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The Legend of Ulenspiegel, Volume 2 (of 2) / And Lamme Goedzak, and their Adventures Heroical, Joyous and Glorious in the Land of Flanders and Elsewhere cover

The Legend of Ulenspiegel, Volume 2 (of 2) / And Lamme Goedzak, and their Adventures Heroical, Joyous and Glorious in the Land of Flanders and Elsewhere

Chapter 68: XXII
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About This Book

The narrative unfolds in the context of 16th-century Flanders, detailing the adventures of Ulenspiegel and his companion Lamme Goedzak amidst the tumult of political and religious strife. As they navigate a landscape marked by executions and the oppression of the Spanish regime, themes of resistance, loyalty, and the human spirit emerge. The characters engage with various figures of authority, reflecting on the consequences of defiance and the struggle for justice. The work intertwines folklore and historical events, presenting a rich tapestry of life during a turbulent era, filled with humor, tragedy, and the quest for freedom.

XXII

That day aboard the fleet there was a feast. In spite of the sharp December wind, despite the rain, despite the snow, all the Beggars of the fleet were on the decks of the ships. The silver crescents gleamed lurid upon the bonnets of Zealand.

And Ulenspiegel sang:

“Leyden is delivered: the bloody duke leaves the Low Countries:

Ring out, ye bells reëchoing: Chimes, fling your songs into the air: Clink, ye glasses and bottles, clink.

“When the mastiff slinks away from blows,

His tail between his legs,

With bloodshot eye

He turns upon the cudgels.

“And his torn jaw

Shivers and pants

He has gone, the bloody duke;

Clink bottle and glass. Long live the Beggar!

“Fain would he bite himself,

The cudgels broke his teeth.

Hanging his puff-jowled head

He thinks of the days of murder and lust.

He is gone, the bloody duke:

Then beat upon the drum of glory,

Then beat upon the drum of war!

Long live the Beggar!

“He cries to the devil: ‘I will sell thee

My doggish soul for one hour of might.’

‘Thy soul it is no more to me,’

Said the devil, ‘than a herring is.’

The teeth meet no longer now.

They must avoid hard morsels.

He hath gone, the bloody duke:

Long live the Beggar!

“The little street dogs, crooklegged, one-eyed, full of mange,

That live or die on rubbish heaps.

Heave up their leg one by one

On him that killed for love of slaughter.—

Long live the Beggar.

“He loved not women, nor friends,

Nor gayness, nor sun, nor his master,

Nothing but Death, his betrothed,

Who broke his legs

As prelude to the betrothal,

For she loves not men hale and whole;

Beat upon the drum of joy,

Long live the Beggar!

“And the little street dogs, crooklegged,

Limping, one-eyed, full of mange,

Heave their leg up once again

In a hot and salty fashion.

And with them greyhounds and mastiffs,

Dogs of Hungary, of Brabant,

Of Namur and Luxembourg,

Long live the Beggar!

“And, miserably, with foaming mouth,

He goes to die beside his master,

Who fetches him a sounding kick,

For not biting enough.

“In hell he weddeth Death.

She calleth him ‘My Duke’;

He calleth her ‘My Inquisition.’

Long live the Beggar!

“Ring out ye bells reëchoing:

Chimes, fling your songs into the air;

Clink, glasses and bottles, clink:

Long live the Beggar!”