero, William Carey, the English shoemaker, who founded for India an educational system now reaching millions of children and youth, who gave India literature, made five grammars and six dictionaries, and so used his commercial genius through his indigo plantation and factories that it made for him a million dollars in the interests of Christian missions? Of this great company, what can we say save that they won renown through self-renunciation! What they did makes weak and unworthy what we say. Just here let us remember that the statue of Jupiter was a figure so colossal that worshipers, unable to reach the divine forehead, cast their garlands at the hero's feet. For this law of sacrifice is the secret of the Messiah. Earth's great ones were taught it by their Master. Jesus Christ, "being rich, for our sakes became poor." Because the law of sacrifice is the law of the Savior, man gains life through death and renown through self-renunciation.

THE GENTLENESS OF TRUE GIANTHOOD.

"A gentleman's first characteristic is that fineness of structure in the body which renders it capable of the most delicate sensation; and of structure in the mind which renders it capable of the most delicate sympathies—one may say, simply 'fineness of nature.' This is, of course, compatible with heroic bodily strength and mental firmness, in fact, heroic strength is not conceivable without such delicacy. Elephantine strength may drive its way through a forest and feel no touch of the boughs, but the white skin of Homer's Atrides would have felt a bent rose leaf, yet subdue its feeling in glow of battle, and behave itself like iron. I do not mean to call an elephant a vulgar animal, but if you think about him carefully you will find that his non-vulgarity consists in such gentleness as is possible to elephantine nature, not in his insensitive hide, nor in his clumsy foot, but in the way he will lift his foot if a child lies in his way and in his sensitive trunk, and still more sensitive mind, and capability of pique on points of honor. Hence it will follow that one of the probable signs of high-breeding in men generally will be their kindness and mercifulness."—Modern Painters.

CHAPTER IX.

THE GENTLENESS OF TRUE GIANTHOOD.

History has never known another such an enthusiasm for a hero as the multitude once felt toward Jesus Christ. There have indeed been times when such patriots as Garibaldi, Kossuth and Lincoln have kindled in men an enthusiasm akin to adoration and worship. Yet let us hasten to confess that the qualities calculated to quicken men into raptures of devotion appeared in these patriots only in fragmentary form, while they dwelt in Christ in full-orbed majesty and splendor. The welcome Chicago gave to Grant upon his return from his journey around the world; the enthusiasm excited by Kossuth when in 1851 he drove through Broadway, New York; the wave of gratitude that swept over the Italian multitude when Garibaldi appeared in Florence—all these are events that bear witness to society's devotion to its patriots and heroes. But, be it remembered, these scenes occurred but once in the history of each of these great men.

It stirs wonder in us, therefore, that Christ's every journey across the fields took on the aspect of a triumphal procession, while His popularity waxed with familiarity and the increasing years. Indeed, full oft the rapture men felt toward Him amounted to an intoxication and an ecstasy of devotion. True it is that men now look upon Him through a blaze of light, and, remembering His achievements for art, liberty and learning, have stained His name through and through with lustrous colors. As at eventide we look out upon the sun through white and golden clouds that the sun itself has lifted, so do we behold the carpenter's son standing forth under the dazzling light of nearly two thousand years of history, while the heart colors His name with all that is noblest in human aspiration and achievement.

Nevertheless, be it instantly confessed that from the very beginning this divine Teacher exhibited qualities that kindled in men an enthusiasm that amounted to transcendent delight. The time was when scholars attempted to explain His influence over the multitude by portraying Him with a halo of light about His head. Fortunately these ideas that robbed men of all fellowship with their divine brother have perished, and now we know that there was nothing unusual about His appearance, nor did any effulgent light blaze forth from His person. Whether or not unique beauty of face and form was His we do not know. Coins and statues portray for us the Roman emperors and the Greek scholars. Yet art has broken down utterly in the attempt to combine in one face Christ's majesty and meekness, strength and gentleness, suffering and victory. All that we can know of His personal appearance must be gained through imagination, as it clothed Him with those traits that alone cannot account for His influence over the multitudes. What sweet allurement in the face that made children leap into His arms! What winsome benignity that made mothers feel that His touch would return the babe with double worth into the parent's bosom!

Purity in others has been cold and chaste as ice. How strange that in Him purity had an irresistible fascination, so that the corruptest and wickedest felt drawn unto Him, and "depravity itself bowed down and wept in the presence of divinity." What all-forgiving love, what all-cleansing love, in one who by a mere look could dissolve in repentant tears men long hardened by vice and crime! What an atmosphere of power He must have carried, that by one beam from His eye He could smite to the very ground the soldiers who confronted Him!

Did ever man have such a genius for noble friendship? What bosom words He used! What love pressure in all His speech! How were His words laden with double meanings, so that hearing one thing, men also heard another, even as they who hear the sound of the distant sea, knowing that the sound they hear is but a breath of the great infinite ocean that heaves beyond in the dim, vast dark. Among all the heroes of time He walks solitary by the greatness of His power, His beauty and the wonder of love His personality excited. Standing in the presence of some glorious cathedral or gallery, beholding the Parthenon or pyramids, the rugged mountain or the beautiful landscape, emotion and imagination are sometimes so deeply stirred that men lose command of themselves and break into transports of admiration. But the enthusiasm evoked by mountain or statue or canvas is as nothing compared to the rapturous devotion felt by the multitude for this One, who united in full splendor all those eminent qualities of mind and heart that all the ages and generations have in vain sought to emulate. High over all the other worthies He rises like a star riding in untroubled splendor above the low-browed hills.

In all ages great men have educated themselves by reading the biography of ancient worthies, and emulating the example of the heroes of antiquity. Great has been the influence of these reformers and philosophers, statesmen and poets, hanging in the heavens above men and raining down inspiration upon the human imagination. Yet from all the worthies of the past, and all modern heroes, man has drawn less of inspiration and personal influence than from the single example of this ideal Christ. Passing by His influence upon institutions, education, art and literature, we shall do well to consider how His example has instructed man in the art of a right carriage of the faculties in the home and market-place. In the last analysis, Jesus Christ is the only perfect gentleman our earth has ever known—in comparison with whom all the Chesterfields seem boors. For nothing taxes a man so heavily as the task of maintaining smooth, pleasant and charitable relations with one's fellows. And Christ alone was able always to meet storm with calm, hate with love, scowls with smiles, plottings with confidence, envy and bitterness with unruffled tranquility.

In all His relations with His friends and enemies the quality that crowns His method of living and challenges our thought is the gentleness of His bearing. Matchless the mingled strength and beauty of His life, yet gentleness was the flower and fruitage of it all. For in Him the lion and the lamb dwelt together. Oak and rock were there, and also vine and flower. Weakness is always rough. Only giants can be gentle. Tenderness is an inflection of strength. No error can be greater than to suppose that gentleness is mere absence of vigor. Weakness totters and tugs at its burden. When the dwarf that attended Ivanhoe at the tournament lifted the bleeding sufferer he staggered under his heavy burden. Weakness made him stumble and caused the wounded knight intense pain. When the giant of the brawny arm and the unconquered heart came, he lifted the unconscious sufferer like a feather's weight and without a jar bore him away to a secure hiding-place for healing and recovering. He who studies the great men of yesterday will find in the last analysis that gentleness has always been the test of gianthood, and fine considerateness the measure of manhood and the gauge of personal worth. No other hero moving through the crowds has ever been so courteously gentle, so sweetly considerate in his personal bearing as this Christ—who never failed to kindle in men transports of delight and enthusiasm.

The crying fault of our generation is its lack of gentleness. Our age is harsh when it judges, brutal when it blames and savage in its severity. Carlyle, emptying vials of scorn upon the people of England, numbering his generation by "thirty millions, mostly fools," is typical of the publicists, authors and critics who pelt their brother man with contemptuous scorn. The author of "Robert Elsmere" exhibits that polished scholar and brilliant student as one who gave up teaching because he could find no audience on a level with his ability or worthy of his instruction. Having begun by despising others, he ends by despising himself. Now the popularity of Elsmere's character witnesses to the fact that our generation includes a large number of cynics who scorn their fellows and in Elsmere see themselves as "in an open glass." To-day this tendency toward harshness of judgment has become more pronounced, and there seems to be no leader so noble as to escape brutal criticism and no movement whose white flag may not be smirched by mud-slingers. What epithets are hurled at each new idea! What torrents of ridicule are emptied out upon each social movement!

The fact that society has oftentimes destroyed its noblest geniuses avails little for the restraint of harshness. For years England was wildly merry at Turner's expense. The newspapers cartooned his paintings. Reviews spoke of them as "color blotches." The rich over their champagne made merry at the great artist's expense. After a while men found a little respite from the mad chase for wealth and pleasure and discovered that Turner's extreme examples represented peculiar moods in nature, seen only by those who had traveled as widely as had Turner, while his great landscapes were as rich in imaginative quality as those of any artist of all ages. Only when it was too late, only when harshness had broken the man's heart, and scorn had fatally wounded his genius, did scholars begin to adorn their pages by references to Turner's fame, did the rich begin to pay fabulous sums for the very pictures they had once despised, the nation set apart the best room in its gallery for Turner's works, while the people wove for his white tombstone wreaths they had denied his brow and paid his dead ashes honors refused his living spirit.

In similar vein we remember the English-speaking world has recently been celebrating the anniversary of the birth of Keats, who is the only pure Greek in all English literature, for whose imagination "a thing of beauty was a joy forever," and whose genius in divining the secrets of the beautiful amounted to inspiration. We know now that no poet in all time, who died so young, has left so much that is precious. Scholars are not wanting who believe that had he lived to see his maturity Keats would have ranked with the five great poets of the first order of genius. Yet the publication of his volume of verse received from "Blackwood" and the "Quarterly" only contempt and bitter scorn. Waxing bold, the penny-a-liners grew savage, until the very skies rained lies and bitter slanders upon poor Keats. Sensitive, soon he was wounded to death. After a week of sleeplessness, he arose one morning to find a bright red spot upon his handkerchief. "That is arterial blood," said he; "that drop is my death-warrant; I shall die." And so, when he was one-and-twenty, friends lifted above the boy's dust a marble slab, upon which was written: "Here lies one whose name was writ in water." Now his name shines like a star, while low down and bespattered with mud are the names of those whose cruel criticisms helped to kill the boy and whose only claim to immortality is their brutality.

Witness also the contempt our age once visited upon Browning, whose mind is slowly becoming recognized as one of the rich-gold minds of our century. Witness the sport over Ruskin's "Munera Pulveris," and the scornful reception given Carlyle's "Sartor Resartus." Now that a few years have passed, those who once reviled are teaching their children the pathway to the graves of the great. The harshness of the world's treatment of its greatest teachers makes one of the most pathetic chapters in history. God gives each nation only a few men of supreme talent. Gives it, for greatness is not made; it is found as is the gold. Gold cannot be made out of mud; it is uncovered. And God gives each generation a few men of the first order; and when they have created truth and beauty they have the right while they live to kindness and sympathy, not harshness and cynicism. No youth winning the first goal of his ambition was ever injured by knowing that his father's face did not flush with pride, while his mother's eyes were filled with happy tears, in joy of his first victory. No noble lover but girds himself for a second struggle the more resolutely for knowing that his noble mistress rejoiced in his first conquest. Frost itself is not more destructive to harvest fields than harshness is to the creative faculties. Strange that Florence gave Dante exile in exchange for his immortal poem! Strange that London gave Milton threats of imprisonment for the manuscript of "Paradise Lost!" Passing strange that until his career was nearly run universities visited upon John Ruskin only scorn and contumely, that ruined his health and broke his heart, withholding the wreath until, as he said pathetically, his only "pleasure was in memory, his ambition in heaven," and he knew not what to do with his laurel leaves save "lay them wistfully upon his mother's grave." In every age the critics that have refused honor to its worthies, living, have heaped gifts high upon the graves of its dead.

That generation and individual must be far from perfect that is characterized by the presence of harshness and the absence of gentleness. With a great blare of trumpets our century has been praised for its ingenuity, its wealth and comforts, its instruments, refinement and culture. But history tells of no man who has carried his genius up to such supreme excellence that society has forgotten his vice or forgiven the faults that marred his rare gifts. What genius had De Quincey! Marvelous the myriad-minded Coleridge! The opium-habit, however, was a vice that eclipsed their fame and robbed them of half their rightful influence. Voltaire's style was so faultlessly perfect that if the sentences lying across his page had been strings of pearls they could have been no more beautiful. But Voltaire's excesses make a black mark across the white page before each reader's mind. Rousseau's writings are so melodious that, long after laying aside the book the ear would be filled with the sound of delicious music were it not that the reader seems ever to hear the moan of the four children whose unnatural father, without even giving them a name, placed them in the foundling-asylum.

Early Carlyle wooed and won one of the most brilliant girls of his day, whose signal talent shone in the crowded drawing-rooms of London like a sapphire blazing among pebbles. Yet her husband lacked gentleness. Slowly harshness crept into Carlyle's voice. Soon the wife gave up her favorite authors to read the husband's notes; then she gave up all reading to relieve him of details; at last her very being was placed on the altar of sacrifice—fuel to feed the flame of his fame and genius. Long before the end came she was submerged and almost forgotten. One day two distinguished foreign authors called upon Mr. and Mrs. Carlyle. For an hour the philosopher poured forth vehement tirade against the commercial spirit, while the good wife never once opened her lips. At last the author ceased talking, and there was silence for a time. Suddenly Carlyle thundered: "Jane, stop breathing so loud!" Long years before Jane had stopped doing everything else except breathe. And so, obedient to the injunction, a few days afterward she ceased "breathing so loud."

When a few weeks had gone by Carlyle discovered, through reading her journal, that his wife had for want of affection frozen and starved to death within his home like some poor traveler who had fallen in the snows beyond the door. For years, without his realizing it, she had kept all the wheels oiled, kept his body in health and his mind in happiness. Only when it was too late did the husband realize that his fame was largely his wife's. Then did the old man begin his pathetic pilgrimage to his wife's grave, where Froude often found him murmuring: "If I had only known! If I had only known!" For all his supreme gifts and rare talents were marred by harshness. Intellectual brilliancy weighs light as punk against the gold of gentleness and character. Half Carlyle's books, weighted by a gentle, noble spirit, would have availed more for social progress than these many volumes with the bad taste they leave in the mouth. The sign of ripeness in an apple, a peach, is beauty, and the test of character is gentleness and kindness of heart.

One of the crying needs of society is a revival of gentleness and of a refined considerateness in judging others. There is no disposition that cuts at the very root of character like harshness, and there is nothing that blights happiness and breeds discord like unlovingness and severity of judgment. We hear much of industrial strife, social warfare and want of sympathy between the classes. Be it remembered, gentleness alone can be invoked to heal the breach. There is a legend that when Jacob with his family and flocks met Esau with his children and herds, the angels of God hovered in the air above the two brothers and began to rain gifts down upon their companies. Strangely enough, each forgetting the gifts falling in his own camp, rushed forth to pick up the gifts falling in that of his brother. There was anger stirred. Epithets and stones began to fly, until all the air was filled with flying weapons. In such a scrimmage the messengers of peace had no place. Soon the sound of receding wings died out of the air, the gifts ceased to fall and all things faded into the light of common day. This legend interprets to us how harshness breeds strife and robs man of his gifts from God and his happiness through his brother man.

Several years ago an industrial war was waged in the coal districts of England that cost that nation untold treasure. It is said that the strife grew out of harsh words between the leaders of the opposing factions. It seemed that the industrious and worthy poor men overlooked the fact that there were industrious and worthy rich men and insisted on speaking only of the idle and spendthrift rich. Then followed his opponent who, as an industrious and worthy rich man, insisted on ignoring the industrious and worthy poor, but spoke only of the idle and thriftless poor, the paupers and parasites. Soon gentleness was forgotten and harshness remembered. Soon there came the trampled cornfields and the bloody streets.

Teachers also need to learn the lesson of Arnold of Rugby. One day the great instructor spake harshly to a dull boy, who an hour afterward came to him with tearful eyes, and in a half-sobbing voice exclaimed; "But why are you angry, sir? I am doing my best." Then Arnold learned that a lesson easy for one mind may be a torture for another. So he begged the boy's pardon, and recognized the principle of gentleness that afterward made him the greatest instructor of his time.

Not war, not pestilence, not famine itself, produces for each generation so much misery and unhappiness as is wrought in the aggregate through the accumulated harshness of each generation. Blessed are the happiness-makers! Blessed are they who with humble talents make themselves like the mignonette, creators of fragrance and peace! Thrice blessed are they who with lofty talents emulate the vines that climbing high never forget to blossom, and the higher they climb do ever shed sweet blooms upon those beneath! No single great deed is comparable for a moment to the multitude of little gentlenesses performed by those who scatter happiness on every side and strew all life with hope and good cheer.

Life holds no motive for stimulating gentleness in man like the thought of the gentleness of God. Unfortunately, it seems difficult for man to associate delicacy and gentleness with vastness and strength. It was the misfortune of Greek philosophers and is, indeed, that of nearly all the modern theologians, to suppose that a perfect being cannot suffer. Both schools of thought conceive of God as sitting upon a marble throne, eternally young, eternally beautiful, beholding with quiet indifference from afar how man, with infinite blunderings, sufferings and tears makes his way forward. Yet He who holds the sun in the hollow of his hand, who takes up the isles as a very little thing, who counts the nations but as the dust in the balance, is also the gentle One. Like the wide, deep ocean, that pulsates into every bay and creek and blesses the distant isles with its dew and rain, so God's heart throbs and pulsates unto the uttermost parts of the universe, having a parent's sympathy for His children who suffer.

Indeed, the seer ranges through all nature searching out images for interpreting His all-comprehending gentleness. "Even the bruised reed he will not break." Lifting itself high in the air, a mere lead pencil for size, weighted with a heavy top, a very little injury shatters a reed. Some rude beast, in wild pursuit of prey, plunges through the swamp, shatters the reed, leaves it lying upon the ground, all bruised and bleeding, and ready to die. Such is God's gentleness that, though man make himself as worthless as a bruised reed; though by his ignorance, frailty and sin he expel all the manhood from his heart and life, and make himself of no more value than one of the myriad reeds in the world's swamps, still doth God say: "My gentleness is such that I will direct upon this wounded life thoughts that shall recuperate and heal, until at last the bruised reed shall rise up in strength, and judgment shall issue in victory."

And as God's gentleness would go one step further, there is added the tender lesson of the smoking flax. Our glowing electric bulbs suffer no injury from blasts, and our lamps have like strength. The time was, when, wakened by the cry of the little sufferer, the ancient mother sprang up to strike the tinder and light the wick in the cup of oil. Only with difficulty was the tinder kindled. Then how precious the spark that one breath of air would put out! With what eagerness did the mother guard the smoking flax! And in setting forth the gentleness of God it is declared that, with eyes of love, He searches through each heart, and if He find so much as a spark of good in the outcast, the publican, the sinner, He will tend that spark and feed it toward the love that shall glow and sparkle forever and ever; for evil is to be conquered, and God will not so much punish as exterminate sin from His universe. His strength is inflicted toward gentleness, His justice tempered with mercy, and all his attributes held in solution of love. No longer should medievalism becloud God's gentle face. Cleanse your thoughts, as once the artist in Milan cleansed the grime and soot from the wall where Dante's lustrous face was hidden.

With shouts and transports of joy and admiration men welcome the patriot or hero who in times of danger held the destiny of the people in his hands and never once betrayed it. And let each intellect soar without hindrance, and the heart pour itself out before God in a freshet of divine love. Great is the genius of Plato or Bacon, revealing itself in tides of thought, but greater and richer is the genius of the heart that is conscious of vast, deep fountains of love, that may be poured forth in generous tides before the God whose throne is mercy, whose face is light, whose name is love, whose strength is gentleness, whose considerateness is our pledge of pardon, peace and immortality.