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The Life of Charlotte Brontë — Volume 2

Chapter 20: CHAPTER VII.
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About This Book

The narrative continues the life of Charlotte Brontë, tracing her family troubles and her father's blindness and recovery, and following the creation, rejection, and eventual publication of her early novels, including her adoption of a male pseudonym, and the heated public and critical responses they provoked. It documents the contemporaneous publications and reception of her sisters' novels, domestic illnesses and deaths that deepened her solitude, and her subsequent work on later novels, visits to literary circles, correspondence about reviews, and reflections on the difficulties of reconciling authorship with household duties.

She took great pleasure in the "quiet drives to old ruins and old halls, situated among older hills and woods; the dialogues by the old fireside in the antique oak-panneled drawing-room, while they suited him, did not too much oppress and exhaust me. The house, too, is much to my taste; near three centuries old, grey, stately, and picturesque. On the whole, now that the visit is over, I do not regret having paid it. The worst of it is, that there is now some menace hanging over my head of an invitation to go to them in London during the season. This, which would be a great enjoyment to some people, is a perfect terror to me. I should highly prize the advantages to be gained in an extended range of observation; but I tremble at the thought of the price I must necessarily pay in mental distress and physical wear and tear."

On the same day on which she wrote the above, she sent the following letter to Mr. Smith.

"March 16th, 1850.

"I return Mr. H——'s note, after reading it carefully. I tried very hard to understand all he says about art; but, to speak truth, my efforts were crowned with incomplete success. There is a certain jargon in use amongst critics on this point through which it is physically and morally impossible to me to see daylight. One thing however, I see plainly enough, and that is, Mr. Currer Bell needs improvement, and ought to strive after it; and this (D. V.) he honestly intends to do—taking his time, however, and following as his guides Nature and Truth. If these lead to what the critics call art, it is all very well; but if not, that grand desideratum has no chance of being run after or caught. The puzzle is, that while the people of the South object to my delineation of Northern life and manners, the people of Yorkshire and Lancashire approve. They say it is precisely the contrast of rough nature with highly artificial cultivation which forms one of their main characteristics. Such, or something very similar, has been the observation made to me lately, whilst I have been from home, by members of some of the ancient East Lancashire families, whose mansions lie on the hilly border-land between the two counties. The question arises, whether do the London critics, or the old Northern squires, understand the matter best?

"Any promise you require respecting the books shall be willingly given, provided only I am allowed the Jesuit's principle of a mental reservation, giving licence to forget and promise whenever oblivion shall appear expedient. The last two or three numbers of Pendennis will not, I dare say, be generally thought sufficiently exciting, yet I like them. Though the story lingers, (for me) the interest does not flag. Here and there we feel that the pen has been guided by a tired hand, that the mind of the writer has been somewhat chafed and depressed by his recent illness, or by some other cause; but Thackeray still proves himself greater when he is weary than other writers are when they are fresh. The public, of course, will have no compassion for his fatigue, and make no allowance for the ebb of inspiration; but some true-hearted readers here and there, while grieving that such a man should be obliged to write when he is not in the mood, will wonder that, under such circumstances, he should write so well. The parcel of books will come, I doubt not, at such time as it shall suit the good pleasure of the railway officials to send it on,—or rather to yield it up to the repeated and humble solicitations of Haworth carriers;—till when I wait in all reasonable patience and resignation, looking with docility to that model of active self-helpfulness Punch friendly offers the 'Women of England,' in his 'Unprotected Female.'"

The books lent her by her publishers were, as I have before said, a great solace and pleasure to her. There was much interest in opening the Cornhill parcel. But there was pain too; for, as she untied the cords, and took out the volumes one by one, she could scarcely fail to be reminded of those who once, on similar occasions, looked on so eagerly. "I miss familiar voices, commenting mirthfully and pleasantly; the room seems very still—very empty; but yet there is consolation in remembering that Papa will take pleasure in some of the books. Happiness quite unshared can scarcely be called happiness; it has no taste." She goes on to make remarks upon the kind of books sent.

"I wonder how you can choose so well; on no account would I forestall the choice. I am sure any selection I might make for myself would be less satisfactory than the selection others so kindly and judiciously make for me; besides, if I knew all that was coming, it would be comparatively flat. I would much rather not know.

"Amongst the especially welcome works are 'Southey's Life', the 'Women of France,' Hazlitt's 'Essays,' Emerson's 'Representative Men;' but it seems invidious to particularise when all are good. . . . I took up a second small book, Scott's 'Suggestions on Female Education;' that, too, I read, and with unalloyed pleasure. It is very good; justly thought, and clearly and felicitously expressed. The girls of this generation have great advantages; it seems to me that they receive much encouragement in the acquisition of knowledge, and the cultivation of their minds; in these days, women may be thoughtful and well read, without being universally stigmatised as 'Blues' and 'Pedants.' Men begin to approve and aid, instead of ridiculing or checking them in their efforts to be wise. I must say that, for my own part, whenever I have been so happy as to share the conversation of a really intellectual man, my feeling has been, not that the little I knew was accounted a superfluity and impertinence, but that I did not know enough to satisfy just expectation. I have always to explain, 'In me you must not look for great attainments: what seems to you the result of reading and study is chiefly spontaneous and intuitive.' . . . Against the teaching of some (even clever) men, one instinctively revolts. They may possess attainments, they may boast varied knowledge of life and of the world; but if of the finer perceptions, of the more delicate phases of feeling, they be destitute and incapable, of what avail is the rest? Believe me, while hints well worth consideration may come from unpretending sources, from minds not highly cultured, but naturally fine and delicate, from hearts kindly, feeling, and unenvious, learned dictums delivered with pomp and sound may be perfectly empty, stupid, and contemptible. No man ever yet 'by aid of Greek climbed Parnassus,' or taught others to climb it. . . . I enclose for your perusal a scrap of paper which came into my hands without the knowledge of the writer. He is a poor working man of this village—a thoughtful, reading, feeling being, whose mind is too keen for his frame, and wears it out. I have not spoken to him above thrice in my life, for he is a Dissenter, and has rarely come in my way. The document is a sort of record of his feelings, after the perusal of "Jane Eyre;" it is artless and earnest; genuine and generous. You must return it to me, for I value it more than testimonies from higher sources. He said, 'Miss Brontë, if she knew he had written it, would scorn him;' but, indeed, Miss Brontë does not scorn him; she only grieves that a mind of which this is the emanation, should be kept crushed by the leaden hand of poverty—by the trials of uncertain health, and the claims of a large family.

"As to the Times, as you say, the acrimony of its critique has proved, in some measure, its own antidote; to have been more effective, it should have been juster. I think it has had little weight up here in the North it may be that annoying remarks, if made, are not suffered to reach my ear; but certainly, while I have heard little condemnatory of Shirley, more than once have I been deeply moved by manifestations of even enthusiastic approbation. I deem it unwise to dwell much on these matters; but for once I must permit myself to remark, that the generous pride many of the Yorkshire people have taken in the matter, has been such as to awake and claim my gratitude—especially since it has afforded a source of reviving pleasure to my father in his old age. The very curates, poor fellows! show no resentment each characteristically finds solace for his own wounds in crowing over his brethren. Mr. Donne was at first a little disturbed; for a week or two he was in disquietude, but he is now soothed down; only yesterday I had the pleasure of making him a comfortable cup of tea, and seeing him sip it with revived complacency. It is a curious fact that, since he read 'Shirley,' he has come to the house oftener than ever, and been remarkably meek and assiduous to please. Some people's natures are veritable enigmas I quite expected to have had one good scene at least with him; but as yet nothing of the sort has occurred."

CHAPTER VI.

During the earlier months of this spring, Haworth was extremely unhealthy. The weather was damp, low fever was prevalent, and the household at the Parsonage suffered along with its neighbours. Charlotte says, "I have felt it (the fever) in frequent thirst and infrequent appetite; Papa too, and even Martha, have complained." This depression of health produced depression of spirits, and she grew more and more to dread the proposed journey to London with Sir James and Lady Kay Shuttleworth. "I know what the effect and what the pain will be, how wretched I shall often feel, and how thin and haggard I shall get; but he who shuns suffering will never win victory. If I mean to improve, I must strive and endure. . . . Sir James has been a physician, and looks at me with a physician's eye: he saw at once that I could not stand much fatigue, nor bear the presence of many strangers. I believe he would partly understand how soon my stock of animal spirits was brought to a low ebb; but none—not the most skilful physician—can get at more than the outside of these things: the heart knows its own bitterness, and the frame its own poverty, and the mind its own struggles. Papa is eager and restless for me to go; the idea of a refusal quite hurts him."

But the sensations of illness in the family increased; the symptoms were probably aggravated, if not caused, by the immediate vicinity of the church-yard, "paved with rain-blackened tomb-stones." On April 29th she writes:—

"We have had but a poor week of it at Haworth. Papa continues far from well; he is often very sickly in the morning, a symptom which I have remarked before in his aggravated attacks of bronchitis; unless he should get much better, I shall never think of leaving him to go to London. Martha has suffered from tic-douloureux, with sickness and fever, just like you. I have a bad cold, and a stubborn sore throat; in short, everybody but old Tabby is out of sorts. When —— was here, he complained of a sudden headache, and the night after he was gone I had something similar, very bad, lasting about three hours."

A fortnight later she writes:—

"I did not think Papa well enough to be left, and accordingly begged Sir James and Lady Kay Shuttleworth to return to London without me. It was arranged that we were to stay at several of their friends' and relatives' houses on the way; a week or more would have been taken up on the journey. I cannot say that I regret having missed this ordeal; I would as lief have walked among red-hot plough-shares; but I do regret one great treat, which I shall now miss. Next Wednesday is the anniversary dinner of the Royal Literary Fund Society, held in Freemasons' Hall. Octavian Blewitt, the secretary, offered me a ticket for the ladies' gallery. I should have seen all the great literati and artists gathered in the hall below, and heard them speak; Thackeray and Dickens are always present among the rest. This cannot now be. I don't think all London can afford another sight to me so interesting."

It became requisite, however, before long, that she should go to London on business; and as Sir James Kay Shuttleworth was detained in the country by indisposition, she accepted Mrs. Smith's invitation to stay quietly at her house, while she transacted her affairs.

In the interval between the relinquishment of the first plan and the adoption of the second, she wrote the following letter to one who was much valued among her literary friends:—

"May 22nd.

"I had thought to bring the Leader and the Athenaeum myself this time, and not to have to send them by post, but it turns out otherwise; my journey to London is again postponed, and this time indefinitely. Sir James Kay Shuttleworth's state of health is the cause—a cause, I fear, not likely to be soon removed. . . . Once more, then, I settle myself down in the quietude of Haworth Parsonage, with books for my household companions, and an occasional letter for a visitor; a mute society, but neither quarrelsome, nor vulgarising, nor unimproving.

"One of the pleasures I had promised myself consisted in asking you several questions about the Leader, which is really, in its way, an interesting paper. I wanted, amongst other things, to ask you the real names of some of the contributors, and also what Lewes writes besides his Apprenticeship of Life. I always think the article headed 'Literature' is his. Some of the communications in the 'Open Council' department are odd productions; but it seems to me very fair and right to admit them. Is not the system of the paper altogether a novel one? I do not remember seeing anything precisely like it before.

"I have just received yours of this morning; thank you for the enclosed note. The longings for liberty and leisure which May sunshine wakens in you, stir my sympathy. I am afraid Cornhill is little better than a prison for its inmates on warm spring or summer days. It is a pity to think of you all toiling at your desks in such genial weather as this. For my part, I am free to walk on the moors; but when I go out there alone, everything reminds me of the times when others were with me, and then the moors seem a wilderness, featureless, solitary, saddening. My sister Emily had a particular love for them, and there is not a knoll of heather, not a branch of fern, not a young bilberry leaf, not a fluttering lark or linnet, but reminds me of her. The distant prospects were Anne's delight, and when I look round, she is in the blue tints, the pale mists, the waves and shadows of the horizon. In the hill-country silence, their poetry comes by lines and stanzas into my mind: once I loved it; now I dare not read it, and am driven often to wish I could taste one draught of oblivion, and forget much that, while mind remains, I never shall forget. Many people seem to recall their departed relatives with a sort of melancholy complacency, but I think these have not watched them through lingering sickness, nor witnessed their last moments: it is these reminiscences that stand by your bedside at night, and rise at your pillow in the morning. At the end of all, however, exists the Great Hope. Eternal Life is theirs now."

She had to write many letters, about this time, to authors who sent her their books, and strangers who expressed their admiration of her own. The following was in reply to one of the latter class, and was addressed to a young man at Cambridge:—

"May 23rd, 1850.

"Apologies are indeed unnecessary for a 'reality of feeling, for a genuine unaffected impulse of the spirit,' such as prompted you to write the letter which I now briefly acknowledge.

"Certainly it is 'something to me' that what I write should be acceptable to the feeling heart and refined intellect; undoubtedly it is much to me that my creations (such as they are) should find harbourage, appreciation, indulgence, at any friendly hand, or from any generous mind. You are very welcome to take Jane, Caroline, and Shirley for your sisters, and I trust they will often speak to their adopted brother when he is solitary, and soothe him when he is sad. If they cannot make themselves at home in a thoughtful, sympathetic mind, and diffuse through its twilight a cheering, domestic glow, it is their fault; they are not, in that case, so amiable, so benignant, not so real as they ought to be. If they CAN, and can find household altars in human hearts, they will fulfil the best design of their creation, in therein maintaining a genial flame, which shall warm but not scorch, light but not dazzle.

"What does it matter that part of your pleasure in such beings has its source in the poetry of your own youth rather than in any magic of theirs? What, that perhaps, ten years hence, you may smile to remember your present recollections, and view under another light both 'Currer Bell' and his writings? To me this consideration does not detract from the value of what you now feel. Youth has its romance, and maturity its wisdom, as morning and spring have their freshness, noon and summer their power, night and winter their repose. Each attribute is good in its own season. Your letter gave me pleasure, and I thank you for it.

"CURRER BELL."

Miss Brontë went up to town at the beginning of June, and much enjoyed her stay there; seeing very few persons, according to the agreement she made before she went; and limiting her visit to a fortnight, dreading the feverishness and exhaustion which were the inevitable consequences of the slightest excitement upon her susceptible frame.

"June 12th.

"Since I wrote to you last, I have not had many moments to myself, except such as it was absolutely necessary to give to rest. On the whole, however, I have thus far got on very well, suffering much less from exhaustion than I did last time.

"Of course I cannot give you in a letter a regular chronicle of how my time has been spent. I can only—just notify. what I deem three of its chief incidents: a sight of the Duke of Wellington at the Chapel Royal (he is a real grand old man), a visit to the House of Commons (which I hope to describe to you some day when I see you), and last, not least, an interview with Mr. Thackeray. He made a morning call, and sat above two hours. Mr. Smith only was in the room the whole time. He described it afterwards as a 'queer scene,' and—I suppose it was. The giant sate before me; I was moved to speak to him of some of his short-comings (literary of course); one by one the faults came into my head, and one by one I brought them out, and sought some explanation or defence. He did defend himself, like a great Turk and heathen; that is to say, the excuses were often worse than the crime itself. The matter ended in decent amity; if all be well, I am to dine at his house this evening.

"I have seen Lewes too. . . . I could not feel otherwise to him than half-sadly, half-tenderly,—a queer word that last, but I use it because the aspect of Lewes's face almost moves me to tears; it is so wonderfully like Emily,—her eyes, her features, the very nose, the somewhat prominent mouth, the forehead, even, at moments, the expression: whatever Lewes says, I believe I cannot hate him. Another likeness I have seen, too, that touched me sorrowfully. You remember my speaking of a Miss K., a young authoress, who supported her mother by writing? Hearing that she had a longing to see me, I called on her yesterday. . . . She met me half-frankly, half-tremblingly; we sate down together, and when I had talked with her five minutes, her face was no longer strange, but mournfully familiar;—it was Martha in every lineament. I shall try to find a moment to see her again. . . . I do not intend to stay here, at the furthest, more than a week longer; but at the end of that time I cannot go home, for the house at Haworth is just now unroofed; repairs were become necessary."

She soon followed her letter to the friend to whom it was written; but her visit was a very short one, for, in accordance with a plan made before leaving London, she went on to Edinburgh to join the friends with whom she had been staying in town. She remained only a few days in Scotland, and those were principally spent in Edinburgh, with which she was delighted, calling London a "dreary place" in comparison.

"My stay in Scotland" (she wrote some weeks later) "was short, and what I saw was chiefly comprised in Edinburgh and the neighbourhood, in Abbotsford and in Melrose, for I was obliged to relinquish my first intention of going from Glasgow to Oban, and thence through a portion of the Highlands; but though the time was brief, and the view of objects limited, I found such a charm of situation, association, and circumstance, that I think the enjoyment experienced in that little space equalled in degree, and excelled in kind, all which London yielded during a month's sojourn. Edinburgh, compared to London, is like a vivid page of history compared to a large dull treatise on political economy; and as to Melrose and Abbotsford, the very names possess music and magic."

And again, in a letter to a different correspondent, she says:—

"I would not write to you immediately on my arrival at home, because each return to this old house brings with it a phase of feeling which it is better to pass through quietly before beginning to indite letters. The six weeks of change and enjoyment are past, but they are not lost; memory took a sketch of each as it went by, and, especially, a distinct daguerreotype of the two days I spent in Scotland. Those were two very pleasant days. I always liked Scotland as an idea, but now, as a reality, I like it far better; it furnished me with some hours as happy almost as any I ever spent. Do not fear, however, that I am going to bore you with description; you will, before now, have received a pithy and pleasant report of all things, to which any addition of mine would be superfluous. My present endeavours are directed towards recalling my thoughts, cropping their wings, drilling them into correct discipline, and forcing them to settle to some useful work: they are idle, and keep taking the train down to London, or making a foray over the Border—especially are they prone to perpetrate that last excursion; and who, indeed, that has once seen Edinburgh, with its couchant crag-lion, but must see it again in dreams, waking or sleeping? My dear sir, I do not think I blaspheme, when I tell you that your great London, as compared to Dun-Edin, 'mine own romantic town,' is as prose compared to poetry, or as a great rumbling, rambling, heavy epic compared to a lyric, brief, bright, clear and vital as a flash of lightning. You have nothing like Scott's monument, or, if you had that, and all the glories of architecture assembled together, you have nothing like Arthur's Seat, and, above all, you have not the Scotch national character; and it is that grand character after all which gives the land its true charm, its true greatness.

On her return from Scotland, she again spent a few days with her friends, and then made her way to Haworth.

"July 15th.

I got home very well, and full glad was I that no insuperable obstacle had deferred my return one single day longer. Just at the foot of Bridgehouse hill, I met John, staff in hand; he fortunately saw me in the cab, stopped, and informed me he was setting off to B——, by Mr. Brontë's orders, to see how I was, for that he had been quite miserable ever since he got Miss ——'s letter. I found, on my arrival, that Papa had worked himself up to a sad pitch of nervous excitement and alarm, in which Martha and Tabby were but too obviously joining him. . . . The house looks very clean, and, I think, is not damp; there is, however, still a great deal to do in the way of settling and arranging,—enough to keep me disagreeably busy for some time to come. I was truly thankful to find Papa pretty well, but I fear he is just beginning to show symptoms of a cold: my cold continues better. . . . An article in a newspaper I found awaiting me on my arrival, amused me; it was a paper published while I was in London. I enclose it to give you a laugh; it professes to be written by an Author jealous of Authoresses. I do not know who he is, but he must be one of those I met. . . . The 'ugly men,' giving themselves 'Rochester airs,' is no bad hit; some of those alluded to will not like it."

While Miss Brontë was staying in London, she was induced to sit for her portrait to Richmond. It is a crayon drawing; in my judgment an admirable likeness, though of course there is some difference of opinion on the subject; and, as usual, those best acquainted with the original were least satisfied with the resemblance. Mr. Brontë thought that it looked older than Charlotte did, and that her features had not been flattered; but he acknowledged that the expression was wonderfully good and life-like. She sent the following amusing account of the arrival of the portrait to the donor:—

"Aug. 1st.

"The little box for me came at the same time as the large one for Papa. When you first told me that you had had the Duke's picture framed, and had given it to me, I felt half provoked with you for performing such a work of supererogation, but now, when I see it again, I cannot but acknowledge that, in so doing, you were felicitously inspired. It is his very image, and, as Papa said when he saw it, scarcely in the least like the ordinary portraits; not only the expression, but even the form of the head is different, and of a far nobler character. I esteem it a treasure. The lady who left the parcel for me was, it seems, Mrs. Gore. The parcel contained one of her works, 'The Hamiltons,' and a very civil and friendly note, in which I find myself addressed as 'Dear Jane.' Papa seems much pleased with the portrait, as do the few other persons who have seen it, with one notable exception; viz., our old servant, who tenaciously maintains that it is not like—that it is too old-looking; but as she, with equal tenacity, asserts that the Duke of Wellington's picture is a portrait of 'the Master' (meaning Papa), I am afraid not much weight is to be ascribed to her opinion: doubtless she confuses her recollections of me as I was in childhood with present impressions. Requesting always to be very kindly remembered to your mother and sisters, I am, yours very thanklessly (according to desire),

"C. BRONTË."

It may easily be conceived that two people living together as Mr. Brontë and his daughter did, almost entirely dependent on each other for society, and loving each other deeply (although not demonstratively)—that these two last members of a family would have their moments of keen anxiety respecting each other's health. There is not one letter of hers which I have read, that does not contain some mention of her father's state in this respect. Either she thanks God with simple earnestness that he is well, or some infirmities of age beset him, and she mentions the fact, and then winces away from it, as from a sore that will not bear to be touched. He, in his turn, noted every indisposition of his one remaining child's, exaggerated its nature, and sometimes worked himself up into a miserable state of anxiety, as in the case she refers to, when, her friend having named in a letter to him that his daughter was suffering from a bad cold, he could not rest till he despatched a messenger, to go, "staff in hand" a distance of fourteen miles, and see with his own eyes what was her real state, and return and report.

She evidently felt that this natural anxiety on the part of her father and friend increased the nervous depression of her own spirits, whenever she was ill; and in the following letter she expresses her strong wish that the subject of her health should be as little alluded to as possible.

"Aug. 7th.

"I am truly sorry that I allowed the words to which you refer to escape my lips, since their effect on you has been unpleasant; but try to chase every shadow of anxiety from your mind, and, unless the restraint be very disagreeable to you, permit me to add an earnest request that you will broach the subject to me no more. It is the undisguised and most harassing anxiety of others that has fixed in my mind thoughts and expectations which must canker wherever they take root; against which every effort of religion or philosophy must at times totally fail; and subjugation to which is a cruel terrible fate—the fate, indeed, of him whose life was passed under a sword suspended by a horse-hair. I have had to entreat Papa's consideration on this point. My nervous system is soon wrought on. I should wish to keep it in rational strength and coolness; but to do so I must determinedly resist the kindly-meant, but too irksome expression of an apprehension, for the realisation or defeat of which I have no possible power to be responsible. At present, I am pretty well. Thank God! Papa, I trust, is no worse, but he complains of weakness."

CHAPTER VII.

Her father was always anxious to procure every change that was possible for her, seeing, as he did, the benefit which she derived from it, however reluctant she might have been to leave her home and him beforehand. This August she was invited to go for a week to the neighbourhood of Bowness, where Sir James Kay Shuttleworth had taken a house; but she says, "I consented to go, with reluctance, chiefly to please Papa, whom a refusal on my part would much have annoyed; but I dislike to leave him. I trust he is not worse, but his complaint is still weakness. It is not right to anticipate evil, and to be always looking forward with an apprehensive spirit; but I think grief is a two-edged sword, it cuts both ways; the memory of one loss is the anticipation of another."

It was during this visit at the Briery—Lady Kay Shuttleworth having kindly invited me to meet her there—that I first made acquaintance with Miss Brontë. If I copy out part of a letter, which I wrote soon after this to a friend, who was deeply interested in her writings, I shall probably convey my first impressions more truly and freshly than by amplifying what I then said into a longer description.

"Dark when I got to Windermere station; a drive along the level road to Low-wood; then a stoppage at a pretty house, and then a pretty drawing-room, in which were Sir James and Lady Kay Shuttleworth, and a little lady in a black-silk gown, whom I could not see at first for the dazzle in the room; she came up and shook hands with me at once. I went up to unbonnet, etc.; came down to tea; the little lady worked away and hardly spoke but I had time for a good look at her. She is (as she calls herself) UNDEVELOPED, thin, and more than half a head shorter than I am; soft brown hair, not very dark; eyes (very good and expressive, looking straight and open at you) of the same colour as her hair; a large mouth; the forehead square, broad and rather over-hanging. She has a very sweet voice; rather hesitates in choosing her expressions, but when chosen they seem without an effort admirable, and just befitting the occasion; there is nothing overstrained, but perfectly simple. . . . After breakfast, we four went out on the lake, and Miss Brontë agreed with me in liking Mr. Newman's Soul, and in liking Modern Painters, and the idea of the Seven Lamps; and she told me about Father Newman's lectures at the Oratory in a very quiet, concise, graphic way. . . . She is more like Miss —— than any one in her ways—if you can fancy Miss —— to have gone through suffering enough to have taken out every spark of merriment, and to be shy and silent from the habit of extreme, intense solitude. Such a life as Miss Brontë's I never heard of before. —— described her home to me as in a village of grey stone houses, perched up on the north side of a bleak moor, looking over sweeps of bleak moors, etc., etc.

"We were only three days together; the greater part of which was spent in driving about, in order to show Miss Brontë the Westmoreland scenery, as she had never been there before. We were both included in an invitation to drink tea quietly at Fox How; and I then saw how severely her nerves were taxed by the effort of going amongst strangers. We knew beforehand that the number of the party would not exceed twelve; but she suffered the whole day from an acute headache brought on by apprehension of the evening.

"Brierly Close was situated high above Low-wood, and of course commanded an extensive view and wide horizon. I was struck by Miss Brontë's careful examination of the shape of the clouds and the signs of the heavens, in which she read, as from a book, what the coming weather would be. I told her that I saw she must have a view equal in extent at her own home. She said that I was right, but that the character of the prospect from Haworth was very different; that I had no idea what a companion the sky became to any one living in solitude,—more than any inanimate object on earth,—more than the moors themselves."

The following extracts convey some of her own impressions and feelings respecting this visit:—

"You said I should stay longer than a week in Westmoreland; you ought by this time to know me better. Is it my habit to keep dawdling at a place long after the time I first fixed on for departing? I have got home, and I am thankful to say Papa seems,—to say the least,—no worse than when I left him, yet I wish he were stronger. My visit passed off very well; I am glad I went. The scenery is, of course, grand; could I have wandered about amongst those hills ALONE, I could have drank in all their beauty; even in a carriage with company, it was very well. Sir James was all the while as kind and friendly as he could be: he is in much better health. . . . Miss Martineau was from home; she always leaves her house at Ambleside during the Lake season, to avoid the influx of visitors to which she would otherwise be subject.

"If I could only have dropped unseen out of the carriage, and gone away by myself in amongst those grand hills and sweet dales, I should have drank in the full power of this glorious scenery. In company this can hardly be. Sometimes, while —— was warning me against the faults of the artist-class, all the while vagrant artist instincts were busy in the mind of his listener.

"I forget to tell you that, about a week before I went to Westmoreland, there came an invitation to Harden Grange; which, of course, I declined. Two or three days after, a large party made their appearance here, consisting of Mrs. F—— and sundry other ladies and two gentlemen; one tall and stately, black haired and whiskered, who turned out to be Lord John Manners,—the other not so distinguished-looking, shy, and a little queer, who was Mr. Smythe, the son of Lord Strangford. I found Mrs. F. a true lady in manners and appearance, very gentle and unassuming. Lord John Manners brought in his hand a brace of grouse for Papa, which was a well-timed present: a day or two before Papa had been wishing for some."

To these extracts I must add one other from a letter referring to this time. It is addressed to Miss Wooler, the kind friend of both her girlhood and womanhood, who had invited her to spend a fortnight with her at her cottage lodgings.

"Haworth, Sept. 27th, 1850.

"When I tell you that I have already been to the Lakes this season, and that it is scarcely more than a month since I returned, you will understand that it is no longer within my option to accept your kind invitation. I wish I could have gone to you. I have already had my excursion, and there is an end of it. Sir James Kay Shuttleworth is residing near Windermere, at a house called the 'Briery,' and it was there I was staying for a little time this August. He very kindly showed me the neighbourhood, as it can be seen from a carriage, and I discerned that the Lake country is a glorious region, of which I had only seen the similitude in dreams, waking or sleeping. Decidedly I find it does not agree with me to prosecute the search of the picturesque in a carriage. A waggon, a spring-cart, even a post-chaise might do; but the carriage upsets everything. I longed to slip out unseen, and to run away by myself in amongst the hills and dales. Erratic and vagrant instincts tormented me, and these I was obliged to control or rather suppress for fear of growing in any degree enthusiastic, and thus drawing attention to the 'lioness'—the authoress.

"You say that you suspect I have formed a large circle of acquaintance by this time. No: I cannot say that I have. I doubt whether I possess either the wish or the power to do so. A few friends I should like to have, and these few I should like to know well; If such knowledge brought proportionate regard, I could not help concentrating my feelings; dissipation, I think, appears synonymous with dilution. However, I have, as yet, scarcely been tried. During the month I spent in London in the spring, I kept very quiet, having the fear of lionising before my eyes. I only went out once to dinner; and once was present at an evening party; and the only visits I have paid have been to Sir James Kay Shuttleworth's and my publisher's. From this system I should not like to depart; as far as I can see, Indiscriminate visiting tends only to a waste of time and a vulgarising of character. Besides, it would be wrong to leave Papa often; he is now in his seventy-fifth year, the infirmities of age begin to creep upon him; during the summer he has been much harassed by chronic bronchitis, but I am thankful to say that he is now somewhat better. I think my own health has derived benefit from change and exercise.

"Somebody in D—— professes to have authority for saying, that 'when Miss Brontë was in London she neglected to attend Divine service on the Sabbath, and in the week spent her time in going about to balls, theatres, and operas.' On the other hand, the London quidnuncs make my seclusion a matter of wonder, and devise twenty romantic fictions to account for it. Formerly I used to listen to report with interest, and a certain credulity; but I am now grown deaf and sceptical: experience has taught me how absolutely devoid of foundation her stories may be."

I must now quote from the first letter I had the privilege of receiving from Miss Brontë. It is dated August the 27th.

"Papa and I have just had tea; he is sitting quietly in his room, and I in mine; 'storms of rain' are sweeping over the garden and churchyard: as to the moors, they are hidden in thick fog. Though alone, I am not unhappy; I have a thousand things to be thankful for, and, amongst the rest, that this morning I received a letter from you, and that this evening I have the privilege of answering it.

"I do not know the 'Life of Sydney Taylor;' whenever I have the opportunity I will get it. The little French book you mention shall also take its place on the list of books to be procured as soon as possible. It treats a subject interesting to all women—perhaps, more especially to single women; though, indeed, mothers, like you, study it for the sake of their daughters. The Westminster Review is not a periodical I see regularly, but some time since I got hold of a number—for last January, I think—in which there was an article entitled 'Woman's Mission' (the phrase is hackneyed), containing a great deal that seemed to me just and sensible. Men begin to regard the position of woman in another light than they used to do; and a few men, whose sympathies are fine and whose sense of justice is strong, think and speak of it with a candour that commands my admiration. They say, however—and, to an extent, truly—that the amelioration of our condition depends on ourselves. Certainly there are evils which our own efforts will best reach; but as certainly there are other evils—deep-rooted in the foundation of the social system—which no efforts of ours can touch: of which we cannot complain; of which it is advisable not too often to think.

"I have read Tennyson's 'In Memoriam,' or rather part of it; I closed the book when I had got about half way. It is beautiful; it is mournful; it is monotonous. Many of the feelings expressed bear, in their utterance, the stamp of truth; yet, if Arthur Hallam had been somewhat nearer Alfred Tennyson, his brother instead of his friend,—I should have distrusted this rhymed, and measured, and printed monument of grief. What change the lapse of years may work I do not know; but it seems to me that bitter sorrow, while recent, does not flow out in verse.

"I promised to send you Wordsworth's 'Prelude,' and, accordingly, despatch it by this post; the other little volume shall follow in a day or two. I shall be glad to hear from you whenever you have time to write to me, but you are never, on any account, to do this except when inclination prompts and leisure permits. I should never thank you for a letter which you had felt it a task to write."

A short time after we had met at the Briery, she sent me the volume of Currer, Ellis, and Acton Bell's poems; and thus alludes to them in the note that accompanied the parcel:—

"The little book of rhymes was sent by way of fulfilling a rashly-made promise; and the promise was made to prevent you from throwing away four shillings in an injudicious purchase. I do not like my own share of the work, nor care that it should be read: Ellis Bell's I think good and vigorous, and Acton's have the merit of truth and simplicity. Mine are chiefly juvenile productions; the restless effervescence of a mind that would not be still. In those days, the sea too often 'wrought and was tempestuous,' and weed, sand, shingle—all turned up in the tumult. This image is much too magniloquent for the subject, but you will pardon it."

Another letter of some interest was addressed, about this time, to a literary friend, on Sept. 5th:—

"The reappearance of the Athenaeum is very acceptable, not merely for its own sake,—though I esteem the opportunity of its perusal a privilege,—but because, as a weekly token of the remembrance of friends, it cheers and gives pleasure. I only fear that its regular transmission may become a task to you; in this case, discontinue it at once.

"I did indeed enjoy my trip to Scotland, and yet I saw little of the face of the country; nothing of its grandeur or finer scenic features; but Edinburgh, Melrose, Abbotsford—these three in themselves sufficed to stir feelings of such deep interest and admiration, that neither at the time did I regret, nor have I since regretted, the want of wider space over which to diffuse the sense of enjoyment. There was room and variety enough to be very happy, and 'enough,' the proverb says, 'is as good as a feast.' The queen, indeed, was right to climb Arthur's Seat with her husband and children. I shall not soon forget how I felt when, having reached its summit, we all sat down and looked over the city—towards the sea and Leith, and the Pentland Hills. No doubt you are proud of being a native of Scotland,—proud of your country, her capital, her children, and her literature. You cannot be blamed.

"The article in the Palladium is one of those notices over which an author rejoices trembling. He rejoices to find his work finely, fully, fervently appreciated, and trembles under the responsibility such appreciation seems to devolve upon him. I am counselled to wait and watch—D. V. I will do so; yet it is harder to wait with the hands bound, and the observant and reflective faculties at their silent and unseen work, than to labour mechanically.

"I need not say how I felt the remarks on 'Wuthering Heights;' they woke the saddest yet most grateful feelings; they are true, they are discriminating, they are full of late justice, but it is very late—alas! in one sense, TOO late. Of this, however, and of the pang of regret for a light prematurely extinguished, it is not wise to speak much. Whoever the author of this article may be, I remain his debtor.

"Yet, you see, even here, Shirley is disparaged in comparison with "Jane Eyre"; and yet I took great pains with Shirley. I did not hurry; I tried to do my best, and my own impression was that it was not inferior to the former work; indeed, I had bestowed on it more time, thought, and anxiety: but great part of it was written under the shadow of impending calamity; and the last volume, I cannot deny, was composed in the eager, restless endeavour to combat mental sufferings that were scarcely tolerable.

"You sent the tragedy of 'Galileo Galilei,' by Samuel Brown, in one of the Cornhill parcels; it contained, I remember, passages of very great beauty. Whenever you send any more books (but that must not be till I return what I now have) I should be glad if you would include amongst them the 'Life of Dr. Arnold.' Do you know also the 'Life of Sydney Taylor?' I am not familiar even with the name, but it has been recommended to me as a work meriting perusal. Of course, when I name any book, it is always understood that it should be quite convenient to send it."

CHAPTER VIII.

It was thought desirable about this time, to republish "Wuthering Heights" and "Agnes Grey", the works of the two sisters, and Charlotte undertook the task of editing them.

She wrote to Mr. Williams, September 29th, 1850, "It is my intention to write a few lines of remark on 'Wuthering Heights,' which, however, I propose to place apart as a brief preface before the tale. I am likewise compelling myself to read it over, for the first time of opening the book since my sister's death. Its power fills me with renewed admiration; but yet I am oppressed: the reader is scarcely ever permitted a taste of unalloyed pleasure; every beam of sunshine is poured down through black bars of threatening cloud; every page is surcharged with a sort of moral electricity; and the writer was unconscious of all this—nothing could make her conscious of it.

"And this makes me reflect,—perhaps I am too incapable of perceiving the faults and peculiarities of my own style.

"I should wish to revise the proofs, if it be not too great an inconvenience to send them. It seems to me advisable to modify the orthography of the old servant Joseph's speeches; for though, as it stands, it exactly renders the Yorkshire dialect to a Yorkshire ear, yet, I am sure Southerns must find it unintelligible; and thus one of the most graphic characters in the book is lost on them.

"I grieve to say that I possess no portrait of either of my sisters."

To her own dear friend, as to one who had known and loved her sisters, she writes still more fully respecting the painfulness of her task.

"There is nothing wrong, and I am writing you a line as you desire, merely to say that I AM busy just now. Mr. Smith wishes to reprint some of Emily's and Annie's works, with a few little additions from the papers they have left; and I have been closely engaged in revising, transcribing, preparing a preface, notice, etc. As the time for doing this is limited, I am obliged to be industrious. I found the task at first exquisitely painful and depressing; but regarding it in the light of a SACRED DUTY, I went on, and now can bear it better. It is work, however, that I cannot do in the evening, for if I did, I should have no sleep at night. Papa, I am thankful to say, is in improved health, and so, I think, am I; I trust you are the same.

"I have just received a kind letter from Miss Martineau. She has got back to Ambleside, and had heard of my visit to the Lakes. She expressed her regret, etc., at not being at home.

"I am both angry and surprised at myself for not being in better spirits; for not growing accustomed, or at least resigned, to the solitude and isolation of my lot. But my late occupation left a result for some days, and indeed still, very painful. The reading over of papers, the renewal of remembrances brought back the pang of bereavement, and occasioned a depression of spirits well nigh intolerable. For one or two nights, I scarcely knew how to get on till morning; and when morning came, I was still haunted with a sense of sickening distress. I tell you these things, because it is absolutely necessary to me to have some relief. You will forgive me, and not trouble yourself, or imagine that I am one whit worse than I say. It is quite a mental ailment, and I believe and hope is better now. I think so, because I can speak about it, which I never can when grief is at its worst.

"I thought to find occupation and interest in writing, when alone at home, but hitherto my efforts have been vain; the deficiency of every stimulus is so complete. You will recommend me, I dare say, to go from home; but that does no good, even could I again leave Papa with an easy mind (thank God! he is better). I cannot describe what a time of it I had after my return from London, Scotland, etc. There was a reaction that sunk me to the earth; the deadly silence, solitude, desolation, were awful; the craving for companionship, the hopelessness of relief, were what I should dread to feel again.

"Dear ——, when I think of you, it is with a compassion and tenderness that scarcely cheer me. Mentally, I fear, you also are too lonely and too little occupied. It seems our doom, for the present at least. May God in His mercy help us to bear it!"

During her last visit to London, as mentioned in one of her letters, she had made the acquaintance of her correspondent, Mr. Lewes. That gentleman says:—

"Some months after" (the appearance of the review of "Shirley" in the Edinburgh), "Currer Bell came to London, and I was invited to meet her at your house. You may remember, she asked you not to point me out to her, but allow her to discover me if she could. She DID recognise me almost as soon as I came into the room. You tried me in the same way; I was less sagacious. However, I sat by her side a great part of the evening and was greatly interested by her conversation. On parting we shook hands, and she said, 'We are friends now, are we not?' 'Were we not always, then?' I asked. 'No! not always,' she said, significantly; and that was the only allusion she made to the offending article. I lent her some of Balzac's and George Sand's novels to take with her into the country; and the following letter was written when they were returned:"—

"I am sure you will have thought me very dilatory in returning the books you so kindly lent me. The fact is, having some other books to send, I retained yours to enclose them in the same parcel.

"Accept my thanks for some hours of pleasant reading. Balzac was for me quite a new author; and in making big acquaintance, through the medium of 'Modeste Mignon,' and 'Illusions perdues,' you cannot doubt I have felt some interest. At first, I thought he was going to be painfully minute, and fearfully tedious; one grew impatient of his long parade of detail, his slow revelation of unimportant circumstances, as he assembled his personages on the stage; but by and bye I seemed to enter into the mystery of his craft, and to discover, with delight, where his force lay: is it not in the analysis of motive; and in a subtle perception of the most obscure and secret workings of the mind? Still, admire Balzac as we may, I think we do not like him; we rather feel towards him as towards an ungenial acquaintance who is for ever holding up in strong light our defects, and who rarely draws forth our better qualities.

"Truly, I like George Sand better.

"Fantastic, fanatical, unpractical enthusiast as she often is—far from truthful as are many of her views of life—misled, as she is apt to be, by her feelings—George Sand has a better nature than M. de Balzac; her brain is larger, her heart warmer than his. The 'Lettres d'un Voyageur' are full of the writer's self; and I never felt so strongly, as in the perusal of this work, that most of her very faults spring from the excess of her good qualities: it is this excess which has often hurried her into difficulty, which has prepared for her enduring regret.

"But I believe her mind is of that order which disastrous experience teaches, without weakening or too much disheartening; and, in that case, the longer she lives the better she will grow. A hopeful point in all her writings is the scarcity of false French sentiment; I wish I could say its absence; but the weed flourishes here and there, even in the 'Lettres.'"

I remember the good expression of disgust which Miss Brontë made use of in speaking to me of some of Balzac's novels: "They leave such a bad taste in my mouth."

The reader will notice that most of the letters from which I now quote are devoted to critical and literary subjects. These were, indeed, her principal interests at this time; the revision of her sister's works, and writing a short memoir of them, was the painful employment of every day during the dreary autumn of 1850. Wearied out by the vividness of her sorrowful recollections, she sought relief in long walks on the moors. A friend of hers, who wrote to me on the appearance of the eloquent article in the Daily News upon the "Death of Currer Bell," gives an anecdote which may well come in here.

"They are mistaken in saying she was too weak to roam the hills for the benefit of the air. I do not think any one, certainly not any woman, in this locality, went so much on the moors as she did, when the weather permitted. Indeed, she was so much in the habit of doing so, that people, who live quite away on the edge of the common, knew her perfectly well. I remember on one occasion an old woman saw her at a little distance, and she called out, 'How! Miss Brontë! Hey yah (have you) seen ought o' my cofe (calf)?' Miss Brontë told her she could not say, for she did not know it. 'Well!' she said, 'Yah know, it's getting up like nah (now), between a cah (cow) and a cofe—what we call a stirk, yah know, Miss Brontë; will yah turn it this way if yah happen to see't, as yah're going back, Miss Brontë; nah DO, Miss Brontë.'"

It must have been about this time that a visit was paid to her by some neighbours, who were introduced to her by a mutual friend. This visit has been described in a letter from which I am permitted to give extracts, which will show the impression made upon strangers by the character of the country round her home, and other circumstances. "Though the weather was drizzly, we resolved to make our long-planned excursion to Haworth; so we packed ourselves into the buffalo-skin, and that into the gig, and set off about eleven. The rain ceased, and the day was just suited to the scenery,—wild and chill,—with great masses of cloud glooming over the moors, and here and there a ray of sunshine covertly stealing through, and resting with a dim magical light upon some high bleak village; or darting down into some deep glen, lighting up the tall chimney, or glistening on the windows and wet roof of the mill which lies couching in the bottom. The country got wilder and wilder as we approached Haworth; for the last four miles we were ascending a huge moor, at the very top of which lies the dreary black-looking village of Haworth. The village-street itself is one of the steepest hills I have ever seen, and the stones are so horribly jolting that I should have got out and walked with W——, if possible, but, having once begun the ascent, to stop was out of the question. At the top was the inn where we put up, close by the church; and the clergyman's house, we were told, was at the top of the churchyard. So through that we went,—a dreary, dreary place, literally PAVED with rain-blackened tombstones, and all on the slope, for at Haworth there is on the highest height a higher still, and Mr. Brontë's house stands considerably above the church. There was the house before us, a small oblong stone house, with not a tree to screen it from the cutting wind; but how were we to get at it from the churchyard we could not see! There was an old man in the churchyard, brooding like a Ghoul over the graves, with a sort of grim hilarity on his face. I thought he looked hardly human; however, he was human enough to tell us the way; and presently we found ourselves in the little bare parlour. Presently the door opened, and in came a superannuated mastiff, followed by an old gentleman very like Miss Brontë, who shook hands with us, and then went to call his daughter. A long interval, during which we coaxed the old dog, and looked at a picture of Miss Brontë, by Richmond, the solitary ornament of the room, looking strangely out of place on the bare walls, and at the books on the little shelves, most of them evidently the gift of the authors since Miss Brontë's celebrity. Presently she came in, and welcomed us very kindly, and took me upstairs to take off my bonnet, and herself brought me water and towels. The uncarpeted stone stairs and floors, the old drawers propped on wood, were all scrupulously clean and neat. When we went into the parlour again, we began talking very comfortably, when the door opened and Mr. Brontë looked in; seeing his daughter there, I suppose he thought it was all right, and he retreated to his study on the opposite side of the passage; presently emerging again to bring W—— a country newspaper. This was his last appearance till we went. Miss Brontë spoke with the greatest warmth of Miss Martineau, and of the good she had gained from her. Well! we talked about various things; the character of the people,—about her solitude, etc., till she left the room to help about dinner, I suppose, for she did not return for an age. The old dog had vanished; a fat curly-haired dog honoured us with his company for some time, but finally manifested a wish to get out, so we were left alone. At last she returned, followed by the maid and dinner, which made us all more comfortable; and we had some very pleasant conversation, in the midst of which time passed quicker than we supposed, for at last W—— found that it was half-past three, and we had fourteen or fifteen miles before us. So we hurried off, having obtained from her a promise to pay us a visit in the spring; and the old gentleman having issued once more from his study to say good-bye, we returned to the inn, and made the best of our way homewards.

"Miss Brontë put me so in mind of her own 'Jane Eyre.' She looked smaller than ever, and moved about so quietly, and noiselessly, just like a little bird, as Rochester called her, barring that all birds are joyous, and that joy can never have entered that house since it was first built; and yet, perhaps, when that old man married, and took home his bride, and children's voices and feet were heard about the house, even that desolate crowded grave-yard and biting blast could not quench cheerfulness and hope. Now there is something touching in the sight of that little creature entombed in such a place, and moving about herself like a spirit, especially when you think that the slight still frame encloses a force of strong fiery life, which nothing has been able to freeze or extinguish."

In one of the preceding letters, Miss Brontë referred to am article in the Palladium, which had rendered what she considered the due meed of merit to "Wuthering Heights", her sister Emily's tale. Her own works were praised, and praised with discrimination, and she was grateful for this. But her warm heart was filled to the brim with kindly feelings towards him who had done justice to the dead. She anxiously sought out the name of the writer; and having discovered that it was Mr. Sydney Dobell he immediately became one of her

"Peculiar people whom Death had made dear."

She looked with interest upon everything he wrote; and before long we shall find that they corresponded.

To W. S. WILLIAMS, ESQ.

"Oct. 25th.

"The box of books came last night, and, as usual, I have only gratefully to admire the selection made: 'Jeffrey's Essays,' 'Dr. Arnold's Life,' 'The Roman,' 'Alton Loche,' these were all wished for and welcome.

"You say I keep no books; pardon me—I am ashamed of my own rapaciousness I have kept 'Macaulay's History,' and Wordsworth's 'Prelude', and Taylor's 'Philip Van Artevelde.' I soothe my conscience by saying that the two last,—being poetry—do not count. This is a convenient doctrine for me I meditate acting upon it with reference to the Roman, so I trust nobody in Cornhill will dispute its validity or affirm that 'poetry' has a value, except for trunk-makers.

"I have already had 'Macaulay's Essays,' 'Sidney Smith's Lectures on Moral Philosophy,' and 'Knox on Race.' Pickering's work on the same subject I have not seen; nor all the volumes of Leigh Hunt's Autobiography. However, I am now abundantly supplied for a long time to come. I liked Hazlitt's Essays much.

"The autumn, as you say, has been very fine. I and solitude and memory have often profited by its sunshine on the moors.

"I had felt some disappointment at the non-arrival of the proof-sheets of 'Wuthering Heights;' a feverish impatience to complete the revision is apt to beset me. The work of looking over papers, etc., could not be gone through with impunity, and with unaltered spirits; associations too tender, regrets too bitter, sprang out of it. Meantime, the Cornhill books now, as heretofore, are my best medicine,—affording a solace which could not be yielded by the very same books procured from a common library.

"Already I have read the greatest part of the 'Roman;' passages in it possess a kindling virtue such as true poetry alone can boast; there are images of genuine grandeur; there are lines that at once stamp themselves on the memory. Can it be true that a new planet has risen on the heaven, whence all stars seemed fast fading? I believe it is; for this Sydney or Dobell speaks with a voice of his own, unborrowed, unmimicked. You hear Tennyson, indeed, sometimes, and Byron sometimes, in some passages of the Roman; but then again you have a new note,—nowhere clearer than in a certain brief lyric, sang in a meeting of minstrels, a sort of dirge over a dead brother;—THAT not only charmed the ear and brain, it soothed the heart."

The following extract will be read with interest as conveying her thoughts after the perusal of Dr. Arnold's Life:—

"Nov. 6th.

"I have just finished reading the 'Life of Dr. Arnold;' but now when I wish, according to your request, to express what I think of it, I do not find the task very easy; proper terms seem wanting. This is not a character to be dismissed with a few laudatory words; it is not a one-sided character; pure panegyric would be inappropriate. Dr. Arnold (it seems to me) was not quite saintly; his greatness was cast in a mortal mould; he was a little severe, almost a little hard; he was vehement and somewhat oppugnant. Himself the most indefatigable of workers, I know not whether he could have understood, or made allowance for, a temperament that required more rest; yet not to one man in twenty thousand is given his giant faculty of labour; by virtue of it he seems to me the greatest of working men. Exacting he might have been, then, on this point; and granting that he were so, and a little hasty, stern, and positive, those were his sole faults (if, indeed, that can be called a fault which in no shape degrades the individual's own character; but is only apt to oppress and overstrain the weaker nature of his neighbours). Afterwards come his good qualities. About these there is nothing dubious. Where can we find justice, firmness, independence, earnestness, sincerity, fuller and purer than in him?

"But this is not all, and I am glad of it. Besides high intellect and stainless rectitude, his letters and his life attest his possession of the most true-hearted affection. WITHOUT this, however one might admire, we could not love him; but WITH it I think we love him much. A hundred such men—fifty—nay, ten or five such righteous men might save any country; might victoriously champion any cause.

"I was struck, too, by the almost unbroken happiness of his life; a happiness resulting chiefly, no doubt, from the right use to which he put that health and strength which God had given him, but also owing partly to a singular exemption from those deep and bitter griefs which most human beings are called on to endure. His wife was what he wished; his children were healthy and promising; his own health was excellent; his undertakings were crowned with success; even death was kind,—for, however sharp the pains of his last hour, they were but brief. God's blessing seems to have accompanied him from the cradle to the grave. One feels thankful to know that it has been permitted to any man to live such a life.

"When I was in Westmoreland last August, I spent an evening at Fox How, where Mrs. Arnold and her daughters still reside. It was twilight as I drove to the place, and almost dark ere I reached it; still I could perceive that the situation was lovely. The house looked like a nest half buried in flowers and creepers: and, dusk as it was, I could FEEL that the valley and the hills round were beautiful as imagination could dream."

If I say again what I have said already before, it is only to impress and re-impress upon my readers the dreary monotony of her life at this time. The dark, bleak season of the year brought back the long evenings, which tried her severely: all the more so, because her weak eyesight rendered her incapable of following any occupation but knitting by candle-light. For her father's sake, as well as for her own, she found it necessary to make some exertion to ward off settled depression of spirits. She accordingly accepted an invitation to spend a week or ten days with Miss Martineau at Ambleside. She also proposed to come to Manchester and see me, on her way to Westmoreland. But, unfortunately, I was from home, and unable to receive her. The friends with whom I was staying in the South of England (hearing me express my regret that I could not accept her friendly proposal, and aware of the sad state of health and spirits which made some change necessary for her) wrote to desire that she would come and spend a week or two with me at their house. She acknowledged this invitation in a letter to me, dated—

"Dec. 13th, 1850.

"My dear Mrs. Gaskell,—Miss ——'s kindness and yours is such that I am placed in the dilemma of not knowing how adequately to express my sense of it. THIS I know, however, very well-that if I COULD go and be with you for a week or two in such a quiet south-country house, and with such kind people as you describe, I should like it much. I find the proposal marvellously to my taste; it is the pleasantest, gentlest, sweetest, temptation possible; but, delectable as it is, its solicitations are by no means to be yielded to without the sanction of reason, and therefore I desire for the present to be silent, and to stand back till I have been to Miss Martineau's, and returned home, and considered well whether it is a scheme as right as agreeable.

"Meantime, the mere thought does me good."

On the 10th of December, the second edition of "Wuthering Heights" was published. She sent a copy of it to Mr. Dobell, with the following letter:—

To MR. DOBELL.

"Haworth, near Keighley, Yorkshire,

"Dec. 8th, 1850.

"I offer this little book to my critic in the 'Palladium,' and he must believe it accompanied by a tribute of the sincerest gratitude; not so much for anything he has said of myself, as for the noble justice he has rendered to one dear to me as myself—perhaps dearer; and perhaps one kind word spoken for her awakens a deeper, tenderer, sentiment of thankfulness than eulogies heaped on my own head. As you will see when you have read the biographical notice, my sister cannot thank you herself; she is gone out of your sphere and mine, and human blame and praise are nothing to her now. But to me, for her sake, they are something still; it revived me for many a day to find that, dead as she was, the work of her genius had at last met with worthy appreciation.

"Tell me, when you have read the introduction, whether any doubts still linger in your mind respecting the authorship of 'Wuthering Heights,' 'Wildfell Hall,' etc. Your mistrust did me some injustice; it proved a general conception of character such as I should be sorry to call mine; but these false ideas will naturally arise when we only judge an author from his works. In fairness, I must also disclaim the flattering side of the portrait. I am no 'young Penthesilea mediis in millibus,' but a plain country parson's daughter.

"Once more I thank you, and that with a full heart.

"C. BRONTË."