The Life-Work of Flaubert, from the Russian of Merejowski
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About This Book
The essay analyzes the tension between artistic genius and moral character, arguing that intense aesthetic observation can erode ethical feeling. Opening with Balzac's notion of genius as a destructive malady and illustrating this with the sculptor who studies the Laocoön, it shows how artists develop detached, analytical attitudes that prioritize beauty and interest over compassion. It examines Flaubert's correspondence and his credo that art supersedes life, chronicling his habit of scrutinizing emotion, subordinating personal feeling to the work, and insisting that the work outweighs the man. Psychological reflection and close textual reading trace how aesthetic commitment shapes temperament, conduct, and creative practice.
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