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The Life of David Belasco; Vol. 1

Chapter 2: ILLUSTRATIONS. Volume One.
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A detailed biography chronicles the life and professional development of a prominent actor, dramatist, and theatrical manager, tracing early ambitions, rise to influence, major productions, managerial innovations, and public controversies including dealings with the Theatrical Syndicate. The narrative blends chronological memoir, critical appraisal, and personal recollection to examine staging techniques, business strategy, and artistic temperament. It incorporates anecdotes, correspondence, reviews, and assessments of collaborators while assessing the subject’s methods and impact on contemporary theatre practice. A prefatory account explains that the manuscript was prepared and completed after the author’s death, with an editor supplying dates, filling gaps, and unifying unfinished sections.

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Title: The Life of David Belasco; Vol. 1

Author: William Winter

William Jefferson Winter

Release date: June 22, 2020 [eBook #62448]
Most recently updated: October 18, 2024

Language: English

Credits: Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images available at The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK THE LIFE OF DAVID BELASCO; VOL. 1 ***

Contents.
Index To Volume One

List of Illustrations

(etext transcriber's note)

THE LIFE OF
DAVID BELASCO

VOLUME ONE

THE RECENT

WORKS OF WILLIAM WINTER


Other Days., Being Chronicles and Memories of The Stage (1908).

Old Friends., Being Literary Recollections of Other Days (1909).

Poems (Definitive Edition—1909).

Life and Art of Richard Mansfield (Two Volumes—1910).

Shakespeare’s England (Revised and Augmented—1910).

Gray Days and Gold (Revised and Augmented—1911).

Over the Border (Scotch Companion to Above—1911).

Shakespeare on the Stage,—First Series: 1911. I. “Shakespeare Spells Ruin.” II. King Richard III. III. The Merchant of Venice. IV. Othello. V. Hamlet. VI. Macbeth. VII. King Henry VIII.

Shakespeare on the Stage,—Second Series: 1915. I. Twelfth Night. II. Romeo and Juliet. III. As You Like It. IV. King Lear. V. The Taming of the Shrew. VI. Julius Cæsar.

Shakespeare on the Stage,—Third Series: 1916. I. Cymbeline. II. Love’s Labor’s Lost. III. Coriolanus. IV. A Midsummer Night’s Dream. V. King Henry IV.,—First and Second Parts. VI. The Merry Wives of Windsor. VII. Antony and Cleopatra. VIII. King John.

Lives of the Players:—I. Tyrone Power (1912).

The Wallet of Time, Containing Personal, Biographical, and Critical Reminiscence of the American Theatre (Two Volumes—1913).

Vagrant Memories, Being Further Recollections of Other Days (1915).

The Life of David Belasco (Two Volumes—1918).

 

 

THE LIFE

OF

DAVID BELASCO

BY

WILLIAM WINTER

(1836-1917)

“He, being dead, yet speaketh.”


VOLUME ONE


New York
MOFFAT, YARD AND COMPANY
1918


Copyright, 1918, by
JEFFERSON WINTER

All Rights Reserved




TO

THE MEMORY OF
REINA MARTIN BELASCO

This Memoir of Her Son

DAVID BELASCO

Actor, Dramatist, and Manager,
Whom She Dearly Loved
And by Whom She Was Idolized,
Is Reverently Dedicated
By the Stranger Who Has Written It,
Hoping Thereby to Honor and Commemorate
Genius, Courage, Industry, Enterprise, and Energy,
Exemplified in a Useful and Beneficent Life,
In the Service of
The Theatre


If Heaven to souls that dwell in bliss can show
The fate of those they love and leave behind,
She, in that Heaven, may be glad to know
Her son was honored with his human kind.

 

 

Each petty hand
Can steer a ship becalm’d, but he that will
Govern and carry her to her ends must know
His tides, his currents, how to shift his sails,
What she will bear in foul, what in fair, weathers,
What her springs are, her leaks and how to stop ’em,
What strands, what shelves, what rocks, do threaten her,
The forces and the nature of all winds,
Gusts, storms, and tempests, when her keel ploughs hell
And deck knocks heaven, THEN to manage her
Becomes the name and office of a Pilot!
—BEN JONSON, IN “CATILINE.”

 

 

CONTENTS

The Life of David Belasco—Volume One

THE LIFE OF DAVID BELASCO PAGE
Ancestry and Birth1
Boyhood in British Columbia2
Early Proclivity for the Theatre6
Memories of Julia Dean7
Removal to San Francisco10
Glimpses of Boyhood12
School Days in San Francisco14
Hard Times in Early Days15
The Sentimental Stowaway17
A Bohemian Interlude19
Belasco’s Earliest Associations with the Theatre in San Francisco22
An Early Friend,--W. H. Sedley-Smith28
Adoption of the Stage34
Belasco’s Theatrical Novitiate35
A Theatrical Vagabond39
Emulation of Walter Montgomery42
A Romantic Courtship.--Marriage44
Theatrical Life in Virginia City50
Dion Boucicault and Katharine Rodgers52
Conflictive Testimony53
Variegated Experiences61
Random Recollections.--187573
Baldwin’s Academy and Barry Sullivan86
With Booth at the California93
Belasco and “The Egyptian Mystery”97
A Reminiscence of Helena Modjeska100
Strolling ad interim.--Belasco as “The First Old Woman”103
A Substantial Tribute104
“Olivia” and “Proof Positive”106
Belasco’s Version of “Not Guilty”108
Withdrawal from the Baldwin.--“The Lone Pine” and Denman Thompson110
“Within an Inch of His Life”113
Salmi Morse’s “Passion Play”114
Not the Oberammergau Drama116
Constituents of Morse’s Play118
As to Propriety120
“The Passion Play” in New York121
Belasco’s Services to Morse’s Enterprise123
“The Millionaire’s Daughter”125
Detraction of Belasco.--Early California Influences129
Belasco’s Repertory as an Actor140
Belasco’s “The Story of My Life”148
The Evil of Incompetent Criticism155
The Nature of Belasco’s Talents and Services159
Concerning Matters of Fact163
A Leading Lady in a Pet176
Rose Coghlan and “The Moonlight Marriage”179
“L’Assommoir” and a Double-Barrelled Benefit183
A Hot Water Rehearsal187
The Play Of “Chums”188
From San Francisco to Chicago191
“Hearts of Oak”193
First Venture in New York196
James Alfred Herne197
Analysis of “Hearts of Oak”201
Failure and Its Consequences205
San Francisco Again208
Belasco’s Recollections of Adelaide Neilson209
The Black Pearl211
Miss Neilson’s Good Influence213
“Paul Arniff”214
Waning Fortunes at the Baldwin216
An Old Acquaintance,--John T. Malone218
“True to the Core”220
A Sterling Actor and an Interesting Estimate:--William E. Sheridan221
Laura Don.--An Unfulfilled Ambition225
“La Belle Russe”230
“The Stranglers of Paris”237
New York Again.--“La Belle Russe” at Wallack’s241
An Opinion by Bronson Howard.--Wallack in the Thirtieth Street House244
Belasco and His “The Curse of Cain”248
The Passing of Maguire252
Belasco and Gustav Frohman.—They Revive “The Octoroon”254
“American Born”257
First Meeting with Charles Frohman259
Eastward, Ho!260
A Retrospect263
A Second Venture in Chicago.—The Last of “American Born” 269
The Madison Square Theatre271
Belasco at the Madison Square275
“May Blossom”280
First Visit to England.--“Called Back”290
Changes at the Madison Square292
A Laborious Interlude.--Lyceum Theatre294
“Valerie” at Wallack’s298
More Errors Corrected306
An Extraordinary Company and a Summer Season in San Francisco307
Affairs of the Lyceum311
“The Highest Bidder”314
“Pawn Ticket 210”317
“Baron Rudolph” and George S. Knight321
“The Wife”326
“A Common-Sense Husband”327
Revision of “She”337
“Lord Chumley” and E. H. Sothern340
“The Kaffir Diamond”345
Louis Aldrich347
The School of Acting348
The True School Is the Stage351
A Revival of “Electra”353
Many New Tasks355
“The Charity Ball”357
Mrs. Leslie Carter361
Episode of “The Prince and the Pauper”365
Retirement from the Lyceum Theatre367
A Long, Long Road370
Confederation with Charles Frohman373
Proctor’s Twenty-third Street Theatre374
The Play of “Men and Women”377
Hatching “The Ugly Duckling”383
“The Ugly Duckling.”--Mrs. Carter’s Debut385
More Failure, and a Lawsuit388
A Poverty-stricken Struggle392
“Miss Helyett” and Mrs. Carter396
Origin of the Empire Theatre400
“The Girl I Left Behind Me”403
Excellence of That Indian Drama406
The Value of Suggestion in Art417
A Suggestive Reminiscence of Frontier Days420
Belasco and Charles Frohman421
A Charles Frohman Letter422
A Baffled Enterprise in Chicago424
“The Younger Son”428
Fighting for a Chance431
Story and Production of “The Heart of Maryland.”--Its Great Success438
“The First Born.”--A Success and a Failure447
Belasco’s Second English Venture.--“The Heart of Maryland” in London451
“Zaza,” and the Ethical Question456
Production, and Contents, of “Zaza”461
Mrs. Carter’s Impersonation of Zaza464
Death of Belasco’s Mother.--“Can the Dead Come Back?”--A Strange Experience466
Blanche Bates and “Naughty Anthony”469
“Madame Butterfly”476
“Zaza” Abroad484
Views of the French Dramatists485
“With Speed for England.”--Another Success in London486
Puccini and Belasco488
“Madame Butterfly” as an Opera.--A Proposal by Lady Valerie Meux489
Index497

 

ILLUSTRATIONS.

Volume One.

In Photogravure.
David BelascoFrontispiece
 TO FACE PAGE
William Winterxxvi
John McCullough18
Cecilia Loverich, Mrs. David Belasco44
David Belasco as Robert Macaire80
Edwin Booth as Hamlet94
David Belasco as Marc Antony, in “Julius Cæsar”136
David Belasco as Fagin, in “Oliver Twist”146
Lawrence Barrett as Caius Cassius, in “Julius Cæsar”166
Joseph Jefferson as Rip Van Winkle176
Adelaide Neilson214
David Belasco as King Louis the Eleventh226
David Belasco as Uncle Tom, in “Uncle Tom’s Cabin”258
David Belasco as Hamlet294
In Halftone.
The Infant Belasco and His Parents2
Julia Dean (Hayne)6
“The Keans”: Charles John Kean, & Ellen Tree, Mrs. Kean10
Belasco’s Parents, Humphrey Abraham, and Reina Martin, Belasco, About 186522
William Henry Sedley-Smith28
Mrs. Frank Mark Bates32
Sallie Hinckley32
The Chapman Sisters: Ella Chapman & Blanche Chapman36
Belasco, About 1873-’7540
Joseph Murphy48
John Piper48
Mrs. D. P. Bowers52
Dion Boucicault56
Katharine Rodgers60
John T. Raymond66
Gertrude Granville74
Annie Pixley as M’liss74
Playbill of “The Egyptian Mystery,” at Egyptian Hall, San Francisco, 187798
Helena Modjeska104
Belasco as Armand Duval, in “Camille”130
Belasco, About 1880140
Henry J. Montague150
Augustin Daly, About 1870-’75160
Rose Coghlan178
Nina Varian178
Lewis Morrison188
James O’Neill188
James A. Herne200
Mary Jeffreys-Lewis230
Osmond Tearle230
Thomas Maguire252
F. F. Mackaye262
Gustave Frohman262
Georgia Cayvan286
Charles Frohman292
Daniel Frohman292
Steele Mackaye, About 1886298
Annie Robe304
Kyrle Bellew304
Lester Wallack306
Albert M. Palmer310
Edward H. Sothern, About 1888314
Lotta (Charlotte Crabtree), About the time of “Pawn Ticket 210”320
David Belasco and Clay M. Greene in 1887330
A Scene from the “Electra” of Sophocles, as Produced by Belasco, at the old Lyceum Theatre, New York354
Elsie Leslie as the Pauper-Prince, in “The Prince and the Pauper”366
Henry C. De Mille374
Mrs. Leslie Carter, About the time of “The Ugly Duckling”386
Mrs. Leslie Carter as Miss Helyett400
Belasco, About 1893430
Mrs. Leslie Carter, About 1895438
Mrs. Leslie Carter as Maryland Calvert, in “The Heart of Maryland”446
Mrs. Leslie Carter as Zaza464
Belasco, About 1899-1900472
The Death Scene, Belasco’s “Madame Butterfly”480
Giacomo Puccini484
Geraldine Farrar as Madama Butterfly490